Arthur Phillips: The King at the Edge of the World

The King at the Edge of the World – Arthur Phillips – 9780812995480 – Random House – Hardcover- 288 pages – $27.00 – February 11, 2020. Ebooks available at lower prices.

At Writerscast, there is a strict rule that I only talk to authors whose books I like. So every book that appears here is one that I truly enjoyed reading. Given that fact, it is important to note that Arthur Phillips’ novel, The King at the Edge of the World, is a book I loved reading. It is a great story by a writer in full command of his craft.

I hate giving away plot so I won’t even come close to doing that. Suffice to say, this book takes place at the end of the Elizabethan era (the first Elizabeth, that is). It involves a series of events that lead inexorably to a glorious and satisfying conclusion, beginning with the arrival of a Turkish doctor to England as part of a diplomatic mission and going through a series of sometimes unfortunate and even tragic events. What develops from this quiet beginning is what makes this book so pleasurable to read. And it is full of ideas, ruminations, wonderful characters, all woven together to create a fabric that wraps around you like an old and very comfortable shawl.

“The book is a delightfully rich fruitcake and an old-fashioned pleasure to read; its plot is an intricate set of intersecting mechanisms and locks and keys, which, when they finally all fall into place, provide the reader with the gawping satisfaction of having been well and truly fooled,” Dominic Dromgoole writes in his review. “Simply writing for the reader’s pleasure seems to be increasingly rare these days, and to pick up a book like The King at the Edge of the World, which contains teasing philosophical and theological ideas within an unapologetic entertainment, is a small mercy for which much gratitude is due.”

A New York Times Editor’s Choice selection

I’ve spoken to Arthur before. In 2009 – so long ago, it seems – we talked about an earlier novel of his, The Song is You, another wonderful book. Arthur is a distant relative of mine and it is a wonderful thing to have such a terrific writer in the family.

Arthur Phillips was born in Minneapolis and educated at Harvard. He has been a child actor, a jazz musician, a speechwriter, a failed entrepreneur, and strikingly, he as been a five-time Jeopardy! champion.

His first novel, Prague, was a New York Times Notable Book, and received the Los Angeles Times/Art Seidenbaum Award for best first novel. His second novel, The Egyptologist, was an international bestseller in 2004. His third novel, Angelica, made The Washington Post list of best fiction of 2007 and that paper called him “One of the best writers in America.” The Song Is You was a New York Times Notable Book, and Kirkus wrote, “Phillips still looks like the best American novelist to have emerged in the present decade.” His fifth book, The Tragedy of Arthur, was published in 2011 to critical acclaim, and like its predecessors, and was named a New York Times Notable Book.

The play taken from that book received its world premiere reading at New York’s Public Theater in 2011 and became a full stage production in 2013, under the auspices of the Guerrilla Shakespeare Project. His short story, Companionship, was adapted into an opera by Rachel Peters and debuted at the Fort Worth Opera in 2019.

The film version of Angelica was released in 2015, and other films based on his work are currently in development. His work has been published in twenty-seven languages.

He has written for television, including Damages (FX/DirecTV), Bloodline (Netflix), Tokyo Vice (HBOMax) and he has further television pilots in development.

Arthur lives in New York City with his two sons.

Reading Arthur Phillips novels is always a deep pleasure for me. Talking to Arthur Phillips about his writing is similarly always a pleasure.

Learn more about Arthur Phillips at his website.

The wonderful bookstore, RJ Julia, in Madison, Connecticut, carries all the books we talk about here. You can purchase a copy of The King at the Edge of the World from them right here.

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Joseph Kelly: Marooned: Jamestown, Shipwreck, and a New History of America’s Origin

Marooned: Jamestown, Shipwreck, and a New History of America’s Origin – Jospeh Kelly – 978-1-63286-777-3 – Bloomsbury – Hardcover – 512 pages – $32 – October 30, 2018 – ebook versions available at lower prices

I really enjoy reading books about American history, and especially lately, books that explore some of the stories and moments that are foundational to the history of this continent, but are not well known or well told. And I’ve also become extremely concerned about gaining a better and more nuanced understanding of those stories that have been told solely from the perspective of the European (white) perspective that dominates our historical narrative, and thus our understanding of ourselves.

Joseph Kelly’s Marooned is just such a book, and I was immediately drawn to it. This is an insightful re-examination of the 1607 Jamestown settlement, the story of which really should replace the Mayflower colony’s position as America’s founding Puritan-centric myth.

In fact, the multiple stories of Europeans’ initial contact with the native peoples who fully inhabited North, Central and South America all require a complete re-examination, and I have been reading several books that provide insight into the way these continents were conquered by the marauding Europeans and their violence and diseases.

Marooned is about much more than just the Jamestown settlement. The book begins by recounting the settlement’s really awful circumstances. Most of those early settlers died of disease or starvation or deserted to the local tribes for protection. The workings of the Virginia Company that was set up to colonize and exploit the supposedly “virgin” New World are fascinating and in some ways depressingly familiar to our modern large scale version of unrestrained capitalism.

The traditional blame for the miseries of Jamestown’s early years goes to those leaders who failed to manage their “lazy” colonists, as opposed to those who were ready, willing and able to literally whip them into shape. But Kelly makes it clear that because it was the aristocrats who wrote the documents on which our traditional history relies, the real story may be, likely is, significantly different. Kelly finds ample evidence that the colonists who were cast into the wilderness, “marooned” from home and trying to survive, experienced a far different reality than their leaders. Many of them had a nascent understanding that Britain’s rigid class structure would not work in this different environment, and that their actual survival required a far more equitable system of governance. In fact, there were many uprisings and expressions of rebellion, all of which were put down, although a limited electoral oligarchy emerged during the course of the 17th century in the Virginia colony.

There are many side trips and journeys throughout this engaging narrative. The story of the castaways from one of the resupply ships on Bermuda, truly a story of being marooned, is striking.  Nine ships en route to re-supply Jamestown in 1609 were hit hard by a hurricane, a storm of extreme high winds and waves, and one ship, the Sea Adventure, with some of the key leaders of the expedition on board, was wrecked on the shores of the Bermudas. The crew reached one of the islands in safety, and almost a year later, after building two boats by hand, they sailed again for Jamestown, and somewhat surprisingly, were able to reach their destination not long after departing from Bermuda. This story circulated widely in London, and may well have inspired Shakespeare’s great play, The Tempest. The timing is certainly right for that to be the case.

Kelly contributes a significantly better understanding of the Powhatan Confederacy’s formation and politics before and during the settlement period, as well as the fluidity between the cultures of the native peoples and the colonists. Marooned is not just the story of the Europeans and their conquest, but successfully weaves together the the narrative of the struggles of native peoples of that time and place in their powerful efforts to survive the arrival of the brutal land grabbing English settlers and the lives of the colonists at the lower ends of the social strata, whose stories we rarely, if ever, get to know.

It is a pleasure to discover such a good writer and story teller as Joe Kelly is. In this book, he truly brings history alive through its people, and with a narrative built on a solid grounding of research and a deeper understanding of the complexities of perspective than many other historians.

Joseph Kelly holds a Ph.D. in English from the University of Texas, Austin, and is a professor of literature and director of Irish and Irish American Studies at the College of Charleston. He is the author of America’s Longest Siege: Charleston, Slavery, and the Slow March Toward Civil War, and the editor of the Seagull Reader series. He lives in Charleston, South Carolina. Joe’s blog can be found here.

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