Publishing Talks: David Wilk interviews Jason Allen Ashlock

In this series of interviews, called Publishing Talks, I have been talking to book industry professionals about the future of publishing, books, and culture.  This is a period of disruption and change for all media businesses. How will publishing evolve as our culture is affected by technology, climate change, population density, and the ebb and flow of civilization and its economics? Publishing Talks interviews help us understand the outlines of what is happening, and how we might ourselves interact with and influence the future of publishing as it unfolds.

These interviews give people in the book business a chance to talk openly about ideas and concerns that are often only talked about “around the water cooler,” at industry conventions and events, and in emails between friends and they give people inside and outside the book industry a chance to hear first hand some of the most interesting and challenging thoughts, ideas and concepts being discussed by people in the book business.

I first read about the new literary agency, Movable Type Literary Group established by Jason Ashlock and his partner Meredith Dawson a few months ago.  I’ve wondered for awhile now about the role of agents in the changing landscape of book publishing, and evidently so have Jason and Meredith.  Along with an NEA based graph on their home page “Books are not dead,” they have composed the following statement of purpose and occasion:

“We have arrived, as Harold Bloom might say, belatedly.

The scene is established, the paradigms rigid, the machine stubborn and aging. Now more than half a millennium removed from the prima typographicae incunabula, “the first infancy of printing,” a chorus now announces the swift and coming death of the published word and the end of book history. But crisis and opportunity are concurrent, and the instability of one paradigm leads to the creation of another. We work in publishing at a moment of both belatedness and birth, when the trend of all future events is being determined. We aim, with many of our friends and colleagues, to confront the crisis of the moment and from the upheaval to design and shape a future.”

When I ran across Jason at a publishing event in Manhattan, we arranged to talk.  I wanted to hear in his own words what this new agency will be all about.  I think alot of what he says here will resonate for listeners of this podcast.  Certainly, it makes sense for the role of the agent to be transformed, and to help lead the transformation of relationships between author, publisher and audience that is emerging now.  It looks like Movable Type has an opportunity to create a new model for its own clients, and by example, for others as well.  Maybe because, like many others looking at an established industry with new eyes, Jason Ashlock has an opportunity to create a new paradigm.

Publishing Talks: David Wilk interviews Morgan Entrekin

In this series of interviews, called Publishing Talks, I am talking to book industry professionals who have varying perspectives and thoughts about the future of publishing, books, and culture.  This is a period of disruption and change for all media businesses.
Publishing has been a crucial part of human culture for as long as people have been writing and reading.
How will publishing evolve as our culture is affected by technology, climate change, population density, and the ebb and flow of civilization and its economics? Publishing Talks interviews help us understand the outlines of what is happening, and how we might ourselves interact with and influence the future of publishing as it unfolds. Publishing Talks interviews give people in the book business a chance to talk about ideas and concerns in a public forum that are often only talked about “around the water cooler,” at industry conventions and events, and in emails between friends.

I hope that Publishing Talks interviews will give people inside and outside the book industry a chance to hear about some of the thoughts, ideas and concepts that are currently being discussed by engaged individuals within the industry.

Morgan Entrekin is the iconic publisher of Grove Atlantic, one of the most prominent and successful midsized literary publishers of the past couple of decades.  He has all the chops of a “traditional” book publisher: a great commitment to authors and their texts, a belief in the enduring power of a great backlist. But he is also an astute marketer who understands readers and the necessity for publishers to pay attention to what readers want and need.

Entrekin grew up in Nashville, graduated from Stanford in 1977,  started in the business at Delacorte Press, working under the late, great Seymour Lawrence and editing the likes of Jayne Anne Phillips, Richard Brautigan, and Kurt Vonnegut. In 1982 he moved over to Simon & Schuster, where he made his name by championing, acquiring and editing Bret Easton Ellis’s breakout novel Less Than Zero.  In 1984 he created his own imprint within Atlantic Monthly Press, Morgan Entrekin Books and a few years later he bought Atlantic outright; two years after that, he purchased Grove Press, which featured one of the great backlists that included D.H. Lawrence, Henry Miller, and Samuel Beckett.

Entrekin’s gained well deserved fame and credit for publishing Charles Frazier’s Cold Mountain in 1995. In the course of promoting the novel, Entrekin is credited with more or less creating the pre-publication tour, sending Frazier to meet book buyers in various cities before the book landed in stores. It paid off: Cold Mountain was a huge success, sold over 1.5 million copies, won the National Book Award, and was made into a big-budget Hollywood movie. Other notable Grove/Atlantic titles include Mark Bowden’s Black Hawk Down, Candace Bushnell’s Sex and the City, as well as the works of Sherman Alexie and P.J. O’Rourke.

We had a terrific talk, covering a wide range of interesting topics, from the current state of the book business, to the kinds of things that Entrekin is doing at Grove/Atlantic to stay current.  Morgan is thoughtful, intelligent and incisive on every topic he discusses; he cares deeply about the books he publishes, backlist and frontlist titles alike, and is clearly still motivated and excited by the same beliefs and ideas that brought him into the book business in the first place.   Anyone interested in understanding how a publisher can navigate the changing landscape of the business will benefit from listening to what he has to say in this interview.

Publishing Talks: David Wilk interviews Mark Coker, Founder of Smashwords

In this series of interviews, called Publishing Talks, I am talking to book industry professionals who have varying perspectives and thoughts about the future of publishing, books, and culture.  This is a period of disruption and change for all media businesses.  Publishing has been a crucial part of human culture for as long as people have been writing and reading.  How will publishing evolve as our culture is affected by technology, climate change, population density, and the ebb and flow of civilization and its economics? Publishing Talks interviews help us understand the outlines of what is happening, and how we might ourselves interact with and influence the future of publishing as it unfolds.

Publishing Talks interviews give people in the book business a chance to talk about ideas and concerns in a public forum that are often only talked about “around the water cooler,” at industry conventions and events, and in emails between friends.  This series of talks will give people inside and outside the book industry a chance to hear about some of the thoughts, ideas and concepts that are currently being discussed by engaged individuals within the industry.
Mark Coker is the founder of Smashwords, an online publishing and distribution platform for ebooks.  Smashwords publishes and distributes more than 4,000 original ebooks on behalf of 2,000 independent authors and 70 small publishers around the world.  They have recently made distribution deals with Barnes & Noble and Indigo’s new Shortcovers program as well.  I have recommended Smashwords to a number of authors and publishers who want to experiment with digital publishing.

Mark has been a long time technology entrepreneur.  He talks here about the founding of Smashwords and why he started it.  He has many interesting and valuable things to say about digital publishing and how technology is changing the future of books and reading.  His approach to publishing is creative and usefully disruptive.  You can read some of his thoughts in the new book section of Huffington Post, where he is blogging regularly.

William Gladstone: The Twelve (a novel)

978-1593155568 – Hardcover – Vanguard Press – $19.95

William Gladstone, author of the new novel, The Twelve, interviewed by Writerscast host David Wilk.

The Twelve is a terrific first novel by an experienced book industry professional, west coast based William Gladstone.  I know the author personally, and I’ve read this novel at various stages of its development.  In its final published form, it has become a compelling read on a subject of great interest to many people – the future.  It’s a book with a strong spiritual message but one that does not get in the way of its fast moving and intriguing story.

The publisher’s description of the book goes like this: “The Twelve is an extraordinary and unforgettable novel about a most unusual man. As a child, Max lives in a world of colors and numbers, not speaking until the age of six. As an adult, Max ventures on a journey of destiny to discover the secret behind the ancient Mayan prophecy about the “end of time,” foretold to occur on December 21, 2012.

James Gustav Speth: The Bridge at the Edge of the World: Capitalism, the Environment, and Crossing from Crisis to Sustainability

978-0300151152 – paperback – Yale University Press – $18.00

While I was reading The Bridge at the Edge of the World, I often would exclaim out loud as so many of the ideas the author talks about are ones I believe in and feel are important to the dialog about the future of our planet.  This is an important book that should be widely read, discussed and used as the basis of action – and soon!

Co-founder of the NRDC, former Yale University dean, and former White House advisor James Gustave Speth has been a leader in the environmental movement for more than 30 years.

Now, faced with overwhelming evidence of galloping degradation of the planet, Speth has concluded that the environmental project—his project—has failed. No matter how hard environmentalists work, the current of destruction against which they are swimming is simply too swift. In order to preserve a livable planet for future generations, Speth argues in The Bridge at the Edge of the World that the current itself must be altered. And the current is that untouchable edifice, American-style consumer capitalism.

I found this book to be powerful and compelling and wanted to talk to “Gus” Speth about the implications of his thinking.  How should we go forward when we know that the way we live today is putting us on a collision course with the natural world?  How do we build new ways of living that are sustainable?  And how are we going to do this in the face of so many entrenched interests that will oppose the essential changes we feel are necessary for human survival and for the preservation natural systems in a viable planet earth?

While this interview is perhaps all too brief, Speth talks in depth about some of his ideas and answers my questions with his typical incisiveness and intelligence.