Abigail Tucker: The Lion in the Living Room

December 4, 2016 by  
Filed under Non-Fiction, WritersCast

the-lion-in-the-living-room-9781476738239_hrThe Lion in the Living Room: How House Cats Tamed Us and Took Over the World – Simon & Schuster – 256 pages – ISBN 9781476738239 – October 2016 – $26.00 (ebook versions available at lower prices)

Let me start off by stating forthrightly that I am not a cat person. I much prefer dogs. But I am intrigued by the fact that so many otherwise rational people are completely irrational about cats. And while I don’t love them, I certainly do not hate cats, and am interested in understanding their role in human culture. It’s always seemed that the cat’s relationship to humans is more complicated than that of the dog, and this thoroughly compelling – and entertaining – book by science writer, Abigail Tucker, certainly makes that clear.

Tucker covers alot of ground with this book, and it will be a fun read not just for those who are besmirched with cat fancy. As the fine science writer she is, Abigail Tucker has taken years of research into animal biology, as well as human and animal behavior, and made a great story out of it all.

If you love cats, this book will help you understand why, and may even teach you how to be a better (and more effective) cat owner. If you are more of a cat tourist, or even if you don’t like them at all, you still will want to know more about what makes them tick. After all, these are semi-untamed apex predators living in our homes. That’s a pretty interesting notion to consider just by itself.

Tucker shows great humor and personality throughout this book, as she demonstrates that these animals, whose powers we have probably underestimated, have managed (us) to become one of the most dominant species on our planet. That may help all of us understand who these beasts are that live among us.

As Tucker says about the book herself:

It wasn’t until recently that I felt ready to cover an animal whose habitat is also my own house. But as soft and fuzzy as domestic cats may initially seem, The Lion in the Living Room presented a major journalistic challenge, since I hoped to simultaneously draw from the two schools of animal-writing: using the strange story of house cats’ rise to global dominance as a means to understand humanity’s vast environmental influence and — more importantly — as a narrative end unto itself. Rather than snuggling my subjects close, I tried to keep house cats at arm’s length, like termites or red-painted rattlers, to be handled with snake hooks and trembling hands — the better to see them for the exquisite conquerors they really are.

Abigail Tucker is a correspondent for Smithsonian magazine, where she has covered a wide range of topics from vampire anthropology to bioluminescent marine life to the archaeology of ancient beer. The Lion in the Living Room is her first book. She now lives in Ridgefield, Connecticut, where she grew up (as I did as well).

Abigail and I had a wide-ranging chat about this book that I hope you will enjoy as much as I did. You can read or listen to an excerpt of the book here at the (very good) Simon & Simon site.411578495_ththe-lion-in-the-living-room-9781476738239_lg

Louie Cronin: Everyone Loves You Back

November 20, 2016 by  
Filed under Fiction, WritersCast

cronin-cover-1Everyone Loves You Back – 9781941576229 – Gorky Press – paperback – $15.95

I very much enjoyed reading this well written and humorous novel. It’s set in Cambridge (“our fair city” MA), and depicts the sort of culture clash that has occurred all over America as livable cities are reinhabited by the latest version of what we used to call yuppies. These newcomers to city neighborhoods have completely different values – and economic realities – than the folks who grew up there. It’s a rich environment for fiction too. So this is a novel that will likely resonate for many readers on a sociopolitical basis, in addition to its deft handling of the relationships between the sexes. And because Cronin comes from public radio – she was a producer and writer for the much loved and missed Car Talk – the setting of this novel is one that many of us whose industries have undergone wholesale modernization, can appreciate as well.

Is there a category of novel for “late Baby Boomer” coming of age stories set in the present? I am not well enough read to say. The publisher calls this a “coming of middle-age novel,” which seems apt. I do think that especially for readers of “a certain age” this book could become a favorite. And you don’t have to struggle with a changing neighborhood or have issues with your love life to appreciate the joyfulness and humor of this novel.

Louie and I had a fun time talking about her book, her work and the way she was able to inhabit her male main character, a feat of imagination and courage for any novelist.

Louie Cronin is a writer, radio producer, and audio engineer. She worked as a producer/writer for Car Talk on NPR for ten years. Her fiction and essays have been published in a variety of magazines and journals. She is not the technical director for PRI’s The World and lives in Boston with her husband, the sculptor James Wright.louie-cronin

Lara Naughton: The Jaguar Man

November 12, 2016 by  
Filed under Non-Fiction, WritersCast

27135669The Jaguar Man – 9781942094203 – paperback – Central Recovery Press – $15.95 – ebook editions available at lower retail prices

The Jaguar Man is a harrowing, powerful and uplifting memoir. On the fourth day of a long awaited vacation in tropical Belize, and in the midst of a new romance, author Lara Naughton was kidnapped by a man who pretended to be a cabdriver. He drove her into the forest, held her captive and raped her.

In this deftly written memoir, Naughton describes how she coped with her ordeal with the figure she called the Jaguar Man. As she makes so clear in a beautiful, complicated and difficult narrative, compassion for her attacker became her only defense, her only coping method, and myth making a passage of self therapy and reclaiming of her personal power.

There is so much going on in this very short memoir, it is difficult to easily describe. I don’t think I can remember reading such a vivid, honest and convincing story. Lara Naughton changes up all our expectations of what it means to be a victim of sexual assault.

In her story telling, Naughton works with myth and spirituality to make sense out of her difficult experience and to be open to the power of compassion. Talking or writing about rape and assault is scary and challenging. Naughton has taken on this difficult task with grace and brilliance. She works through an impossibly difficult experience, using the magic of telling as a way to both navigate and make sense of the psychological effects of trauma both for herself and for readers. It’s completely transformational. I can’t think of any book I can compare to this one.

Our conversation about this book and Lara’s experience was truly rewarding for me and I hope for all my listeners. The opportunity to speak with her about this book was important and deeply meaningful to me.

larabwI have seen many amazing reviews for this book. Clearly, this book has been  extremely powerful to many readers, and can be highly recommended.

“A marvelous book written with the deft hand of a journalist and told with the grip of an old fashioned storyteller.The magic of this book is not so much that Lara Naughton had to reach deep into a cauldron of wit and courage to survive an ordeal from a vicious, twisted villain, but rather that her redemption created a new level of understanding and wisdom that she embraced, so that she might live long enough to share this wisdom with others.That is why we read books.And that is why this is an excellent one.”

—James McBride, National Book Award-winning author of The Good Lord Bird

Lara Naughton, MPW, is Director of New Orleans based Compassion NOLA. She has worked with students K-12 as well as adults, and has led workshops with individuals who have faced challenging circumstances, including homelessness, HIV/AIDS, wrongful conviction, incarceration, and torture. As a writer and documentarian, she often incorporates personal narrative exercises into her classes, and assists individuals who wish to tell their own stories. She is Chair of Creative Writing at New Orleans Center for Creative Arts, and a certified Compassion Cultivation Trainer through the Center for Compassion and Altruism Research and Education (CCARE) at Stanford University School of Medicine. Visit her website for much more about this book and her work.

David Wilk interviews poet and publisher Bill Corbett

October 30, 2016 by  
Filed under Publishing History, PublishingTalks

william_corbett03Publishing Talks began as a series of conversations with book industry professionals and others involved in media and technology about the future of publishing, books, and culture. As we continue to experience disruption and change in all media businesses, I’ve been talking with some of the people involved in our industry about how publishing might evolve as our culture is affected by technology and the larger context of civilization and economics.

I’ve now expanded the series to include conversations that go beyond the future of publishing. I’ve talked with editors and publishers who have been innovators and leaders in independent publishing in the past and into the present, and will continue to explore the ebb and flow of writing, books, and publishing in all sorts of forms and formats, as change continues to be the one constant we can count on.

For the past several years, I’ve been talking to editors and publishers of independent presses about their work, including a number of important literary publishers. It’s a great pleasure for me to add Bill Corbett to this group. He’s been a key figure in the Boston literary scene for more than forty years, though he has now moved to Brooklyn.

Corbett’s house in the South End was an essential literary salon for local and many visiting artists, poets, and writers. Corbett has been active in what has been known as the “New York School” of poets, with a deep and abiding interest in the intersections of art and poetry. In a review of Corbett’s All Prose, Kevin Gallagher said “Corbett is ambassador to a strange land.”

Editing and publishing have also been central to Corbett’s work. He edited the literary journal Fire Exit with Fanny Howe and The Boston Eagle, with Lewis Warsh and Lee Harwood, wrote for the Boston Phoenix, and has been involved with literary magazines Ploughshares, Agni, and Grand Street. In 1999, Corbett founded Pressed Wafer, a small press publishing poetry, essays, and art writing. Corbett taught writing at MIT, and also has taught at Harvard and Emerson.

Patrick Pritchett summed up Corbett’s work rather well as follows:

For several decades now, Corbett has been one of our leading men of letters – the phrase itself has been rendered almost extinct in this age of ubiquitous bloggery and relentless peer-review – but I use it here to indicate a breadth of range and a fineness of attention that once upon a time was the norm, rather than the exception. As poet, essayist, memoirist, art critic, literary historian, publisher and tireless promoter of other writer’s work, Corbett is – yet ought not to be – sui generis. But even if the present time were more thickly populated by writers of comparable range, he would still be a force to be reckoned with, in a category of his own.

In this conversation, we talked about a wide range of topics, but it seems we may have barely scratched the surface of Corbett’s work in art and writing. I hope we will have a chance to talk again soon.

Links:

Pritchett essay about Bill Corbett on the blog Writing the Messianic

Pressed Wafer books “poetry fiction essays art memoir etc”

Bill Corbett’s Tumblr

 

Tilar J. Mazzeo: Irena’s Children: A True Story of Courage

October 17, 2016 by  
Filed under Non-Fiction, WritersCast

27276379
Irena’s Children: A True Story of Courage – 9781476778501 – Gallery Books – Hardcover – $26 – ebook versions available at lower prices.

Author Tilar Mazzeo is a terrific storyteller, who took on the task to tell the world about an inspiring, heroic and terrifying story with this book, the true story of one woman who, with a network of associates, saved 2,500 Jewish children from the Nazis during World War II. The main subject of the book is Irena Sendler, who was a young social worker in Warsaw, living in a socially and politically progressive milieu, when the Germans began World War II by invading Poland.

Poland, of course, was quickly defeated by the larger and more modern German army. The conquered country’s resources, human and otherwise, were turned toward the use of the German war effort, with hundreds of thousands of Poles used as slave laborers as their country was occupied by a brutal military regime. And the Germans then began their concerted efforts to destroy the large Jewish population of that country. While many Poles opposed the Nazis, with partisans fighting them from the outset of the war, some Poles were active collaborators with the Fascists, and many more simply did their best to survive under impossible conditions.

Some Poles risked everything to rescue Jews from the near total eradication of that community that the Germans sought.

Irena Sendler and a close circle of her friends and work associates undertook what we now can recognize as an heroic effort to save some of the children of the Warsaw ghetto. For almost four years, they took immense risks and dangers upon themselves and their families, to rescue innocents from the horrors they could see were happening all around them.

While everything in this book reads like a terrifying, fast-paced novel, Mazzeo has pieced together a completely true story of unimaginable heroism by many “regular” citizens of Poland. Irena Sendler, together with the help of a network of local people and the Jewish resistance, was able to save upwards of 2,500 Jewish children from likely death in the brutal concentration camps to which most Polish Jews were sent. Irena herself went back and forth into the Jewish ghetto, sneaking children out in a myriad of ways, and then found refuge for the children with local Polish families, convents, churches and farmers.

It was an incredible effort. Irena Sendler knew the terrible risks – she was at one point brutally tortured by the Gestapo – but also knew she could not fail to act.

It is incredible that she and so many of her cohorts survived the war. But then, of course, she and Poland had to survive the takeover of her country by the Soviets, and that meant that the story of her wartime heroism could not be told until long after the war had ended. Mazzeo’s effort here to celebrate and tell this amazing story is extraordinary, and much appreciated. Irena Sendler and her network of heroes serves as inspiration and constant reminder that we “regular citizens” must be prepared to face moral choices at any time, sometimes with dire consequences. So many good people were killed in this terrible war.

It is impossible to read this book and not wonder how any of us would have responded then. And of course we must each ask our selves honestly, how will we respond when our time to act is upon us?

I really enjoyed reading this book. It brought up powerful emotions and important questions. Mazzeo is both a fine writer and a terrific researcher, and in this book displays both those talents in full flower. We had a really interesting conversation about this book. There is so much in it I did not want to discuss in detail, so readers will be able to have the full experience of the book for themselves, but we had much to talk about nonetheless.

Tilar Mazzeo is the Clara C. Piper Associate Professor of English at Colby College, in Waterville, Maine. She is the author of numerous works of narrative nonfiction, including the New York Times bestselling The Widow Clicquot.

There’s a wonderful portrait of Sendler, written while she was still alive here and a website devoted to her life and story called Life in a Jar.irena-sendler-in-a-nurses-outfit-during-wwii_6110710895_o-226x30067071f_6a1d197c9c954c6184997bd0cfee928b-mv2

David Wilk interviews Peter Costanzo of Associated Press

 

costanzo-photoPublishing Talks began as a series of conversations with book industry professionals and others involved in media and technology about the future of publishing, books, and culture. As we continue to experience disruption and change in all media businesses, I’ve wanted to talk with people involved in our industry about how publishing might evolve as our culture is so influenced by technology, within the larger context of a change across human civilization.

This series has expanded to include conversations that go beyond the future of publishing. I’ve talked with editors and publishers who have been innovators and leaders in independent publishing in the past and into the present, and will continue to explore the ebb and flow of writing, books, and publishing in all sorts of forms and formats, as change continues to be the one constant we can count on.

Back in 2011 I spoke with my friend Peter Costanzo, who even then was one of the most experienced and knowledgeable digital thinkers in the book industry. Five years later, as digital publishing has evolved and to some extent stabilized, I thought it would be useful to speak to him again to benefit from his perspective as an active participant in this aspect of our industry.

Peter is now the Digital & Archival Publishing Manager for The Associated Press. He is an award-winning book producer who also teaches the “New Media Technology: Formats and Devices” course at NYU.

Peter is also now known for being the person who taught Donald J. Trump (yes that guy) how to use Twitter! This story was widely reported earlier this year, gaining Peter considerable attention and perhaps, notoriety. Here is what the AP said in its story:

Costanzo crossed paths with Trump in 2009 when he was working as online marketing director for the publisher putting out the businessman’s book, “Think Like a Champion.” Twitter was still in its infancy at the time. But Costanzo saw the 140-character-per-message platform as a new tool that the real estate mogul could use to boost sales and reach a broader audience.

He was given seven minutes to make his pitch to Trump — “Not five minutes, not 10,” Constanzo said — in a boardroom at Trump Tower in Manhattan that appeared to be the same one used on Trump’s reality television show.

Trump liked what he heard.

“I said, ‘Let’s call you @RealDonaldTrump — you’re the real Donald Trump,'” Costanzo said. “He thought about it for a minute and said, ‘I like it. Let’s do it.'”

Our talk for this occasion focused on much more serious and meaningful matters, however.

You can follow Peter on Twitter @PeterCostanzo and Writerscast @writerscast.

Clara Bingham: Witness to the Revolution

September 19, 2016 by  
Filed under Non-Fiction, WritersCast

witness-to-the-revolutionWitness to the Revolution: Radicals, Resisters, Vets, Hippies, and the Year America Lost Its Mind and Found Its Soul
9780812993189 – Random House – Hardcover – $30 – (ebook versions available at lower prices)

There have been many books written about the politics and culture of the sixties, but I don’t think there has ever been a book quite like this one.

Clara Bingham is a journalist who grew up just a bit too young to join in the festivities of what is now known as “The Sixties.” That term is actually a misnomer, as most of us know, since the decade of turbulence and strife really started in the mid-sixties and ended, more or less, with the close of the Vietnam War in 1975. However it is measured, and measuring time periods in history is never easy or altogether clear, that time was full of energy, social discord, cultural change, political engagement, joy and tragedy.

Ms. Bingham had relatives and family members who were old enough to participate actively in the youth culture explosion of that time, and we are lucky that their experiences inspired her interest in this historically significant era. She took upon herself a seriously daunting task, to try to understand what happened in the culture through the words of some of its key participants. It’s an altogether brilliant, inspiring effort.

She has chosen to focus on a single year to create a lens through which to see America in the throes of cultural upheaval. The book covers the period from August 1969 to August 1970, during which there were nine thousand protests and eighty-four acts of arson or bombings across the country. It was an incredible year, one that included so many key events of the time, both at home and abroad, including the rise of the Weather Underground, the invasion of Cambodia, Woodstock, May Day in New Haven, and the massacre at Kent State – and so much more.

As an active member of the counter culture myself in those halcyon years, this book brought back many memories, and reminded me of some of the things I’d forgotten about, as well as some of the people who were so important to us in those years. There’s so much in this book, there are some events and people I had not even thought about for almost 45 years. The first-hand accounts included in this book are important and powerful. These reminiscences can help us understand an era that is so much with us still – both culturally and politically. This book can help us understand why America is still in the throes of cultural and political upheaval, and is so culturally divided. While there were many failures in the sixties, and many terrible things done in the name of good intentions and beliefs, we are awash in the cultural forces unleashed then. The baby boomers who created the youth culture of the sixties are aging out of the population now, but the effects of that time continue to reverberate today.

There is so much of importance to be found in this book. I was really pleased to have a chance to speak to Clara about Witness to the Revolution. It’s an incredible effort and I hope it will help spur further conversations about the Sixties and what we can learn from that incredible era.

If you want to listen to Clara reading from the book, there’s a short segment over in Author’s Voices.clara-bingham2

David Wilk interviews Lee Klancher of Octane Press

September 6, 2016 by  
Filed under Publishing History, PublishingTalks

leeklanchersmallPublishing Talks began as a series of conversations with book industry professionals and others involved in media and technology about the future of publishing, books, and culture. I’ve talked with publishing industry leaders about how publishing has and will continue to evolve and now include conversations that go beyond the future of publishing. I’ve had conversations with editors and publishers who have been innovators and leaders in independent publishing in the past and present. This series of talks continues to explore the ebb and flow of writing, books, and publishing.

For the past several years, I’ve been talking to editors and publishers of independent presses about their work. Many of them have been literary publishers. But there are a number of really excellent independent presses that have achieved success in other subject areas. It usually requires being specialized and knowledgeable about a specialized field, and being integral to a specific community of enthusiasts and readers, to find and sustain success.

Octane Press is one such endeavor. This fine publisher focuses on cars, farm machines, motorsports and motorcycles. This may seem a relatively narrow niche of readers, but it is one that works well for this publisher. Founded by photographer, writer and editor Lee Klancher, Octane Press is an excellent example of how to successfully build a print-based publishing business in the modern era. The company has won an array of awards, and has grown steadily since it began. I am very pleased to have had the opportunity to talk to Lee about his work and the story of Octane Press, and I think listeners interested in contemporary publishing will find his story compelling and his experience valuable.

Lee Klancher has been publishing great stories for more than twenty years. As an editor and publisher, he has worked on some of the most-respected and best-selling books in transportation publishing. He is a prolific author and an excellent photographer, and has contributed content to more than 30 books, as well as dozens of national magazines including Men’s Journal, Draft, and Motorcyclist.

Lee has taught writing and photography at the Minneapolis College of Art and Design. He is best-known for his photography of collectible farm tractors that appears in his books and calendars. Lee lives in Austin, Texas, where Octane Press is located. 9781937747152-X2CX6A0645

David Wilk interviews Brooke Warner of She Writes Press

July 19, 2016 by  
Filed under PublishingTalks, The Future

Brooke Warner-2016-squarePublishing Talks began as a series of conversations with book industry professionals and others involved in media and technology about the future of publishing, books, and culture. As we continue to experience disruption and change in all media businesses, I’ve been talking with some of the people involved in our industry about how publishing might evolve as our culture is affected by technology and the larger context of civilization and economics.

I’ve now expanded the series to include conversations that go beyond the future of publishing. I’ve talked with editors and publishers who have been innovators and leaders in independent publishing in the past and into the present, and will continue to explore the ebb and flow of writing, books, and publishing in all sorts of forms and formats, as change continues to be the one constant we can count on.

I really enjoy talking to the innovators in our industry who are creating new modes of publishing and opportunities for writers. Brooke Warner and Kamy Wicoff founded She Writes Press in 2012 to provide writers with new publishing opportunities. Kamy operated the online community, She Writes, which was created to connect and serve women writers, both established and aspiring, and Brooke came from independent publishing.

Brooke’s first job in publishing was with the renowned North Atlantic Books in Berkeley (founded by Richard Grossinger and Lindy Hough). Subsequently, she was Executive Editor at Seal Press, working there for eight years. Toward the end of her time there, she felt she was witnessing firsthand the contracting publishing environment, where as editor, she was frequently rejecting well-written books, simply because the authors she was working with did not have the kinds of “author platforms” that commercial publishers now virtually require.

Kamy and Brooke envisioned a new kind of publishing company that would enable authors to be invited to publish based on the merit of their writing alone. They wanted to establish a publishing business for women writers that would itself enable the kind of a platform that could launch – and grow – the writing careers of their client authors. In 2014, She Writes Press became part of SparkPoint Studio, LLC., whose CEO is Crystal Patriarche.

She Writes is now a solid publishing partner for authors who might otherwise struggle with self publishing. With a strong editorial effort, traditional book distribution (through Ingram Publisher Services) and an in-house marketing and publicity team (through Patriarche’s publicity company, BookSparks) available to SWP authors, She Writes Press has become successful in the emerging category of “hybrid” publishers.

In this interview, where Brooke explains how She Writes works and the problems it is solving for now more than a hundred writers, and talks about the current and future of trade book publishing.

In addition to being publisher of She Writes Press, Brooke is president of Warner Coaching Inc., and author of Green-light Your Book, What’s Your Book?, How to Sell Your Memoir, and the co-author of Breaking Ground on Your Memoir. She currently sits on the boards of the Independent Book Publishers Association, the Bay Area Book Festival, and the National Association of Memoir Writers. She blogs actively on Huffington Post Books and SheWrites.com. She lives and works in Berkeley, California.

Length alert – we had a good time talking so this interview runs just over 45 minutes.logo-swp

Kate Tempest: The Bricks that Built the Houses: A Novel

July 5, 2016 by  
Filed under Fiction, WritersCast

26073155 (1)9781620409015 – Bloomsbury USA – 416 pages – Hardcover – $26 – ebook versions available at lower prices, paperback scheduled for February 2017

I found out about Kate Tempest more or less accidentally, through an odd set of search results one day while fooling around on YouTube, and therefore I must thank the seemingly strange, but often wonderful algorithms of its search tools. What a discovery! After seeing and hearing Kate’s poetry performances, I immediately bought her books and was completely enthralled.

I don’t seem to have too many poetry friends who know about Kate’s work, and that is a shame. She is British, and young, and very modern in affect. But she is an old soul, with a deep and powerful intellect, and her voice is one that I find both compelling and mesmerizing. I think she is simply a great writer, and stands out for the power of the words she marshals as well as the intellection that informs those words.

If you have not heard or seen Kate Tempest, or heard of her work, I’d urge you to visit YouTube now, and spend some time with her work. You might want to start with the incredible poem “Progress” (which you can also read to yourself in her book Hold Your Own). The video of her performing this poem gives you just a taste of what her work is like. It’s a remarkable commentary on religion and meaning. Tempest has got a lot to say and says it powerfully and clearly, with an almost religious (or in this case anti-religious) fervor. It’s totally captivating to listen to her syncopated rapping poetry. She has got the fever.

Kate has expanded her narrative abilities, moving from hip hop poet to playwright and now to novelist, an amazing journey that not very many poets or performers have undertaken. Usually poets are best at short bursts of ideas, or word paintings, they are not often masters of narrative, and while there are certainly poets who have written novels, novelists who write poetry, and songwriters who tell great stories, it’s not am easy thing to move from these genres to the more expansive form a novel takes, and the concentration on detail and complexity of characters as well.

From what Kate told me when we talked, she conceived this story first for one of her rap albums, and then carried the novel around with her while she toured with her band, alchemically transforming the story from poetry to prose, somehow managing to find the time and emotional space to get it down whole whilst on the road (and then later rewrote and rewrote to get it done).

The book is told in flashback from a powerfully lyrical opening scene, and it takes the reader some time to get her bearings and then to figure out who the various major and minor characters are, how they are related, and how they interact. But as the story unfolds, we begin to understand the journey, and these characters become indelible and specific, telling a story that is compelling and intense – and morally ambiguous. This is a modern wrapper around an ancient story, impossible to put down as it moves forward with breathless energy and heart felt imagination.

I really enjoyed talking to Kate about this novel and her work as a writer and performer. We talked in the New York office of her publisher, Bloomsbury USA.

Kate Tempest was born in 1985. She grew up and still lives in South-East London. She started out as a rapper, and a poet, and began writing for theatre in 2012. Her work includes Balance, an album she made with her band Sound of Rum; Everything Speaks in its Own Way, which is a collection of poems published by her own imprint Zingaro; GlassHouse, a forum theatre play for Cardboard Citizens; and the plays Wasted and Hopelessly Devoted both written for Paines Plough theatre and published by Bloomsbury Methuen. Her epic narrative poem Brand New Ancients won the Ted Hughes Award for New Work in Poetry. Everybody Down, her debut solo album, came out on Big Dada Records in 2014, and is the direct precursor to her novel The Bricks that Built the Houses.  Her most recent collection of poems is Hold Your Own; it’s based on the myth of the blind prophet Tiresias (I recommend you find and read this book; the language is fantastic).

“As Tempest’s gorgeous streams of words flow out, they conjure a story so vivid it’s as if you had a state-of-the-art Blu-Ray player stuffed in your brain, projecting image after image that sears itself into your consciousness” – New York Times

From Brand New Ancients:F-KATE-TEMPEST-IMG_0786-793x700

In the old days,
the myths were the stories we used to explain ourselves

but how can we explain
the way we hate ourselves?

The things we’ve made ourselves into,
the way we break ourselves in two,
the way we overcomplicate ourselves?

But we are still mythical.

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