Stanley Flink: Due Diligence and the News

February 25, 2020 by  
Filed under Non-Fiction, WritersCast

Due Diligence and the News: Searching for a Moral Compass in the Digital Age – Stanley Flink – Center for Media and Journalism Studies at Indian River State College – paperback – 978-0-578-60291-2 – 214 pages – $19.95 – 12/7/2019 – ebook editions available at lower prices.

I was recently introduced to Stan Flink by a mutual friend. I’d known of him for many years as he was a Yalie of some renown, a journalist for many years who later became the editor of the Yale Alumni Magazine and taught journalism at Yale and at other institutions of higher learning.

With his long experience, as a reporter, editor and lecturer, Stan knows and understands the importance of the news media to the functioning of American democracy. Still active at 95 years of age, Stan has worked as a journalist and editor for many years, in many different venues and platforms.

Flink recognizes that democracy has no life without truth. In fact, democracy is predicated on there being an educated and active citizenry, that tries to know as much as possible the truth and nature of events and human affairs. In Due Diligence and the News, Stan reviews, succinctly and gracefully, the relationship between the press and American civic life from colonial days to the digital age. In a series of interlocked essays, he demonstrates succinctly and clearly that while opinions may differ, facts are not optional. He discusses the important question of how it can be possible to assure publication based on verifiable facts without curtailing differing opinions. This is a central issue for us all to face – understanding and resolving the difference between fact and opinion. We need both elements to have equal weight in our political discourse, and we cannot dismiss either.

Some of the questions he raises include:

How can the media restore the trust of the reading/listening public?

Is it ever possible for the news media to create mechanisms, like the Hutchins Commission, that can make workable rules of self-governance and professional standards for itself?

Can government—international, national, state or local—serve as a watchdog on the media without violating the Constitution?

Can the news media, assuming it is truthful, do less than full due diligence in commenting on a public official?

These questions are addressed thoughtfully throughout this well-written book, but no one, not even Stan, can answer them conclusively and for all situations. Ultimately, as Stan takes a look forward into the digital age, the age of learned intelligence, he poses what may be as yet unanswerable questions about the future of the press in our fast-changing society. I think we have alot to learn from this book and the questions that Stan provides are ones we should be discussing far and wide as we try to heighten the importance of truth among our fellow citizens.

STANLEY FLINK grew up in a New Jersey. He entered Yale University a few months after Pearl Harbor and soon after enlisted in the Army. After service in the Pacific, he returned to Yale to continue his education. He graduated in 1948 and became a correspondent for Time, Inc. in New York and then in California, where he reported on such people as William Randolph Hearst, Richard Nixon, and the first appearances of Marilyn Monroe.

In 1958 he transferred to television news at NBC and later CBS. In 1962 he took up a series of assignments in London where he lived for eight years. In 1972 he returned to Yale to become the founding director of the Office of Public Information. From 1980 to 2010 he taught an undergraduate seminar called “Ethics and the Media.” In 1994 he was awarded the Yale Medal.

Stanley Flink is the author of many articles and profiles, and among his books are a novel called But Will They Get It In Des Moines? about television, published by Simon & Schuster; and Sentinel Under Siege, an historical analysis of freedom of the press in America, published by Harper Collins.

Mr. Flink and his second wife (of 45 years) Joy, live in a retirement community in North Branford, Connecticut, where he still lectures on the media. Through it all, he has never lost his deep affection for golden retrievers. He celebrated his 95th birthday in May, 2019.

Watch this video of Stan talking about the ethics of journalism here.

Support independent bookselling by buying the book online from our friends at R.J. Julia Booksellers.

Publishing Talks: David Wilk interviews Andy Doe

doe_headshotIn this series of interviews, called Publishing Talks, I have been talking to book industry professionals and other smart people about the future of publishing, books, and culture.  This is a period of disruption and change for all media businesses.  We must wonder now, how will publishing evolve as our culture is affected by technology, climate change, population density, and the ebb and flow of civilization and  economics?

I hope these Publishing Talks conversations can help us understand the outlines of what is happening in the publishing industry, and how we might ourselves interact with and influence the future of publishing as it unfolds.

These interviews give people in and around the book business a chance to talk openly about ideas and concerns that are often only talked about “around the water cooler,” at industry conventions and events, and in emails between friends and they give people inside and outside the book industry a chance to hear first hand some of the most interesting and challenging thoughts, ideas and concepts being discussed by people in the book business.

I discovered Andy Doe’s writing quite by accident, and a happy accident that was.  UK based, Andy comes from the music business. Most recently, he was the COO at classical music label Naxos from 2010-2012, and was head of classical music at iTunes from 2004-2010; now he freelances to help artists, labels and other organizations on recording and marketing activity, both on and offline.  He also blogs brilliantly and with a great sense of humor at Proper Discord.

A piece he posted in November, 2012 caught my attention and is one I highly recommend to anyone interested in physical and digital media; it’s called What is Going on with the Record Industry (at New Music Box, a very cool site about new music). It’s a list of ten observations with explications of each.  The first one is called  “Almost everything you read about the state of the record industry is, at best, totally useless,” which should give you a good idea of where Andy is coming from and where this piece might be headed.

Naturally, I thought it would be fun to talk to Andy about his thinking about the record business and to draw him out on how what has happened and is happening in that industry might apply (or not apply) to the book business. We do tend to think that all entertainment media businesses, including books, music, television, radio, film, video games and even newspapers have similar enough structures and relationships between physical and digital media, as well as similar disruptive innovations as to make the experiences in one useful to the those who work in other creative industries.  So we talked about that a bit, as well as how some of what Andy has observed and learned in the music business may not be relevant to book publishing.  Overall, because he is such a smart and witty guy, I think this conversation should be of particular interest.  As has happened recently, when discussions have been going well, we have gone a bit longer than podcasts usually go. This one is 47 minutes.

Another good reference point I should mention – here’s a written interview with Andy Doe by Tom Manoff you might enjoy as well.

And oh, by the way, this is the 200th interview I have posted on Writerscast since its inception just a few years ago.  I’d like to thank all the wonderful writers, technologists and thinkers who have been willing to give me some of their valuable time to pepper them with questions and engage them in my enthusiasms and interests.  And I’d also like to thank the individuals who have helped make this project work, my daughter, Emma Wilk, for editing my often poor efforts at recording, website builder and podcast expert Rob Simon of Burst Marketing, and his web guru, Jeremy Brieske.

And in particular I owe thanks to all of you who have listened and responded to this humble effort to contribute to the cultural and intellectual good of all. andy_doe_2-540x359

Publishing Talks: David Wilk interviews Rick Richter

In this series of interviews, called Publishing Talks, I have been talking to book industry professionals and other smart people about the future of publishing, books, and culture.  This is a period of disruption and change for all media businesses.  We must wonder now, how will publishing evolve as our culture is affected by technology, climate change, population density, and the ebb and flow of civilization and  economics?

I believe these Publishing Talks conversations can help us understand the outlines of what is happening in the publishing industry, and how we might ourselves interact with and influence the future of publishing as it unfolds.

These interviews give people in and around the book business a chance to talk openly about ideas and concerns that are often only talked about “around the water cooler,” at industry conventions and events, and in emails between friends and they give people inside and outside the book industry a chance to hear first hand some of the most interesting and challenging thoughts, ideas and concepts being discussed by people in the book business.

I’ve known Rick Richter for a number of years.  He is smart, energetic and incredibly creative.  I am told he plays a mean guitar too.  He’s unusual in publishing for having been a leader in both sales and editorial, and for being at heart, an innovator and entrepreneur.  I have talked to him a number of times over the past couple of years about his thinking and ideas, and have been interested in his new venture, Ruckus Media since it was still a brainstorm generated idea.  Unlike many brainstormed ideas, this one has become real, and very quickly too.

Ruckus represents at least one budding trend in publishing for kids – which is to be born digital and to stay that way.  Print, ink and paper will be someone else’s job.  At a recent Digital Book World presentation, Rick’s signature statement about his new work was this: “books you can play with and games you can read.”

Rick is currently President, CEO, and Chair, Ruckus Media Group.  Previous to founding Ruckus, he was President and Publisher of the Simon & Schuster Children’s Division (1996 – 2008).  In 1990, Rick co-founded Candlewick Press, the prestigious children’s publisher based in Boston.

“The goal of Ruckus is to combine the most creative minds in children’s media with tremendously exciting new mobile devices. We’ll be satisfied when a mom or dad can hand their phone or tablet to their child without one ounce of guilt, knowing that the experience the child is about to have will entertain them, challenge them, perhaps make them giggle, and be utterly satisfying.” Beginning in May, Rick will be an adjunct professor at the NYU Master of Science Program in Publishing.

Rick and I had a great talk, not just about what he is doing at Ruckus to make change and create a new way of publishing for kids, but also about the future of digital publishing and much more.  Ruckus, along with a number of other new digital publishers are in the process of establishing new ways for children to experience books and reading in some very exciting ways.  And it looks like they are having alot of fun doing it.