I very much enjoyed reading this well written and humorous novel. It’s set in Cambridge (“our fair city” MA), and depicts the sort of culture clash that has occurred all over America as livable cities are reinhabited by the latest version of what we used to call yuppies. These newcomers to city neighborhoods have completely different values – and economic realities – than the folks who grew up there. It’s a rich environment for fiction too. So this is a novel that will likely resonate for many readers on a sociopolitical basis, in addition to its deft handling of the relationships between the sexes. And because Cronin comes from public radio – she was a producer and writer for the much loved and missed Car Talk – the setting of this novel is one that many of us whose industries have undergone wholesale modernization, can appreciate as well.
Is there a category of novel for “late Baby Boomer” coming of age stories set in the present? I am not well enough read to say. The publisher calls this a “coming of middle-age novel,” which seems apt. I do think that especially for readers of “a certain age” this book could become a favorite. And you don’t have to struggle with a changing neighborhood or have issues with your love life to appreciate the joyfulness and humor of this novel.
Louie and I had a fun time talking about her book, her work and the way she was able to inhabit her male main character, a feat of imagination and courage for any novelist.
Louie Cronin is a writer, radio producer, and audio engineer. She worked as a producer/writer for Car Talk on NPR for ten years. Her fiction and essays have been published in a variety of magazines and journals. She is not the technical director for PRI’s The World and lives in Boston with her husband, the sculptor James Wright.
This interview with the talented essayist Marion Winik is unusual, as it is about three different (short) books Marion has published with the relatively new digital publisher SheBooks (“Every Woman Has a Story”). Since Winik, for a long time composed audio essays for NPR’s “All Things Considered” (archived here), she is pretty smart about doing interviews, so I thought we would be able to cover these three books, as well as talking a bit about SheBooks and Marion’s career as writer. I think she did a great job on all counts. I’d recommend a visit to her website too, lots of links, current information, and general literary goings on.
The three short books from SheBooks we talk about in this interview, all of which reflect Marion’s wonderful wit and stylish writing:
August in Paris is a collection of travel stories told with great humor and affection, “from lost teenagers and missed connections to overpriced drinks and gambling mishaps.” I don’t know how she does it, but she keeps her bearings throughout.
The End of the World as We Know It collects nine essays about parenting and family, beginning with the story of her second wedding and subsequent move to rural Pennsylvania. She covers a broad range of subjects, from blended families, to having kids in her 40’s and eventually to dealing with the legal problems that sometimes arise with teenage boys. Very much along the lines of her NPR pieces.
Guesswork is a collection of essays about memory and identity. One of my favorites, ”The Things They Googled” looks at search engines and their effects on our lives. These eight essays will inspire you to reconsider your own history and sense of self from new angles: how treasured places and objects fit in, how your life as a reader shapes who you are.
You can purchase these and other books directly from SheBooks (they already have a really extensive and impressive list of publications) here or from Barnes & Noble, Amazon and probably other ebook retailers, all at reasonable prices. Buy direct and you support the publisher and its authors.
Marion Winik’s (very abbreviated) biography in her own words:
“I was born in Manhattan in 1958 and raised on the Jersey shore. I graduated from Brown in 1978 and got my MFA from Brooklyn College in 1983.
Throughout my childhood and into my twenties, I wrote poetry. Some of it was published in two small-press books. In the late eighties—by which time I was living in Austin, Texas with my first husband, Tony—I began writing personal essays.
These days I live with my daughter Jane and our dachshund, Beau, in the beautiful Evergreen neighborhood of Baltimore. What a fabulous, underrated town this is. I teach writing in the MFA program in Creative Writing & Publishing Arts at the University of Baltimore. I write a column at BaltimoreFishbowl.com, and have a new memoir from Globe Pequot Press. It’s called Highs in the Low Fifties: How I Stumbled Through The Joys of Single Living.”
And here is something about the digital publishing start up, Shebooks: a curated collection of short e-books written by women, for women. All of our stories are easy to download and read on any digital device—and so good you’ll finish them in an hour or two. We like to think of ourselves as an e-book boutique, the kind where you’ll always find a story to fit your busy life.
Whether short fiction, memoir, or journalism, all Shebooks are handpicked by discerning magazine and book editors and written by women you either know of or will want to know. And because we offer our e-books by subscription as well as individually, you need never be without a great story to read.
As anyone who listens to WritersCast knows, I’m always interested in new publishing models. SheBooks certainly represents one of those new models. I think we will revisit them in a little while to see how this venture turns out. I hope it works – we need more digital publishing that tries to break out of the existing structures and models to try out different approaches to engaging with readers.