Interview with Nona Footz: A Mansion of Her Own

A Mansion of Her Own: The Mysterious Life of Heiress Alice Delamar – Nona Footz with Audrey Clare Farley – Grand Central Publishing – 9781538772072 – 272 pages – $32.50 – October 8, 2026 – ebook versions available at lower prices

It was impossible for me to resist a story about a reclusive heiress who lived only a few miles from where I grew up and lived in southwestern Connecticut. The towns there now are mostly well-to-do suburban enclaves, and best known for their wealth and well-known residents. But when I was growing up there, and earlier in the twentieth century, much of Fairfield County was quite rural. In those times, the area attracted many artists, writers, dancers and Bohemian types who found it a respite from the urban travails of nearby New York City. Only an hour by train or car (on roads with far less traffic than today), it was attractive to a wide range of people, some of whom were quite well off.

One of those very rich people was a secretive heiress, Alice DeLamar. In 1918 at age twenty-three, she inherited her mining magnate father’s massive wealth, making her the richest woman in America. She immediately became the target of the press, who wanted to know all about her, especially whom she would marry (of course).

Alice was not the kind of person who enjoyed this attention. She found a piece of land in then rural Weston, Connecticut, and built an estate, where she spent time with an amazing array of interesting people, most of whom were in the arts and many of whom either were then or who are now, quite well-known. She sponsored the children’s writer Ludwig Bemelmans (Madeleine was created there), the actress and producer Eva LeGallienne (with whom she had a lengthy romantic relationship), hosted Vladimir Nabokov, Salvador Dali, George Balanchine (who also lived in Weston), Dave Brubeck, and many others at social gatherings and soirees.

While she kept her apartment in New York City, and eventually had another large home in Palm Beach and a townhouse in Paris too, Weston was always the center of her multifaceted and mostly unknown and undocumented life.

HR executive Nona Footz also lived in Weston for a number of years. She only accidentally learned about Alice Delamar after reading a biography of Eva Le Gallienne by Helen Sheehy. Nona found herself drawn to Alice, and became dedicated to finding out more about this reclusive, highly secretive woman. She spent a decade tracking down anyone she could find who had known Alice, interviewing them and researching her life, all the while in search of Alice’s original papers, including a memoir Alice was rumored to have written, all of which had disappeared upon Alice’s death in 1983.

Nona’s book is not only a mystery story, it is also a memoir as well, in which she recounts her own saga of trying to understand and uncover the true life and times of a remarkable woman. It’s a great story and it was really special for me to have the opportunity to speak with Nona about Alice and this book. I am certain you will enjoy this conversation as much as I did. It is a great story. Don’t miss it!

“A journey through the bedrooms and drawing rooms of the twentieth-century art world where luminaries expressed forbidden sexual desires and found inspiration for much of the art they created. The book is so good, I picked it up and barely breathed until I was finished.” -Mary Gabriel, author of Ninth Street Women

Nona Footz is currently an executive and board recruiter and has been a freelance writer for the magazines VENU and for Art New England. A native of Canada, Footz is an adjunct faculty member at New York University. This is her first book.

Co-author Audrey Clare Farley is the author of The Unfit Heiress and Girls and Their Monsters, which won the Michigan Notable Book Award and was named a New York Times Editors’ Choice.

Some interesting notes: a portion of what was the Delamar property is now the 21-acre Stonebridge Waterfowl Preserve in Weston, which she donated in 1969.

On her estate, Alice had a pool built that includes a tunnel leading from the basement. It is rumored that this was so she could swim in the nude without fear of being seen (or to walk outside).

Delamar funded the Civic Repertory Theatre established by Le Gallienne in New York City.

When she passed away, most of her estate went to Harvard, Columbia, and Johns Hopkins, per her father’s original will.

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Brook Simons: Nothing to Write Home About

Nothing to Write Home About – Brook Simons – 9781626468702 – Booklocker – paperback – 232 pages – $16.95 – April 15, 2014 – ebook available at lower prices

In her late twenties, in 1977, Brook Simons picked up stakes and moved to Los Angeles from Connecticut, where she grew up on a farm in a small town, which happens to be right next door to where I grew up. While Brook and I did not know each other in Connecticut, she ended up marrying an old friend of mine from Yale, who also moved to LA to start a new life just after Brook did.  So while we have never met, I felt a connection to this book from the outset.

Brook’s memoir is one of the bravest and rawest pieces of personal nonfiction I have ever read. I think the word insouciant fits who Brook was during the time of this story, which coincides with the rise of the drug fueled stand up comedians who gathered in Los Angeles around the Comedy Club and television studios of Hollywood in an anxiety and angst ridden explosion of personal exposure. Not all of the funny stuff was really funny, and the mostly male community of comics was pretty solidly male-centered and frankly not only self loathing and self degrading, but extremely misogynistic.

In some ways, brash young Brook fit in with this crew, as her story shows us so evocatively and painfully. She loved the energy, the drugs, and the comedy, but she also became attached to one of the comedians with whom she developed a highly dysfunctional and brutal relationship that ultimately led her to the brink of disaster on many levels.

There really is a lot to write home about here, and Brook writes it well. I don’t want to give away the story in any form. I think you should listen to our conversation and then read the book to understand the story Brook is telling on herself toward showing how danger and power can seduce us, take us beyond the places that are safe, and sometimes cause damage that goes far beyond what anyone should be able to experience. It’s a story that antedates #MeToo, but which ought to be required reading for every woman and man who cares about changing the power relationships between male and female in a positive way.

I was really stunned by this book and hope you will find this interview of interest, along with the book itself. You can buy it from my friends at RJ Julia Booksellers in Madison, Connecticut. Support independent bookselling and order Nothing to Write Home About here.

 

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