James A. Owen: Here, There be Dragons

978-1416912279 – Hardcover – Simon & Schuster – $17.95 (a paperback edition is also available – but the price difference is small enough for me to recommend you buy the hardcover)

James A. Owen is a wonderful writer.  It’s interesting to me how many really excellent writers there are who are categorized as “young adult” writers because the books they write are about things like dragons, or boys who are heroes or even young wizards in an imaginary school in an imaginary part of England.  In my opinion anyway, Here, There be Dragons is a book for readers of all ages or any age.  It’s well written, has characters with depth, beautifully done line drawings by the author, and a fast moving, engaging story line that includes heroes who are connected to our literary history in some very interesting ways.  What more can one ask for in a novel?

“What is it?” John asked.
The little man blinked and arched an eyebrow.
“It is the world, my boy,” he said. “All the world, in ink and blood, vellum and parchment, leather and hide. It is the world, and it is yours to save or lose.”

An unusual murder brings together three strangers, John, Jack, and Charles, on a rainy night in London during the first World War. An eccentric little man called Bert tells them that they are now the caretakers of the Imaginarium Geographica — an atlas of all the lands that have ever existed in myth and legend, fable and fairy tale. These lands, Bert claims, can be traveled to in his ship the Indigo Dragon, one of only seven vessels that is able to cross the Frontier between worlds into the Archipelago of Dreams.

Pursued by strange and terrifying creatures, the companions flee London aboard the Dragonship. Traveling to the very realm of the imagination itself, they must learn to overcome their fears and trust in one another if they are to defeat the dark forces that threaten the destiny of two worlds. And in the process, they will share a great adventure filled with clues that lead readers to the surprise revelation of the legendary storytellers these men will one day become.

It’s a pretty good bet that if you like this book, you will be pleased to know you can continue to read.  This is the first volume in the Chronicles of Imaginarium Geographica series, which has now reached a total of four books, with more to come.  It’s probably true that this book and its series will appeal most to a certain type of reader, one who has read and enjoyed adventure stories, particularly those well written classics of the past (again, I don’t think it’s about the age of the reader but rather one’s interests).  Unlikely heroes, normal people faced with challenges to which they rise, mythological characters brought to life, and above all, dragons, definitely motivate some of us more than others.  I guess I am one of those.

I had the pleasure of meeting James A. Owen at Comicon in San Diego.  I was impressed to see a writer so willing to engage with his readers – Comicon can be exhausting for exhibitors and for creators even more so.  In this interview, he displays his engaging personality, and talks with me about the origin of his work as a novelist, his work in comics, contacts with film makers (the film adaptation is in development and appears scheduled as a 2011 release), and his attempt to revive the classic magazine, Argosy.  Owen started as a comic book writer and illustrator, and even was a publisher of comics, and then moved into writing novels almost accidentally.  This is a lucky turn of events for readers of fiction.  You can learn much more about James A. Owen and his work at this website and he also has a beautiful blog based site, the Wonder Cabinet, that is well worth regular visits.  I’m hopeful that over time, Owen’s work will reach the wider audience it deserves.

Note to listeners: this interview is slightly longer than most at 27 minutes, but should provide sufficient interest to reward your investment of time.

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Publishing Talks: David Wilk interviews Mark Coker, Founder of Smashwords

In this series of interviews, called Publishing Talks, I am talking to book industry professionals who have varying perspectives and thoughts about the future of publishing, books, and culture.  This is a period of disruption and change for all media businesses.  Publishing has been a crucial part of human culture for as long as people have been writing and reading.  How will publishing evolve as our culture is affected by technology, climate change, population density, and the ebb and flow of civilization and its economics? Publishing Talks interviews help us understand the outlines of what is happening, and how we might ourselves interact with and influence the future of publishing as it unfolds.

Publishing Talks interviews give people in the book business a chance to talk about ideas and concerns in a public forum that are often only talked about “around the water cooler,” at industry conventions and events, and in emails between friends.  This series of talks will give people inside and outside the book industry a chance to hear about some of the thoughts, ideas and concepts that are currently being discussed by engaged individuals within the industry.
Mark Coker is the founder of Smashwords, an online publishing and distribution platform for ebooks.  Smashwords publishes and distributes more than 4,000 original ebooks on behalf of 2,000 independent authors and 70 small publishers around the world.  They have recently made distribution deals with Barnes & Noble and Indigo’s new Shortcovers program as well.  I have recommended Smashwords to a number of authors and publishers who want to experiment with digital publishing.

Mark has been a long time technology entrepreneur.  He talks here about the founding of Smashwords and why he started it.  He has many interesting and valuable things to say about digital publishing and how technology is changing the future of books and reading.  His approach to publishing is creative and usefully disruptive.  You can read some of his thoughts in the new book section of Huffington Post, where he is blogging regularly.

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Publishing Talks: David Wilk interviews Richard Nash

In this new series of interviews, called Publishing Talks, I am talking to book industry professionals who have varying perspectives and thoughts about the future of publishing, books, and culture.  This is a period of tremendous disruption and change for all media businesses.  Publishing has been a crucial part of human culture for as long as people have been writing and reading.  How will publishing evolve as our culture is affected by technology, climate change, population density, and the ebb and flow of civilization and its economics?

Many people are thinking deeply – and some acting on – the nature of change and the challenges and opportunities that face us all.  Publishing Talks interviews help us understand the outlines of what is happening, and how we might ourselves interact with and influence the future of publishing as it unfolds.

Publishing Talks gives people in the book business a chance to talk about ideas and concerns in a public forum that are often only talked about “around the water cooler,” at industry conventions and events, and in emails between friends.  This series of talks will give people inside and outside the book industry a chance to hear about some of the thoughts, ideas and concepts that are currently being discussed by engaged individuals within the industry.

Richard Nash is an independent publishing consultant and entrepreneur, presently developing a start-up portfolio of social publishing communities/imprints. For most of the past decade, he ran the iconic indie Soft Skull Press for which work he was awarded the Association of American Publishers’ Miriam Bass Award for Creativity in Independent Publishing in 2005. Books he edited and published landed on bestseller lists from the Boston Globe to the Singapore Straits-Times and on Best of the Year lists from The Guardian to the Toronto Globe & Mail to the Los Angeles Times In 2006, Publishers Weekly picked him as one of the ten editors to watch for in the coming decade. This year the Utne reader named him of the Fifty Visionaries Chaning Your World, and Mashable picked as the #1 Twitter User Changing the Shape of Publishing.  Richard’s blogs at the eponymous Richard Eoin Nash – The Blog.

“If you like massive anxiety attacks, go watch Soft Skull’s former boss Richard Nash speak at a conference as you battle a hangover.”

Richard and I had a terrific talk beginning with his history in publishing and now what he is doing to help reinvent it with his new business, Cursor, a portfolio of niche social publishing communities, one of which will be called Red Lemonade (which has an interesting live link here.)

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