Publishing Talks: David Wilk interviews poet and editor Tom Montag

Publishing Talks began as a series of conversations with book industry professionals and others involved in media and technology, mostly talking about the future of publishing, books, and culture. As every media business continues to experience disruption and change, I’ve been talking with some of the people involved in our industry about how publishing might evolve as it is affected by technology and the larger context of culture and economics.

I’ve expanded this interview series to include conversations that go beyond the future of publishing. I’ve talked with editors and publishers who have been innovators and leaders in independent publishing in the past and the present, and will continue to explore the ebb and flow of writing, books, and publishing in all sorts of forms and formats, as change continues to be the one constant we can count on.

Tom Montag is a poet, critic, editor and publisher whom I have known for many years. I love his biography, which emphasizes his pure identity as a midwesterner. Unlike so many Americans, he has lived in the midwest for his entire life, and his work identifies deeply with where he lives. He does not need to declaim his role as a true poet of place.

Tom was somewhat famously the editor of Margins: A Review of Little Magazines and Small Press Books during the 1970s, was active in the Milwaukee literary scene, and was an editor and feature writer for Wisconsin’s Fox River Patriot during its heyday from 1977 to 1979. With his wife Mary, he edited and published the Wisconsin Poet’s Calendar from 1982 to 1984, which was subsequently handed to the Wisconsin Fellowship of Poets to continue.

Tom spent the better part of his work life at the family owned Ripon Community Printers in Ripon, Wisconsin. During those years, he wrote pithy sayings from a character he called Ben Zen. Four collections of the BZ poems were published between 1992 and 2000.

His memoir, Curlew: Home is about his first fourteen years spent on a farm outside Curlew, Iowa, and about his sense of loss in revisiting the community forty years later. Kissing Poetry’s Sister gathered eleven of Montag’s essays about writing and being a writer, including his long piece on creative nonfiction.

After he retired from his Ripon job, he spent five years creating “Vagabond in the Middle,” an attempt to determine what makes us middle western. He has been collecting stories from residents of twelve communities across the middle west, true stories of their families, their lives, and their connections to the places they inhabit.

Tom and I have worked together on publishing projects at Woodland Pattern in Milwaukee, and we’ve presented together there and at the Lorine Niedecker festival in Fort Atkinson, Wisconsin. Tom’s writing and editing has meant a great deal to me over the years, we are linked in so many ways, yet have such different backgrounds, and it was a great pleasure to speak to him here about his lifetime of work in writing and publishing, though to be sure, we barely scratched the surface of what we could have talked about.

SOMETIMES

Sometimes
in the weeds

a loveliness.
This moment

among all
the moments.

Rain when it’s
needed. Tom,

stop wanting
anything more.

 

MY FATHER,
holding the Y
of willow

lightly
in his hands,

walks the land.
The willow

leaps
for something

we do not
see: Here,

my father says
to the man,

drill here.

Tom is the author of many books and has edited anthologies as well. His most recent large scale collection is In This Place: Selected Poems 1982-2013.

There are two really good written interviews with Tom in the Wombwell Rainbow and the Mocking Heart Review. You can learn more about Tom and his work here and you can keep up with his prodigious output of poetry at his outstanding blog The Middle Westerner where you will regularly find him posting poems that will endure.

“Exploring the heart of the country; or, as Nancy Besonen has said, “Tom Montag is defining the character of the Midwest – one character at a time.”

Thanks Tom, for being who you are.

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Amy Stross: The Suburban Micro-Farm

The Suburban Micro-Farm: Modern Solutions for Busy People – Amy Stross – 9780997520835 – Twisted Creek Press – Paperback – 356 pages – $34.95 – March 23, 2018 – ebook versions available at reduced prices.

“…this book takes a permaculture approach to starting a micro-farm in the suburbs that speaks not just to a stay-at-home mom or dad, but to all busy people. Indeed, it is one of the few gardening books that is aware that you may not have a lot of time to start a garden, and shows you that it’s still possible anyway.” – Jesse Frost, Hobby Farms

I love gardening, gardens, and would be thrilled if every suburban lawn was turned into a vegetable garden, berry patch or orchard (or all of those things). I’m an enthusiastic gardener, but not a great planner, and I need the kind of help that Amy Stross provides in this truly excellent book. Even if you never pick up a hoe or dig in the dirt, you will learn a huge amount about food growing in relatively small spaces from this book and you will be able to explain to your neighbors, friends and family why they all should be outside right now working on their gardens.

There is so much good information, and reading this book is so inspiring, it is impossible to know where to begin in describing it. Suffice to say, while there are many great books about gardening, but this one deserves to be on every gardener’s bookshelf, and especially for any beginner who wonders how to get started, this book is essential. There is alot of work involved when you seriously grow vegetables and fruit in a small space, and planning is essential. This book provides the gardener, beginner or otherwise, with terrific tools for planning and organizing, and for avoiding the many mistakes that are easy to make along the way to growing your own fruit and vegetables.

Now that it’s fall, this is the perfect time to start planning your garden for next year. Read this book, lay out and build your garden beds, and order seeds for spring! If you’ve never gardened before, start with a small space you can handle and build from there.

Here are just a few things covered in The Suburban Micro-Farm:

How to make your landscape as productive as it is beautiful
Why the suburbs are primed with food-growing potential
How to choose the best crops for success
Why you don’t need the perfect yard to have a micro-farm
How to use easy permaculture techniques for abundant harvests

The idea of an edible yard is more than just romantic, it is a practicality for many of us. There are lots of benefits besides being able to grow your own food – getting rid of lawns and lawn maintenance is good for the natural environment and makes a dent in climate change mitigation, raising vegetables and fruit is healthy for your body in two ways – the work of gardening is good for your health and the food you eat from the work you put in is always better than what you can buy in a store, even an organic one.

Amy is a terrific teacher, well organized, thoughtful and clear eyed.

I really enjoyed speaking with her and recommend this book to any and all who will listen. Visit her website here to learn more about Amy, her approach to gardening, and where to buy the book (though I recommend purchasing from my friends at Chelsea Green Press, who have been publishing books in this category for many years).

And have fun in the dirt! I was inspired by reading this book to build a bigger garden this year, which was very productive, and next year, we are planting blueberries and fruit trees in our very small front yard. Thank you Amy Stross!

Nonfiction Book Awards 2018 Gold Winner

Foreword INDIE Awards 2018 Gold Winner (Hobbies & Home category)

Nautilus Book Awards 2018 Silver Winner (Green Living & Sustainability category)

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Fred Waitzkin: Deep Water Blues, a Novel

Deep Water Blues: A Novel – Fred Waitzkin – 9781504057745 – 160 pages – Open Road Media – paperback – May 28, 2019 – $17.00 – ebook versions available at lower prices.

Fred Waitzkin’s Deep Water Blues is a surprisingly affecting short novel based to a great extent on his personal experiences in a small boat on the open water and islands of the Caribbean. Because it is based in so much lived experience, it has an authenticity that shines through in every page. In Deep Water Blues three older men (including the boat’s owner) and one younger man, a painter who has never been to sea, leave Ft. Lauderdale on an old boat heading for a Bahamian island that has an almost mythical story and appeal. Each is there for a different reason and each will gain something different from their adventure. But the story is really about the island and the mysteries of what happened there.

When I first started reading this book, I did not expect to find it as compelling as I did in the end. There’s alot more here than initially meets the eye, and this is a book I can recommend to readers.

Waitzkin calls his book a “curated blend of real-life experience and fiction.” Deep Water Blues tells a compelling story about an unusual man in an exotic place, an almost mythical story whose hero suffers a classic fate and redemption in a mysterious and beautiful location, bringing to mind Shakespearean and Biblical storytelling. Waitzkin writes in spare prose that carries his story through to its exciting end, and makes a short book impactful beyond its length.

Fred Waitzkin was born in Cambridge Massachusetts. He was an English major at Kenyon College in Ohio, then taught English at The College of the Virgin Islands, where he also got to pursue his love of fishing for big game fish. Fred and his wife moved to New York City, where Waitzkin wrote feature journalism, personal essays and reviews for numerous magazines including Esquire, Forbes, the New York Times Sunday Magazine, the New York Times Book Review, New York Magazine, Outside Magazine, and Sports Illustrated.

Waitzkin’s first book was Searching for Bobby Fischer. Published in 1984, it’s the story of three years in the lives of Fred and his chess prodigy son, Josh Waitzkin. The book became an internationally acclaimed best seller, and the film based on it was nominated for an academy award.

Mortal Games, his biography of world chess champion, Garry Kasparov was published in 1993, and was followed in 2000 by The Last Marlin, a memoir. The Dream Merchant, Waitzkin’s first novel, was published in 2013 – Deep Water Blues is his second published work of fiction. Fred still lives in Manhattan with his wife Bonnie, and still spends as much time as possible on his old boat, Ebb Tide.

It was my pleasure to speak with Fred, and while we talked about the book at hand, our conversation went into a variety of related coves and channels.

Visit Fred Waitzkin’s website to learn more about him and his writing.

“Deep Water Blues does what all fine literature aspires for – it transports readers to another time and place, in this case, to a sleepy, lush island deep in the Bahamas. Fred Waitzkin writes about life, sex and violence with aplomb, and Bobby Little is a tragic hero fit for the Greek myths. Hope to see everyone on Rum Cay soon.” – Matt Gallagher, author of Youngblood

“Fred Waitzkin effortlessly recreates a singular world with uncanny insight and humor. His language is remarkable for its clarity and simplicity. Yet his themes are profound. This is like sitting by a fire with a master storyteller whose true power is in the realm of imagination and magic.” – Gabriel Byrne, actor and director

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Cuong Lu: The Buddha in Jail – Restoring Lives, Finding Hope and Freedom

The Buddha in Jail: Restoring Lives, Finding Hope and Freedom – Cuong Lu – OR Books – paperback – 112 pages – 978-1-682191-84-2 – $18.95 – April 2, 2019 – ebook versions available at lower prices.

Foreword by Roshi Joan Halifax.

I’ve studied and read and been around Buddhist teachings for a number of years. I’ve always been attracted to Buddhism’s psychological approach and to its ideas about self, being and letting go of suffering, though I have never practiced Buddhist meditation enough to attain a meaningful experience of inner peace. Reading Cuong Lu’s short book was a powerful experience for me, because unlike many books about Buddhism, it is so practical, and so filled with lived experience. Socially engaged Buddhism is extremely powerful, as it brings concepts of inner peace and understanding into play with the actual lived experience of people and works with their actual suffering. It is not theory, but practice. Cuong Lu lives that experience and brings it to us in a really meaningful way.

Cuong Lu was a Vietnamese refugee who arrived in Holland as a young boy, and struggled to learn who he was in a country that was very foreign to him, after many traumatic experiences. He discovered Buddhism and spent a number of years studying with the renowned Vietnamese Buddhist teacher, Thich Nhat Hanh, and in 1993 was ordained a monk at Hanh’s community, Plum Village in France. In 2000, he was recognized as a teacher in the Lieu Quan line of the Linji School of Zen Buddhism and then spent six years ministering to inmates in Dutch prisons as a prison chaplain.

This book is a collection of 52 vignettes – the stories and teachings in which Cuong Lu shares insights into the prisoner’s mindset, and by extension all of us, those who are physically imprisoned, and of course, those many others of us who are psychologically imprisoned.

As a prison chaplain, Cuong discovered that when the men inside allowed themselves to feel their pain – connecting to their buried and unacknowledged feelings, that knowing and feeling the truth enabled them to find inner sources of strength they had never experienced previously. When these prisoners felt themselves to be touched, and accepted without judgment, understood in a pure way, it transformed their sense of self, with the result that they were able to change their own attitudes, self images, and ultimately their behavior and relationships to others.

Ultimately, this book is not about the prisoners. It’s about each of us who read the book. We limit our ideas of ourselves, of self and confused projection for reality. We don’t understand or recognize what freedom and happiness are, that they are states we can experience deeply and thoroughly through a fuller understanding of the nature of our beings and relationship to self and universe. It will always require a process to attain this kind of understanding, but when we do the work of meditation and inner viewing, we discover the freedom and happiness already within. This book can be viewed as an introduction to a way of living and being that might change our world for the better.

Speaking with Cuong Lu, it is easy to understand why he is such a great teacher. He is centered, calm and clear, and able to explain easily the sometimes complex and confusing system of understanding that Buddhism represents. It was a great pleasure for me to have the opportunity to speak with him about this book and his experiences.

“In The Buddha in Jail, Cuong Lu demonstrates how to be in a helping relationship without getting caught in roles. As a prison chaplain, he did not attach to the idea of being a helper, or even of ‘helping.’ He sat quietly, deeply present with each inmate, and saw each of them as a soul, not just their personality or their troubled past. By dwelling in love with each person, accepting them without judgment, one by one they transformed, and their recidivism was close to zero. I congratulate Cuong Lu for the depth of his prison ministry and this beautiful book.” —Ram Dass, author of Be Here Now and Walking Each Other Home: Conversations on Loving and Dying

“To free ourselves, we have to unlock the doors from within. Chaplains like Cuong Lu play an essential role in freeing those in prison from their inner demons, offering guidance, support, and loving kindness, teaching stillness and self-reflection, learning to connect with their fierce and loving hearts. I highly recommend The Buddha in Jail, a good read and a great resource for understanding prisoners and for finding the keys to the prisons in our own minds.”
—Spring Was-ham, author of A Fierce Heart: Finding Strength, Courage, and Wisdom in Any Moment

Cuong Lu, Buddhist teacher, scholar, and writer, was born in Nha Trang, Vietnam, in 1968. He majored in East Asian studies at the University of Leiden, and in 1993 was ordained a monk at Plum Village in France under the guidance of Thich Nhat Hanh. In 2000, he was recognized as a teacher in the Lieu Quan line of the Linji School of Zen Buddhism. In 2015, he received a master’s degree in Buddhist Spiritual Care at Vrije University in Amsterdam. Lu is the founder of Mind Only School, in Gouda, the Netherlands, where he teaches Buddhist philosophy and psychology, specializing in Yogachara Buddhism combined with the Madhyamaka (Middle Way) School of Nagarjuna.

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Adina Hoffman: Ben Hecht: Fighting Words, Moving Pictures

Ben Hecht: Fighting Words, Moving Pictures – Adina Hoffman – 9780300180428 – Yale University Press – Hardcover – 264 pages – $26 – February 12, 2019 – ebook versions available at lower prices

I grew up in a family where the movie business was in our blood, and part of the conversations of everyday life, so I have long known about – and appreciated – the amazing screen writing of Ben Hecht. Hecht’s many screenplays in many ways established and defined what is now standard movie practice. He wrote some of the greatest and most watched films in history, and made a well paid career out of “doctoring” other writers’ scripts. Hollywood was his reluctant artistic base for many years, though he would never be completely comfortable there.

Reading this very comprehensive, but highly readable biography by Adina Hoffman, brought Hecht’s life and work into focus for me for the first time. Hecht’s story was that of a classic 20th century second generation Jewish immigrant. He was raised in Wisconsin, made his way to Chicago, became a newspaper writer and then a novelist in the glory years after World War I, where he helped create and define the literary scene in that great city, before moving to New York, where he truly established himself as literary star.

Hecht and Charles MacArthur together wrote the now-classic play, The Front Page, becoming writing partners and pals for many years thereafter. Some of Hecht’s most famous screenplays include Scarface, Gone with the Wind, Stagecoach, Notorious and His Girl Friday. Hecht worked on literally hundreds of films, was a powerful enough writer to be able to be given the opportunity to produce four films with MacArthur (a mis-adventure described wonderfully by Hoffman). Hecht worked with some of the greatest directors, producers and actors in 20th century film. His work literally defined what a Hollywood movie could be, and much of what we think about 20th century American culture is derived from his cynical, yet optimistic worldview.

Hecht’s many novels and nonfiction books are not widely read or known today, and according to Hoffman, who has read them all, some are lost to literary history for good reason. Still, it is quite possible that this fully formed biography with its clear eyed evaluation of Hecht as passionate human, brilliant intellect and outstanding writer, will help their cause. For myself, I have made a commitment to read at least one or two of the books that Hoffman tells us are important enough to seek out, including at least one novel. I have thought about reading Hecht’s very early novel Fantazius Mallare: A Mysterious Oath, even though Hoffman pretty much dismisses it, except for one great sentence that is said to have inspired Ginsberg’s Howl. But it is his autobiography, A Child of the Century that calls out to me the most, and that I will be reading soon.

Though he was decidedly a non-secular Jew during World War II, Hecht rediscovered his Jewish identity and became a powerful public voice pressuring American politicians to save the Jews of Europe. After the war, Hecht’s Zionism led him to support the nascent Jewish state of Israel with the burning fervor of a convert, his trademark enthusiasm focused on building a safe haven for Jews, which ironically, he never visited. Hecht, as Hoffman shows us, was a complicated human being – and frequently an unforgivable one as well.

Ben Hecht was emblematic as the “child of the [20th] century” who helped to define modern Jewish America and modern popular culture. Adina Hoffman is a terrific writer and a gifted storyteller, perfectly suited to tell this story. Thanks to Yale University Press for creating an absolutely beautiful book, one that serves her writing well, and makes reading it a better experience.

Adina Hoffman is an essayist and biographer who splits her time between New Haven and Jerusalem. Fortunately, she was in New Haven when I wanted to talk to her about this book and the work that went into it. Hoffman is the author of four books, including Till We Have Built Jerusalem: Architects of a New City and My Happiness Bears No Relation to Happiness: A Poet’s Life in the Palestinian Century. She was a film critic for the American Prospect and the Jerusalem Post, and was a founder and editor of Ibis Editions, a small press devoted to the publication of the literature of the Levant. She has been a visiting professor at Wesleyan University, Middlebury College, and NYU, and was notably one of the inaugural (2013) winners of the Windham Campbell prize. Read more about Adina and Ibis Editions here.

And you can find a good bibliographical of Hecht’s work here.

Note to listeners, this interview was recording live in a room with a bit of echo, so apologies to all for the sound quality.

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Ryan Leigh Dostie: Formation: A Woman’s Memoir of Stepping Out of Line

Formation: A Woman’s Memoir of Stepping Out of Line – Ryan Leigh Dostie – Grand Central Publishing – Hardcover – 978-1538731536 – 368 pages – $28.00 – ebook versions available at lower prices – June 4, 2019

Ryan Leigh Dostie’s story is sometimes a painful one to read, but it is too important to not read, and this is a book I can and must recommend to all readers. Ryan comes from an unusual background. She was raised in a women-run Christian community for most of her early life. Though she wanted to be a writer, she joined the Army after high school, trained to be a linguist, and was on the more or less normal course of a teenaged woman making her way in a male dominated military force, when she was raped by another soldier in her unit.

Her memoir recounts what happened to her, what she experienced subsequently, and how she lived through and was affected by, not only her personal trauma, but the experiences she shared with other soldiers in an active deployment in Iraq, where she was part of the first wave of the American invasion in 2003. It’s a sometimes harrowing story, but also inspiring, raw and powerful, as Ryan does not flinch from showing everything she experienced and felt through a long period during and after her most powerful personal experiences in the Army.

This book does not overtly take a particular political position, despite the pain and suffering the author endured throughout her time during and after her service. But it is impossible to read this book and not be forced to think about so many of the issues around male-female relationships, power and how it is applied, the patriarchal structure that dominates our culture, and the work needed to change the way men and women interact on a daily basis.

This is the story of one woman’s journey, as such, it is thoroughly compelling, but Formation cannot fail to affect anyone who reads it, and forces us to confront our own ingrained conceptual frameworks. Not only is the memoir a story of sexual assault in the narrow sense, Ryan’s story provides a representation of how societal structures affect us all, how the individual is made to be responsible for the failures of our systems, and hopefully will help spur us all to think how we might engage in the struggle to change those structures and systems sooner than later.

I’d also add that Ryan is, has become, a very good writer. It emerges in her story that she was an aspiring novelist when she was young, and after soldiering, she went on to complete a college degree, as well as an MFA. The writing in this book is evidence of how far she has come in learning her craft.

Her “official” bio: Ryan Leigh Dostie is a novelist turned soldier turned novelist. As an Army Persian-Farsi/Dari Linguist in Military Intelligence, she was deployed to Iraq during Operation Iraqi Freedom I and II (2003-2004). She holds an MFA in fiction writing and a bachelor’s degree in History from Southern Connecticut State University. FORMATION is her first book.

It was my pleasure and honor to interview Ryan Leigh Dostie in New Haven, Connecticut, where she lives today. Her website is well worth a visit – www.ryanleighdostie.com

“Though I knew it would be urgent, compelling, and excellent from the first page, Formation was a much more expansive book than I even could have suspected: a riveting, enraging memoir from an author of remarkable toughness and emotional range. This is an unflinching and honest account of war, of homecoming, and of what happens when a woman reports an assault and the institutions around her try to smother the truth.” – Phil Klay, author of Redeployment

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Erica Wagner: Chief Engineer: Washington Roebling, The Man Who Built the Brooklyn Bridge

Chief Engineer: Washington Roebling, The Man Who Built the Brooklyn Bridge – Erica Wagner – 9781620400524 – Bloomsbury – Paperback – 384 pages – $18 – February 5, 2019 – ebook versions available at lower prices

“A welcome tribute to the persistence, precision and humanity of Washington Roebling and a love-song for the mighty New York bridge he built.” – The Wall Street Journal

It is surprising to learn that Washington Roebling, builder of the Brooklyn Bridge and a major contributor to American industrialism of the late nineteenth and early twentieth century, has never had a full biography before this one, written by the excellent essayist and critic, Erica Wagner. I found her account of Roebling’s life story completely compelling. His relationship with his famous father, John Roebling, his experience and important role in the Civil War, and the amazing years-long effort to build one of America’s most iconic – and still fully operational – bridges, is brilliantly set forth by Wagner. She documents the important involvement of Roebling’s brilliant wife, Emma Warren Roebling is the completion of the bridge after Roebling’s health was compromised by illness, and gives us a portrait of an extraordinary and representative American life.

Frequently confused with his more famous father, Roebling has been forgotten or ignored by many. Yet his life holds interest for modern readers for a variety of reasons. His story is very much an American one – his family emigrating from Germany, living on the early 18th century American frontier, fighting in the Civil War, and becoming a key figure in the establishment of a modern American industrial society. We learn that Roebling was himself surprisingly self aware psychologically, a constant observer of his own and others’ human nature, how much he suffered both physically and psychologically, wounded by the abuse of his powerful father, and how he overcame so many obstacles to live a long life, adapting to the rapid pace of social and business life during a remarkable period in American history.

Erica Wagner uses Roebling’s recently discovered personal memoir to reveal much about his life that cannot be understood simply from documenting the major events of his life and the built artifacts he left behind. Roebling’s achievements are significant. Wagner’s achievement is that she brings this relatively unknown and complex man and his family to life in prose, a wonderful gift to readers.

American writer and critic Erica Wagner was the literary editor of the London Times for seventeen years and is now a contributing writer for New Statesman and consulting literary editor for Harper’s Bazaar. Her work has appeared in the Guardian, the Economist, Financial Times, and the New York Times, among other newspapers and magazines. She is the author of several books, including Ariel’s Gift, Seizure, and a collection of short stories called Gravity. She lives in London. It was a great pleasure for me to speak with her about this excellent book, and I hope Writerscast listeners will want to seek out and read this book as well.

“A masterful work of research, revelation and gripping narrative. It brings to pulsating life 19th-century New York and New Jersey and manages to be moving, too.” ―New Statesman, “Books of the Year”

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Peter Rock: The Night Swimmers (A Novel)

The Night Swimmers – A Novel – Peter Rock – ISBN 9781641290005 – Soho Press – Hardcover – 272 pages – $25.00 – March 12, 2019 – ebook versions available at lower prices.

As I have said here before, one of the things I like best about doing the Writerscast interviews is that it’s introduced me to the work of many writers I would not have discovered on my own. The Night Swimmers is a perfect example. Peter Rock has been writing extremely fine fiction for many years, and yet I had never run across his work before, which still seems quite surprising to me, given the nature of his work.

Peter’s autobiographical novel captured my imagination from the outset. The writing is luminous and personal, dreamy, yet descriptive. His narrator is a young aspiring writer living temporarily in beautiful Door County in the northern reaches of Wisconsin’s Lake Michigan coastline. He’s bit lost, maybe stuck in his inability to see himself as an adult. He meets a young widow, Mrs. Abel, who is, like him, not exactly clear about herself and who she wants to be. She is older, attractive, smart and mysterious. The narrator finds himself swimming with Mrs. Abel at night without really knowing why, although there is a strong undercurrent of attraction between them, a tension that defines the essential mystery of their relationship, and the way they swim in the depths of the lake across large distances is similar to the ebb and flow of the narrator’s own life. And then Mrs. Abel disappears.

Some twenty years later, the narrator, who is now married, living in San Francisco and the father of two daughters, finds himself trying once again to understand what happened that summer, his psychic history rising to capture him like a deep lake current he used to swim in. He reads old letters and notebooks from the past, explores his relationship to a former lover, tries to understand through a sort of personal archeological expedition the world he once lived in and still cannot fully understand. Back in Door County once again, he tries to find out what happened to the elusive Mrs. Abel, and again he enters the deep lake waters to swim across the night.

Scattered throughout the book is the evidence of the narrator’s archeological exploration of his own history, pieces of paper, old emails, quotations from poets, and references to the extraordinary and strange psychic photographer Ted Serios. This book is a sort of literary pastiche that really could exist in multiple forms and formats, reflecting the author’s psychic imagination crossing over time and space through the medium of memory.

The Night Swimmers is a beautiful, complicated and challenging work of literary inspiration I found completely engaging. And it was a pleasure then, to have the opportunity to speak with Peter Rock about his fine novel.

“Peter Rock has written a weird and haunting story about a younger man and an older woman who like to swim in the dark. Happily The Night Swimmers is no male coming of age story. Instead their secret nightly practice in a dark and foreboding lake shimmers as a queer refusal for either of them to grow up right.”
—Eileen Myles, author of Afterglow

I recommend visiting Rock’s website, and follow the link to The Night Swimmers page, where there are some great visuals related to the book.

Peter Rock was born and raised in Salt Lake City. He is the author of several novels SPELLS, Klickitat, The Shelter Cycle, My Abandonment, The Bewildered, The Ambidextrist, Carnival Wolves and This Is the Place, as well as a story collection, The Unsettling. Rock attended Deep Springs College, received a BA in English from Yale University, and was a Wallace Stegner Fellow at Stanford University. He lives in Portland, Oregon, where he is a Professor in the English Department of Reed College. Leave No Trace, the film adaptation of My Abandonment, directed by Debra Granik, premiered at Sundance and Cannes and was released in 2018.

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Philip Connors: A Song for the River

A Song for the River – Philip Connors – 978-1-941026-90-8 – Cinco Puntos Press – Hardcover – 256 pages – $22.95 – September 18, 2018 – ebook versions available at lower prices.

“The river that runs through the wilderness opens his heart: the mountains burn, friends die, and green shoots sprout from the ashes.”

Philip Connors, like some other fine writers of the desert southwest, notably Gary Snyder, Jack Kerouac and Norman Maclean, has been a long time fire lookout. Phil has spent many years in the Gila Wilderness in New Mexico. He began working as a fire lookout in 2002, and wrote about his experience in an earlier book, Fire Season: Field Notes From a Wilderness Lookout.

As it happens, I visited the Gila Wilderness for the first time in 2018, and was completely smitten by its beauty and the magnitude of the mountains, the vistas, and the Gila River. I’m sure I had read about the Gila at some point; it is famous for being the first wilderness area established anywhere in the world (in 1924), principally through the efforts of the great naturalist Aldo Leopold. Leopold was himself one of our best writers about nature; the Forest Service transferred him to Wisconsin, perhaps fortunately for the rest of us, as his Sand County Almanac has inspired so many to a better understanding of the natural world.

The Gila area is not only beautiful, but it is historically important as well. When we were there, we visited the famous Mogollon cliff dwellings, which are simply extraordinary. After that culture disappeared, the Gila was subsequently home to the Apache, and then the American pioneers, outlaws, and miners who displaced them. It’s an area which Connors knows intimately, and this powerful and emotionally gripping book reflects the depth of his knowledge of places and people, of the natural landscape and the depth of both human despair and our equally transcendent spirit.

There is a great deal of pain and sorrow in this book, but the spiritual and emotional power of Connors’ writing and his ability to transform experience into something resonant is important for himself and for his readers. The power of the writing is palpable and strong. It’s a beautiful book that I hope will be read by many.

Wilderness is where the heart grows stronger, or breaks, or both. No matter, we need these places and the writers who, like Connors, bring forth meaning out of pain, beauty out of loss.

Philip Connors was raised on a farm in Minnesota, went to the University of Montana for college, and spent a number of years working as a journalist. But he became disillusioned and made his way west, which clearly has become his true home and emotional center. His first book, Fire Season: Field Notes From a Wilderness Lookout won the National Outdoor Book Award, the Sigurd Olson Nature Writing Award, the Reading the West Award for nonfiction, and the Grand Prize from the Banff Mountain Book Competition. His second book, All the Wrong Places, a memoir of life after his brother’s suicide, was published in 2015.

Talking to Philip after reading this beautifully written, moving narrative of nature and loss was a great experience for me.

“Everything that is absent in the current political crises of this nation is abundantly present in Philip Connors’ A Song for the River: humility, quietude, forgiveness, and gratitude. His writing is pure, exact, compassionate, and often elegaic…I loved this book.”
—Benjamin Alire Sáenz, winner of the PEN/Faulkner for Everything Begins and Ends at the Kentucky Club

Visit Philip Connors’ own website here and his outstanding, El Paso based publisher, Cinco Puntos Press, here.

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Bram Presser: The Book of Dirt (a novel)

The Book of Dirt – Bram Presser –  Text Publishing Company (Australia) – Paperback – 9781925240269 – 325 pages – $15.95 – September 11, 2018 – ebook versions available at lower prices

Personal and family history for most contemporary Jews is frequently fraught. Most of us have relatives who disappeared without a trace, except for scattered entries in German records of extermination. Some fewer of us have had living relatives whose lives were entwined with and defined by the Holocaust, almost always in horrific and devastating ways.

Bram Presser, an Australian punk rocker and practicing attorney who also happens to be a brilliant writer, spent eight years working on this novel, The Book of Dirt. It is a fabulous story that explores the real life story of Presser’s grandfather, Jakub Rand, from the 1920s onward through the Holocaust and beyond. Presser addresses history in all its complexity with the only tool that could possibly make sense of it – imagination.

Presser starts with family stories and personal legends, combined with archival research and interviews to create this novel. Of course it becomes partly fact, partly fiction. Some is memory and much is imagined.

The relatively large number of characters and the movement between places can be confusing for the reader, but Bram Presser’s grandfather, Jakub Rand, and his grandmother, Dasa Roubicek, and their immediate family are the focus of the book, and their story of survival shines through. The pain and suffering was immense and the power of humanity was as well.

You do not need to be Jewish to find this novel compelling and real. All of us can share through this novel what it means to find hope, and for the descendants of survivors of terror and loss to try to understand the stories of their forebears. This is a wonderful and transformative literary work.

The Book of Dirt has won a number of well-deserved awards in Australia. Bram Presser was born in Melbourne in 1976. He has been a punk rocker, an academic and a criminal attorney. He writes the blog Bait For Bookworms and is a founding member of Melbourne Jewish Book Week. His stories have appeared in Vice Magazine, The Sleepers Almanac, Best Australian Stories, Award Winning Australian Writing and Higher Arc. In 2011, Bram won The Age Short Story Award. Presser’s own website is very active and includes a great deal of material related to the stories behind The Book of Dirt; it is worthwhile to explore.

‘Meet Bram Presser, aged five, smoking a cigarette with his grandmother in Prague. Meet Jakub Rand, one of the Jews chosen to assemble the Nazi’s Museum of the Extinct Race. Such details, like lightning flashes, illuminate this audacious work about the author’s search for the grandfather he loved but hardly knew. Working in the wake of writers like Modiano and Safran Foer, Presser brilliantly shows how fresh facts can derail old truths, how fiction can amplify memory. A smart and tender meditation on who we become when we attempt to survive survival.’
Mireille Juchau

I hope you enjoy listening to Bram Presser talk about The Book of Dirt, a book I strongly recommend you seek out and read.

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