Michael Burke: Swan Dive

978-1929355501 – Pleasure Boat Studio/Caravel Books – paperback – $15.00 (also available as an e-book at $9.99)

This is Michael Burke’s first novel, and it’s a good one.  He is probably much better known as a sculptor and graphic artist; he is clearly an accomplished writer as well, and as with his art, there is a great deal of thought behind the manifestation he has chosen for this story.  Michael Burke is also the son of renowned philosopher and poet Kenneth Burke, which may help explain some of his accomplishments.

While I was preparing to interview Michael about his very well written and entertaining novel, I read a fascinating profile of him and his work as an artist in the Harvard Alumni Magazine, an article that in itself is well worth reading.

This is an intellectual novel, but it is never heavy handed.  The dialogue is smooth, funny, and vibrant.  The story pays homage to Leda and the Swan but that motif never gets in the way of the story, and it’s not even necessary to know any Greek mythology to enjoy the book, which unfolds naturally.  Of course we know there is a denouement coming, it’s a murder mystery after all, but there is plenty of complexity to keep us interested and engaged.

Swan Dive‘s main character, Johnny “Blue” Heron, is a modernized Dash Hammett sort of hero, smart, mouthy and alot more in need of help than he realizes.  The book has many interesting and engaging characters, an unpredictable narrative, some sex, and an overall verve and political awareness that makes clear the author is socially engaged and has something important to say about the world we live in.  You can read this book purely for fun, or as a neo-noir genre revival novel, but there’s alot more going on here for anyone who wants to delve into its many layers.

Swan Dive is a book I will recommend to mystery lovers who want a book with depth, a fast paced narrative and interesting characters.  In my discussion with author Michael Burke, we had a lively discussion about this book and how he came to write it, his background as an artist, and where he is headed as a writer (there’s another Blue Heron novel in the works).  I’m definitely looking forward to reading more of his writing.

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Tatjana Soli reading from “The Lotus Eaters”

978-0312611576 – St. Martin’s Press – Hardcover – $24.99 (also available as an e-book)

Writerscast is proud to present the third in a series of authors reading from their work, called AuthorsVoices.   I hope you will agree that hearing these works read aloud by the original authors adds to your experience of the writing.

I love getting a sense of the author’s distinct sense of her or his own words. With writers touring in support of their books less frequently now, these podcasts should provide readers with an opportunity to hear some of our best contemporary authors reading from, and sometimes performing their own works.

Tatjana Soli’s The Lotus Eaters is one of my favorite out of a pretty long list of some really great books I have read recently.  Her book tells the story of Helen, a photographer who goes to Vietnam early in the war to try to understand how her brother died.  She ends up staying for many reasons.  There are a couple of different love stories entwined around her, and Soli captures brilliantly the intensity of Southeast Asia at war, the various cultures involved, and some incredibly powerful and vivid characters.  Tom O’Brien, who wrote another great Vietnam novel, The Things They Carried, praised Tatjana’s “spare, lucid prose” that “helps us to see and hear and feel the terrible human costs of that conflagration.”  He’s right about the book.  But there is also incredible beauty, and much love in this book.

Soli reads from the opening chapter of The Lotus Eaters in this terrific reading.  It’s captivating.

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Tatjana Soli: The Lotus Eaters: A Novel

978-0312611576 – St. Martin’s Press – Hardcover – $24.99 (also available as an e-book)

I know I am not alone having read both Tatjana Soli’s The Lotus Eaters and Karl Marlantes’ Matterhorn – they are unavoidably linked as both are set in Vietnam during the American war.  Of course they are incredibly different in outlook, approach and story, but reading them together is a wonderful experience.  As Writerscast listeners know, I loved Matterhorn – I do think it is the great novel of the Vietnam War that we have been waiting to experience for several decades.

At the same time, Tatjana’s novel is simply remarkable.  She writes beautifully, inhabits her characters, their place and time, their suffering, challenges and transcendent moments.  As she told me in her interview, she fell in love with the Vietnam of that era from afar, and learned everything she could about it in order to be able to write this story.  Her main character is a young photographer, Helen, who comes to Vietnam early in the war, mainly because her brother died there, and she is drawn to the place where he lost his life, to figuratively solve the mystery of his death.  But that is just the beginning of her journey.  The war, the soldiers and other journalists, and the people of Vietnam overtake her.  She becomes deeply connected to this place and time.  Soli brilliantly portrays the landscape and the people of Vietnam, the suffering and horror of a seemingly endless war, and the way that war overtakes every element of human and natural life.

Helen falls in love with another photographer, Sam Darrow, a grizzled veteran who teaches her how to cope with war, survive, thrive, document, participate, suffer and love the danger and energy of men at war.  But the truest, and deepest story is her love for Linh, an exceptionally complicated Vietnamese former soldier, who has gone to work for the American news agency Helen works for.  At the end of the book, which thankfully avoids the cliched approach of much modern fiction, Helen and Linh journey out of Vietnam through Cambodia, an even more horrendous landscape of death and together find their way to safety, a harrowing journey that mirrors where they have traveled emotionally through the course of the novel.

A woman among men sees war more clearly than most, I think; in this book, that vision focuses and transforms the reader as well.  Tatjana Soli’s story about writing this book and what it means to her is great to hear.  I think she is a terrific writer, worth reading, and well worth listening to as well.

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Kelli Stanley reading from City of Dragons

978-0312-60360-1 – Hardcover – Minotaur – $24.99 (also available as an e-book at $11.99)

Writerscast is proud to present the second in our series of authors reading from their work called AuthorsVoices.   I hope you will agree that hearing these works read aloud, especially by the original authors, will add greatly to the experience of the writing and the authors’ distinct sense of their own words. With writers touring for books less frequently now, these podcasts should provide readers with an opportunity to hear some of our best contemporary authors reading  from, and sometimes performing their own works.

Kelli Stanley’s City of Dragons is a great noir mystery novel with a great woman detective main character.  The novel is set in Stanley’s meticulously recreated 1940’s era San Francisco that she plainly deeply loves.  I read this book a few months ago, thought it was terrific, and interviewed Kelli (here).  For AuthorsVoices Kelli provides an introduction to the book and does a terrific reading of Chapter 1 of her novel in full.  Note to listeners: language in this piece does include some words not allowed on broadcast radio or television.

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Alice Lichtenstein: Lost: A Novel

978-1439159828 – Scribner – Hardcover – $24.00 (also available as an e-book)

Some books are painful but must be read; the suffering of the characters we identify , endured, the story absorbed into one’s bones.  I found that to be the case with Lost: A Novel by Alice Lichtenstein.  This story operates on a number of levels, as a good novel should.  Its three main characters are “lost”  but each in different ways.  And unlike the television show of the same name (I wonder how that congruency affects the potential readership of this novel?), the core of the story is not hidden away from us, the literal losses in this novel are by far not the deepest pain the characters endure, nor we the readers with them.

But don’t get wrong, this is not a novel so full of pain that it drives you away, or causes you to wonder why you are there.  It’s not a book that is simply devoted to misery, and certainly not the kind of suffering that drives us away from the book or its characters.  I was immediately drawn into the story, attracted to the characters, especially Susan, whose husband suffers from acute dementia, and has walked away into the winter, and Christopher, whose wife has left him.  Their losses and their relationship is at the heart of the novel, and will ultimately unite them in redemption.   I really liked the carefully woven web which connects the three key characters and the various subplots that eventually lead into the fullness of the novel.

And this is definitely a novel of winter in a cold country, which ironically provides much of the heat of the story.  The coldness in the book is palpable – the author does live in and deeply feels the north country; she describes the cold like a native.

As much as I enjoyed the novel,  I also very much enjoyed talking to the author, Alice Lichtenstein.  In our conversation, we explored the complexity of the novel and her characters’ desires, their connections and the meaning of their losses.  This is a book I recommend to friends, and an author whom I think has alot to say about human life and emotion, and importantly, who writes really well.  Plus she is a good conversationalist.  It’s not that easy a combination to find.           

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Joanna Smith Rakoff: A Fortunate Age

978-1416590804 – Paperback – Scribner – $15.00

Joanna Smith Rakoff is a wonderful writer – she’s a poet and an essayist, and her skill as a writer shines throughout her novel A Fortunate Age.  This was not a book I expected to enjoy as much as I did; Rakoff won me over with the details of her sprawling story, and her characters, whom I similarly did not expect to like so much.  The book is modeled directly on Mary McCarthy’s now classic, The Group, whose characters were Vassar women, in a story set in the 1930s and 1940s, whereas Rakoff’s characters are all friends from Oberlin, living in New York City in the late 1990s and the early years of the new century.

Like the novel Rakoff used for inspiration, this is a complicated story with a number of characters told over a number of years.  This novel is set mostly in New York City with flashbacks to her characters’ earlier lives, especially their time in college in Oberlin, and some side stories as well.  Essentially, it’s a coming of age story, and based on the supposition, I think, that for so many of us, the decade crossing from our twenties to our early thirties truly marks the painful bridge from still youthful adulthood to “real” life.  It’s not an easy transition, and for many has the sense of hyper-focused reality that makes it all the more powerful for those experiencing it.

In talking with Joanna, I wanted to explore her interest in Mary McCarthy and her novel that A Fortunate Age is based on (and The Group is also a book I recommend to modern readers, it is a book that is probably more neglected than it should be).  Joanna talks about the striking similarities she felt between the lives of her own age group and that of McCarthy’s and how that led her to write her own book.  We also talked about the way her book is imagined and how through fiction she worked to represent a particular time and place, a milieu that she evokes through this story, the breadth of her characters and their individual linked stories.  As she points out, this novel is, for her almost Victorian in the way its characters function against and within an overall cultural structure toward understanding their social being.   There is alot going on in her book, which Rakoff manages quite masterfully, and her ability to handle complexity of story and persona shines in this interview as well.  I’m certainly looking forward to reading her next book and to talking to her again.

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Katharine Weber: True Confections

978-0307395863 – Hardcover – Shaye Areheart Books – $22.00

What a fun (and challenging) book!  Any novel that takes place in my favorite city, New Haven, Connecticut, is a book I will want to read.  And I did really enjoy reading this book.  Katharine Weber has created a wonderful main character, the complicated and challenging Alice Tatnall Ziplinsky, who has married into the family that runs the famous Zip’s Candy Company.  True Confections is her story, and through her, it is also the story of an immigrant family in America, the romance of candy, family secrets, and the complexity of relationships.  Because the entire story is told by Alice, we don’t ever quite know what is real and what is not, and we are forced to confront actual meaning of narrative.

So it turns out that this this funny, warm, and sometimes poignant novel masks an underlying depth of transposed loves, where family becomes defined by relationship rather than blood.  In fact, almost every important character in the book has to deal with displacement.  It’s great to read a book with depth and complexity.  As the author says: “… at its heart, True Confections is about timeless and universal themes: love, betrayal, and of course, sweets.”  I should also add that fire – of the destructive kind – also plays an important role in this story, so it’s not all about the sugar.

I enjoyed the opportunity to interview Katharine Weber about the novel, her characters, and of course, New Haven, where she lives, and where this novel is set.  The book is rich in subjects and so is our discussion; we talked extensively about her novel, New Haven, the unreliability of narrators, candy, Jewish families and their businesses, and of course, candy.  True Confections is a terrific novel; Katharine Weber is a fine writer who also knows how to talk engagingly about her work.

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Karl Marlantes: Matterhorn: A Novel of the Vietnam War

978-0802119285 – Hardcover – Grove/Atlantic – $24.95 (e-book edition available).

When I started reading books and interviewing authors for Writerscast, I made a commitment to only interviewing writers whose books I liked.  In the year since, I’ve started quite a few I could not finish, but have read and liked a good fifty books of all different kinds.  Several of them kept me up well past my already late bedtime, which is always a great feeling, even if it does make me tired.

I have to say that Matterhorn: A Novel of the Vietnam War, at 590 pages, kept me up later and longer than any book I have read in the past year.  It’s just impossible to put down.  Karl Marlantes takes you right into the psyche of a young, smart, scared Marine lieutenant, landing in ‘Nam for his first tour of duty early in the war, and keeps you with him and the soldiers he fights and dies with all the way through to the end of the book.  There’s no doubt that the war in Vietnam was an unforgettable, painful, and highly charged experience for the men and women who were there.

Most of us who are old enough either to have been there, or to have lived through the war at home, have had difficulty finding a voice for what happened, and there has been precious little fiction to come out of that period in America’s history that has resonated as great art.  I believe this book qualifies as such a thing.  Marlantes has captured so much of what America was in the mid-to-late sixties, it becomes possible to inhabit that world, and most importantly, to understand it.  Fiction transforms experience into transcendent understanding; a greater truth emerges.  Through the terrible grind of war, the intensity of combat, individual heroism and pain, Marlantes has created a great work of art that celebrates the human spirit, a brilliantly glowing prism of suffering and soul.

Karl Marlantes went to Yale, was a Rhodes Scholar, and like his main character, was a Marine infantry officer in Vietnam where he was awarded the Navy Cross, the Bronze Star, two Navy Commendation Medals for valor, two Purple Hearts, and ten air medals.  He wrote Matterhorn over a long period of time – 35 years at least – in many drafts and many forms.  At various times, he attempted to have the novel published commercially, but it was never “the right time” for any publisher, until the tiny El Leon Literary Arts agreed to publish earlier this year.   When they submitted the novel to Barnes & Noble’s Discover New Authors series, and the book was read by that company’s fiction buyer, Sessalee Hensley, who knew that this book would need a larger publisher to help bring it to the large audience it deserves.

Morgan Entrekin (whom I interviewed for Publishing Talks a few weeks ago and who told me about this book when I talked to him) brilliantly chose to put the full resources of Grove/Atlantic behind this book, and I believe it will end up being recognized as one of the great war novels America has produced.  In our conversation, Karl Marlantes tells the story of his life and how this book came to be written, what it took to write it, and what it means for him now that it has been published.  He is a terrific writer, and one who well deserves the accolades he and his novel are receiving now.

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Derrick Jensen: Lives Less Valuable

978-1-60486-045-0 – paperback – Flashpoint Press/PM Press – $18.00

Derrick Jensen is one of the most intelligent nonfiction writers around.  His intellectual ability, brilliant writing and passionate voice for nature, for the powerless (not just people, but our fellow plant and animal species), and for the wounded, have made him a hero for many who oppose the structures of modern society.  I was not familiar with his fiction before reading Lives Less Valuable.  It’s very difficult to write fiction with a political message, but Jensen succeeds here.  Even though the reader knows there is a political subtext, the story and the characters work well, they’re both believable and instructive.

The story centers on Malia, an environmental activist in a modern city where people are dying from a toxic river.  The corporation that is at the root of the problem does everything possible to maximize its profits and does not care about the environmental cost borne by the poor people of the city.  She is drawn into a complex web of events that forces her to make choices about her beliefs and what she must do to make meaningful change, and when she does, the effects of her choices resonate through the lives of many others.  And they do make a difference.

Talking to Derrick Jensen was a great experience for me.  He has so much to say about human beings, our relationship to nature, and the meaning of political action, not to mention writing and story telling.  In this interview he talked about many subjects, including the nature of activism, the difference between writing fiction and nonfiction, and the details of the writing of this book.  He’s as eloquent and brilliant a speaker as he is a writer.  Derrick Jensen truly is one of our great public intellectuals.  Please note that this interview is longer than usual at 32 minutes, but should reward the listener with a worthwhile experience.

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E.M. Broner: The Red Squad

978-0307-37791-3 – Hardcover – Pantheon – $24.00 (also available as an e-book; a paperback edition will be out in July 2010 – 978-0307-45584-0 – $15.00)

This is a sometimes hilarious, always engaging, warm and sexy novel about a group of midwestern academics from the sixties, told from the vantage point of Anka Pappas, who, forty years after this fraught period in her life, finds out the entire group was under surveillance by the federal, state and local governments.  The story weaves together past and present, as Anka reconnects with her friends and associates – much drama, emotion, and memory unfolds, demonstrating that the past is not at all a dead or forgotten issue.  It’s a complicated story that Ms. Broner tells quite skillfully, keeping alot of balls in the air (it does help to have a cast of characters in the front of the book to which the reader can refer, as there is alot of perspective changing going on, sometimes at very high speed).

Broner knows that the political engagement of the sixties and early seventies can not be seen as an isolated period.  It is deeply connected to our present.  And through this book, she shows us that the issues that engaged the young activists of that earlier period are still with us today.  The power relationships in our society ultimately have not been changed; there is much work to be done, and much more engaged life to be lived.

There’s no preaching here, this is a book written by a smart, accomplished writer, who knows how to make a story work, and who clearly had a great time writing this book.  Talking to Esther Broner about the book was alot of fun for me.  In this interview, she talks about this book and how it relates to her own life.  We talk about politics, the nature of fiction and nonfiction, memoir and story, reality and imagination, appearance and reality, and of course the connection between the activism of the 1960’s and how it relates to us today.

This is an enjoyable, funny book that carries a powerful political and emotional punch, written by a skilled and experienced author whose work deserves a wide audience.

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