David Margolick: When Caesar Was King

When Caesar Was King: How Sid Caesar Reinvented American Comedy – David Margolick – Shocken Books – Hardcover – 9780805242553 – 400 pages – $35.00 – November 11, 2025 – ebook edition available at lower cost, audio book also available.

I am almost the same age as author David Margolick, so was born too late to see any of Sid’s early classic shows that aired when he was establishing the way comedy would work on the then new medium, television. Growing up with a comedy writer father, Sid Caesar was legendary in our house as a revered progenitor of the current crop of television comedy, but by the time I was old enough to know who he was, Sid Caesar was no longer at the pinnacle of his success. Despite being active on TV through the sixties, seventies and beyond, he was no longer culturally relevant as he had been earlier in his career. Yet his impact on television and its audiences was massive, and I remember hearing my parents and their friends talk about Sid Caesar, Imogen Coca, Carl Reiner, and Mel Brooks and their less well-known writers, always with admiration and joy.

Whether you are lucky enough to have seen Sid Caesar in action in his early days, or know nothing about him at all, David Margolick’s biography brings Sid to life. He provides us with a vivid rendering of an extremely complicated actor/comedian. In the early 1950s, Caesar was television’s first real star, his show drawing am audience of twenty million people at a time before televisions were not even present in most homes in America. His sketches helped define the nature of television comedy for generations to come even to this day. (All you have to do is watch a Caesar sketch followed by a modern SNL sketch and you will get it.)

Most of Caesar’s writers and actors went on to their own successful and influential careers and helped define television culture for decades. His writers included Neil Simon (The Odd Couple), Larry Gelbart (M*A*S*H), Mel Tolkin (All in the Family), Woody Allen (too many to list), Mel Brooks (Blazing Saddles, The Producer) and Carl Reiner (Dick Van Dyke Show).

Sid Caesar success was relatively short-lived. As television moved to take over the heartland of America, other stars supplanted him. As Margolick makes clear, Caesar was a complicated, introverted, socially awkward person, completely unlike the public personae he portrayed in performance. He could not or would not adapt to the changing tastes of television audiences—perhaps because Caesar’s humor was based on and drawn from 20th century urban American Jewish experience, and was more sophisticated than what mass market television would support. And Caesar’s personality was not suited for the massive success he achieved.

Margolick’s research and attention to detail, interviews with key people involved in Caesar’s life and his obvious love for Caesar’s humor and culture all contribute to make this a highly readable and enjoyable book for anyone who is interested in American culture and especially television comedy.

David Margolick was a reporter on legal affairs for the New York Times, where he wrote the weekly “At the Bar” column and covered, among other stories, the trial of O. J. Simpson. He was subsequently a contributing editor at Vanity Fair. His books include Beyond Glory: Joe Louis vs. Max Schmeling, At the Bar, Strange Fruit: The Biography of a Song, Dreadful: The Short Life and Gay Times of John Horne Burns; and Elizabeth and Hazel: Two Women of Little Rock, and The Promise and the Dream. He lives in New York City.

I very much enjoyed reading this biography, which is appropriately entertaining as well as informative. It broadened and deepened my appreciation for early television comedy, a milieu I enjoy. With the ubiquity of old television clips now available on YouTube, I was able to sample some of the sketches that are described in the book, including some I had never seen. Watching Caesar in action with his great supporting casts, while reading about those people in the book will change the way you see them now. David and I had a terrific conversation which I hope you will enjoy as much as I did.

Buy the book here.

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Thomas W. Gilbert: Death in the Strike Zone

Death in the Strike Zone: The Mystery of America’s First Baseball Hero — Thomas W. Gilbert — David Godine — Hardcover — 978-1-56792-759-7 — 192 pages — $27.95 — March 24th, 2026 – ebook edition available at lower cost

As most of my listeners probably know by now, I love baseball and I really love books about baseball. At one time I thought I knew alot about baseball history, but I have come to realize that I am a rank amateur in a world where there are true baseball historians at work on almost any baseball related subject one could imagine.

I loved reading Tom Gilbert’s wonderful book about James Creighton, arguably the first true baseball star, whose brief career took place in the heated era of early baseball in New York City. Pre-Civil War baseball is really not the same game as the one we play today. It was a precursor even to the game played in the late 19th century and early twentieth century, an era that at least some rabid fans today know something about. But baseball as it was played in the 1850s and 1860s was far different, and perhaps no more so than how pitching was done.

Reading this vividly written book, we learn about an era that is both strangely foreign and similar to our own in many ways. Baseball this early was still being defined by its players, and the game was emerging from pure amateur club sport played only in the big eastern cities, showing signs of popularity that would enable baseball to become the dominant sport in the entire country in less than 50 years.

Creighton was his era’s Babe Ruth and Shohei Ohtani, someone whose skills and manner of playing changed the game completely. What I learned from Tom Gilbert is that in this early time, pitching was much more like today’s slow pitch softball than what we recognize as hardball pitching today. The mount was much closer to home plate, and there were no balls and strikes – hitters just waited for a pitch “served” to them that they could hit, and it was fielding and running that made the game interesting, not today’s “inside game” where the pitcher and hitter define so much of what will happen.

Even if you don’t care as much about baseball as I do, Gilbert’s narrative weaves together the history of nineteenth century America into his narrative in a way that will interest many in the story of American culture.

Thomas W. Gilbert is also the author of How Baseball Happened: Outrageous Lies Exposed, The Truth Revealed, Baseball and the Color Line, Roberto Clemente, and Playing First. He grew up in Connecticut and lives in Brooklyn, not far from where James Creighton played and is buried.

We had a great conversation I hope you will enjoy as much as I did.

Author website

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Kim Dower reading her poems for National Poetry Month, 2026

Authors Voices gives writers and poets a platform for reading their work. It’s been too infrequent a series in the past. Starting in 2026, inaugurated by this wonderful reading by Los Angeles poet Kim Dower, we will be presenting a monthly reading series with a representation of poets I feel have not received enough attention for their work.

Kim’s reading took place on April 1, 2026, the first day of National Poetry Month. Unfortunately we were delayed in publishing this episode, so apologies are due to the poet.

In this reading, Kim presents a range of her poems from her previously published books.

Kim Dower was born and raised on the Upper West Side of Manhattan, and has lived in Los Angeles for many years, where she is well known both for her poetry as well as her work in book publicity under the name “Kim from LA.”

Kim is the former City Poet Laureate for West Hollywood, California and is the author of five acclaimed books of poetry. Among her books has been a Los Angeles Times bestseller, a finalist for the 2023 Eric Hoffer Book Award, I Wore This Dress Today for You, Mom­.

Dower’s poems have been featured on Garrison Keillor’s The Writer’s Almanac and Ted Kooser’s American Life in Poetry, as well as in many anthologies and journals, including Ploughshares, James Dickey Review, Plume, and Barrow Street. She teaches poetry workshops for Antioch University, UCLA Extension, and the West Hollywood Library. Kim lives with her family in West Hollywood, California.

Her books are all wonderful and frequently funny.

I Wore This Dress Today for You, Mom­

What She Wants

Sunbathing on Tyrone Power’s Grave

Last Train to the Missing Planet

Her website is here.

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Anne Enright: Attention: Writing on Life, Art, and the World

Attention: Writing on Life, Art, and the World — Anne Enright — W.W. Norton — Hardcover — 978-1-324-12413-9 — 288 pages — $29.99 — April 7, 2026 — ebook and audio book versions available, prices vary

Anne Enright has quickly become one of my favorite writers over the past several years. Her fiction is superb, her characters fully alive, and the complex stories of their lives are gripping. She has rightfully won just about every major award, including the Man Booker, a Whiting Campbell award, the Andrew Carnegie Medal, and in 2022 a Lifetime Achievement Award from the Irish Book Awards. We talked in person in 2020 just prior to the pandemic about her beautiful novel, Actress, a great honor for me.

Her newest book, Attention: Writing on Life, Art, and the World, collects nearly thirty years of her essays that cover a wide range of topics, always focusing with laser attention on what matters most about her subjects, mostly writers. Some you will know well, others, unless you are Irish or particularly well read in contemporary Irish lit will be new to you, as they were to me. You’ve probably read James Joyce, Alice Munro, Angela Carter, and Toni Morrison, for example, but you may be less familiar with John McGahern or Maeve Brennan. I think Enright’s personal approach to these writers and the stories of how they have affected her life bring her unique perspective to all of them.

But there is more, much more in this collection than writing about writers. The book is divided into three sections: “Voices,” “Bodies,” and “Time.” The first section collects her writing about writers and the second presents her essays about women, their bodies and who will control them, while the third section is broader (as time is, isn’t it?) and less specific, including essays about Canada (beautiful), where Enright spent time in her youth, Honduras for a visit, children and religion (challenging), and traveling with her husband, among others.

Enright’s writing is always spot on, simultaneously warm and tough. It’s a great read. And the essays always leave the reader thoughtful and engaged, which I like very much.

We had a great talk about a great many things, some not included in the book at all. Talking to Anne Enright is like being in a room where a brilliant salon is taking place. The conversation is always great, and like her essays, spur one to thought and reflection. What more could you ask for?

“…she is one of the best essayists alive.”—Megan Nolan, Observer

Anne Enright’s blog

Buy: Attention: Writing on Life, Art, and the World

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Helen Sheehy: Just Willa (a novel)

Just Willa (a novel)—Helen Sheehy—Cave Hollow Press—978-2-7342678-3-9—paperback—428 pages—$21.95—April 13, 2025—ebook versions available at varying lower prices

As many Writerscast listeners know, I only interview writers about books I like and enjoyed reading enough to want to share with my listeners. So every episode of this podcast does represent a certain “best of” approach to my reading, since you will never hear about the books I did not love, or could not bring myself to finish.

From among those many books I like, Helen Sheehy’s Just Willa is a special one – this is a flat out just a wonderful novel. It focuses entirely on the story of one woman and her family, Willa Hardesty, and her difficult farm life in dusty, dry Oklahoma. Her story follows seven decades of one woman’s life, a twentieth century family chronicle that focuses on the small struggles of daily life, a difficult husband, the challenges of raising children and the heartbreak that goes with a large family.

Willa is tough because her world requires her to be tough. She is the daughter of a homesteader who somehow manages to be a single mother in an era that provides almost no support, then marries a bootlegging cowboy who is never honest with her. Her seemingly “small” life is really a world that is far greater than it seems, and she lives it with indomitable strength despite all her hardships and struggles to understand who she really is.

Like most great fiction, we come to realize that this novel is entirely true.

I really enjoyed speaking with Helen about her book, her writing process, and her past work as a biographer. I think you will enjoy this conversation, and I hope it might spur you to read Just Willa yourself, and because she is a really fine writer, and this book is autobiographical fiction, perhaps you will be interested in reading her biographies as well.

Helen Sheehy grew up on farms in Oklahoma and Kansas, although she’s lived in Connecticut most of her life. She’s been a dramaturg at Hartford Stage Company and written biographies of theatre pioneers; Margo Jones, Eva Le Gallienne, and Eleonora Duse.

Sheehy taught theatre and English in high schools in Kansas and Connecticut, which was the basis of her first book, a textbook titled All About Theatre. She was Adjunct Professor of Theatre at Southern Connecticut State University for over twenty years. Sheehy has also taught acting and improvisation to inmates in a maximum security prison in Connecticut.

She lives in Hamden, Connecticut. Just Willa is her first novel.

“Helen Sheehy’s masterful prose immerses you in Willa Hardesty’s world with such rich detail and emotional depth that you feel the dust of the Oklahoma plains and the quiet strength it takes to hold a family together. It’s a powerful reminder that even the women who shape our lives can hold truths we only come to understand with time. This book is for anyone who has ever known their mother—or thought they did.”—Michael Sucsy, Emmy-winning writer/director of Grey Gardens

Author website.
Buy the book on Bookshop.org

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Oliver Radclyffe: Frighten the Horse (A Memoir)

Frighten the Horses – Oliver Radclyffe – Roxane Gay Books – 978-0-8021-6315-8 – Hardcover – 352 pages – $28.00 – September 17, 2024 – ebook versions available at lower prices

This is flat out a remarkable story told by a remarkable person. We live in a time when people are so often simply categorized into identities, as if the naming of a version of self somehow explains who a person is. Labels do not tell stories: gay, straight, queer, trans. All are too reductive to have any meaning whatsoever. Every person is a complicated being, and most of us contain multiple versions of ourselves. Sometimes those versions simply do not make sense.

Oliver Radclyffe started out life as a relatively protected and very privileged girl in England, who married a man and had four children, moved to a wealthy Connecticut suburb and had what seemed to be a perfect life. But his inner life was far from resolved and the tensions of an emerging self could not be reconciled until he eventually came out as a lesbian, risking a great deal in order to establish an identity that reflected his inner being.

But that turned out to be a way station on his ultimate journey. There was still more work he had to do before his ultimate transformation to being a man, one who is also an active parent, still learning from his children, still in the process of becoming. As we all should be.

Aside from this being an incredibly engaging story that takes place in the same town I grew up in, the courageously deep and honest sharing of his story was for me a journey toward understanding, both for the writer and for me, the reader. By exposing so much of his story and his struggles to become himself, Oliver has created what is truly an essential guide to understanding the trans experience. Even for the many of us who believe in the multitude of human identity and being need to understand as fully as possible what it actually means to be a trans person. If you are fortunate enough to have a trans person in your life, this book should be the next book you pick up.

While I am certain that every person’s story is unique and that Oliver is not a stand in for every gay or trans person, female or male, knowing so much about his ongoing journey to becoming his authentic self is incredibly valuable for others, whether we are ourselves gay, straight, trans or something else.

I can’t recommend this book enough. Go read it right now. Let me know what you think of it.

This review blurb says it all for me: “The finest literary telling of the experience of gender transition that I’ve ever read. It’s a terrific, expansive story because the focus of this warm-hearted man always returns to his children. He’s simply a wonderful parent, and that’s what keeps the reader turning the pages.”—Kate Bornstein, author of Gender Outlaw

Author website
Buy the book

Author photo by Lev Rose Water

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Surviving Genocide: Native Nations and the United States from the American Revolution to Bleeding Kansas: Jeffrey Ostler

Surviving Genocide: Native Nations and the United States from the American Revolution to Bleeding Kansas – Jeffrey Ostler – 9780300255362 – Yale University Press – Paperback – 544 pages – September 22, 2020 – $25 – ebook versions available at lower prices

“A landmark book essential to understanding American history, Surviving Genocide is an act of courage. Ostler’s brilliant concept of reconstructing ‘an Indigenous consciousness of genocide’ is significant for its insight into how American Indians understood, discussed, and resisted genocidal threats to their families, communities, and nations. His modern vocabulary of ‘atrocities’ and ‘killing fields’ is not for political effect but appropriate to the brutal reality of Indian policy in American history.”—Brenda Child, Northrop Professor of American Studies, University of Minnesota

Even though many of us feel we are familiar with the story of the “settling” of America by Europeans and the dispossession of indigenous people, reading Jeffrey Ostler’s book, part one of a major two-volume history, will educate every single one of us to a better understanding of the full scope of the takeover of a continent by invading Europeans. Conquest and genocide are terms we seem unable to apply to our own history, preferring still a more sanitized version of the centuries long overwhelming of the people who lived here before Europeans arrived in force.

Ostler has spent years of research documenting the governmentally sanctioned use of force to remove or kill the indigenous people who were inconveniently in the way of the relentless expansion of the American republic. In this book he documents the losses from the violence – massacres, destruction of habitat and lifeways, diseases and cultural upheaval suffered sequentially by native peoples for hundreds of years as first colonial settlers and then Americans flooded the continent. This volume covers the story of the eastern United States from the 1750s to the beginning of the Civil War that set the stage for the post-Civil War expansion that is perhaps the better known narrative – buffalo, horses, trains, Crazy Horse and the Lakota being so much a part of popular culture imagery. As Ostler shows, the way this played out was not “inevitable” and Manifest Destiny was neither. The indigenous people were outnumbered, but often not out maneuvered or outwitted, and their ability to survive the nightmares of dispossession and attempted genocide is heroic.

As Americans, it is sometimes difficult to look at our own history with honesty. It is often said that the “original sin” of America is slavery, but I think we must grapple with the actuality that there are two essentially economic-based social and cultural wounds at the heart of the American project. First, there is the forced dispossession of the people who were on the land itself, and second, the forced migration and enslavement of Africans for the benefit of white Americans and their economic development. We must learn as much as we can about the history of the last five hundred years in North America in an unromanticized, clear-eyed effort to fully comprehend what our forebears did in the course of creating the American dream all of us are allowed thereby to enjoy. The truth in all its complexity should serve as counterweight to the false narratives and self-serving images we choose to live by, all created as a form of ongoing social control.

Indigenous people have survived despite the many attempts to extirpate them or to forcibly transform and bend their cultures into the conquerors’ image of what “civilization” looks like. Still, the traumatic effects of conquest need to be recognized, acknowledged and repaired and it would be no small thing to recognize formally that a genocide was in play, with all the social and political results that term carries with it. This book and presumably the subsequent volume in Ostler’s work, should help us move in that direction.

The book is well written, hard to put down and completely engrossing; its authoritative and well-researched approach makes it a powerful document and well worth your time to read.

I’m grateful for Jeffrey Ostler for taking the time to talk to me about this book and for Yale University Press for alerting me to it.

Jeffrey Ostler is Beekman Professor of Northwest and Pacific History at the University of Oregon and the author of The Lakotas and the Black Hills and The Plains Sioux and U.S. Colonialism from Lewis and Clark to Wounded Knee.

Buy the book at Bookshop.org

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Writerscast: David Wilk interviews Roger Angell

A couple years ago, in the process of researching the mostly unknown and under-appreciated New Yorker writer Robert M. Coates, I reached out to Roger Angell, who knew Coates during his many years of writing for and working at The New Yorker (and whose mother, Katharine Sergeant Angell White, and stepfather, E.B. White, knew Coates well from the earliest days of the magazine in New York and elsewhere). I wanted to learn as much as I could about Coates, and in the process, had the distinct pleasure of talking to one of the greatest writers of our time.

After telling me some interesting first-hand remembrances of Coates, Roger was kind enough to sit or an in-person interview with me in his apartment in New York along with his wife Peggy Moorman. It’s my honor to publish this interview now to celebrate Roger Angell’s 100th birthday. His prodigious, meticulous, and far-ranging memory is a match for his remarkable abilities as a writer.

Roger has always lived in New York City, and spent summers in Brooklin, Maine. He graduated from Pomfret School and Harvard University, served in the Air Force in World War II, first as an instructor in machine guns and power turrets, and then, in the Pacific, as an editor and reporter for the GI magazine Brief.

In 2014 Roger was inducted into the writers’ section of the Baseball Hall of Fame, and then in 2015 he was deservedly elected to the American Academy of Arts and Letters.

It is impossible to speak about and with Roger Angell without mentioning his writing about baseball, for which he is best known, including the classic books, The Summer Game and Five Seasons: A Baseball Companion, as well as a number of great shorter pieces that appeared first in the The New Yorker.

Angell’s earliest published works of short fiction and personal narratives. Several of these pieces were collected in early books, The Stone Arbor and Other Stories (1960) and A Day in the Life of Roger Angell (1970).

Roger first contributed to the The New Yorker in March 1944. He began writing about baseball in 1962, when William Shawn, then the editor of The New Yorker sent him to Florida to write about spring training and over the course of several decades produced some of the best baseball books ever written, inspiring countless readers with his brilliant descriptions of baseball games and players, and of course, fans of the game.

In a review of Once More Around the Park for the Journal of Sport History, Richard C. Crepeau wrote that “Gone for Good”, Angell’s essay on the career of Steve Blass,”may be the best piece that anyone has ever written on baseball or any other sport”.

While Angell has been praised fulsomely for his baseball writing, I’d prefer to think of him as simply one of the better literary stylists of our time. Listening to Roger Angell talk about books, writers and his writing life was one of the great pleasures of my own literary life, which I am pleased to share with you here.

Roger turned 100 on September 19, 2020. Happy Birthday Roger! And thank you and Peggy, for giving me the opportunity to speak with one of my literary heroes.

“Angell writes about baseball the way M.F.K. Fisher did about food, as a metaphor for life’s complexities of desire, defeat, utility and beauty.” — Phillip Lopate

This article in The New Yorker by David Remnick – “Roger Angell Turns 100” – is a must-read piece.

7 Must-Read Roger Angell Books: Legendary essays on baseball, reflections on aging, and so much more. Stephen Lovely, The Archive.

List of Roger Angell’s Books

A Day in the Life of Roger Angell
Five Seasons: A Baseball Companion
Game Time
Late Innings
Let Me Finish
This Old Man: All in Pieces
Once More Around the Park: A Baseball Reader
A Pitcher’s Story: Innings with David Cone
Season Ticket
Selected Shorts: Baseball, a Celebration of the Short Story
The Summer Game

Roger Angell Day – Celebrating Roger Angell – a 100th birthday celebration was held at the Friend Memorial Public Library in Brooklin, Maine, August 8, 2020                                                   Photo by Bill Ray

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Fenton Johnson – At the Center of All Beauty: Solitude and the Creative Life

At the Center of All Beauty: Solitude and the Creative Life – Fenton Johnson- 9780393608298 – W.W. Norton – Hardcover – 256 pages – March 10, 2020 – $26.95 – ebook versions available at lower prices

So much of the pleasure of conducting this podcast for all these years has been (and continues to be) the discovery of new writers and books, that so deeply nurture my inner being. Discovering Fenton Johnson’s writing during the pandemic, where I have been spending most of my time alone or with just my immediate family, has been both apt and especially rewarding. I want to thank my cousin, Fred Hertz, for introducing me to Fenton and his work. I am especially interested in this book, as it is about the inner lives if writers, artists and musicians, their thought processes and creative lives, Fenton Johnson’s perspective on creativity and the artistic journey should resonate with us now more than ever.

Fenton is an outstanding writer, whose prose flows like a slow moving brook through the woods. I am really surprised not to have known about his work before now. Now, having read this most recent very personal memoir, I am adding his other works of memoir, and his fiction to my long term reading list.

But back to this book. In At the Center of All Beauty, Fenton explores the lives and works of nearly a dozen writers, painters and singers, those he feels most close to in his own life and work. He calls them “solitaries,” and links them to members of his own family, friends he knew growing up, his life, his lovers, his loves.  He rightly questions the dominant cultural narrative we all absorb that coupling is the highest and best way to live. Of course there is a long and celebrated tradition in the West of creatives who must separate themselves from others in order to be themselves, and this clearly is a crucial story for anyone involved in trying to create.

Fenton devotes chapters to Thoreau at Walden Pond, Emily Dickinson in Amherst, the great Bill Cunningham photographing in the streets, Cézanne repeatedly painting Mont Sainte-Victoire and Zora Neale Hurston, Nina Simone, and several other exemplars of the creative solitary life. Each of these stories relate back to Fenton’s own journey, first growing up in Kentucky near the famous Gethsemane monastery (best known as home to Thomas Merton,) his father and mother, also both solitary souls despite their family lives, and then  later living in San Francisco in the time of AIDS, to now, where in late middle age, he finds himself solitary and at peace with all that it means to be both alone and completely connected to the world around him.

This book is full of wisdom, of beauty, and of language that helps us go beyond our daily perceptions into our own stories of self and meaning. You can read this book as a narrative or perhaps as well, use it as an inspirational spur to personal meditation on self and beauty.

It was truly a pleasure to read At the Center of All Beauty and also to have the opportunity to speak with Fenton about this book. To illustrate life during Covid-19, while we happened to both be in Tucson, Arizona this spring, Fenton delivered the book to me, both of us wearing masks, in the local post office parking lot, and we conducted the interview via Skype, despite being less than two miles apart from each other on the day we talked.

Aside from At the Center of All Beauty: Solitude and the Creative Life, Fenton Johnson is the author of three novels: The Man Who Loved Birds, Scissors, Paper, Rock, and Crossing the River, each of which have been reissued in new editions. He has also published two previous memoirs, Geography of the Heart: A Memoir and Keeping Faith: A Skeptic’s Journey among Christian and Buddhist Monks and an essay collection Everywhere Home: A Life in Essays.

Geography of the Heart received the American Library Association and Lambda Literary Awards for best LGBT Creative Nonfiction, and Keeping Faith received a Lambda Literary and Kentucky Literary Award in Creative Nonfiction. He was recently featured on NPR’s Fresh Air and writes for Harper’s Magazine.

Fenton is professor emeritus at the University of Arizona and teaches creative writing workshops nationally. He is on the faculty of the low-residency creative writing program of Spalding University.

Support local booksellers! Buy At the Center of All Beauty from independent bookseller RJ Julia.

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Publishing Talks: David Wilk interviews writer and entrepreneur Rachel Lehmann-Haupt

Publishing Talks began as a series of conversations with book industry professionals and others involved in media and technology, mostly talking about the future of publishing, books, and culture. As every media business continues to experience disruption and change, I’ve been talking with some of the people involved in our industry about how publishing might evolve as it is affected by technology and the larger context of culture and economics.

Rachel Lehmann-Haupt is best known for being an expert on the future of family life, career timing, and the influence of science and technology on fertility, pregnancy and family.

She is the author of In Her Own Sweet Time: Egg Freezing and the New Frontiers of Family. Her articles have been featured in a wide range of magazines and websites.

Rachel graduated with a degree in English literature from Kenyon College, and has a Masters in Journalism from the Graduate School of Journalism at the University of California, Berkeley. At UC Berkeley, she apprenticed under Clay Felker, the founder of New York Magazine. She has spoken on numerous panels at bookstores, hospitals and corporate events, and has delivered keynotes at universities.

Rachel’s newest venture, StoryMade Studios, a content development and editorial production studio was what introduced me to her work and caused me to want to talk to her for this Publishing Talks podcast series.

Much like my own work with content creators, and similar to the way movie studios work, Rachel builds teams that include writers, designers, developers, and video producers, and then manages the creation and editing of all the elements of a digital media story. StoryMade Studios focuses on health, parenting, advanced reproductive technology, neuroscience, women, sustainability, and food.

In recent years, Rachel has been a senior content strategist and strategic advisor for a number of technology start-ups, media properties, and non-profits including TED Books, The Dwell Store, Wired Magazine, BabyCenter.com, The Women 2.0 Conference, Code for America, Bridge Housing, Shebooks, and Dr. Dean Ornish/Healthways.

It was a pleasure to spend some time with her for a lengthy and wide ranging conversation when she was recently in New York City for a visit. I wanted to talk to her about her work as a writer and as a facilitator of book and other content projects, but in particular, I thought it would be really interesting to talk to Rachel about what it was like to have grown up as the child of two writers in the hothouse environment of New York City literary culture and how it influenced her own professional and personal life.

Thank you Rachel for a great conversation!

You can buy her book from RJ Julia here.

Visit Rachel’s own website here. Read about her book,In Her Own Sweet Time. 

And about Story Made Studio here.

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