Todd Goddard: Devouring Time: Jim Harrison a Writer’s Life

Devouring Time: Jim Harrison, a Writer’s Life — Todd Goddard — 9781799902362 – Blackstone Publishing — Hardcover — 558 pages — $29.99 — November 4, 2025

Jim Harrison was for so many readers – and other writers – one of the central voices of American literature for the last half century. When Harrison began writing, it was as a poet, and most readers came to his fiction and nonfiction much later. It was the novels and many novellas that drew large numbers of readers to him, while his first hand style nonfiction writing about food and his many adventures introduced him to a completely different audience who in many case, I am sure, also read his fiction. And then there was the film writing and the stories of fishing, carousing and gourmand like intake of food, alchohol, and drugs with friends like Thomas McGuane, Peter Matthiessen, Jimmy Buffett, and Jack Nicholson in Key West, Montana and Hollywood. Harrison became more than a writer, but also a publicly imagined character much like Ernest Hemingway and F. Scott Fitzgerald, whose persona became entwined with his writing and made him that much more attractive to some of his readers.

His output as a writer was amazing: poetry, novels, novellas, short stories, magazine nonfiction, film scripts. His appetite for life was immense. His friendships were legendary and he was loved by many whose lives he touched. Fittingly, he died alone while in the midst of writing a poem.

In Devouring Time, Todd Goddard presents a meaningful account of this writer’s life, from beginning to end, including much about his persona that many readers could not have otherwise known. I’ve read much of Jim Harrison’s writing, and knew more than a little about his life. But I learned much more from this book, feeling after reading it that I understood Harrison more clearly both as a writer and a person. This is not a celebratory paean to someone’s hero, or the work of a starry eyed fan. Nor is it a reductionist scholarly account. This book is a carefully constructed narrative worthy of the subject’s complicated, sometimes very painful, but always meaningful life. Goddard refuses to turn away from Harrison as a human being whose life included physical and emotional challenges, who suffered, who lived a full life also of joy and beauty, and despite his foibles, his accomplishments were immense and lasting.

Jim Harrison was born in Michigan in 1937 and died Patagonia, Arizona in 2016. He wrote twenty-one books of fiction and fourteen books of poetry that influenced many other writers of all kinds and won him legions of readers. Harrison helped shape the course of contemporary American literature, revitalizing in particular the novella, a form he mastered and reinvigorated.

Though it was his fiction, nonfiction, and film writing that made him famous (and by which he made his living), it was always poetry that he loved most, and while he was a thoroughly social writer who enjoyed the company of many friends (and lovers), he was simultaneously a private person who cherished remoteness, the singularity of the wilderness, and solitude, and also the company of his wife and children at home.

Todd Goddard conducted over a hundred interviews and had full access to Harrison’s collected papers, as well as the cooperation of Harrison’s family to create this fully formed literary biography of one of our most important writers of the last half century.

I very much enjoyed the opportunity to speak with Todd. We talked about Harrison, of course, but also about the art of biography and the process of writing a book with so much depth of attention and detail. Whether you are a reader of Jim Harrison’s poetry or prose, this biography will capture your attention and in all likelihood, lead you to want to read further in Harrison’s extensive body of work.

“Todd Goddard tells the story of this bon vivant, outdoorsman, hellion, and great poet from his ancestors to his end with grace, momentum, generosity, and insight…and what a great American life it was, wreckage, glory, gifts, and ALL.”—Rebecca Solnit, author of Orwell’s Roses

Calendars
Back in the blue chair in front of the green studio
another year has passed, or so they say, but calendars lie.
They’re a kind of cosmic business machine like
their cousin clocks but break down at inoppormne times.
Fifty years ago I learned to jump off the calendar
but I kept getting drawn back on for reasons
of greed and my imperishable stupidity.
Of late I’ve escaped those fatal squares
with their razor-sharp numbers for longer and longer.
I had to become the moving water I already am,
falling back into the human shape in order
not to frighten my children, grandchildren, dogs and friends.
Our old cat doesn’t care. He laps the water where my face used to be.

from IN SEARCH OF SMALL GODS, Copper Canyon Press, 2010

Author website
Buy the book

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Publishing Talks Interview with Lauren Woods of LitBox

Publishing Talks started as a series of conversations with book industry professionals and others involved in media and technology, mostly talking about the future of publishing, books, and culture. It was great fun talking with people in the book industry about the evolution of publishing in the context of technology, culture, and economics. In the past few years, I’ve talked with a variety of editors, publishers and others who have been innovators and leaders in independent publishing and bookselling in the past and into the present. These conversations have been inspirational to me. I have had the pleasure of speaking with visionaries and entrepreneurs, editors, publishers and others who have influenced and changed contemporary literature and culture. I’ve also had the opportunity to speak with a number of friends and colleagues in the book business.

I really enjoy the opportunities to find out about the boundless creativity that motivates so many of us in the book business. When I read about Lauren Wood and her cool new project, Litbox, a book vending machine in Washington, DC, I had to reach out to her to find out more about it. Lauren’s goal was to create an innovative way to promote local readership with local authors, something that writers always feel strongly about. Even the best independent bookstores do not focus as much attention on local authors as most of us wish they would. “I want to give writers and people in this town something to feel excited about,” she says. “I wanted to bring a little bit of optimism into an otherwise bleak moment….Great literature is really about empathy and kind of deeply getting outside of your own framework and inhabiting another person’s consciousness.”

LitBox launched in May, 2025. Lauren made it work with a Kickstarter campaign that raised seed capital of $5000.

Almost everyone in the book business recognizes how challenging it is to connect books with readers in our media’s overwhelmingly saturated information deluge. Any project that can connect writers and books to readers in a personalized, area-specific way is worthy of our support. I am hopeful that Litbox will not be a one-off, and could inspire others to try out the idea. It seems to have worked successfully in England, where there are book vending machines in subway stations and many other locales.

If you’re in the DC area, look for a Litbox and try it out. It’s in the Western Market. 

And here’s a good local story about the Litbox launch on the “Inchy’s Bookworm Vending Machine” website. It looks like they are encouraging others to use their machine wherever books could be sold by machine. I hope this idea catches on!

Reggie Van Lee buying the first book from LitBox.

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Rachel Blau DuPlessis reading from The Complete Drafts

Authors Voices gives writers a platform for reading their work. It’s an honor for me to be able to present poet and literary critic Rachel Blau DuPlessis reading from her extraordinary long poem, Drafts, which she began in 1986 and completed in 2012.

Now the great Minneapolis-based independent literary publisher Coffee House Press is publishing The Complete Drafts for the first time in a beautiful two-volume boxed edition.

Up to now, only sections of this amazing long poem have been published, including The Collage Poems of Drafts (2011), Pitch: Drafts 77-95 (2010), Torques: Drafts 58-76 (2007), Drafts. Drafts 39-57, Pledge, with Draft, unnumbered: Précis (2004), and Drafts 1-38, Toll (2001). Making the complete version of this long poem available is an important achievement, and thanks are due to Coffee House for their commitment to publishing important books like this one.

In the words of poet and critic Ron Silliman, “DuPlessis’s Drafts begins more with questions than answers, literally in Draft 1 chasing a bird in the bush, sensing that the right answers need to be further questions.”

I love the exploratory, wide ranging nature of the writing in this poem. It’s illuminating, surprising, and inspiring. The language and ideas are as complex and challenging as the poet’s mind.

DePlessis was a professor at Temple University for many years. She is the deserving recipient of many honors and awards. Her most recent work of nonfiction is A Long Essay on the Long Poem: Modern and Contemporary Poetics and Practices.

Praise for The Complete Drafts

“With recourse to an astonishing range of techniques and material devices, formal concern as inclination and qualm, these poems register, lament, react to and wrestle with erosions on multiple fronts–psychic, social, historical, somatic….They affirm and negate the toll history takes on letter and spirit, affirming and negating and navigating a way between.” —Nathaniel Mackey, National Book Award-winning author of Splay Anthem

“Explicitly playful and serious, generative and interpretive, Rachel Blau DuPlessis’s Drafts are essential writing and reading.” —Catherine Daly, American Book Review

“Drafts claims a place for women in the American epic. It redefines the genre’s history component to include the social, family, sexuality and daily life–as the Annales School has done for historiography in general. A thrilling achievement.” —Rosmarie Waldrop, author of The Nick of Time

Blau is always engaging, whether reading her work, or talking about poetry, poetics, and ideas.

The Complete Drafts, Coffee House Press, 984 pages, 9781566897235, May 20, 2025, $70.

Buy the book from Bookshop.org to support local bookstores (and Writerscast)

Note 1: This reading was recorded in early February, 2025 when the book was scheduled to be published in April. As of this post (May 8, 2025), it is now scheduled for release May 20, 2025.

Note 2: Last week, the Trump regime cancelled or withdrew NEA’s already committed grants to arts organization, including literary presses and magazines, and more or less gutted the NEA’s staff, simultaneously deleting both NEA and NEH in its proposed Federal budget for the next fiscal year. While we do not know at this time what the eventual outcome of any legal challenges or Congressional actions will be, if you support the idea that a healthy literary community is good for democracy and culture, please support efforts to save the NEA and NEH, and make donations to the nonprofit arts and culture organizations and groups that support them.

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Dennis James Sweeney: How to Submit: Getting Your Writing Published with Literary Magazines and Small Presses

How to Submit: Getting Your Writing Published with Literary Magazines and Small Presses – Dennis James Sweeney – New World Library – Paperback – 9781608689361 – 216 pages – $18.95 – February 25, 2025 – ebook versions available at lower prices

This book is described by its publisher as “A comprehensive guide to getting published and building a literary reputation through small presses and magazines — and taking ownership of your own publishing life.” While I am very familiar with publishing marketing lingo, I think this description, while literally accurate, actually undervalues Sweeney’s book. He does offer us much more than just a “guide to getting published.” By talking to writers as a colleague and exploring his own journey as a writer, he turns what could have been a mechanical self help guide into something much more interesting and engaging.

I’ve been on both sides of the process this book is about – as a writer submitting work for publication and more often as a publisher and editor, combing through submissions of all kinds and qualities. This book provides much more than simply guidance, tools and support for writers. In it, Sweeney personalizes what is so often a depersonalized process, and helps writers see themselves as active agents in a complex ecosystem with many levels and activities. And in many ways, he reveals the process of “submitting” one’s work as an almost spiritual practice, not just a means to an end.

All of the podcast interviews I do are unstructured and informal – I like to start without notes or an agenda and see where the conversation goes. Talking to Dennis was truly a pleasure, and I think we ended up having a wonderfully organic and interesting conversation about the independent literary world, contemporary writing, and the role of the writer in that community. Whether you  are already a published author, or a publisher or magazine that works with author submissions, this book has a great deal to offer you.

Dennis James Sweeney is a writer and teacher. His books have been published by small independent presses, including Autumn House Press, Essay Press, Ricochet Editions, and Stillhouse Press, and his writing has appeared in Ecotone, The Southern Review, Witness, and The New York Times. Sweeney lives, writes, and teaches in Amherst, Massachusetts. Author website here.

But the book here.

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Iris Jamahl Dunkle: Riding Like the Wind: The Life of Sanora Babb

Riding Like the Wind: The Life of Sanora Babb — Iris Jamahl Dunkle — University of California Press — Hardcover — 9780520395442 — 416 pages — $27.95 — October 15, 2024 — ebook versions available at lower prices.

“The new history is coming, if you dig through the archives with a new gaze.”—Iris Jamahl Dunkle

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B.A. Van Sise: On the National Language: The Poetry of America’s Endangered Tongues

On the National Language: The Poetry of America’s Endangered Tongues – B.A. Van Side – 978-0-7643-6814-1 – Hardcover – 176 pages – September 28, 2024 – $50.00 – Schiffer Publishing

“…breathtaking testimony to the demographic richness of the U.S. and the beautiful diversity of its linguistic landscape.”–Booklist  

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Baron Wormser: The Road Washes Out in Spring

The Road Washes Out in Spring: A Poet’s Memoir of Living Off the Grid – Baron Wormser – Brandeis University Press – 9781684581603 – 214 pages – paperback – $24.95 – March 7, 2023 – ebook versions available at lower prices

Baron Wormser is a poet and prose writer whose work I have been familiar with for many years. Back in the 1970s, he and his wife Janet, moved to rural Maine as part of the “back to the land” wave that had been inspired by hippies and the Stewart Brand’s influential Whole Earth Catalog and especially the writings of the now almost mythic Helen and Scott Nearing, vegetarians who pioneered simple living in the 1930s and 40s.

His memoir of that time was originally published almost twenty years ago and now there is a new edition of this meditative, almost poetic narrative of simple living.

Baron and his family lived in a house they built in Maine with no electricity or running water. Much like the Nearings, they raised (and canned) much of their own food, carried water from their well, and read through the long winter nights by the light of kerosene lamps.

As Wormser states early in this book, living off the grid was not meant to be a statement of anything. In fact, as complete novices to the life they set out to live, it turned out that they had built their house in a place that there was no electricity and initially they could not afford to pay to have power lines run to their house. As time went on, they embraced the simplicity of their rural lives and learned from their experienced neighbors, for whom life was not a choice and “lifestyle” would have been a meaningless term.

Wormser refuses any simple understanding or explanation for the lives he and his wife chose for the twenty five year period during which they raised their children and became integral to the local community. He writes about nature and the simple life without sentimentalizing anything, appreciates the good and faces the difficulties head on without failing to note the complexity of everything we prefer to think of as simple. He is a careful thinker and writer, and his poetic self is a presence at all times.  Here is a lovely excerpt from the book:

If there is such a thing as a mutable eternity, it is snow falling in the woods. I am thinking of a windless, steady plummeting. Nothing is moving except for snowflakes. You can hear the snow faintly ticking on the pine needle branches. You can hear it descending—a soft sift of air. You are held in the hand of something enormous yet gentle, something extraordinary yet calming, something evanescent yet quite palpable (from a Latin word meaning “to touch gently”). Every surface receives the snow in its way. A large, fallen, curled maple leaf collects the snow in its center. A boulder”s stored heat resists the snow at first. Then its surface turns wet as if it were raining. Then with un-boulder-like delicacy a thin frizz accumulates. On top of the garden gate a fragile white skein begins to perch. Little, almost derby-like hats grow on the garden fence posts. The mown grass around the house fills in gradually. The stiff, frozen blades seem like little heights. Then the snow, as it mounts, receives itself. Another landscape is created and for months we live in that landscape.

When I was in my twenties, I shared the impulse to “head for the country,” where I tried and failed to make a go of living on the land. I greatly admire and appreciate what the commitment that Baron and his family made to live in Maine for a quarter century. And it was a deep pleasure to read this memoir of that time.

In 2000 Baron was appointed Poet Laureate of Maine by Governor Angus King. He currently resides in Montpelier, Vermont, with his wife. In 2009 he joined the Fairfield University MFA program. He works in schools with both students and teachers. Wormser has received the Frederick Bock Prize from Poetry and the Kathryn A. Morton Prize along with fellowships from Bread Loaf, the National Endowment for the Arts and the John Simon Guggenheim Memorial Foundation. In 2000 he was writer in residence at the University of South Dakota. Wormser founded the Frost Place Conference on Poetry and Teaching and also the Frost Place Seminar. His most recent book of poetry is The History Hotel, published by CavanKerry Press.

In other rooms and beyond those rooms
So much was occurring that went on happily
And unhappily, indifferent to protocols,
Brimming with anemones, half-heard melodies,
Averted glances. 

(from “Elegy for the Poet Adam Zagajewski”)

Author website

Buy The Road Washes Out in Spring

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Maureen Owen and Barbara Henning: Poets on the Road

Poets on the Road – Maureen Owen and Barbara Henning – City Point Press – 9781947951709 – Paperback – 176 pages – $18 – June 6, 2023 – ebook editions available at lower prices

This is a special book by two very special poets. I know I am biased. They are both friends of mine, and Maureen I have known for almost fifty years. This terrific travelog documents an amazing poetic journey they took in 2019, crossing the country in a small car, with stops for poetry readings, visits with other poets, cheap motels and funky meals from Brooklyn (where Barbara lives), first south, then west all the way to California and back to Denver (where Maureen lives).

It was truly an incredible trip, originally documented in a blog they wrote while traveling. This book collects those stories and features photos of the poets and the people and places they visited along the way.

I loved this story so much, I decided to publish it, and consequently this book is a collaboration of the two poets plus the exceptional book designer, HR Hegnauer and publisher City Point Press.

Here’s an excerpt from Pat Nolan’s wonderful introduction:

Although a road trip across North American calls to mind Jack Kerouac’s youthful meanderings of self-discovery, this reading tour was more in the manner of Bashō’s late life journeys through the backcountry of Japan. . . . The road trip was in a sense a pilgrimage of reengagement with their calling as poets, and a chance to reacquaint with like-minded friends, old and new, in a far-flung landscape of American poetry.

Venues would include upscale bookstores, coffee houses, museums, legendary used bookstores, botanical gardens, university classrooms, art centers, and artist coops—in short, a unique sampling of poetry environments tracing an arc across the Southern States, the Southwest, and up the West Coast before hooking back to the Rockies.

Framed as a personal challenge, the poets hit the road much in the manner of itinerant preachers and musicians, lodging at discount motels, funky hostels, Airbnbs, and with friends along the way. Adding a social media touch, Maureen and Barbara created a blog of their tour so that friends, family, hosts, and fellow poets might also share in their adventure.

It’s always a pleasure to spend any amount of time with Maureen and Barbara, so this conversation was truly special for me, and I hope for all of you as well who will be listening in.

As further full disclosure, let me add that we were also in Tucson when she and Barb came to visit, so I am a participant and contributor to the blog and to the book as well, making it even more fun for me to talk to both Maureen and Barb about it here.

Maureen’s most recent book is let the heart hold down the breakage   Or   the caretaker’s log (Hanging Loose Press)

Barbara’s most recent book is Ferne, A Detroit Story (Spuyten Duyvil)

Maureen’s website

Barbara’s website

Buy Poets on the Road here. (this link is to Bookshop.org, sales will support indie bookstores)

Barbara Henning (photo by Miranda Maher)

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Publishing Talks: Interview with Michael Wolfe

Michael Wolfe

Publishing Talks began as a series of conversations with book industry professionals and others involved in media and technology, mostly talking about the future of publishing, books, and culture. I’ve spent time talking with people in the book industry about how publishing is evolving in the context of technology, culture, and economics.

Later this series broadened to include conversations that go beyond the future of publishing. In an effort to document the literary world, I’ve talked with a variety of editors, publishers and others who have been innovators and leaders in independent publishing in the past and into the present.

These conversations have been inspirational to me on many levels. I have gotten to speak with visionaries and entrepreneurs, as well as editors and publishers who have influenced and changed contemporary literature and culture. I’ve also had the opportunity to speak with a number of friends and colleagues I have met over the many years I have been in the book business.

One such person is Michael Wolfe. We have known each peripherally for many years through independent literary publishing.

Michael is the author of ten books of poetry, fiction, and travel. In the 1970s and 1980s he owned and ran a bookstore and a book bindery in Bolinas, California, and was publisher of the renowned indie press, Tombouctou Books there. His authors included Lucia Berlin, Paul Bowles, Mohammed Mrabet, Jim Carroll, Joanne Kyger, Dale Herd, Steve Emerson, Bobbie Louise Hawkins, Bill Berkson, Duncan McNaughton, Clark Coolidge, Phoebe MacAdams and many other wonderful writers, poets and translators.

These days, Michael is the Executive Producer and President of Unity Productions Foundation, a nonprofit media company that produces documentary films. “Stories of Muslim Engagement, History and Culture – UPF Films and Educational Projects Promote Peace and Understanding.”

Speaking with Michael about writing, publishing and his life was a great experience for me, one which I am pleased to share here. As time goes on, I treasure these opportunities to talk with brilliant, accomplished literary activists like Michael Wolfe.

Author website here.

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Publishing Talks: Interview with Kyle Schlesinger of Cuneiform Press

Publishing Talks began as a series of conversations with book industry professionals and others involved in media and technology, mostly talking about the future of publishing, books, and culture. I’ve spent time talking with people in the book industry about how publishing is evolving in the context of technology, culture, and economics.

Later this series broadened to include talks and interviews that go beyond the future of publishing. In an effort to document the literary world, I’ve talked with a variety of editors, publishers and others who have been innovators and leaders in independent publishing in the past, and into the present.

These conversations have been inspirational to me on many levels. I have gotten to speak with visionaries and entrepreneurs, as well as editors and publishers who have influenced and changed contemporary literature and culture. I started out in independent publishing, and early on learned how to set type by hand and operate mechanically operated printing presses that were even then becoming obsolete. I was never a very good printer and admire the poets and editors who have taken up the mantle of what is known as fine press printing to produce books that are artistically innovative and at times handmade.

Kyle Schlesinger is a poet and independent publisher whose work I have long admired. His press, Cuneiform (“Poetry, Typography and Artists’ Books) has established an incredible body of work since he issued his first book in 2000, Luisa Giugliano’s Chapter in a Day Finch Journal, published in Buffalo while Kyle was a student in the Poetics Program at SUNY, where he studied with Robert Creeley, Susan Howe, and Charles Bernstein.

Kyle first discovered the idea of printing through Will Hamlin, a Black Mountain College alumnus, while he was studying at Goddard College. He learned to print first in Vermont on an 1889 Prouty platen press with metal type. As he says on the Cuneiform site:

“We printed the literary review for Goddard College, instructions for using a compost toilet, Gertrude Stein stationery, and a few short poems. I remember building up the letters of William Carlos Williams’ “A poem is a small (or large) machine made of words” early on.”

This early experience quite evidently sent Kyle on the path to becoming a fine printer and book designer, and the hand work well suited to his personal design views, as he has gone on to produce a range of excellent writing expressed through fine design and outstanding creativity in book production.

After he left Buffalo, Kyle moved to Austin, Texas, where Cuneiform is now based. He teaches at the University of Houston, Victoria. Cuneiform produces books of poetry, artists’ books and even scholarly works, using letterpress and offset printing. Kyle and I had a great conversation earlier this spring. When it is possible to travel again, I am looking forward to visiting Cuneiform and seeing Kyle and the great Vandercook 219 proof press he runs in his shop in Austin.

Kyle and I share a number of connections, including poets  and old friends, Kit Robinson, Steve Benson, and Kyle printed for years on a press he got from another old friend, Michael Waltuch, as well as a shared interest in Black Mountain College and its many amazing poets, artists and craftspeople. It’s inspiring to see his work, that carries forward the meaningful traditions of poets in collaboration with artists in the making of books. We had a wide ranging conversation about his work, past, present, and future.

Visit the Cuneiform Press website – do consider buying some books or subscribing or even donating, as Cuneiform is a 501 (c)3 nonprofit, donations are tax-deductible!

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