E. Ethelbert Miller: The Fifth Inning

978-1604865219 – PM Press – Paperback – $15.95 (ebook versions available at lower prices)

E. Ethelbert Miller  is a writer and literary activist.  He is currently the board chairperson of the Institute for Policy Studies (IPS).  Since 1974, he has been the director of the African American Resource Center at Howard University.  Ethelbert is also the former chair of the Humanities Council of Washington, D.C. and a former core faculty member of the Bennington Writing Seminars at Bennington College.  He’s published more than ten books, in both poetry and prose, has edited a number of anthologies, and his writing is widely anthologized.  He’s won all sorts of awards and recognition for his writing and for his longstanding work in support of writing as a community and cultural effort.   In addition, for several years he hosted the popular weekly radio program Maiden Voyage on WDCU-FM, as well as Vertigo On The Air on WPFW.

Ethelbert has long been a favorite poet of mine, whom I got to know years ago when I lived in Washington, D.C., where Eth still resides.  We’re of a similar age and share various passions, not the least of which is baseball.

So it is no wonder that I jumped at the chance to read his memoir, The Fifth Inning, and then to talk to him about it on Writerscast.  This is a terrific book, unusual in its shape and structure, which is both poetically charged and carefully built.  Ethelbert allows himself to write honestly and purely about his own life, his insecurities, pain and suffering, but without ever becoming self indulgent or overwrought.  There is always hope, and the sense that something good, or even great, will come from all this “stuff” we go through in life.

Thinking of a baseball game, the fifth inning out of nine is, of course, the turning point.  After the fifth inning, a game can end early but still be considered an official game – a life lived, though abbreviated.  So here he is, in the fifth inning of his imagination, looking back at the beginning of the game, and at the present where it’s about to start the last stretch toward the end and the final score.  It’s a good time to take stock and get ready to see what you can do to get past the hitters coming up to bat.  When you’re pitching you need to pace yourself, remember what worked and didn’t work in the early innings, and use what you have learned to keep the hitters off stride and getting the outs you need to win the game.

Poets’ memoirs are sometimes brittle and too carefully built to sustain a personal story.  Ethelbert is not that kind of poet.  He’s active and alive in every moment, and brings his readers right into his head and heart.  This is a beautifully constructed and written piece of personal writing that I hope will find a audience far beyond the literary community.  What Ethelbert has to say about being human and growing older is important for all of us to hear.

Ethelbert’s website is here, well worth a visit.  And I wanted to mention that this is a Busboys & Poets book published by PM Press, a publisher I hope readers will learn about and support.  Buy the book direct from the publisher to support independent publishing and alternative culture.

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Margot Peters: Lorine Niedecker, A Poet’s Life

978-0299285005 – University of Wisconsin Press  – Hardcover – $34.95

I have loved the poetry of Lorine Niedecker, and been deeply influenced by her work and life since being introduced to her writing by the great poet and independent literary publisher, Jonathan Williams, just a few years after her untimely death in 1970.   His outstanding press, The Jargon Society, published one of the largest collections of her work during her all too brief lifetime (T & G: Collected Poems, 1970).  In the years since her death, she has been discovered by many writers, scholars and general readers and her work is available now in several great collections, including Collected Works, edited by Jenny Penberthy, from the University of California Press.

For the many who still do not know of her, Lorine Niedecker (1903-1970) was born, raised, schooled and lived almost her entire life in Wisconsin.  She was a poet her entire adult life, mostly self-educated, but always deeply involved in the milieu of modernist poetry and experimental writing.  The most famous of her peers were William Carlos Williams (who knew and appreciated her writing), Louis Zukofsky (with whom she had a very deep and complicated relationship), and George Oppen and Carl Rakosi, among many others.  But as a woman writer who worked hard for a living during a time when men ruled the literary roost, she wrote mostly in obscurity, known only to a small number of other writers who appreciated the brilliance of her imagination and craft.

My friend tree
I sawed you down
but I must attend
an older friend
the sun

Margot Peters’ new biography, Lorine Niedecker, A Poet’s Life, is a wonderful book, reflecting Peters’ own love and appreciation for her subject’s life and writing.   Lorine’s life story is important to read about, whether you have read her poetry or not.  It’s a powerful introduction to a complicated and unique American life.  Lorine never had it easy.  Her family life was difficult, her poor eyesight was a difficulty for her entire life, her relationships with men were complicated and often painful for her, and she never received the attention her writing deserved.  Peters tells the story of her life in great detail, but is never boring.  She interviewed people who knew Lorine where she lived in Wisconsin, and even those who, like me, think they know Lorine and her work will learn a great deal about her.  Peters is perceptive and clear eyed about Lorine and aware of the difference between the life as lived and the poetry as written.  For the poet, it is always the words that matter.  Peters knows this too.

Reading about Lorine Niedecker continually reminded me of the power of her intellect and the depth of her brilliance as a poet.  She honed and sharpened constantly, like a jeweler bringing a stone to life.  Her reading was vast, her intelligence and clarity of vision virtually unmatched.  I do not think it is an understatement to call Niedecker one of the greatest poets America has ever produced.

Poet’s work

Grandfather
advised me:
Learn a trade

I learned
to sit at desk
and condense

No layoff
from this
condensery

Every poet, every writer, should read and absorb these words.

If it’s not obvious, I have been smitten by this poet’s work for a really long time.  This biography is a terrific addition to the Niedecker opus, and is highly recommended.  I had a great time talking to Margot Peters, whose knowledge of Niedecker, Wisconsin and poetry is broad, deep and very well put together.

Please visit the Lorine Niedecker website to learn more about her, sample some poetry, and to get a feel for Fort Atkinson, where she lived most of her life.  You can visit Margot Peters’ website for more about her book as well. There is now an annual Niedecker Poetry Festival in Fort Atkinson, Wisconsin every fall.

Books by and about Niedecker:

New Goose. Prairie City, Ill.: Press of James A. Decker, 1946.

My Friend Tree. Edinburgh: Wild Hawthorne Press, 1961.

North Central. London: Fulcrum Press, 1968.

T & G: Collected Poems 1936-1966. Penland, N.C.: Jargon Society, 1969.

My Life By Water: Collected Poems 1936-1968. London: Fulcrum Press, 1970.

Blue Chicory. Edited by Cid Corman, New Rochelle, N.Y.: The Elizabeth Press, 1976.

From This Condensery: The Complete Writings of Lorine Niedecker. Edited by Robert J. Bertholf, Jargon Society/Inland Book Company, 1985.

The Granite Pail: Selected Poems of Lorine Niedecker. Edited by Cid Corman, North Point Press, 1985.

Collected Works. Edited by Jenny Penberthy, Berkely: University of California Press, 2002.

(note, I owe apologies to LN – in the poem Poet’s Work above, I could not get the spacing to work right here, please read it either on the Niedecker site or in the Collected Works to see it the way the poet meant it to look on the page)

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