David Margolick: When Caesar Was King

When Caesar Was King: How Sid Caesar Reinvented American Comedy – David Margolick – Shocken Books – Hardcover – 9780805242553 – 400 pages – $35.00 – November 11, 2025 – ebook edition available at lower cost, audio book also available.

I am almost the same age as author David Margolick, so was born too late to see any of Sid’s early classic shows that aired when he was establishing the way comedy would work on the then new medium, television. Growing up with a comedy writer father, Sid Caesar was legendary in our house as a revered progenitor of the current crop of television comedy, but by the time I was old enough to know who he was, Sid Caesar was no longer at the pinnacle of his success. Despite being active on TV through the sixties, seventies and beyond, he was no longer culturally relevant as he had been earlier in his career. Yet his impact on television and its audiences was massive, and I remember hearing my parents and their friends talk about Sid Caesar, Imogen Coca, Carl Reiner, and Mel Brooks and their less well-known writers, always with admiration and joy.

Whether you are lucky enough to have seen Sid Caesar in action in his early days, or know nothing about him at all, David Margolick’s biography brings Sid to life. He provides us with a vivid rendering of an extremely complicated actor/comedian. In the early 1950s, Caesar was television’s first real star, his show drawing am audience of twenty million people at a time before televisions were not even present in most homes in America. His sketches helped define the nature of television comedy for generations to come even to this day. (All you have to do is watch a Caesar sketch followed by a modern SNL sketch and you will get it.)

Most of Caesar’s writers and actors went on to their own successful and influential careers and helped define television culture for decades. His writers included Neil Simon (The Odd Couple), Larry Gelbart (M*A*S*H), Mel Tolkin (All in the Family), Woody Allen (too many to list), Mel Brooks (Blazing Saddles, The Producer) and Carl Reiner (Dick Van Dyke Show).

Sid Caesar success was relatively short-lived. As television moved to take over the heartland of America, other stars supplanted him. As Margolick makes clear, Caesar was a complicated, introverted, socially awkward person, completely unlike the public personae he portrayed in performance. He could not or would not adapt to the changing tastes of television audiences—perhaps because Caesar’s humor was based on and drawn from 20th century urban American Jewish experience, and was more sophisticated than what mass market television would support. And Caesar’s personality was not suited for the massive success he achieved.

Margolick’s research and attention to detail, interviews with key people involved in Caesar’s life and his obvious love for Caesar’s humor and culture all contribute to make this a highly readable and enjoyable book for anyone who is interested in American culture and especially television comedy.

David Margolick was a reporter on legal affairs for the New York Times, where he wrote the weekly “At the Bar” column and covered, among other stories, the trial of O. J. Simpson. He was subsequently a contributing editor at Vanity Fair. His books include Beyond Glory: Joe Louis vs. Max Schmeling, At the Bar, Strange Fruit: The Biography of a Song, Dreadful: The Short Life and Gay Times of John Horne Burns; and Elizabeth and Hazel: Two Women of Little Rock, and The Promise and the Dream. He lives in New York City.

I very much enjoyed reading this biography, which is appropriately entertaining as well as informative. It broadened and deepened my appreciation for early television comedy, a milieu I enjoy. With the ubiquity of old television clips now available on YouTube, I was able to sample some of the sketches that are described in the book, including some I had never seen. Watching Caesar in action with his great supporting casts, while reading about those people in the book will change the way you see them now. David and I had a terrific conversation which I hope you will enjoy as much as I did.

Buy the book here.

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Publishing Talks: Ramsey Kanaan of PM Press

Publishing Talks started as a series of conversations with book industry professionals and others involved in media and technology, mostly talking about the future of publishing, books, and culture. It has been an ongoing education talking with people in the book industry about the evolution of publishing in the context of technology, culture, and economics. This latest episode features a recent conversation with Ramsey Kanaan about the anarchist publisher PM Press he founded in 2007, and his work in publishing, music and activism for the past many years. Ramsey has been a leader among the innovative, creative editors, publishers, and others in independent publishing and bookselling whose work is so important, especially now.

I met Ramsey years ago when he was working with activist AK Press he helped start in the UK. He later left AK, establishing PM Press in 2007 to focus on a wider range of literary publishing, and to reach a larger audience than AK nonfiction oriented publishing could do.

PM Press was originally based in the Bay Area and still maintains space there, but moved its main operations to Ithaca, New York in 2023, when it purchased the former Autumn Leaves bookstore space to establish its warehouse there. And there’s also a branch in the UK, so it’s pretty wide-reaching for an independent publisher. Publishing authors as varied as Ursula K. Le Guin, Peter Linebaugh, Silvia Federici, C.L.R. James, James Kelman, and Jonathan Lethem, as well as a plethora of newer and less well-known voices, PM has become one of the most successful radical publishers of modern times. Their list is impressive, including a range of books in fiction, art, music, politics, history, and culture in print, ebook, and audio formats.

PM’s publishes widely, including coloring books and cookbooks, polemics, memoirs, novels, pamphlets, treatises, manifestos, and comics in almost every topic imaginable – bicycles, vegetables, squatting, sex, sports, punks, Wobblies, self-defense, parenting, striking, and much more. PM brings tremendous energy to its publishing, reaching readers “by any means necessary” with unmatched creativity and gusto.

Aside from his work in books and publishing, Ramsey was also the vocalist of the Scottish punk band Political Asylum.

We had a great conversation about books, publishing, distribution and the current state of politics in America. Talking to Ramsey, it’s clear that the energy and strength of outsider publishing is stronger than ever, and that energy is needed now more than ever.

Check out the press and its books here.

You can join Friends of PM Press to support their work and get access to an array of essential books.

PM is an altogether terrific outfit keeping the flags flying – red, black, and rainbow.  What energy! What facts-on-the-ground! What excitement! What dreams!—Peter Linebaugh, author of The Magna Carta Manifesto: Liberties and Commons for All and coauthor of The Many-Headed Hydra: Sailors, Slaves, Commoners, and the Hidden History of the Revolutionary Atlantic

If a revolutionary’s first weapon is a book, PM Press has the arsenal. Their texts are battle plans for a new world.—Peter Werbe, The Fifth Estate

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Thomas W. Gilbert: Death in the Strike Zone

Death in the Strike Zone: The Mystery of America’s First Baseball Hero — Thomas W. Gilbert — David Godine — Hardcover — 978-1-56792-759-7 — 192 pages — $27.95 — March 24th, 2026 – ebook edition available at lower cost

As most of my listeners probably know by now, I love baseball and I really love books about baseball. At one time I thought I knew alot about baseball history, but I have come to realize that I am a rank amateur in a world where there are true baseball historians at work on almost any baseball related subject one could imagine.

I loved reading Tom Gilbert’s wonderful book about James Creighton, arguably the first true baseball star, whose brief career took place in the heated era of early baseball in New York City. Pre-Civil War baseball is really not the same game as the one we play today. It was a precursor even to the game played in the late 19th century and early twentieth century, an era that at least some rabid fans today know something about. But baseball as it was played in the 1850s and 1860s was far different, and perhaps no more so than how pitching was done.

Reading this vividly written book, we learn about an era that is both strangely foreign and similar to our own in many ways. Baseball this early was still being defined by its players, and the game was emerging from pure amateur club sport played only in the big eastern cities, showing signs of popularity that would enable baseball to become the dominant sport in the entire country in less than 50 years.

Creighton was his era’s Babe Ruth and Shohei Ohtani, someone whose skills and manner of playing changed the game completely. What I learned from Tom Gilbert is that in this early time, pitching was much more like today’s slow pitch softball than what we recognize as hardball pitching today. The mount was much closer to home plate, and there were no balls and strikes – hitters just waited for a pitch “served” to them that they could hit, and it was fielding and running that made the game interesting, not today’s “inside game” where the pitcher and hitter define so much of what will happen.

Even if you don’t care as much about baseball as I do, Gilbert’s narrative weaves together the history of nineteenth century America into his narrative in a way that will interest many in the story of American culture.

Thomas W. Gilbert is also the author of How Baseball Happened: Outrageous Lies Exposed, The Truth Revealed, Baseball and the Color Line, Roberto Clemente, and Playing First. He grew up in Connecticut and lives in Brooklyn, not far from where James Creighton played and is buried.

We had a great conversation I hope you will enjoy as much as I did.

Author website

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