Helen Sheehy: Just Willa (a novel)

Just Willa (a novel)—Helen Sheehy—Cave Hollow Press—978-2-7342678-3-9—paperback—428 pages—$21.95—April 13, 2025—ebook versions available at varying lower prices

As many Writerscast listeners know, I only interview writers about books I like and enjoyed reading enough to want to share with my listeners. So every episode of this podcast does represent a certain “best of” approach to my reading, since you will never hear about the books I did not love, or could not bring myself to finish.

From among those many books I like, Helen Sheehy’s Just Willa is a special one – this is a flat out just a wonderful novel. It focuses entirely on the story of one woman and her family, Willa Hardesty, and her difficult farm life in dusty, dry Oklahoma. Her story follows seven decades of one woman’s life, a twentieth century family chronicle that focuses on the small struggles of daily life, a difficult husband, the challenges of raising children and the heartbreak that goes with a large family.

Willa is tough because her world requires her to be tough. She is the daughter of a homesteader who somehow manages to be a single mother in an era that provides almost no support, then marries a bootlegging cowboy who is never honest with her. Her seemingly “small” life is really a world that is far greater than it seems, and she lives it with indomitable strength despite all her hardships and struggles to understand who she really is.

Like most great fiction, we come to realize that this novel is entirely true.

I really enjoyed speaking with Helen about her book, her writing process, and her past work as a biographer. I think you will enjoy this conversation, and I hope it might spur you to read Just Willa yourself, and because she is a really fine writer, and this book is autobiographical fiction, perhaps you will be interested in reading her biographies as well.

Helen Sheehy grew up on farms in Oklahoma and Kansas, although she’s lived in Connecticut most of her life. She’s been a dramaturg at Hartford Stage Company and written biographies of theatre pioneers; Margo Jones, Eva Le Gallienne, and Eleonora Duse.

Sheehy taught theatre and English in high schools in Kansas and Connecticut, which was the basis of her first book, a textbook titled All About Theatre. She was Adjunct Professor of Theatre at Southern Connecticut State University for over twenty years. Sheehy has also taught acting and improvisation to inmates in a maximum security prison in Connecticut.

She lives in Hamden, Connecticut. Just Willa is her first novel.

“Helen Sheehy’s masterful prose immerses you in Willa Hardesty’s world with such rich detail and emotional depth that you feel the dust of the Oklahoma plains and the quiet strength it takes to hold a family together. It’s a powerful reminder that even the women who shape our lives can hold truths we only come to understand with time. This book is for anyone who has ever known their mother—or thought they did.”—Michael Sucsy, Emmy-winning writer/director of Grey Gardens

Author website.
Buy the book on Bookshop.org

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Nikkya Hargrove: Mama: A Queer Black Woman’s Story of a Family Lost and Found

Mama: A Queer Black Woman’s Story of a Family Lost and Found — Nikkya Hargrove — Algonquin Books — 9781643751580 — Hardcover – 240 pages — October 15, 2024 — $29.00, ebook versions available at lower prices

“The book is deeply moving and shows how one woman managed to differentiate herself from her mom, find queer love, and discover her voice. I loved it.”–Katie Couric Media, “14 Best New Books Out This Fall, According to a Bookfluencer”

I’m fortunate to live in the same mid-sized Connecticut town as Nikkya, where she has founded a much-needed independent bookstore called Obodo Serendipity. Along with her wife and kids, she is working hard to build a literary community for readers of all kinds, especially kids. Her store has  become a place where I like to hang out. Oddly, Connecticut has very few good bookstores, which seems strange for a state with a relatively well educated book reading population. But I suppose that is indicative of the state of books and also of retailing and our culture generally – people don’t seem to spend very much time in communal spaces anymore. That is one good reason to welcome and support a bookstore (and happily I note the success of a very busy tearoom and a locally owned coffee shop as well, suggesting that people really are in search of human connection in reaction to the overwhelming flattening engendered by the internet…but that is a subject for a different episode).

Nikkya is a thoroughly engaging and impressive person. Mama is a remarkably clear eyed and honest memoir about her life. It may be trite to call it uplifting, but it really is an inspiring story. Anytime I feel that things are difficult in my daily life, it is helpful to remind myself of the challenges Nikkya faced and overcame — it’s always a good restorative, and very humbling too.

Nikkya was born very prematurely to a mother whose life had been taken over by drugs, and the fact she even survived her infancy is remarkable. She was raised mostly by other family members, as her mother struggled with drug addiction and the resulting bad life choices. But Nikkya and her mom always maintained their bond. Her mother unexpectedly had another child much later in her life, and then passed away, leaving her infant son without a parent. Nikkya, by then a young adult, made the life-changing decision to take responsibility for raising her half-brother.

Mama is the story of Nikkya’s mother, but it is also the story of Nikkya becoming a mother, finding her soulmate partner, together creating a new and very personal family, with her son, and now her twin daughters. Besides being an incredibly strong, warm-hearted and loving person, Nikkya is also a strong writer who tells her story brilliantly in this book. It is impossible to read this memoir and not be deeply affected and indeed, changed by Nikkya’s life story.

As Sonya Huber says in her blurb about the book: “Hargrove offers a deep and stirring view of the impacts of addiction and the criminal justice system on Black women, offering an account of hope, heartbreak, faith, courage, joy, and the comfort and care of extended and chosen families.”

It is an honor for me to have her as a guest on this podcast, and also to be able to be her friend (and dedicated supporter of her bookstore). And if you buy her book, which I hope you will do from the link below, Bookshop.org will give Odobo Serendipity a part of the proceeds.

Nikkya graduated from Bard College and currently serves as a member of the school’s Board of Governors and chair of the alumni/ae Diversity Committee. She was a LAMBDA Literary Nonfiction Fellow, and has written about adoption, marriage, motherhood, and the prison system for The Washington Post, The Guardian, The New York Times, Scary Mommy, and Shondaland. Nikkya now operates the independent bookstore, Obodo Serendipity Books and lives with her wife and three children in Stratford, Connecticut.

Nikkya’s website.

Buy Mama: A Queer Black Woman’s Story of a Family Lost and Found

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Maureen Owen and Barbara Henning: Poets on the Road

Poets on the Road – Maureen Owen and Barbara Henning – City Point Press – 9781947951709 – Paperback – 176 pages – $18 – June 6, 2023 – ebook editions available at lower prices

This is a special book by two very special poets. I know I am biased. They are both friends of mine, and Maureen I have known for almost fifty years. This terrific travelog documents an amazing poetic journey they took in 2019, crossing the country in a small car, with stops for poetry readings, visits with other poets, cheap motels and funky meals from Brooklyn (where Barbara lives), first south, then west all the way to California and back to Denver (where Maureen lives).

It was truly an incredible trip, originally documented in a blog they wrote while traveling. This book collects those stories and features photos of the poets and the people and places they visited along the way.

I loved this story so much, I decided to publish it, and consequently this book is a collaboration of the two poets plus the exceptional book designer, HR Hegnauer and publisher City Point Press.

Here’s an excerpt from Pat Nolan’s wonderful introduction:

Although a road trip across North American calls to mind Jack Kerouac’s youthful meanderings of self-discovery, this reading tour was more in the manner of Bashō’s late life journeys through the backcountry of Japan. . . . The road trip was in a sense a pilgrimage of reengagement with their calling as poets, and a chance to reacquaint with like-minded friends, old and new, in a far-flung landscape of American poetry.

Venues would include upscale bookstores, coffee houses, museums, legendary used bookstores, botanical gardens, university classrooms, art centers, and artist coops—in short, a unique sampling of poetry environments tracing an arc across the Southern States, the Southwest, and up the West Coast before hooking back to the Rockies.

Framed as a personal challenge, the poets hit the road much in the manner of itinerant preachers and musicians, lodging at discount motels, funky hostels, Airbnbs, and with friends along the way. Adding a social media touch, Maureen and Barbara created a blog of their tour so that friends, family, hosts, and fellow poets might also share in their adventure.

It’s always a pleasure to spend any amount of time with Maureen and Barbara, so this conversation was truly special for me, and I hope for all of you as well who will be listening in.

As further full disclosure, let me add that we were also in Tucson when she and Barb came to visit, so I am a participant and contributor to the blog and to the book as well, making it even more fun for me to talk to both Maureen and Barb about it here.

Maureen’s most recent book is let the heart hold down the breakage   Or   the caretaker’s log (Hanging Loose Press)

Barbara’s most recent book is Ferne, A Detroit Story (Spuyten Duyvil)

Maureen’s website

Barbara’s website

Buy Poets on the Road here. (this link is to Bookshop.org, sales will support indie bookstores)

Barbara Henning (photo by Miranda Maher)

 

 

 

 

 

 

 

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Crooked Hallelujah: Kelli Jo Ford

Crooked Hallelujah – Kelli Jo Ford – 978-0-8021-4912-1 – Grove Press – Hardcover – 304 pages – July 14, 2020 – $26.00 – ebook versions available at lower prices.

Kelli Jo Ford’s novel is a deeply rewarding read. Comparisons to the work of Louise Erdrich are inevitable and unavoidable (and Kelli Jo mentioned Louise in our conversation as one of her most important influences.) This is a novel of relationships and family told through the voices of four generations of Cherokee women and to a lesser extent, the men who come in and out of their lives. The narrative weaves together strands of familial cloth into what emerges as a beautiful and compelling pattern that we experience fully as the story is told.

At the outset of the book, we are in 1974 in the Cherokee Nation, eastern Oklahoma, where fifteen-year-old Justine is growing up in a family dominated by women – her mother, Lula, and her mother’s mother, Granny. We follow Justine, and her daughter, Reney, through a series of challenges in Oklahoma and Texas and back to Oklahoma, where family and roots call out to her.

Kelli Jo Ford is a fine writer, and manages her characters and their stories well. Her intergenerational story is complicated, and the multiple narrative voices take some concentration to follow, but her writing is warm and deft, and we are rewarded in the end by the beauty and depth of her characters and their lives. This family of strong Cherokee women continually face challenges with strength and wisdom. They make the necessary sacrifices for the people in their lives and go on living despite all the difficulties they face. They don’t always get along – these women are real people, not caricatures. They do not always succeed in understanding each other or overcoming the difficulties and challenges they face. There are conflicts over religion and individuality. But these women are bound by blood, heart, and a deeply felt love that carries them forward despite all. I came away from this book with an appreciation for the strength and perceptiveness of Cherokee women.

Kelli Jo Ford is a citizen of the Cherokee Nation of Oklahoma. She is the recipient of numerous awards, a National Artist Fellowship by the Native Arts & Cultures Foundation, and a Dobie Paisano Fellowship. Her fiction has appeared in the Paris Review, Virginia Quarterly Review, Missouri Review, and the anthology Forty Stories: New Writing published by Harper in 2012. She now lives in Virginia with her husband, poet Scott Weaver.

My conversation with Kelli Jo was her first interview about Crooked Hallelujah. She is a new writer many of us will want to follow in the years to come.

Author website here.

Support local business. Buy the book from R.J. Julia Booksellers.

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Karl Marlantes: Deep River, a Novel

Deep River – Karl Marlantes – 978-0-8021-2538-5 – Atlantic Monthly Press – Hardcover – 736 pages – $30 – July 2, 2019 – ebook version widely available at lower prices.

“Deep River seems a work born from Willa Cather by way of Upton Sinclair. But this new book is its own animal, and it’s something of a masterpiece… In Deep River, [Aino] takes her place beside Antonia Shimerda as one of the great heroines of literature.”—BookPage (starred review)

Several years ago I discovered Karl Marlantes’ first novel, Matterhorn, which is a loosely autobiographical novel about the Vietnam War, in which Karl served as a Marine lieutenant. I think that is one of the best war novels I have ever read and was pleased to interview Karl about that book.

That book was followed by a nonfiction book called What it is Like to Go to War, which I also read and was affected by. What I said in 2011 still holds true: this book is a deeply thoughtful and moving work of nonfiction about the nature and meaning of war, and what it means to the individual warriors who participate who fight, as well as to the society that gives them that responsibility.

It took Marlantes almost thirty years to write and rewrite Matterhorn. Almost ten years after he completed that book, he has now turned in a completely different book, an historical novel set in the early 1900s, starting in Russian occupied Finland and moving to the Pacific Northwest. The three Koski siblings, Ilmari, Matti, and the politically radical young Aino, flee Russian oppression and come to the United States.

They join a community of other Finns in the logging area in southern Washington, during a time when massive trees of the old growth forest are being harvested by hard working men and dangerous technology. It is fertile ground for the establishment of radical labor movements like the IWW (Industrial Workers of the World, also known as the Wobblies). The two Koski brothers build their lives in this environment amid danger and many challenges, while Aino, just one of the book’s many also hard working independent women, works to build a union in an environment where organized labor is not welcomed by the logging industry or the power structures of the day.

Karl has built this novel following the structure and characters of the great stories of the Finnish oral tradition, written down in the nineteenth century as the Kalevala. It is a truly magisterial novel that weaves together so many strands of American and immigrant cultures, documents the struggles of the early twentieth century in the great forests of the Pacific Northwest, and shows us how human beings find a way to make meaningful lives despite the harshest challenges. Nothing comes easy for the Koskis their friends and families, but everything about them is redemptive and strong. It’s impossible to read this book and not be moved.

Reading Deep River is a commitment – it’s a long book – and there are inevitably times when it becomes difficult to keep track of the whole story and the many compelling characters in the book. That is not a criticism. The book is gripping, and well worth the time and attention of the reader. And it is impossible not to read it in the context of our current political circumstance. Reading about the sacrifices made by workers in the early twentieth century, to make advances for labor that are now taken for granted, and imagining their struggles as evidenced by the characters in this book, who are so thoroughly human in their differences and outlooks, personalities and beliefs, brings forth a range of thoughts about what has become of America today. We live in a world that others made great sacrifices for, and have somehow managed to avoid making sacrifices of our own. The people of Deep River as imagined by Karl Marlantes, deserve better from us.

I had the great pleasure to interview Karl in New Haven in a building on the Yale campus, where he was visiting during his book tour.

Karl Marlantes graduated from Yale University and was a Rhodes Scholar at Oxford University, before serving as a Marine in Vietnam, where he was awarded the Navy Cross, the Bronze Star, two Navy Commendation Medals for valor, two Purple Hearts, and ten air medals. He is the author of the novel, Matterhorn and a work of nonfiction, What It Is Like to Go to War. He lives now in Washington State.

Buy Deep River from RJ Julia here.

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Ryan Leigh Dostie: Formation: A Woman’s Memoir of Stepping Out of Line

Formation: A Woman’s Memoir of Stepping Out of Line – Ryan Leigh Dostie – Grand Central Publishing – Hardcover – 978-1538731536 – 368 pages – $28.00 – ebook versions available at lower prices – June 4, 2019

Ryan Leigh Dostie’s story is sometimes a painful one to read, but it is too important to not read, and this is a book I can and must recommend to all readers. Ryan comes from an unusual background. She was raised in a women-run Christian community for most of her early life. Though she wanted to be a writer, she joined the Army after high school, trained to be a linguist, and was on the more or less normal course of a teenaged woman making her way in a male dominated military force, when she was raped by another soldier in her unit.

Her memoir recounts what happened to her, what she experienced subsequently, and how she lived through and was affected by, not only her personal trauma, but the experiences she shared with other soldiers in an active deployment in Iraq, where she was part of the first wave of the American invasion in 2003. It’s a sometimes harrowing story, but also inspiring, raw and powerful, as Ryan does not flinch from showing everything she experienced and felt through a long period during and after her most powerful personal experiences in the Army.

This book does not overtly take a particular political position, despite the pain and suffering the author endured throughout her time during and after her service. But it is impossible to read this book and not be forced to think about so many of the issues around male-female relationships, power and how it is applied, the patriarchal structure that dominates our culture, and the work needed to change the way men and women interact on a daily basis.

This is the story of one woman’s journey, as such, it is thoroughly compelling, but Formation cannot fail to affect anyone who reads it, and forces us to confront our own ingrained conceptual frameworks. Not only is the memoir a story of sexual assault in the narrow sense, Ryan’s story provides a representation of how societal structures affect us all, how the individual is made to be responsible for the failures of our systems, and hopefully will help spur us all to think how we might engage in the struggle to change those structures and systems sooner than later.

I’d also add that Ryan is, has become, a very good writer. It emerges in her story that she was an aspiring novelist when she was young, and after soldiering, she went on to complete a college degree, as well as an MFA. The writing in this book is evidence of how far she has come in learning her craft.

Her “official” bio: Ryan Leigh Dostie is a novelist turned soldier turned novelist. As an Army Persian-Farsi/Dari Linguist in Military Intelligence, she was deployed to Iraq during Operation Iraqi Freedom I and II (2003-2004). She holds an MFA in fiction writing and a bachelor’s degree in History from Southern Connecticut State University. FORMATION is her first book.

It was my pleasure and honor to interview Ryan Leigh Dostie in New Haven, Connecticut, where she lives today. Her website is well worth a visit – www.ryanleighdostie.com

“Though I knew it would be urgent, compelling, and excellent from the first page, Formation was a much more expansive book than I even could have suspected: a riveting, enraging memoir from an author of remarkable toughness and emotional range. This is an unflinching and honest account of war, of homecoming, and of what happens when a woman reports an assault and the institutions around her try to smother the truth.” – Phil Klay, author of Redeployment

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Brad Watson: Miss Jane (a novel)

Miss Jane: A Novel – Brad Watson – W.W. Norton & Company – Hardcover – 9780393241730 – 284 pages – $25.95 (ebook versions available at lower prices)

I originated the Writerscast series of conversations with writers at least in part, to remind myself to keep reading book length prose. I didn’t want to miss out on discovering great books and finding new writers to read. In this era of too much noise and stimulus, reading a novel or a serious work of nonfiction can be a wonderful pleasure, as well as a reward for escaping the rhythms of daily life. It does take time, and sometimes finding time to read is difficult. But there are some books that are completely fulfilling to spend time with. Having the opportunity to read a novel like Brad Watson’s Miss Jane was a deeply rewarding experience, and one I will not soon forget. Discovering books like this one is a special experience for me.

This is the kind of novel that you don’t come across that often. It is not action packed. In fact, it is more quiet than any novel I have read in a very long time. And it is fully engrossing.

I really love this book and have found myself talking about it to people all the time. It is that special. The writing is luminous, and the characters are as alive and present as if they were in the room with us as we read. I cannot imagine it is possible to not fall in love with this book.

But enough rhapsodizing about the book. I need to give you just a bit about the story, so you have a sense of what it is about. Miss Jane is based on the life story of Brad’s own great-aunt. Because he did not know her at all really, he had to imagine her life in rural, early twentieth-century Mississippi, born with an unusual and not talked about genital birth defect, that would prevent her from having either sex or a marriage. But just as Brad’s real aunt lived a full and long life, so he imagines Miss Jane to live, alone, but with family and other relationships as well. Her life was completely her own, and while it was not her choice to be made the way she was, it was her choice completely to live a complex and deeply experienced life of her own.

Brad Watson is a truly fine writer. The reviews for Miss Jane bear that out. He is the author of two collections of stories and the novel The Heaven of Mercury, which was a finalist for the 2002 National Book Award. His fiction has been widely published in magazines. Most recently, Brad was selected to receive the Harper Lee Award for Alabama’s Distinguished Writer of the Year for 2017 and Miss Jane is included on the 2017 longlist for the Wellcome Book Prize. He teaches at the University of Wyoming, Laramie.

I hope you will enjoy listening to our conversation about this amazing and wonderful book.

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Janice P. Nimura: Daughters of the Samurai

DAUGHTERS OF THE SAMURAI: A JOURNEY FROM EAST TO WEST AND BACK

978-0-393-07799-5 – W.W. Norton – Hardcover – 336 pages – $26.95 (ebooks available at lower prices, paperback edition to be published in May 2016)

Janice Nimura’s Daughters of the Samurai is a wonderful book about an extraordinary and little known episode in modern Japanese history. In 1871, soon after the Japanese civil war that led to the modernization of the country, the Japanese government decided to send five young girls to the United States to educated. They were sent along with a delegation of diplomats and civil servants, with a very specific mission to be educated in modern Western ways and then to return to help create new generation of men and women to lead Japan. While each of these young girls had been raised in very traditional samurai households, they were all displaced from their families and clans. Three of the girls stayed the course, while the other two girls went home.

On their arrival in San Francisco, and later, traveling across the country, the Japanese girls became significant public celebrities, written about by newspapers across everywhere. It’s incredible to imagine what it must have been like for the girls as well as for the American public, who had never seen anyone from Japan before.

Sutematsu Yamakawa, Shige Nagai, and Ume Tsuda all were raised in middle class or upper middle class homes in the United States and grew up in many ways as typical American schoolgirls, despite their obvious differences from their American friends and family members. Within the families and then in the various schools and colleges they attended, they developed lifelong friendships and connections, and after their ten year sojourn was completed, they returned home to Japan almost as foreigners.

They had started their sojourn in America in radically cross-cultural environments and experiences, then learned a completely new culture, only to return home as yet again out-of-place foreigners, this time in the culture they actually came from. Their unusual experience gave them an incredibly unusual perspective on Japanese culture. As adult women living in a still male dominated society struggling with the tension between modernity and tradition, they each determined to revolutionize women’s education and lead their country forward. Ume Tsuda, in particular, made a significant impact on Japanese education that continues into the modern era.

It’s impossible not to be captivated by these incredible women and their life stories, both in the United States and in Japan. Nimura’s narrative is fascinating and compelling; she brings to life what was once an obscure piece of history, and through the lens of these interesting women, a period in both American and Japanese history of great change in every aspect of culture.

After reading Daughters of the Samurai, it’s impossible not to want to share the story with anyone who will listen. I am fortunate that I was able to talk about it with the author herself.  This is a book I am happy to recommend to readers.

Janice Nimura graduated from Yale and then moved to Japan with her new husband, where she lived for three years, became proficient in Japanese, and later earned a Masters degree from Columbia in East Asian Studies, specializing in 19th century Japanese history. At one point she stumbled across a book written by Alice Mabel Bacon (originally from New Haven) called A Japanese Interior, which is about Bacon’s visit to Japan in the 1880s. Alice Bacon’s story captured Nimura’s imagination. She learned about Sutematsu Yamakawa Oyama, Bacon’s foster sister and Vassar’s first Japanese graduate; Ume Tsuda, whose pioneering women’s English school Alice helped to launch; and Shige Nagai Uriu, the third of the little girls who arrived with the Iwakura Mission in 1872 and grew up in America, and then took up the challenge of researching and writing about this amazing episode in modern Japanese and American history.

Author website here.

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Douglas Trevor: Girls I Know (A Novel)

978-0983150534 – Sixoneseven Books – paperback –  May 1, 2013 – $15.95 (ebook versions available at lower prices)

A debut novel set in Boston, Girls I Know has an unusual narrative structure that sometimes feels like a love song to the city of Boston as much as a novel about the protagonist, tortured failed graduate student, Walt Steadman.  Walt is a classic nebbish – dropped out of graduate school writing a thesis on an obscure poetic subject, making his living now as a sperm donor and doing odd jobs.

Walt is painfully obsessive – as a way to channel his feelings of failure and indirection.  He goes to the same small coffee shop for breakfast almost every day, where he befriends the owners and their daughter, Mercedes.  He loves Boston in an obsessive way too.  The real story of the novel begins when Walt is survives a terrible shooting at his favorite restaurant which leaves four people dead, including his friends.

Now he is forced to confront himself and in his recovery, try to find the self he has buried in his self indulgent lifestyle.  The girls he knows are both complicated – the effervescent Ginger Newton, Harvard undergraduate – another obsessive, but a much more active one, she is writing a book called Girls I Know about women and their jobs and the heartbroken and speechless Mercedes, whose parents are now dead.  How he interacts with these two “girls” on his path to self discovery and redemption are what this book is really about.

I liked this book much more than I initially thought I would (coming of age stories are not usually my forte as a reader).  Trevor is a very good storyteller, and his characters are all interesting and well drawn. And his Boston comes to life throughout the book.  Trevor knows his way around characters and places and his writing is strong.  His collection of short fiction, The Thin Tear In The Fabric Of Space, won the Iowa Short Fiction award in 2005.  Author website here.  Kudos to this independent publisher, Sixoneseven, for doing an excellent production job and a serious effort to market and promote a very good book.

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Susie Bright: Big Sex Little Death (A Memoir)

978-1580052641 – Seal Press – $24.95 – Hardcover (ebook and unabridged audio book available)

Reading Big Sex Little Death was a big surprise for me.  I’ve known Susie Bright for a long time and have worked with her at various times over the years.  I’ve long admired her work as a sex-positive revolutionist and a terrifically intrepid personality.  I guess I was expecting a sexual travelogue as memoir and a pop culture tone of voice, and maybe some dishing on what it’s like to be a famous sexpert.

In fact Big Sex Little Death is mostly a really well written story that focuses more on Susie’s early years with her very difficult though intelligent mother (and later years when she was able to live with her anthropologist/linguist father), and her very active life as a political radical.  In Southern California in the 70’s, Susie worked on a high school magazine called Red Tide, and later was an activist in the socialist movement of that period.  Where, yes, there was a lot of sex (and sexism).  Her radical political history was all new to me, and is very interesting to read about.

That was all before she became part of the pro-sex feminist movement in the 80’s, worked at the now famous Good Vibrations feminist sex shop, and helped found the now-famous lesbian sex magazine, On Our Backs, which for its seven year lifespan was hugely important in helping women define and own their sexuality.  And in many ways that is what is most important about this memoir, that it connects politics and sexuality and helps us remember where so much of the culture we take for granted today came from.

Writing mostly about her earlier years, Susie leaves room, I suppose, for a sequel where she can talk about her later work as a nationally known sex expert, talented writer, and important editor of innumerable anthologies of writing about sex and sexuality.

As one might expect, we had a great time talking about her book and some of her many exploits as a public sex figure in a bizarrely prudish society.  Ultimately this book should be read by anyone interested in late 20th century American culture, regardless of one’s gender, sexuality, interest in sex, out there or puritanical, it’s well worth your time.   And I am a big fan of Susie’s blog too – and I recommend her latest on “sex positive parenting” to anyone who has ever thought about what they are teaching (or not) their children about their own values.

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