Jessica Anya Blau: The Trouble with Lexie

The Trouble with Lexie: A Novel – Jessica Anya Blau – HarperCollins – paperback – 9780062416452 – 336 pages – $14.99 – ebook versions available at lower prices.

I interviewed Jessica Anya Blau in 2014 about her previous book, The Wonder Bread Summer, which I found to be wonderfully entertaining and fun to read. Her latest novel, The Trouble with Lexie, displays Blau’s signature wit and fast paced story telling. But it is a complicated book with a seriously flawed and emotionally scarred main character, who faces a very challenging situation in her life.

The book’s opening is pretty compelling (as book openings should be!):

The problem wasn’t so much that Lexie had taken the
Klonopin. And it wasn’t even really that she had stolen
them . . . the problem, as Lexie saw it, was that she had
fallen asleep in the bed of the owner of the Klonopin.
And the owner of the Klonopin was the wife of her lover.

Lexie is an engaging and sometimes irritating main character. As we watch her try to figure out her life, I suspect most readers will want to reach into the pages of the book and tell Lexie directly when she is about to make a big mistake. But she is on her own path and we must follow along as she makes her way toward and through disaster.

Lexie James makes for a terrific main character. She is funny and thoughtful, comes from a decidedly untraditional family, and as a relatively young adult, has figured out how to conquer her panic attacks. She is also engaged to a truly nice guy, and has a job as a counselor at a prestigious private school (presumably in Massachusetts).

But with the wedding fast approaching, Lexie is faced with doubts about her future and who she really wants to be. She falls into a wild love affair with an older married man, a typically bad decision that readers know will have serious consequences.

Most of us have been in similarly fraught situations at one time or another, always convincing ourselves that we’re different and “everything will work out” when we know that is not really true.

Lexie’s story is an example of that central human foible, a form of hubris that makes us believe we can beat all the odds when we want something so much we know we cannot possibly attain. What makes this novel work is that despite knowing that she is headed for a cliff, we end up liking Lexie so much that we want to believe there is a better future for her, and by extension for ourselves. You will have to read the book to find out how this one turns out, no spoilers here.

I very much enjoy talking to Jessica about her books, her characters and stories, and hope you will find our conversation as enjoyable and entertaining as it was for me.

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Eugene Mirabelli: Renato After Alba (a novel)

Renato After Alba – Eugene Mirabelli – McPherson & Company – hardcover – 978-1-62054-026-8 – 192 pages – $24.00

Eugene Mirabelli has been writing novels since the late 1950s. His first book, The Burning Air, was published by Houghton Mifflin in 1959. Over the years, his style has changed and matured as he developed his voice as a novelist. I was introduced to Gene’s work by his current publisher, Bruce McPherson, who is the kind of publisher who hands you a book and says, “you need to read this.” Over the years, I have made many literary discoveries by following Bruce’s recommendations.

Renato After Alba is the sequel to Gene’s 2012 novel, Renato, the Painter. It is warm, painful, and and highly personal. This book is called a grief novel for a reason. Do not be afraid to pick up this short novel, and dive into this writer’s exploration of sadness and beautiful sorrow. It is moving and entertaining, and revelatory, and as the best fiction does, will make you feel deep emotion in a transformative way.

Artist Renato Stillamare’s beloved wife of fifty years dies unexpectedly, leaving him heartbroken and dazed. The novel is a pastiche of fragments, much like a collage, with the artist trying to discover where all the pieces of his life and memories belong. He recounts stories of the members of his Sicilian-American family, conversations with friends, family members, and even new people in his life. All of it is an effort to rebuild a life without Alba, or with the memory of her, in a way that will enable Renato to continue living. There is humor, and pain and discovery, all the things in life that make it worth living, and a book well worth reading.

One of the pleasures Writerscast has brought me is the opportunity to read great books and to talk to their authors about writing, art and life. Meeting Gene Mirabelli through his writing and in conversation has been a singular pleasure for me.

“For anyone who loves the work of James Salter or William Trevor, Eugene Mirabelli is another writer to treasure, and Renato After Alba is one of the best books I’ve read in ages — a beautiful, profound and exhilarating novel about what sustains us in the face of inevitable loss.” — Elizabeth Hand, author of Hard Light and Generation Loss

As Robert Gray reported in Shelf Awareness:

November 4, 2016 was proclaimed Eugene Mirabelli Day in Albany, N.Y. In her proclamation, Mayor Kathy M. Sheehan noted that in his most recent book, Renato After Alba–a sequel to his 2012 novel Renato, the Painter (both published by McPherson & Co.)–the 85-year-old author “touches upon universal aspects of human existence by creating lovably flawed characters who subtly express the full range of human emotion and experience, from great joy to crushing loss, from deep love of life to rage against the inevitability of death. All written with clarity and cleverness and craft.”

Eugene Mirabelli is the author of nine highly acclaimed novels — five of which feature members of Renato’s extended family and his friends. Visit Eugene’s website is here. Publisher McPherson & Co. website is here.

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David Wilk talks with Jane Friedman

Publishing Talks began as a series of conversations with book industry professionals and others involved in media and technology about the future of publishing, books, and culture. As we continue to experience disruption and change in all media businesses, I’ve been talking with some of the people involved in our industry about how publishing might evolve as our culture is affected by technology and the larger context of civilization and economics.

I’ve now expanded the series to include conversations that go beyond the future of publishing. I’ve talked with editors and publishers who have been innovators and leaders in independent publishing in the past and into the present, and will continue to explore the ebb and flow of writing, books, and publishing in all sorts of forms and formats, as change continues to be the one constant we can count on.

It’s my hope that these conversations can help us understand the outlines of what is happening in publishing and writing, and how we might ourselves interact with and influence the future of publishing as it unfolds.

There are two Jane Friedmans in the book business, which has caused no end of confusion for all sorts of people and many occasions (even Google can’t figure this one out).

One Jane Friedman is the well known and iconic publishing executive who is the founder and CEO of Open Road Media, a leading digital book publisher. The “other” Jane Friedman, whose work I have been following for a number of years, is an expert in social media and digital marketing who advises and teaches writers in marketing their work and how to be writers in the current rapidly changing environment, as well as working with publishers and others on a wide variety of subjects and concerns. She continually impresses with her intelligence, acuity, passion for writing, and compassion for writers.

This Jane Friedman worked at Writer’s Digest, where she ultimately became publisher and editorial director, and recently she served as the digital editor for the Virginia Quarterly Review, where she led a digital overhaul of the magazine. She is now teaching digital media and publishing at the University of Virginia and writes a column for Publishers Weekly (I frequently have recommended her smartly written columns). The Great Courses has released her 24-lecture series, How to Publish Your Book and she has a book of her own forthcoming from the University of Chicago Press called The Business of Being a Writer (2017).

Given that her thinking, writing and teaching has placed her in position to know a great deal about how things are for writers these days, I thought it would be good to talk to the “other” Jane Friedman for Publishing Talks. Our stimulating conversation follows. What Jane has to say will be valuable and important for writers and publishers alike.

You can follow Jane Friedman at her website, where she offers a myriad of insightful, practical and useful information, advice for free, and also online courses and consulting services at very reasonable rates.

Nice quote from Jane on her site: “The 3 things very important to me: compassion, service, and independence. I avoid environments (or people) lacking these qualities, especially organizations without a strong service component—a strong why—driving their work-play.”

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Jesse Kornbluth: Married Sex

978-1504011259 – Open Road Media – paperback – 246 pages – $12.99 (ebook versions available at lower cost)

I’ve been a subscriber to Jesse Kornbluth’s excellent newsletter, HeadButler, for awhile now, and have very much enjoyed his approach to books, music and art (politics and culture too). In many ways, he represents to me the quintessential New York intellectual: smart, well read, opinionated and caring about the future of humanity and our civilization. He’s a writer of screenplays and a number of interesting and successful nonfiction books, and he has long been involved in the emerging forms and formats of online digitally-based culture, going back to his days as editorial director at AOL.

Married Sex is his first novel. It is short, extremely well written, and completely compelling. Jesse has brilliantly portrayed his characters, both male and female, and pinpoints them for the reader in very few words. It’s also a fun book to read. Sex with intelligence, you might say.

Without giving away very much of the story, let’s just say that the focus is on a couple who have been together a long time in a committed, deeply sexual romantic relationship. Then something happens that changes everything. You have to read the book to find out more. I think you will enjoy this book a lot. I love this line about it from Kirkus: “A libidinous fairy tale with an unusual Prince Charming.”

And I also think you will enjoy listening to my conversation with Jesse as well. He’s funny and trenchant, and we had a great time talking to one another about the book, his work, and how this book fits into his life. And oh yes, let’s get this settled right away – it’s a novel, not a memoir.

I often recommend Jesse’s newsletter and website to friends, HeadButler.com, what he calls “a cultural concierge site.” I’ve discovered and sometimes rediscovered a number of books and records through his literate and intelligent recommendations. It’s all free, based on the perhaps dubious concept of readers buying things he recommends from Amazon.

Jesse Kornbuth was the Editorial Director at AOL, was a contributing editor to Vanity Fair and New York magazines and is the author of four nonfiction books, including Highly Confident: The Crime and Punishment of Michael Milken. He has written several screenplays for ABC, PBS, and Warner Bros.

Married Sex is Kornbluth’s first novel. He lives in Manhattan with his family. I am looking forward to reading his next book.

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Self Publishing News

If you are interested in self publishing (and who isn’t these days?), there are so many options and choices, it’s not so easy to figure out what your best pathway is.  And it will differ depending on what kind of writing you do, how much you have published in the past, and what your goals are as a writer.

There are all kinds of resources for writers who want to self publish, and there is something new going on almost every day that could be useful, valuable or interesting to writers (and some publishers) in the universe of self publishing.

Since so much of my work relates to publishing and options for writers, I decided to follow new developments and doings in the self publishing arena, and highlight some of those I think will be most useful to writers.  You can find my Self Publishing News on Tumblr. Please take a look, and if you like what you see, you can follow my posts pretty easily.  I’ll be posting 3-5 times a week, depending on my workload and what kind of interesting news I can uncover.  I hope you find this little site useful.  Feel free to send links and news items my way whenever you find something you think is interesting or valuable to writers.

Coming soon: a new interview series focusing on Self Publishing How To.  Video and audio interviews with experts and successful writers talking about what works and what doesn’t, always practical and useful information and ideas for writers and anyone who might be self publishing their work.

Publishing Talks: David Wilk interviews Dan Blank

In this series of interviews, called Publishing Talks, I talk to book industry professionals and other smart people about the future of publishing, books, and culture.  This is a period of disruption and change for all media businesses.  How will publishing evolve as our culture is affected by technology, climate change, population density, and the ebb and flow of civilization and  economics?

I hope these Publishing Talks conversations will help us better understand the outlines of what is happening in publishing, books and reading culture, and how we can ourselves both understand and influence the future of books and reading.

Dan Blank is a very smart and perceptive guy.  He works with writers and publishers – as he says on his website,  to “make an impact and build their legacies.”  Through his company, We Grow Media, he offers a great deal of really valuable free advice – a terrific email newsletter and always interesting blog – along with paid courses and speaking engagements.  I’ve assiduously read just about everything he has written for quite a while now, and have watched some of his presentations on video as well.

Marketing is a tough subject for most authors and many publishers.  Dan always has clear and sensible advice and ideas for writers and publishers.  His ideas and perceptions have influenced my own thinking about how writers can operate in the new media environment.

So I am really pleased and honored to have had the opportunity to talk to him for Publishing Talks and bring what he has to say to my audience about marketing for writers and publishers.  I am certain that you will hear more than one actionable piece of advice or a cogent idea that will make you think, and question your assumptions. And if you get a chance to hear Dan speak in public, make sure you do, it will be well worth your while.

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Publishing Talks: David Wilk Interviews Carl Lennertz about World Book Night 2012

In this series of interviews, called Publishing Talks, I talk to book industry professionals and other smart people about the future of publishing, books, and culture.  This is a period of disruption and change for all media businesses.  How will publishing evolve as our culture is affected by technology, climate change, population density, and the ebb and flow of civilization and  economics?

I hope these Publishing Talks conversations will help us better understand the outlines of what is happening in publishing, books and reading culture, and how we can ourselves both understand and influence the future of books and reading.

Carl Lennertz has got himself a dream job, as he was happy to tell me when we talked.  Carl is the Director of World Book Night in the United States.  World Book Night originated in the U.K. in 2011 and has quickly grabbed the imagination of book lovers there and in this country as well.  Thousands of people will go into their communities on April 23, 2012 to give specially printed books away to potential readers.  The idea is to enlist volunteers – many are needed – so if you are interested, go to the website (now!) to register.  Even if you miss the 2012 deadline, you will want to participate in the future.

World Book Night is a great idea, supported now by Ingram Book Company in the United States as well as a number of terrific publishers.  A total of thirty excellent books (see the list here) were selected and will be printed in special editions of 20,000 copies each.  Libraries are signing up to participate, along with booksellers, and writers themselves.  Carl is blogging about the whole thing on a regular basis too, visit regularly or subscribe to keep up with all the many events and doings around the country.  This is a great project – we need more book readers in America, where we have far too many non-readers for the good of the nation.

Carl is a terrific person to have this job.  His enthusiasm and dedication is just what this project needs.  Please listen to our conversation about World Book Night, and do what you can to support this effort.

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Hurricane Irene delays Writerscast posting

Just like millions of other Americans we were hammered pretty hard by this hurricane, in our small Connecticut town 99% of homes lost power, and as of today, September 2, still more than 55% of homes are without power.  We got ours back last night, thankfully, but still do not have internet.  Without a good connection, posting interviews is painfully difficult.  I have several great interviews ready to post, next being with Dean Bakopoulos about his excellent novel My American Unhappiness.   I hope to have a new Publishing Talks interview posted by next week also.

Our other big news is that Livewriters, our book and author video site, had its best traffic month in August, surpassing 70,000 unique visitors.  We are posting ever more interesting interviews, readings and discussions with authors about their books there, plus featuring just about every book trailer there is.  And if you want to enjoy a lively literary blog experience, visit Livewires, a fresh look at the literary landscape.

During the storm, I had plenty of time to read (print books by candlelight and flashlight, ebooks with the device’s own light) and am looking forward to talking to the authors of quite a few wonderful books, including My Green Manifesto, Just Bill, Confronting Collapse, and Duet.

My best wishes to all who suffered in and after the storm, and condolences to all those who died in it.

Publishing Talks: David Wilk interviews Jason Allen Ashlock

In this series of interviews, called Publishing Talks, I have been talking to book industry professionals about the future of publishing, books, and culture.  This is a period of disruption and change for all media businesses. How will publishing evolve as our culture is affected by technology, climate change, population density, and the ebb and flow of civilization and its economics? Publishing Talks interviews help us understand the outlines of what is happening, and how we might ourselves interact with and influence the future of publishing as it unfolds.

These interviews give people in the book business a chance to talk openly about ideas and concerns that are often only talked about “around the water cooler,” at industry conventions and events, and in emails between friends and they give people inside and outside the book industry a chance to hear first hand some of the most interesting and challenging thoughts, ideas and concepts being discussed by people in the book business.

I first read about the new literary agency, Movable Type Literary Group established by Jason Ashlock and his partner Meredith Dawson a few months ago.  I’ve wondered for awhile now about the role of agents in the changing landscape of book publishing, and evidently so have Jason and Meredith.  Along with an NEA based graph on their home page “Books are not dead,” they have composed the following statement of purpose and occasion:

“We have arrived, as Harold Bloom might say, belatedly.

The scene is established, the paradigms rigid, the machine stubborn and aging. Now more than half a millennium removed from the prima typographicae incunabula, “the first infancy of printing,” a chorus now announces the swift and coming death of the published word and the end of book history. But crisis and opportunity are concurrent, and the instability of one paradigm leads to the creation of another. We work in publishing at a moment of both belatedness and birth, when the trend of all future events is being determined. We aim, with many of our friends and colleagues, to confront the crisis of the moment and from the upheaval to design and shape a future.”

When I ran across Jason at a publishing event in Manhattan, we arranged to talk.  I wanted to hear in his own words what this new agency will be all about.  I think alot of what he says here will resonate for listeners of this podcast.  Certainly, it makes sense for the role of the agent to be transformed, and to help lead the transformation of relationships between author, publisher and audience that is emerging now.  It looks like Movable Type has an opportunity to create a new model for its own clients, and by example, for others as well.  Maybe because, like many others looking at an established industry with new eyes, Jason Ashlock has an opportunity to create a new paradigm.

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Meg Wolitzer – The Ten Year Nap

9781594483547 (paperback)
Penguin Group, $16.00

Writerscast host David Wilk interviews author Meg Wolitzer, whose novel The Ten Year Nap has recently been released in a paperback edition. This brilliantly written novel, set in contemporary New York City, portrays the lives of a group of women who have set aside their careers to raise children. Wolitzer paints her characters with the complexity and sympathy they deserve, but she never lets them off the hook for their foibles and failings. Women and men will recognize – sometimes painfully – much that is familiar to those who have lived through and come after the post-first wave of feminism in modern urban culture. Her humor is subtle but can make the reader laugh out loud as well.

In a wide ranging discussion Wilk and Wolitzer discuss the story line, characters and issues raised in The Ten Year Nap, as well as Ms. Wolitzer’s approach to writing and books and how she works. For any fan of Meg Wolitzer’s novels, and there are many, listening to this interview will be fun and illuminating. The Ten Year Nap is a wonderful book and highly recommended to anyone interested in contemporary American fiction.

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