Sarah Vogel: The Farmer’s Lawyer: The North Dakota Nine and the Fight to Save the Family Farm

The Farmer’s Lawyer: The North Dakota Nine and the Fight to Save the Family Farm – Sarah Vogel – Bloomsbury – 9781635575262 – 432 pages – hardcover – $28 – ebook edition available at lower prices – November 2, 2021

Many Americans think of North Dakota and the other prairie states as being conservative culturally and equally unprogressive politically. But that view of these predominantly farming states neglects their long histories of progressive populism that goes back over 100 years. That’s true of North Dakota where the Nonpartisan League was active and strong from the 1920s onward (and into the present, where it still exists as the Democratic NPL — much like the Democratic Farm Labor party in Minnesota that Hubert Humphrey represented.

That history provides the backdrop for Sarah Vogel’s true story in The Farmer’s Lawyer, which tells of a seemingly impossible-to-win legal battle, ironically against the US government agency that was established during the Depression to help family farmers, which by the 1970s was helping to destroy them. At the outset of the Reagan administration (Reagan was helped to be elected, ironically, by the support of midwestern farmers), family farmers of all sizes all across the country were experiencing the worst economic crisis since the Great Depression. Land prices, the backbone of farm economics, had gone down, while farm operating costs were up. and interest rates had skyrocketed. At the same time, in many areas, bad weather severely affected crop output.

Because of policies implemented by the Reagan administration, and growing bureaucracy in the Farmers Home Loan administration, many family farmers were being threatened with foreclosure.

At that time, Sarah Vogel, the daughter of a well known Nonpartisan League supporter and lawyer, was herself a young lawyer and single mother was in the process of leaving Washington, D.C., where she had been working for a government agency. Contacted by some desperate farmers from North Dakota who were on the verge of losing their farms, and inspired by her belief in the importance of family farms to American life, she agreed to represent these struggling clients who couldn’t afford to pay her.

In the midst of her own personal issues, but supported by her family and friends, Vogel brought a national class action lawsuit against the FHLA, which meant she would have to fight against the full force of the Reagan administration’s Department of Justice, in behalf of these family farmers’ Constitutional rights. As a young lawyer who had never privately practiced before, this was her first case!

This book tells the entire years-long saga in incredible detail, brought to life by Sarah Vogel’s writing skill and storytelling prowess. It’s difficult to imagine a true-to-life legal story that has nothing to do with murder or mayhem being a page-turner, but this book will keep you fully engaged throughout. And it will remind you of how difficult it is for “the little guys” to fight against entrenched bureaucracies, especially the Federal government. It is a heroic story for sure, and credits not only Sarah, but her father, and all the farmers she worked with, who would simply never quit, and whose stolidity made such a huge difference, not only to the outcome of their own case, but for many others that followed them.

This is a story about courage, justice, commitment, and belief in oneself. And it is important for us to be reminded that Americans can stand together for the good of all, especially now, when we can agree on virtually nothing. It is an inspiring journey I appreciated learning about. This is a terrific book, and I think we had a terrific conversation as well.

Sarah Vogel is an attorney and former politician whose career has focused on family farmers and ranchers. Vogel was the first woman in U.S. history to be elected as a state commissioner of agriculture. In 2006, the American Agricultural Law Association awarded her its Distinguished Service Award for contributions to the field of agriculture law, and Willie Nelson honored her at Farm Aid’s thirtieth anniversary in 2015 for her service to farmers. She is an advocate for Native American rights and lives in Bismarck, North Dakota.

“Sarah’s story, told in her unique voice, inspires me–and I’m sure it will inspire you–to fight for family farmers.” –Willie Nelson

Author website here.

Buy the book here.

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Publishing Talks: David Wilk interviews poet and editor Tom Montag

Publishing Talks began as a series of conversations with book industry professionals and others involved in media and technology, mostly talking about the future of publishing, books, and culture. As every media business continues to experience disruption and change, I’ve been talking with some of the people involved in our industry about how publishing might evolve as it is affected by technology and the larger context of culture and economics.

I’ve expanded this interview series to include conversations that go beyond the future of publishing. I’ve talked with editors and publishers who have been innovators and leaders in independent publishing in the past and the present, and will continue to explore the ebb and flow of writing, books, and publishing in all sorts of forms and formats, as change continues to be the one constant we can count on.

Tom Montag is a poet, critic, editor and publisher whom I have known for many years. I love his biography, which emphasizes his pure identity as a midwesterner. Unlike so many Americans, he has lived in the midwest for his entire life, and his work identifies deeply with where he lives. He does not need to declaim his role as a true poet of place.

Tom was somewhat famously the editor of Margins: A Review of Little Magazines and Small Press Books during the 1970s, was active in the Milwaukee literary scene, and was an editor and feature writer for Wisconsin’s Fox River Patriot during its heyday from 1977 to 1979. With his wife Mary, he edited and published the Wisconsin Poet’s Calendar from 1982 to 1984, which was subsequently handed to the Wisconsin Fellowship of Poets to continue.

Tom spent the better part of his work life at the family owned Ripon Community Printers in Ripon, Wisconsin. During those years, he wrote pithy sayings from a character he called Ben Zen. Four collections of the BZ poems were published between 1992 and 2000.

His memoir, Curlew: Home is about his first fourteen years spent on a farm outside Curlew, Iowa, and about his sense of loss in revisiting the community forty years later. Kissing Poetry’s Sister gathered eleven of Montag’s essays about writing and being a writer, including his long piece on creative nonfiction.

After he retired from his Ripon job, he spent five years creating “Vagabond in the Middle,” an attempt to determine what makes us middle western. He has been collecting stories from residents of twelve communities across the middle west, true stories of their families, their lives, and their connections to the places they inhabit.

Tom and I have worked together on publishing projects at Woodland Pattern in Milwaukee, and we’ve presented together there and at the Lorine Niedecker festival in Fort Atkinson, Wisconsin. Tom’s writing and editing has meant a great deal to me over the years, we are linked in so many ways, yet have such different backgrounds, and it was a great pleasure to speak to him here about his lifetime of work in writing and publishing, though to be sure, we barely scratched the surface of what we could have talked about.

SOMETIMES

Sometimes
in the weeds

a loveliness.
This moment

among all
the moments.

Rain when it’s
needed. Tom,

stop wanting
anything more.

 

MY FATHER,
holding the Y
of willow

lightly
in his hands,

walks the land.
The willow

leaps
for something

we do not
see: Here,

my father says
to the man,

drill here.

Tom is the author of many books and has edited anthologies as well. His most recent large scale collection is In This Place: Selected Poems 1982-2013.

There are two really good written interviews with Tom in the Wombwell Rainbow and the Mocking Heart Review. You can learn more about Tom and his work here and you can keep up with his prodigious output of poetry at his outstanding blog The Middle Westerner where you will regularly find him posting poems that will endure.

“Exploring the heart of the country; or, as Nancy Besonen has said, “Tom Montag is defining the character of the Midwest – one character at a time.”

Thanks Tom, for being who you are.

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Dean Bakopoulos: My American Unhappiness

978-0151013449 – Houghton Mifflin Harcourt – Hardcover – $24.00 – ebook editions available

Dean Bakopoulos is a very funny and perceptive writer.  My American Unhappiness, his second novel, takes place in Madison, Wisconsin during the period of the second Bush administration.  Both the geographical and political backdrops are crucial elements of the story, whose main character is Zeke Pappas, a nebbish who runs a nonprofit called the Great Midwestern Humanities Initiative.

Zeke is an obsessive of some great measure.  His life work has become the creation and maintenance of an “inventory of American Unhappiness,” a project that is a “byproduct of an overly cerebral loneliness.” He is also wildly naive and unrealistic, characteristics which in a certain way serve him well, as he is surrounded with problems in his life that would defeat the average person in short order.

Bakopoulos brilliantly balances the personal difficulties faced by Zeke with his involvement with some of the darker elements of the Bush era, including corrupt conservative politicians hiding the kind of personal behavior they legislate against in public, and the disconcerting pursuit of Zeke by a dark security-oriented governmental agency established after 9/11.

In some ways, the book could be read as just a zany midwestern comedy, but it’s clear that with Zeke Pappas’s story, Bakopoulos wants to tell us something important about 21st century American society.  Zeke’s world is falling apart.  His mother develops cancer, and decides to give her orphaned grandchildren (whom Zeke loves) to an aunt, unless Zeke can marry in time (impossible for him as he is simply too unrealistic about women).   The government wants to audit the nonprofit he runs.  Nothing works for Zeke.  It’s a situation he feels he shares with the country as a whole, and Zeke knows it is the President that is the source of American unhappiness and ennui.  Zeke sees Bush as “unencumbered by something as pervasive as unhappiness,” which makes him unfit to lead a country as complex and haunted as America.  For Zeke Bush does not have the depth of spirit required to lead the nation.

Dean Bakopoulos is a writer to watch, a writer with great skills and who does have the depth of spirit required to portray the American scene through fiction.  He is also a terrific writer to talk to about his work and gave me a great interview.  You can visit his website to learn more about his work and ideas. I am definitely looking forward to reading his next book.

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