Interview with Nona Footz: A Mansion of Her Own

A Mansion of Her Own: The Mysterious Life of Heiress Alice Delamar – Nona Footz with Audrey Clare Farley – Grand Central Publishing – 9781538772072 – 272 pages – $32.50 – October 8, 2026 – ebook versions available at lower prices

It was impossible for me to resist a story about a reclusive heiress who lived only a few miles from where I grew up and lived in southwestern Connecticut. The towns there now are mostly well-to-do suburban enclaves, and best known for their wealth and well-known residents. But when I was growing up there, and earlier in the twentieth century, much of Fairfield County was quite rural. In those times, the area attracted many artists, writers, dancers and Bohemian types who found it a respite from the urban travails of nearby New York City. Only an hour by train or car (on roads with far less traffic than today), it was attractive to a wide range of people, some of whom were quite well off.

One of those very rich people was a secretive heiress, Alice DeLamar. In 1918 at age twenty-three, she inherited her mining magnate father’s massive wealth, making her the richest woman in America. She immediately became the target of the press, who wanted to know all about her, especially whom she would marry (of course).

Alice was not the kind of person who enjoyed this attention. She found a piece of land in then rural Weston, Connecticut, and built an estate, where she spent time with an amazing array of interesting people, most of whom were in the arts and many of whom either were then or who are now, quite well-known. She sponsored the children’s writer Ludwig Bemelmans (Madeleine was created there), the actress and producer Eva LeGallienne (with whom she had a lengthy romantic relationship), hosted Vladimir Nabokov, Salvador Dali, George Balanchine (who also lived in Weston), Dave Brubeck, and many others at social gatherings and soirees.

While she kept her apartment in New York City, and eventually had another large home in Palm Beach and a townhouse in Paris too, Weston was always the center of her multifaceted and mostly unknown and undocumented life.

HR executive Nona Footz also lived in Weston for a number of years. She only accidentally learned about Alice Delamar after reading a biography of Eva Le Gallienne by Helen Sheehy. Nona found herself drawn to Alice, and became dedicated to finding out more about this reclusive, highly secretive woman. She spent a decade tracking down anyone she could find who had known Alice, interviewing them and researching her life, all the while in search of Alice’s original papers, including a memoir Alice was rumored to have written, all of which had disappeared upon Alice’s death in 1983.

Nona’s book is not only a mystery story, it is also a memoir as well, in which she recounts her own saga of trying to understand and uncover the true life and times of a remarkable woman. It’s a great story and it was really special for me to have the opportunity to speak with Nona about Alice and this book. I am certain you will enjoy this conversation as much as I did. It is a great story. Don’t miss it!

“A journey through the bedrooms and drawing rooms of the twentieth-century art world where luminaries expressed forbidden sexual desires and found inspiration for much of the art they created. The book is so good, I picked it up and barely breathed until I was finished.” -Mary Gabriel, author of Ninth Street Women

Nona Footz is currently an executive and board recruiter and has been a freelance writer for the magazines VENU and for Art New England. A native of Canada, Footz is an adjunct faculty member at New York University. This is her first book.

Co-author Audrey Clare Farley is the author of The Unfit Heiress and Girls and Their Monsters, which won the Michigan Notable Book Award and was named a New York Times Editors’ Choice.

Some interesting notes: a portion of what was the Delamar property is now the 21-acre Stonebridge Waterfowl Preserve in Weston, which she donated in 1969.

On her estate, Alice had a pool built that includes a tunnel leading from the basement. It is rumored that this was so she could swim in the nude without fear of being seen (or to walk outside).

Delamar funded the Civic Repertory Theatre established by Le Gallienne in New York City.

When she passed away, most of her estate went to Harvard, Columbia, and Johns Hopkins, per her father’s original will.

Podcast: Play in new window | Download