Surviving Genocide: Native Nations and the United States from the American Revolution to Bleeding Kansas: Jeffrey Ostler

Surviving Genocide: Native Nations and the United States from the American Revolution to Bleeding Kansas – Jeffrey Ostler – 9780300255362 – Yale University Press – Paperback – 544 pages – September 22, 2020 – $25 – ebook versions available at lower prices

“A landmark book essential to understanding American history, Surviving Genocide is an act of courage. Ostler’s brilliant concept of reconstructing ‘an Indigenous consciousness of genocide’ is significant for its insight into how American Indians understood, discussed, and resisted genocidal threats to their families, communities, and nations. His modern vocabulary of ‘atrocities’ and ‘killing fields’ is not for political effect but appropriate to the brutal reality of Indian policy in American history.”—Brenda Child, Northrop Professor of American Studies, University of Minnesota

Even though many of us feel we are familiar with the story of the “settling” of America by Europeans and the dispossession of indigenous people, reading Jeffrey Ostler’s book, part one of a major two-volume history, will educate every single one of us to a better understanding of the full scope of the takeover of a continent by invading Europeans. Conquest and genocide are terms we seem unable to apply to our own history, preferring still a more sanitized version of the centuries long overwhelming of the people who lived here before Europeans arrived in force.

Ostler has spent years of research documenting the governmentally sanctioned use of force to remove or kill the indigenous people who were inconveniently in the way of the relentless expansion of the American republic. In this book he documents the losses from the violence – massacres, destruction of habitat and lifeways, diseases and cultural upheaval suffered sequentially by native peoples for hundreds of years as first colonial settlers and then Americans flooded the continent. This volume covers the story of the eastern United States from the 1750s to the beginning of the Civil War that set the stage for the post-Civil War expansion that is perhaps the better known narrative – buffalo, horses, trains, Crazy Horse and the Lakota being so much a part of popular culture imagery. As Ostler shows, the way this played out was not “inevitable” and Manifest Destiny was neither. The indigenous people were outnumbered, but often not out maneuvered or outwitted, and their ability to survive the nightmares of dispossession and attempted genocide is heroic.

As Americans, it is sometimes difficult to look at our own history with honesty. It is often said that the “original sin” of America is slavery, but I think we must grapple with the actuality that there are two essentially economic-based social and cultural wounds at the heart of the American project. First, there is the forced dispossession of the people who were on the land itself, and second, the forced migration and enslavement of Africans for the benefit of white Americans and their economic development. We must learn as much as we can about the history of the last five hundred years in North America in an unromanticized, clear-eyed effort to fully comprehend what our forebears did in the course of creating the American dream all of us are allowed thereby to enjoy. The truth in all its complexity should serve as counterweight to the false narratives and self-serving images we choose to live by, all created as a form of ongoing social control.

Indigenous people have survived despite the many attempts to extirpate them or to forcibly transform and bend their cultures into the conquerors’ image of what “civilization” looks like. Still, the traumatic effects of conquest need to be recognized, acknowledged and repaired and it would be no small thing to recognize formally that a genocide was in play, with all the social and political results that term carries with it. This book and presumably the subsequent volume in Ostler’s work, should help us move in that direction.

The book is well written, hard to put down and completely engrossing; its authoritative and well-researched approach makes it a powerful document and well worth your time to read.

I’m grateful for Jeffrey Ostler for taking the time to talk to me about this book and for Yale University Press for alerting me to it.

Jeffrey Ostler is Beekman Professor of Northwest and Pacific History at the University of Oregon and the author of The Lakotas and the Black Hills and The Plains Sioux and U.S. Colonialism from Lewis and Clark to Wounded Knee.

Buy the book at Bookshop.org

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Writerscast: David Wilk interviews Roger Angell

A couple years ago, in the process of researching the mostly unknown and under-appreciated New Yorker writer Robert M. Coates, I reached out to Roger Angell, who knew Coates during his many years of writing for and working at The New Yorker (and whose mother, Katharine Sergeant Angell White, and stepfather, E.B. White, knew Coates well from the earliest days of the magazine in New York and elsewhere). I wanted to learn as much as I could about Coates, and in the process, had the distinct pleasure of talking to one of the greatest writers of our time.

After telling me some interesting first-hand remembrances of Coates, Roger was kind enough to sit or an in-person interview with me in his apartment in New York along with his wife Peggy Moorman. It’s my honor to publish this interview now to celebrate Roger Angell’s 100th birthday. His prodigious, meticulous, and far-ranging memory is a match for his remarkable abilities as a writer.

Roger has always lived in New York City, and spent summers in Brooklin, Maine. He graduated from Pomfret School and Harvard University, served in the Air Force in World War II, first as an instructor in machine guns and power turrets, and then, in the Pacific, as an editor and reporter for the GI magazine Brief.

In 2014 Roger was inducted into the writers’ section of the Baseball Hall of Fame, and then in 2015 he was deservedly elected to the American Academy of Arts and Letters.

It is impossible to speak about and with Roger Angell without mentioning his writing about baseball, for which he is best known, including the classic books, The Summer Game and Five Seasons: A Baseball Companion, as well as a number of great shorter pieces that appeared first in the The New Yorker.

Angell’s earliest published works of short fiction and personal narratives. Several of these pieces were collected in early books, The Stone Arbor and Other Stories (1960) and A Day in the Life of Roger Angell (1970).

Roger first contributed to the The New Yorker in March 1944. He began writing about baseball in 1962, when William Shawn, then the editor of The New Yorker sent him to Florida to write about spring training and over the course of several decades produced some of the best baseball books ever written, inspiring countless readers with his brilliant descriptions of baseball games and players, and of course, fans of the game.

In a review of Once More Around the Park for the Journal of Sport History, Richard C. Crepeau wrote that “Gone for Good”, Angell’s essay on the career of Steve Blass,”may be the best piece that anyone has ever written on baseball or any other sport”.

While Angell has been praised fulsomely for his baseball writing, I’d prefer to think of him as simply one of the better literary stylists of our time. Listening to Roger Angell talk about books, writers and his writing life was one of the great pleasures of my own literary life, which I am pleased to share with you here.

Roger turned 100 on September 19, 2020. Happy Birthday Roger! And thank you and Peggy, for giving me the opportunity to speak with one of my literary heroes.

“Angell writes about baseball the way M.F.K. Fisher did about food, as a metaphor for life’s complexities of desire, defeat, utility and beauty.” — Phillip Lopate

This article in The New Yorker by David Remnick – “Roger Angell Turns 100” – is a must-read piece.

7 Must-Read Roger Angell Books: Legendary essays on baseball, reflections on aging, and so much more. Stephen Lovely, The Archive.

List of Roger Angell’s Books

A Day in the Life of Roger Angell
Five Seasons: A Baseball Companion
Game Time
Late Innings
Let Me Finish
This Old Man: All in Pieces
Once More Around the Park: A Baseball Reader
A Pitcher’s Story: Innings with David Cone
Season Ticket
Selected Shorts: Baseball, a Celebration of the Short Story
The Summer Game

Roger Angell Day – Celebrating Roger Angell – a 100th birthday celebration was held at the Friend Memorial Public Library in Brooklin, Maine, August 8, 2020                                                   Photo by Bill Ray

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Fenton Johnson – At the Center of All Beauty: Solitude and the Creative Life

At the Center of All Beauty: Solitude and the Creative Life – Fenton Johnson- 9780393608298 – W.W. Norton – Hardcover – 256 pages – March 10, 2020 – $26.95 – ebook versions available at lower prices

So much of the pleasure of conducting this podcast for all these years has been (and continues to be) the discovery of new writers and books, that so deeply nurture my inner being. Discovering Fenton Johnson’s writing during the pandemic, where I have been spending most of my time alone or with just my immediate family, has been both apt and especially rewarding. I want to thank my cousin, Fred Hertz, for introducing me to Fenton and his work. I am especially interested in this book, as it is about the inner lives if writers, artists and musicians, their thought processes and creative lives, Fenton Johnson’s perspective on creativity and the artistic journey should resonate with us now more than ever.

Fenton is an outstanding writer, whose prose flows like a slow moving brook through the woods. I am really surprised not to have known about his work before now. Now, having read this most recent very personal memoir, I am adding his other works of memoir, and his fiction to my long term reading list.

But back to this book. In At the Center of All Beauty, Fenton explores the lives and works of nearly a dozen writers, painters and singers, those he feels most close to in his own life and work. He calls them “solitaries,” and links them to members of his own family, friends he knew growing up, his life, his lovers, his loves.  He rightly questions the dominant cultural narrative we all absorb that coupling is the highest and best way to live. Of course there is a long and celebrated tradition in the West of creatives who must separate themselves from others in order to be themselves, and this clearly is a crucial story for anyone involved in trying to create.

Fenton devotes chapters to Thoreau at Walden Pond, Emily Dickinson in Amherst, the great Bill Cunningham photographing in the streets, Cézanne repeatedly painting Mont Sainte-Victoire and Zora Neale Hurston, Nina Simone, and several other exemplars of the creative solitary life. Each of these stories relate back to Fenton’s own journey, first growing up in Kentucky near the famous Gethsemane monastery (best known as home to Thomas Merton,) his father and mother, also both solitary souls despite their family lives, and then  later living in San Francisco in the time of AIDS, to now, where in late middle age, he finds himself solitary and at peace with all that it means to be both alone and completely connected to the world around him.

This book is full of wisdom, of beauty, and of language that helps us go beyond our daily perceptions into our own stories of self and meaning. You can read this book as a narrative or perhaps as well, use it as an inspirational spur to personal meditation on self and beauty.

It was truly a pleasure to read At the Center of All Beauty and also to have the opportunity to speak with Fenton about this book. To illustrate life during Covid-19, while we happened to both be in Tucson, Arizona this spring, Fenton delivered the book to me, both of us wearing masks, in the local post office parking lot, and we conducted the interview via Skype, despite being less than two miles apart from each other on the day we talked.

Aside from At the Center of All Beauty: Solitude and the Creative Life, Fenton Johnson is the author of three novels: The Man Who Loved Birds, Scissors, Paper, Rock, and Crossing the River, each of which have been reissued in new editions. He has also published two previous memoirs, Geography of the Heart: A Memoir and Keeping Faith: A Skeptic’s Journey among Christian and Buddhist Monks and an essay collection Everywhere Home: A Life in Essays.

Geography of the Heart received the American Library Association and Lambda Literary Awards for best LGBT Creative Nonfiction, and Keeping Faith received a Lambda Literary and Kentucky Literary Award in Creative Nonfiction. He was recently featured on NPR’s Fresh Air and writes for Harper’s Magazine.

Fenton is professor emeritus at the University of Arizona and teaches creative writing workshops nationally. He is on the faculty of the low-residency creative writing program of Spalding University.

Support local booksellers! Buy At the Center of All Beauty from independent bookseller RJ Julia.

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Publishing Talks: David Wilk interviews writer and entrepreneur Rachel Lehmann-Haupt

Publishing Talks began as a series of conversations with book industry professionals and others involved in media and technology, mostly talking about the future of publishing, books, and culture. As every media business continues to experience disruption and change, I’ve been talking with some of the people involved in our industry about how publishing might evolve as it is affected by technology and the larger context of culture and economics.

Rachel Lehmann-Haupt is best known for being an expert on the future of family life, career timing, and the influence of science and technology on fertility, pregnancy and family.

She is the author of In Her Own Sweet Time: Egg Freezing and the New Frontiers of Family. Her articles have been featured in a wide range of magazines and websites.

Rachel graduated with a degree in English literature from Kenyon College, and has a Masters in Journalism from the Graduate School of Journalism at the University of California, Berkeley. At UC Berkeley, she apprenticed under Clay Felker, the founder of New York Magazine. She has spoken on numerous panels at bookstores, hospitals and corporate events, and has delivered keynotes at universities.

Rachel’s newest venture, StoryMade Studios, a content development and editorial production studio was what introduced me to her work and caused me to want to talk to her for this Publishing Talks podcast series.

Much like my own work with content creators, and similar to the way movie studios work, Rachel builds teams that include writers, designers, developers, and video producers, and then manages the creation and editing of all the elements of a digital media story. StoryMade Studios focuses on health, parenting, advanced reproductive technology, neuroscience, women, sustainability, and food.

In recent years, Rachel has been a senior content strategist and strategic advisor for a number of technology start-ups, media properties, and non-profits including TED Books, The Dwell Store, Wired Magazine, BabyCenter.com, The Women 2.0 Conference, Code for America, Bridge Housing, Shebooks, and Dr. Dean Ornish/Healthways.

It was a pleasure to spend some time with her for a lengthy and wide ranging conversation when she was recently in New York City for a visit. I wanted to talk to her about her work as a writer and as a facilitator of book and other content projects, but in particular, I thought it would be really interesting to talk to Rachel about what it was like to have grown up as the child of two writers in the hothouse environment of New York City literary culture and how it influenced her own professional and personal life.

Thank you Rachel for a great conversation!

You can buy her book from RJ Julia here.

Visit Rachel’s own website here. Read about her book,In Her Own Sweet Time. 

And about Story Made Studio here.

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Fred Waitzkin: Deep Water Blues, a Novel

Deep Water Blues: A Novel – Fred Waitzkin – 9781504057745 – 160 pages – Open Road Media – paperback – May 28, 2019 – $17.00 – ebook versions available at lower prices.

Fred Waitzkin’s Deep Water Blues is a surprisingly affecting short novel based to a great extent on his personal experiences in a small boat on the open water and islands of the Caribbean. Because it is based in so much lived experience, it has an authenticity that shines through in every page. In Deep Water Blues three older men (including the boat’s owner) and one younger man, a painter who has never been to sea, leave Ft. Lauderdale on an old boat heading for a Bahamian island that has an almost mythical story and appeal. Each is there for a different reason and each will gain something different from their adventure. But the story is really about the island and the mysteries of what happened there.

When I first started reading this book, I did not expect to find it as compelling as I did in the end. There’s alot more here than initially meets the eye, and this is a book I can recommend to readers.

Waitzkin calls his book a “curated blend of real-life experience and fiction.” Deep Water Blues tells a compelling story about an unusual man in an exotic place, an almost mythical story whose hero suffers a classic fate and redemption in a mysterious and beautiful location, bringing to mind Shakespearean and Biblical storytelling. Waitzkin writes in spare prose that carries his story through to its exciting end, and makes a short book impactful beyond its length.

Fred Waitzkin was born in Cambridge Massachusetts. He was an English major at Kenyon College in Ohio, then taught English at The College of the Virgin Islands, where he also got to pursue his love of fishing for big game fish. Fred and his wife moved to New York City, where Waitzkin wrote feature journalism, personal essays and reviews for numerous magazines including Esquire, Forbes, the New York Times Sunday Magazine, the New York Times Book Review, New York Magazine, Outside Magazine, and Sports Illustrated.

Waitzkin’s first book was Searching for Bobby Fischer. Published in 1984, it’s the story of three years in the lives of Fred and his chess prodigy son, Josh Waitzkin. The book became an internationally acclaimed best seller, and the film based on it was nominated for an academy award.

Mortal Games, his biography of world chess champion, Garry Kasparov was published in 1993, and was followed in 2000 by The Last Marlin, a memoir. The Dream Merchant, Waitzkin’s first novel, was published in 2013 – Deep Water Blues is his second published work of fiction. Fred still lives in Manhattan with his wife Bonnie, and still spends as much time as possible on his old boat, Ebb Tide.

It was my pleasure to speak with Fred, and while we talked about the book at hand, our conversation went into a variety of related coves and channels.

Visit Fred Waitzkin’s website to learn more about him and his writing.

“Deep Water Blues does what all fine literature aspires for – it transports readers to another time and place, in this case, to a sleepy, lush island deep in the Bahamas. Fred Waitzkin writes about life, sex and violence with aplomb, and Bobby Little is a tragic hero fit for the Greek myths. Hope to see everyone on Rum Cay soon.” – Matt Gallagher, author of Youngblood

“Fred Waitzkin effortlessly recreates a singular world with uncanny insight and humor. His language is remarkable for its clarity and simplicity. Yet his themes are profound. This is like sitting by a fire with a master storyteller whose true power is in the realm of imagination and magic.” – Gabriel Byrne, actor and director

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Peter Rock: The Night Swimmers (A Novel)

The Night Swimmers – A Novel – Peter Rock – ISBN 9781641290005 – Soho Press – Hardcover – 272 pages – $25.00 – March 12, 2019 – ebook versions available at lower prices.

As I have said here before, one of the things I like best about doing the Writerscast interviews is that it’s introduced me to the work of many writers I would not have discovered on my own. The Night Swimmers is a perfect example. Peter Rock has been writing extremely fine fiction for many years, and yet I had never run across his work before, which still seems quite surprising to me, given the nature of his work.

Peter’s autobiographical novel captured my imagination from the outset. The writing is luminous and personal, dreamy, yet descriptive. His narrator is a young aspiring writer living temporarily in beautiful Door County in the northern reaches of Wisconsin’s Lake Michigan coastline. He’s bit lost, maybe stuck in his inability to see himself as an adult. He meets a young widow, Mrs. Abel, who is, like him, not exactly clear about herself and who she wants to be. She is older, attractive, smart and mysterious. The narrator finds himself swimming with Mrs. Abel at night without really knowing why, although there is a strong undercurrent of attraction between them, a tension that defines the essential mystery of their relationship, and the way they swim in the depths of the lake across large distances is similar to the ebb and flow of the narrator’s own life. And then Mrs. Abel disappears.

Some twenty years later, the narrator, who is now married, living in San Francisco and the father of two daughters, finds himself trying once again to understand what happened that summer, his psychic history rising to capture him like a deep lake current he used to swim in. He reads old letters and notebooks from the past, explores his relationship to a former lover, tries to understand through a sort of personal archeological expedition the world he once lived in and still cannot fully understand. Back in Door County once again, he tries to find out what happened to the elusive Mrs. Abel, and again he enters the deep lake waters to swim across the night.

Scattered throughout the book is the evidence of the narrator’s archeological exploration of his own history, pieces of paper, old emails, quotations from poets, and references to the extraordinary and strange psychic photographer Ted Serios. This book is a sort of literary pastiche that really could exist in multiple forms and formats, reflecting the author’s psychic imagination crossing over time and space through the medium of memory.

The Night Swimmers is a beautiful, complicated and challenging work of literary inspiration I found completely engaging. And it was a pleasure then, to have the opportunity to speak with Peter Rock about his fine novel.

“Peter Rock has written a weird and haunting story about a younger man and an older woman who like to swim in the dark. Happily The Night Swimmers is no male coming of age story. Instead their secret nightly practice in a dark and foreboding lake shimmers as a queer refusal for either of them to grow up right.”
—Eileen Myles, author of Afterglow

I recommend visiting Rock’s website, and follow the link to The Night Swimmers page, where there are some great visuals related to the book.

Peter Rock was born and raised in Salt Lake City. He is the author of several novels SPELLS, Klickitat, The Shelter Cycle, My Abandonment, The Bewildered, The Ambidextrist, Carnival Wolves and This Is the Place, as well as a story collection, The Unsettling. Rock attended Deep Springs College, received a BA in English from Yale University, and was a Wallace Stegner Fellow at Stanford University. He lives in Portland, Oregon, where he is a Professor in the English Department of Reed College. Leave No Trace, the film adaptation of My Abandonment, directed by Debra Granik, premiered at Sundance and Cannes and was released in 2018.

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Gregory McNamee: Tortillas, Tiswin & T-Bones: A Food History of the Southwest

Tortillas, Tiswin & T-Bones: A Food History of the Southwest – Gregory McNamee – University of New Mexico Press – 256 pages – paperback – 9780826359049 – $24.95 – October 30, 2017 – ebook versions available.

According to the publisher, this book is an “entertaining history [of] the many ethnic and cultural traditions that have contributed to the food of the Southwest.” And while I do agree that the book’s style makes it a relatively compelling and easy book to read, I think its author, Greg McNamee, is trying to do much more than entertain. McNamee uses food and cooking as a lens to understanding culture, yes, but also to pinpointing the issues that face us in America as we try to grapple with climate change, to live reasonably and sustainably on the earth, and to work together with our fellow humans. There is no heavy handedness to his approach, but he never lets us forget the driving themes of his work, and his perspective.

McNamee starts off by going back to the earliest periods when humans arrived in the Americas, and takes us through the beginning of agriculture in Mesoamerica, and the ancient trade networks that evolved to connect peoples of the coasts, plains, and mountains. From there, he takes us through the various areas that comprise the loosely labelled southwestern region of America, up through the present day’s fusion of cultures and foodways from so many different areas that defines this cuisine now.

Covering just about everything edible in human cultures in what we consider to be the southwest region (which he defines a bit more broadly than most), from chili pepper and agave, to modern day cuisines that include Frito pie and other cross cultural inventions, McNamee traces a culinary journey through varieties of space and time, to get us where we are today and significantly, what the southwest and its food and people might look like in our emerging future.

Tortillas, Tiswin & T-Bones is indeed, a masterful work of accessible anthropology that was recognized as one of the 2017 Southwest Books of the Year. Since I love the southwest and its food, reading this book was a great pleasure for me.

Greg McNamee is a writer, journalist, editor, photographer, and publisher. He is the author or editor of forty books and more than five thousand periodical contributions. He operates Sonora Wordworks, an editorial and publishing service, and is also the publisher of Polytropos Press.

McNamee is a research associate at the Southwest Center of the University of Arizona, and a lecturer in U of A’s Economics Department of the Eller College of Management. Additionally, he teaches courses and gives talks on writing, publishing, journalism, media and technology, as well as cultural and environmental issues. He lives in southern Arizona. Learn more about him and his work at his website.

It was a pleasure for me to get to speak with Greg, who is a great storyteller and conversationalist, and a I only wish we had been able to speak in person, and for a much longer period of time. And I was very pleased to learn how to pronounce “tiswin” too.

This book feels like sitting down to a dinner with Diana Kennedy and Jim Harrison, tequila in hand and great conversation going long into the night. It’s alive, a love story, a timeless journey. I absolutely loved reading it and will treasure Gregory McNamee’s words for a long time to come.

— Tracey Ryder, cofounder of Edible Communities and coauthor of Edible: A Celebration of Local Foods

Tortillas, Tiswin, and T-Bones sends the reader on a riveting adventure, tracking the origins of Southwestern ingredients and culture to reveal American history through food. McNamee’s prose is deft and authoritative, and this is a highly original, timely book.

—Kate Christensen, author of Blue Plate Special and How to Cook a Moose

 

 

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Bill Schubart: Lila and Theron (A Novel)

Lila and Theron (A Novel) – Bill Schubart – Charles Michael Publishing – Hardcover — 9781682613566 – 192 pages- $19.95 – ebook versions available at lower prices – June 6, 2017

This small book is short and sweet in a very good way. Through well written fiction, the book documents and celebrates an imagined place and people in time, that have only recently disappeared from the American landscape. It’s difficult for most of us moderns to imagine life without all the technological conveniences we have come to take for granted today. It was not that many years ago that the isolated mountain communities of northern Vermont were still home to small farmers, whose daily lives were closer in rhythm to the nineteenth century than to even the twentieth, much less the technologically advanced twenty first century of today. Some of these hardy folk still farmed with horses into the 1960s, and many small-scale daily and truck farming operations managed by dint of endless toil, to support the families on the land they had worked for generations.

To most of us, these lives will be as foreign as science fiction. Harsh circumstances often make people harsh, but Schubart’s characters find a way to access their humanity despite all the struggles of life which which they must cope. It’s a joy to get to know these characters and to share the stories of their lives. Schubart, now in his seventies, bridges this time frame. He grew up in northern Vermont, and while his life experience was vastly different from the farm people he writes about here, these are people he knew and loved during the his youth, and it benefits us all that he has brought them to life in this lovely novel.

Thelma dies at nineteen giving birth to a son, Theron. When the son first meets his father, he learns his mother’s death is his fault and can only muster the question, “How did she die?”

Looking away, the father mutters, “She died givin’ birth ta you. An’ I lost all her help and comforts.”

“I have long considered Bill Schubart to be the wisest columnist in America. That same wisdom, deep life experience, and empathy come shining through on every page of his new novel, Lila and Theron. Full of joy, sadness, humor, and insight, Lila and Theron is a clear-eyed celebration of our almost boundless capacity, despite all our human frailties, to love both one another and the place we call home. Over the years, I have known many true and good country people like Lila and Theron, whom I have been proud and honored to call my friends. This is a beautiful book.” – Howard Frank Mosher, author of Marie Blythe and Walking to Gatlinburg.

Bill Schubart has lived with his family in Vermont since 1947. He writes about Vermont in fiction, humor and opinion pieces, is the author of several books, is a regular commentator on Vermont Public Radio, and active in Vermont community and political life. Learn more about him and his work at his website.

It was a true pleasure for me to share a conversation about Vermont and its people, small-scale farming, and the art of fiction with my old friend, Bill Schubart.

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Christopher Benfey: Red Brick, Black Mountain, White Clay

Red Brick, Black Mountain, White Clay: Reflections on Art, Family, and Survival – Christopher Benfey – Penguin – paperback – 9780143122852 – 304 pages – $16.00 – ebook versions available at lower prices – February 26, 2013

I found this lovely and compelling book by complete happenstance while visiting North Carolina earlier this year. The redoubtable Regulator Bookshop in Durham had a copy out on its “local interest” shelf, and the cover grabbed my attention immediately.

Not knowing anything about author Benfey, I was surprised and pleased to learn about his background through this complex and rewarding memoir. It’s a book that combines so many different areas of his interest – and mine – built around a complex interweaving of his family’s story and his desire to learn about and understand the people in his life story.

Benfey was raised in Richmond, Indiana, where his father was a chemistry professor at Earlham College. His father’s side of the family were German Jews who escaped Hitler, including aunt and uncle Josef and Anni Albers, who were both central figures at Black Mountain College, in North Carolina (and central also to modern arts and crafts in 20th century America). North Carolina is a nexus, as Benfey’s mother grew up in the longstanding folk pottery region of the state as well.

So Benfey’s story starts as a family history, but moves assuredly through art, geography, cultural history and his own personal journey of discovery as a writer and thinker; as the title itself suggests, “names the three paths, each mapping the experience of relatives or ancestors of mine trying — by art, by travel, or by sheer survival — to find a foothold in the American South.”

There are many well-told stories here, and North Carolina is at the core of it all. Even if you have never explored the cultural and geographical riches of that state, this book will capture your imagination and bring you there. Benfey builds his story much as a brick layer does, carefully assembling the pattern from materials at hand to create a fully formed story all the while.

This is a book I am happy to recommend to almost any reader.

Chris Benfey is a professor at My. Holyoke College, where he is Andrew W. Mellon Professor of English. He was educated at the Putney School, Earlham College, Guilford College, and Harvard (Ph.D. in Comparative Literature). Benfey is also a journalist, having served as the art critic for Slate, and also is a contributor to The New York Review of Books, The New York Times Book Review, and The New Republic, among many others. Chris is a renowned Emily Dickinson scholar, and author of four highly regarded books about the American Gilded Age. His edition of essays on the Iliad by Simone Weil and Rachel Bespaloff appeared as War and the Iliad in 2005.

Benfey’s poems have appeared in The New Yorker, the Paris Review, and Ploughshares.

This book is among my favorites and I hope you enjoy the conversation I had with the interesting and well-spoken Christopher Benfey as much as I did.

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Clara Bingham: Witness to the Revolution

Witness to the Revolution: Radicals, Resisters, Vets, Hippies, and the Year America Lost Its Mind and Found Its Soul
9780812993189 – Random House – Hardcover – $30 – (ebook versions available at lower prices)

There have been many books written about the politics and culture of the sixties, but I don’t think there has ever been a book quite like this one.

Clara Bingham is a journalist who grew up just a bit too young to join in the festivities of what is now known as “The Sixties.” That term is actually a misnomer, as most of us know, since the decade of turbulence and strife really started in the mid-sixties and ended, more or less, with the close of the Vietnam War in 1975. However it is measured, and measuring time periods in history is never easy or altogether clear, that time was full of energy, social discord, cultural change, political engagement, joy and tragedy.

Ms. Bingham had relatives and family members who were old enough to participate actively in the youth culture explosion of that time, and we are lucky that their experiences inspired her interest in this historically significant era. She took upon herself a seriously daunting task, to try to understand what happened in the culture through the words of some of its key participants. It’s an altogether brilliant, inspiring effort.

She has chosen to focus on a single year to create a lens through which to see America in the throes of cultural upheaval. The book covers the period from August 1969 to August 1970, during which there were nine thousand protests and eighty-four acts of arson or bombings across the country. It was an incredible year, one that included so many key events of the time, both at home and abroad, including the rise of the Weather Underground, the invasion of Cambodia, Woodstock, May Day in New Haven, and the massacre at Kent State – and so much more.

As an active member of the counter culture myself in those halcyon years, this book brought back many memories, and reminded me of some of the things I’d forgotten about, as well as some of the people who were so important to us in those years. There’s so much in this book, there are some events and people I had not even thought about for almost 45 years. The first-hand accounts included in this book are important and powerful. These reminiscences can help us understand an era that is so much with us still – both culturally and politically. This book can help us understand why America is still in the throes of cultural and political upheaval, and is so culturally divided. While there were many failures in the sixties, and many terrible things done in the name of good intentions and beliefs, we are awash in the cultural forces unleashed then. The baby boomers who created the youth culture of the sixties are aging out of the population now, but the effects of that time continue to reverberate today.

There is so much of importance to be found in this book. I was really pleased to have a chance to speak to Clara about Witness to the Revolution. It’s an incredible effort and I hope it will help spur further conversations about the Sixties and what we can learn from that incredible era.

If you want to listen to Clara reading from the book, there’s a short segment over in Author’s Voices.

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