Publishing Talks: David Wilk interviews Brian O’Leary

In this series of interviews, called Publishing Talks, I am talking to book industry professionals who have varying perspectives and thoughts about the future of publishing, books, and culture.  This is a period of disruption and change for all media businesses.

Publishing has been a crucial part of human culture for as long as people have been writing and reading.  How will publishing evolve as our culture is affected by technology, climate change, population density, and the ebb and flow of civilization and its economics? Publishing Talks interviews help us understand the outlines of what is happening, and how we might ourselves interact with and influence the future of publishing as it unfolds. Publishing Talks interviews give people in the book business a chance to talk about ideas and concerns in a public forum that are often only talked about “around the water cooler,” at industry conventions and events, and in emails between friends.

This series of talks will give people inside and outside the book industry a chance to hear about some of the thoughts, ideas and concepts that are currently being discussed by engaged individuals within the industry.

Brian O’Leary is a publishing industry consultant with broad and intelligent experience in books and magazines and who operates Magellan Media Partners.  Brian is a thinker and researcher whose writing about publishing I have always found interesting and solidly grounded in data and its intelligent analysis and application.  As he says, he tries to help publishers work faster, better and smarter.  His (shortened) bio: In addition to his consulting assignments, O’Leary is the author of a research report on the impact of free content and digital piracy on paid book sales, as well as the editor and primary contributor for a study of the use of XML in book publishing.  Both reports were published by O’Reilly Media in 2009.  Brian was a senior executive at Hammond, and prior to that spent a dozen years working for Time, Inc.  He earned an A.B. in chemistry from Harvard College and an M.B.A. from Harvard Business School.

In this interview Brian and I talked in depth about his very interesting work in analyzing the impact of piracy on books sales, the lack of real data in the book business, and his compelling views about the future of publishing in a digital environment.

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Summer Brenner: I-5, A Novel of Crime, Transport, and Sex

978-1-60486-019-1 – Paperback – PM Press – $15.95

This is a slim novel that packs a pretty powerful punch.  Summer Brenner was best known to me as a poet, but it turns out she has been writing fiction for quite some time.  She has a political interest, as this novel demonstrates, but it is not a tract.  It’s a sensitive portrayal of an Eastern European woman who has been tricked into coming to America, where she has been enslaved in a money for sex ring that makes a business out of the correlation between the desires of women to escape the misery of their lives and men who are willing to pay for sex of all kinds with women, whose real lives they care nothing about.

As the story of I-5 unfolds, Anya, the main character, is traveling the interstate corridor up central California from Los Angeles to Oakland; adventures ensue, some of them strange, some of them desperate, all of them painful and sad.  Still, Brenner’s characters matter, she is sympathetic to all of them as human beings, even the worst exploiters in the crew.  That makes this novel much more than a book about sex, money, power and violence; in Brenner’s hands, these characters transcend their typologies to become real people trapped in their individual gulags.  She writes visually, so that with a relatively few words, we can see what she wants us to see, the places her characters inhabit, and even their interior worlds.  It’s gut wrenching book, but our faith in the ability of people to overcome the obstacles between themselves and their humanity is never lost.

This is really a terrific book; yes, the cover makes it look like a trashy paperback from the 50s, but done in a modern enough way that there is no mistaking it for anything exploitative.  I-5 is a hardboiled story, and it is as noir as any book you will read, but it’s a transformative experience to read and one that should not be missed.  In my interview with Summer, we talked quite a bit about the how she came to write this book, and many of the issues of sexual slavery in America and worldwide today.  She expresses a deep emotional connection with the characters in her novel, based on her own experiences as a woman.  Her abilities to imagine her characters and their stories is remarkable.  Summer Brenner is a writer more people should know, and one who important things to say.

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Publishing Talks: David Wilk interviews Mac Slocum

In this series of interviews, called Publishing Talks, I am talking to book industry professionals who have varying perspectives and thoughts about the future of publishing, books, and culture.  This is a period of disruption and change for all media businesses.

Publishing has been a crucial part of human culture for as long as people have been writing and reading.  How will publishing evolve as our culture is affected by technology, climate change, population density, and the ebb and flow of civilization and its economics? Publishing Talks interviews help us understand the outlines of what is happening, and how we might ourselves interact with and influence the future of publishing as it unfolds. Publishing Talks interviews give people in the book business a chance to talk about ideas and concerns in a public forum that are often only talked about “around the water cooler,” at industry conventions and events, and in emails between friends.

This series of talks will give people inside and outside the book industry a chance to hear about some of the thoughts, ideas and concepts that are currently being discussed by engaged individuals within the industry.

Today’s interview is with Mac Slocum, whose experience is in a variety of different media, including newspapers, books and online media.  I know him from his work at O’Reilly’s Tools of Change and his eponymous blog which is among those I read most frequently.  He’s currently at the Nieman Journalism Lab at Harvard and freelancing projects in media and here’s his interesting bio from his website:

I am a Web guy. I write, edit, produce, develop, manage and code Web content.
I’ve worked as an online editor, writer and producer at a variety of outlets (publishing, film, TV, electronics, trade, tech, hyper-local, national/international … you name it). Through all of these experiences, I’ve remained committed to the Web as a platform. I love the thing, and I love working to make it better.
My areas of interest/expertise include:
* Development of Web-friendly content (writing and editing)
* Audience development via social media (blogs, Twitter, social networks)
* Web production (HTML, CSS, Movable Type and other content management systems)
* Independent publishing
* Web journalism education
* Pontificating, analyzing and consulting on the future of publishing/journalism, digital distribution, Web content, and audience aggregation (Note: If you’re in a rush, don’t ever get me started on piracy and free content …)
I have organized conferences, spoken on panels, and moderated sessions (and I actually enjoyed these activities).
I teach Web journalism courses at Emerson College and I’m a contributor on Poynter’s E-Media Tidbits blog. I also run a number of independent Web sites and I’m owner of The Fodder Network.

Mac and I had an interesting conversation, covering a range of topics under the overall rubric of media change, how consumers and producers interact, continuing disruption of business models for all traditional media forms, and how those businesses must change in the future, both near term and longer.  Mac’s view of the future for publishers is positive and worth listening to.

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James A. Owen: Here, There be Dragons

978-1416912279 – Hardcover – Simon & Schuster – $17.95 (a paperback edition is also available – but the price difference is small enough for me to recommend you buy the hardcover)

James A. Owen is a wonderful writer.  It’s interesting to me how many really excellent writers there are who are categorized as “young adult” writers because the books they write are about things like dragons, or boys who are heroes or even young wizards in an imaginary school in an imaginary part of England.  In my opinion anyway, Here, There be Dragons is a book for readers of all ages or any age.  It’s well written, has characters with depth, beautifully done line drawings by the author, and a fast moving, engaging story line that includes heroes who are connected to our literary history in some very interesting ways.  What more can one ask for in a novel?

“What is it?” John asked.
The little man blinked and arched an eyebrow.
“It is the world, my boy,” he said. “All the world, in ink and blood, vellum and parchment, leather and hide. It is the world, and it is yours to save or lose.”

An unusual murder brings together three strangers, John, Jack, and Charles, on a rainy night in London during the first World War. An eccentric little man called Bert tells them that they are now the caretakers of the Imaginarium Geographica — an atlas of all the lands that have ever existed in myth and legend, fable and fairy tale. These lands, Bert claims, can be traveled to in his ship the Indigo Dragon, one of only seven vessels that is able to cross the Frontier between worlds into the Archipelago of Dreams.

Pursued by strange and terrifying creatures, the companions flee London aboard the Dragonship. Traveling to the very realm of the imagination itself, they must learn to overcome their fears and trust in one another if they are to defeat the dark forces that threaten the destiny of two worlds. And in the process, they will share a great adventure filled with clues that lead readers to the surprise revelation of the legendary storytellers these men will one day become.

It’s a pretty good bet that if you like this book, you will be pleased to know you can continue to read.  This is the first volume in the Chronicles of Imaginarium Geographica series, which has now reached a total of four books, with more to come.  It’s probably true that this book and its series will appeal most to a certain type of reader, one who has read and enjoyed adventure stories, particularly those well written classics of the past (again, I don’t think it’s about the age of the reader but rather one’s interests).  Unlikely heroes, normal people faced with challenges to which they rise, mythological characters brought to life, and above all, dragons, definitely motivate some of us more than others.  I guess I am one of those.

I had the pleasure of meeting James A. Owen at Comicon in San Diego.  I was impressed to see a writer so willing to engage with his readers – Comicon can be exhausting for exhibitors and for creators even more so.  In this interview, he displays his engaging personality, and talks with me about the origin of his work as a novelist, his work in comics, contacts with film makers (the film adaptation is in development and appears scheduled as a 2011 release), and his attempt to revive the classic magazine, Argosy.  Owen started as a comic book writer and illustrator, and even was a publisher of comics, and then moved into writing novels almost accidentally.  This is a lucky turn of events for readers of fiction.  You can learn much more about James A. Owen and his work at this website and he also has a beautiful blog based site, the Wonder Cabinet, that is well worth regular visits.  I’m hopeful that over time, Owen’s work will reach the wider audience it deserves.

Note to listeners: this interview is slightly longer than most at 27 minutes, but should provide sufficient interest to reward your investment of time.

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Publishing Talks: David Wilk Interviews Susan Danziger of DailyLit

In this series of interviews, called Publishing Talks, I am talking to book industry professionals who have varying perspectives and thoughts about the future of publishing, books, and culture.  This is a period of disruption and change for all media businesses.  Publishing has been a crucial part of human culture for as long as people have been writing and reading.  How will publishing evolve as our culture is affected by technology, climate change, population density, and the ebb and flow of civilization and its economics? Publishing Talks interviews help us understand the outlines of what is happening, and how we might ourselves interact with and influence the future of publishing as it unfolds. Publishing Talks interviews give people in the book business a chance to talk about ideas and concerns in a public forum that are often only talked about “around the water cooler,” at industry conventions and events, and in emails between friends.  This series of talks will give people inside and outside the book industry a chance to hear about some of the thoughts, ideas and concepts that are currently being discussed by engaged individuals within the industry.

I was able to interview Susan Danziger, the dynamic founder of DailyLit whose slogan is “minutes a day of great reading in your inbox,” just a couple of days after she announced that DailyLit has gone from a combination of pay and free services to all free all the time.  So we had alot to talk about.  I have been a big fan of DailyLit since it began – a deceptively simple idea that as Susan and her team has proved is a platform for many cool services for readers and publishers.  Susan talked to me about DailyLit, what the future holds both for her company and the publishing business and much more.  She also talked about her latest project, the Publishing Point, another cool venture (The point where publishing meets the future…) that is attracting attention and members.  And as if she does not have enough to do, she blogs too at both DailyLit’s blog and also her personal writing at susandanziger.com, and twitters here.  Her bio includes six years at Random House, a BA from Cornell, and a JD from NYU.

Listen in to one of the emerging leaders in the publishing world…..

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Caroline Leavitt: Girls in Trouble

978-0312339739 – paperback – St. Martin’s Griffin – $14.95

Sometimes you get lucky.  There are books you find by accident, maybe you choose them just to browse, not meaning to become engaged, they’re discoveries, books you would not “normally” have picked up to read, they surprise you, you’re hooked, and then you can’t stop reading.  For me, reading Caroline Leavitt’s Girls in Trouble was just that sort of a book.  In this case I read it because she wrote me an email and asked if she could send me a copy of the book, which was easy enough for me to agree to.  When it came, I picked it up, the story line described on the cover has some personal resonance, so I took a chance and started reading.  And then found I could not put it down.  Reading Girls in Trouble was a constant surprise and revelation.  It took me places I did not expect to go, it gave me characters I wanted to know and know better, and I believed in their experiences.  And it’s a big plus that Caroline can really write.

I don’t want to give any of the story away, but suffice to say, what happens to the people in this book is not what you expect, and reading it will help you understand something important about families, relationships, and parenting.  Not the easy, feel-good poster stuff from the movies either.  I recommend this book to almost any kind of reader, male or female, old or young, literature readers and even those who just like to be entertained.  It’s that good.

Given how much I liked this book, interviewing Caroline Leavitt was quite a pleasure.  She has a lot to say about writing, and the way she interacts and lives with her characters, and how this and her other books came into being.  Girls in Trouble is a rich vein to mine for an interview too, as it works on so many different levels and across so many lives and years, and of course because it is centered around an open adoption gone terribly wrong, it generates a certain amount of controversy and that gives the author another great subject to talk about.  I am very much looking forward to reading her next novel, Pictures of You (which we also talked about in this interview).

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Publishing Talks: David Wilk interviews Kassia Kroszer of Booksquare

In this series of interviews, called Publishing Talks, I am talking to book industry professionals who have varying perspectives and thoughts about the future of publishing, books, and culture.  This is a period of disruption and change for all media businesses.  Publishing has been a crucial part of human culture for as long as people have been writing and reading.  How will publishing evolve as our culture is affected by technology, climate change, population density, and the ebb and flow of civilization and its economics? Publishing Talks interviews help us understand the outlines of what is happening, and how we might ourselves interact with and influence the future of publishing as it unfolds. Publishing Talks interviews give people in the book business a chance to talk about ideas and concerns in a public forum that are often only talked about “around the water cooler,” at industry conventions and events, and in emails between friends.  This series of talks will give people inside and outside the book industry a chance to hear about some of the thoughts, ideas and concepts that are currently being discussed by engaged individuals within the industry.

I have wanted to talk to Kassia Krozser for a long time.  I’ve read her insightful and opinionated blogging and posting for quite a while, and like her approach to the book business – hard questions borne from a love of books, writing and the publishing business itself.  Her primary vehicle is booksquare.com, which as she has told me “dissects this world with love and skepticism.”

Her “about” section on Booksquare is well worth a read – you will get to know Kassia and her approach very quickly.  Here’s a quick quote:
In addition to ensuring that you get your regular dose of BS, Kassia is a founding partner of Medialoper, where she applies her natural love and skepticism to the ever-changing world of entertainment media. The daughter of a librarian, she finds dissecting and discussing books is like breathing — her insightful reviews appear at Paperback Reader. She’s a member of the LitBlog Co-op and a columnist for Romancing the Blog. She’s also published in a variety of other venues, and has, shockingly, received awards and accolades for her work. But she rarely mentions this as it seems like bragging.

In this interview Kassia and I covered alot of ground.  She was just back from her first attendance at the major international book fair in Frankfurt, Germany.  We talked about technology, comparing how it applies in developing nations versus the West, issues of elitism and access, cultural definitions, and the future of the book business, as well as the impending Google Book Settlement and e-book pricing strategies in this lively interview.

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Douglas Gayeton – Slow: Life in a Tuscan Town

978-1-59962-072-5 – Hardcover – Welcome Books – $50.00

If you love beautiful books, Slow: Life in a Tuscan Town by Douglas Gayeton will be irresistible.  Gayeton is a film maker who ended up living in a small town in Tuscany that his wife (at that time) was from.  When she left him, he stayed.  He learned to speak Italian, and fell in love with the people, the place, and the pace of a community that was completely foreign to him and his American way of being.  As he told me in this interview, as a film maker, he is used to telling stories.  When he began to take photographs, thousands of them, the only way he could make sense of them was to create a narrative from them.

Which he did, by writing notes on the actual photographs, and also by layering multiple shots of the same scene over time.  The effect of the images and words here is mesmerizing.  And of course the representation of these people, their way of living, and the places they inhabit embody the stories Gayeton tells here.

This is both a personal narrative and one that – as great art must do – transcends and transforms the specific experiences portrayed.  Gayeton takes us on his journey to help us understand ourselves through an experience of others, just as he did.  I view these photographs and read the writing on them (notes, anecdotes, recipes, and many facts about Tuscany and Tuscan life), and find myself transported – beyond the “real” places he pictures to an almost spiritual state of being that is based in the imagination and soul of place.  “Slow” living is something all of us who are seeking meaning need to experience, Slow: Life in a Tuscan Town is a doorway that will help us enter that experience.  Welcome Books deserves a lot of credit for making this spectacular book.

DOUGLAS GAYETON is a filmmaker, photographer, and writer. His images are held in a number of influential museum and private collections around the world, and have been featured in numerous print and online media, such as Time Magazine. Since the early 90s he has created award-winning work at the boundaries of traditional and converging media for AOL, MSN, MTV, Yahoo, Fox, Vivendi, Sony, Viacom, Sega, Intel, National Geographic, PBS, Warner Bros., Columbia, and Virgin Records. Recent projects include LOST IN ITALY, a 26 episode interstitial TV series Gayeton created, directed, and shot for Fine Living, and A SECOND LIFE ODYSSEY for HBO, the first documentary shot inside a virtual world.

Doug Gayeton is also a terrific interviewee, who tells his story particularly well.

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Publishing Talks: David Wilk interviews Mark Coker, Founder of Smashwords

In this series of interviews, called Publishing Talks, I am talking to book industry professionals who have varying perspectives and thoughts about the future of publishing, books, and culture.  This is a period of disruption and change for all media businesses.  Publishing has been a crucial part of human culture for as long as people have been writing and reading.  How will publishing evolve as our culture is affected by technology, climate change, population density, and the ebb and flow of civilization and its economics? Publishing Talks interviews help us understand the outlines of what is happening, and how we might ourselves interact with and influence the future of publishing as it unfolds.

Publishing Talks interviews give people in the book business a chance to talk about ideas and concerns in a public forum that are often only talked about “around the water cooler,” at industry conventions and events, and in emails between friends.  This series of talks will give people inside and outside the book industry a chance to hear about some of the thoughts, ideas and concepts that are currently being discussed by engaged individuals within the industry.
Mark Coker is the founder of Smashwords, an online publishing and distribution platform for ebooks.  Smashwords publishes and distributes more than 4,000 original ebooks on behalf of 2,000 independent authors and 70 small publishers around the world.  They have recently made distribution deals with Barnes & Noble and Indigo’s new Shortcovers program as well.  I have recommended Smashwords to a number of authors and publishers who want to experiment with digital publishing.

Mark has been a long time technology entrepreneur.  He talks here about the founding of Smashwords and why he started it.  He has many interesting and valuable things to say about digital publishing and how technology is changing the future of books and reading.  His approach to publishing is creative and usefully disruptive.  You can read some of his thoughts in the new book section of Huffington Post, where he is blogging regularly.

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Publishing Talks: David Wilk interviews Richard Nash

In this new series of interviews, called Publishing Talks, I am talking to book industry professionals who have varying perspectives and thoughts about the future of publishing, books, and culture.  This is a period of tremendous disruption and change for all media businesses.  Publishing has been a crucial part of human culture for as long as people have been writing and reading.  How will publishing evolve as our culture is affected by technology, climate change, population density, and the ebb and flow of civilization and its economics?

Many people are thinking deeply – and some acting on – the nature of change and the challenges and opportunities that face us all.  Publishing Talks interviews help us understand the outlines of what is happening, and how we might ourselves interact with and influence the future of publishing as it unfolds.

Publishing Talks gives people in the book business a chance to talk about ideas and concerns in a public forum that are often only talked about “around the water cooler,” at industry conventions and events, and in emails between friends.  This series of talks will give people inside and outside the book industry a chance to hear about some of the thoughts, ideas and concepts that are currently being discussed by engaged individuals within the industry.

Richard Nash is an independent publishing consultant and entrepreneur, presently developing a start-up portfolio of social publishing communities/imprints. For most of the past decade, he ran the iconic indie Soft Skull Press for which work he was awarded the Association of American Publishers’ Miriam Bass Award for Creativity in Independent Publishing in 2005. Books he edited and published landed on bestseller lists from the Boston Globe to the Singapore Straits-Times and on Best of the Year lists from The Guardian to the Toronto Globe & Mail to the Los Angeles Times In 2006, Publishers Weekly picked him as one of the ten editors to watch for in the coming decade. This year the Utne reader named him of the Fifty Visionaries Chaning Your World, and Mashable picked as the #1 Twitter User Changing the Shape of Publishing.  Richard’s blogs at the eponymous Richard Eoin Nash – The Blog.

“If you like massive anxiety attacks, go watch Soft Skull’s former boss Richard Nash speak at a conference as you battle a hangover.”

Richard and I had a terrific talk beginning with his history in publishing and now what he is doing to help reinvent it with his new business, Cursor, a portfolio of niche social publishing communities, one of which will be called Red Lemonade (which has an interesting live link here.)

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