Todd Goddard: Devouring Time: Jim Harrison a Writer’s Life

Devouring Time: Jim Harrison, a Writer’s Life — Todd Goddard — 9781799902362 – Blackstone Publishing — Hardcover — 558 pages — $29.99 — November 4, 2025

Jim Harrison was for so many readers – and other writers – one of the central voices of American literature for the last half century. When Harrison began writing, it was as a poet, and most readers came to his fiction and nonfiction much later. It was the novels and many novellas that drew large numbers of readers to him, while his first hand style nonfiction writing about food and his many adventures introduced him to a completely different audience who in many case, I am sure, also read his fiction. And then there was the film writing and the stories of fishing, carousing and gourmand like intake of food, alchohol, and drugs with friends like Thomas McGuane, Peter Matthiessen, Jimmy Buffett, and Jack Nicholson in Key West, Montana and Hollywood. Harrison became more than a writer, but also a publicly imagined character much like Ernest Hemingway and F. Scott Fitzgerald, whose persona became entwined with his writing and made him that much more attractive to some of his readers.

His output as a writer was amazing: poetry, novels, novellas, short stories, magazine nonfiction, film scripts. His appetite for life was immense. His friendships were legendary and he was loved by many whose lives he touched. Fittingly, he died alone while in the midst of writing a poem.

In Devouring Time, Todd Goddard presents a meaningful account of this writer’s life, from beginning to end, including much about his persona that many readers could not have otherwise known. I’ve read much of Jim Harrison’s writing, and knew more than a little about his life. But I learned much more from this book, feeling after reading it that I understood Harrison more clearly both as a writer and a person. This is not a celebratory paean to someone’s hero, or the work of a starry eyed fan. Nor is it a reductionist scholarly account. This book is a carefully constructed narrative worthy of the subject’s complicated, sometimes very painful, but always meaningful life. Goddard refuses to turn away from Harrison as a human being whose life included physical and emotional challenges, who suffered, who lived a full life also of joy and beauty, and despite his foibles, his accomplishments were immense and lasting.

Jim Harrison was born in Michigan in 1937 and died Patagonia, Arizona in 2016. He wrote twenty-one books of fiction and fourteen books of poetry that influenced many other writers of all kinds and won him legions of readers. Harrison helped shape the course of contemporary American literature, revitalizing in particular the novella, a form he mastered and reinvigorated.

Though it was his fiction, nonfiction, and film writing that made him famous (and by which he made his living), it was always poetry that he loved most, and while he was a thoroughly social writer who enjoyed the company of many friends (and lovers), he was simultaneously a private person who cherished remoteness, the singularity of the wilderness, and solitude, and also the company of his wife and children at home.

Todd Goddard conducted over a hundred interviews and had full access to Harrison’s collected papers, as well as the cooperation of Harrison’s family to create this fully formed literary biography of one of our most important writers of the last half century.

I very much enjoyed the opportunity to speak with Todd. We talked about Harrison, of course, but also about the art of biography and the process of writing a book with so much depth of attention and detail. Whether you are a reader of Jim Harrison’s poetry or prose, this biography will capture your attention and in all likelihood, lead you to want to read further in Harrison’s extensive body of work.

“Todd Goddard tells the story of this bon vivant, outdoorsman, hellion, and great poet from his ancestors to his end with grace, momentum, generosity, and insight…and what a great American life it was, wreckage, glory, gifts, and ALL.”—Rebecca Solnit, author of Orwell’s Roses

Calendars
Back in the blue chair in front of the green studio
another year has passed, or so they say, but calendars lie.
They’re a kind of cosmic business machine like
their cousin clocks but break down at inoppormne times.
Fifty years ago I learned to jump off the calendar
but I kept getting drawn back on for reasons
of greed and my imperishable stupidity.
Of late I’ve escaped those fatal squares
with their razor-sharp numbers for longer and longer.
I had to become the moving water I already am,
falling back into the human shape in order
not to frighten my children, grandchildren, dogs and friends.
Our old cat doesn’t care. He laps the water where my face used to be.

from IN SEARCH OF SMALL GODS, Copper Canyon Press, 2010

Author website
Buy the book

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Shirley C. Strum: Echoes of Our Origins: Baboons, Humans, and Nature

Echoes of Our Origins: Baboons, Humans, and Nature — Shirley C. Strum, with Cassandra Phillips — Johns Hopkins University Press — Hardcover — 978-1-4214-5203-6 — 376 pages — $32.95 — September 9, 2025 — ebook edition available.

This book was a fantastic discovery for me. I consider myself fairly well read; I’ve studied anthropology extensively and I even briefly went to graduate school to study biology, but my knowledge of primates is woefully poor. Shirley’s book was a great introduction for me to one part of a much wider field, and got me excited and engaged with baboons, who turn out to be incredibly interesting animals, and of course connect us not only to issues of human evolution, but also historical and modern ecology, issues of human/animal interactions, and human responsibilities in relation to other animals, especially primates.

I feel like I learned more from this book than almost anything I have read in the past year. Shirley Strum’s story of her fifty years studying baboons is completely compelling.

Her baboon story started in 1972, when as a graduate student, Strum traveled to Kenya to study the origins of human aggression by observing baboons. Her earliest discoveries completely changed the scientific study of baboons, and many long-held assumptions about primate behavior.

Living closely with a number of different populations of baboons over the past half century, and closely observing their lives, Strum has learned more than any other human about baboons’ complex strategies of negotiation, collaboration, and resilience. And through her work, Strum has had to deal with an array of challenges – not just within her field itself, but in the changing ecology and landscape of Africa, as more people have taken over former baboon (and many other animals’) territories, creating new forms of human/animal conflicts, and changing the evolution of baboon society itself.

In addition to illustrating the incredibly interesting lives of baboons, Strum’s experiences tell us a great deal about how human science works, and the challenges that we face in trying to deal with the massive effects of the anthropocene on our fellow beings in the world. I know it’s simplistic to say that baboons and other primates have a lot to teach homo sapiens about how to live cooperatively together, but I do think that understanding more about primate life can in fact teach us a great deal about ourselves, if only we can begin to see that we humans are not at the top of a hierarchy that makes us “better than” or “smarter than” our evolutionary cohort.

Echoes of Our Origins combines natural history, adventure, memoir, feminism and like some of the its best antecedents in nature writing, asks us to think about and empathize with the natural world in previously unfamiliar ways.

I hope you enjoy our wide-ranging conversation as much as I did. While it is doubtful that I will ever get to Africa to see baboons in the wild for myself, Echoes has given me an unmatched opportunity to imagine these incredible animals.

I’ve been recommending this book to anyone interested in humanity, ecology, our history and our future.

Dr. Shirley C. Strum is a Professor of Anthropology and a Professor of the Graduate Division, School of Social Sciences, at the University of California, San Diego, and Director of the Uaso Ngiro Baboon Project in Kenya. Her first book was Almost Human: A Journey into the World of Baboons.

More about Dr. Shirley C. Strum here.

Buy the book here.

 

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Carla Malden: Playback (a novel)

Playback (A Novel) — Carla Malden — 9781644284872 — Hardcover — 216 pages — Rare Bird Books — Published August 12, 2025 — $28 — ebook versions available at lower prices

Time travel fiction is among my favorite literary genres. I’ve been reading time travel novels avidly since I was a kid. I am sure the first one I read was HG Wells’s Time Machine, probably before I was even 10 years old. And I’ve since read many more. Time and Again by Jack Finney and If I Never Get Back by Daryl Brock are two of the best books I have ever read, so good that I have read each of them more than once. Now I can add Carla Malden’s Playback to my running list of time travel favorites.

When I was offered this book to read, I had no idea of the subject. I wanted to read it simply because Carla and I have known each other since we were children, and long ago, our parents were friends. I’ve read Carla’s work in the past and knew that she is a terrific writer, but I did not know what this book would be like. As it turns Playback was a welcome treat. It’s a wonderful book.

I also did not realize that Playback is the sequel to Carla’s previous novel, Shine Until Tomorrow in which her main character, Mari Caldwell, finds herself time traveling from her modern life as an unhappy 17 year-old to San Francisco in 1967 and the extraordinary period of the Summer of Love. In that book, she becomes an influential figure in a nascent rock and roll band’s story of success.

Fortunately for me, one does not need to have read Shine before reading Playback in which Mari, now 34, travels back in time once more—this time to the fall of 1967, when in a whirlwind of activity, her life is changed again.

Previously, she experienced and believed in the idealism of the sixties but now she feels only disillusionment. She’s been divorced from what she thought would be a fulfilling marriage and she’s stuck doing photography work she does not care about. She’s disappointed in life and particularly does not feel she is doing right by her daughter. Playback takes Mari back to the Haight-Ashbury of 1967 at just the moment in her life when she needs it to be restarted. It’s an adventure story that unfolds her inner being in surprising and meaningful ways.

Playback captivated me, and brought me back to my own past in many ways. Carla’s characters are fully drawn, she deals well with the anomalies and intricacies of the concept of time and how changes in the past alter the future without making too big of a deal about it and distracting us from the emotional core of the book. I did not want it to end, and of course now I want her to write another book to finish Mari’s story and complete a trilogy.

It was great fun for me to talk to Carla about her book, her characters and the two novels that tell Mari’s story, and also to revisit the touchstone place and time that has meant so much to our cultural history. Whether you lived through the sixties or just have heard about it in stories and books, Playback will take you there and like Mari, you will find yourself torn between staying or returning to your own life, maybe changed for the better as she was.

Carla Malden was born and raised in Los Angeles. She worked in film production and development and then as a screenwriter. Working with her father, Academy Award winning actor Karl Malden, she co-authored his critically acclaimed memoir When Do I Start? Carla has written features for the Los Angeles Times, and her previous novels include Search Heartache, Shine Until Tomorrow, and My Two and Only. She is a member of the Board of the Geffen Playhouse in Los Angeles.

Author website.

Rare Bird (publisher) website.

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Helen Sheehy: Just Willa (a novel)

Just Willa (a novel)—Helen Sheehy—Cave Hollow Press—978-2-7342678-3-9—paperback—428 pages—$21.95—April 13, 2025—ebook versions available at varying lower prices

As many Writerscast listeners know, I only interview writers about books I like and enjoyed reading enough to want to share with my listeners. So every episode of this podcast does represent a certain “best of” approach to my reading, since you will never hear about the books I did not love, or could not bring myself to finish.

From among those many books I like, Helen Sheehy’s Just Willa is a special one – this is a flat out just a wonderful novel. It focuses entirely on the story of one woman and her family, Willa Hardesty, and her difficult farm life in dusty, dry Oklahoma. Her story follows seven decades of one woman’s life, a twentieth century family chronicle that focuses on the small struggles of daily life, a difficult husband, the challenges of raising children and the heartbreak that goes with a large family.

Willa is tough because her world requires her to be tough. She is the daughter of a homesteader who somehow manages to be a single mother in an era that provides almost no support, then marries a bootlegging cowboy who is never honest with her. Her seemingly “small” life is really a world that is far greater than it seems, and she lives it with indomitable strength despite all her hardships and struggles to understand who she really is.

Like most great fiction, we come to realize that this novel is entirely true.

I really enjoyed speaking with Helen about her book, her writing process, and her past work as a biographer. I think you will enjoy this conversation, and I hope it might spur you to read Just Willa yourself, and because she is a really fine writer, and this book is autobiographical fiction, perhaps you will be interested in reading her biographies as well.

Helen Sheehy grew up on farms in Oklahoma and Kansas, although she’s lived in Connecticut most of her life. She’s been a dramaturg at Hartford Stage Company and written biographies of theatre pioneers; Margo Jones, Eva Le Gallienne, and Eleonora Duse.

Sheehy taught theatre and English in high schools in Kansas and Connecticut, which was the basis of her first book, a textbook titled All About Theatre. She was Adjunct Professor of Theatre at Southern Connecticut State University for over twenty years. Sheehy has also taught acting and improvisation to inmates in a maximum security prison in Connecticut.

She lives in Hamden, Connecticut. Just Willa is her first novel.

“Helen Sheehy’s masterful prose immerses you in Willa Hardesty’s world with such rich detail and emotional depth that you feel the dust of the Oklahoma plains and the quiet strength it takes to hold a family together. It’s a powerful reminder that even the women who shape our lives can hold truths we only come to understand with time. This book is for anyone who has ever known their mother—or thought they did.”—Michael Sucsy, Emmy-winning writer/director of Grey Gardens

Author website.
Buy the book on Bookshop.org

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Tamara Dean: Shelter and Storm: At Home in the Driftless

Shelter and Storm: At Home in the Driftless – Tamara Dean – University of Minnesota Press – 9781517918569 – Paperback – 224 pages – April 22, 2025 – $19.95 -ebook editions available at lower prices

Books like Shelter and Storm are all too often errantly categorized as “regional,” both by publishers and reviewers alike. That’s a problem, as if you think of this book as being “only” about the Driftless region, or Wisconsin, or even the Midwest as its “region,” too many readers might not be interested enough to read this book. It’s an irony for anyone writing from or about a specific place – it may be that through a deep understanding of a unique place that one can address and communicate the most universal issues of human life and the natural world.

Tamara Dean is a truly gifted writer, and I suspect that she can write well about almost anything. But this book is personal, and it gives her storytelling abilities the opportunity to shine. There are twelve “stories” in this book, really linked chapters that document on multiple levels, the time she spent during a “return to the land” experience not that many years ago in the truly unusual region called The Driftless because the glaciers that extended across this continent managed to miss this part of what is now mostly Wisconsin (and a bit in Iowa). It’s not flat there, but rather consists of steep hills and deep valleys, highly forested with a number of spring-fed streams.

While the stories are about Dean’s life there, she uses her own experiences to illuminate a variety of issues that matter to almost all of us, from climate change as it affects peoples lived lives (especially in farm communities), how people create community and mutuality, survive natural and household disasters, and citizen science (with a special interest in blue-glow fireflies). Dean’s personal experiences are transformative for her, and through her essays, for us as well

Tamara Dean’s Shelter and Storm is reminiscent of the best writing about nature and rural living, including works by Aldo Leopold, Edward Abbey, Wendell Berry and Gary Paul Nabhan. Tamara Dean’s writing will engage those many of us who care deeply about climate change and sustainability, and her stories will make you feel that it is possible and necessary to spend more time not only being in the natural world, but reflecting on what it means now for us in our alienated, disconnected, thoroughly modern world, and how we might forge a way of being that allows us to live better lives and preserve some level of nature still.

I do want to say that this book is one of the best of the many I have read this year. And I truly enjoyed having the opportunity to speak with Tamara about the book and her experiences in the Driftless, a place I now very much want to visit to experience for myself.

Tamara Dean’s essays and stories have been published in magazines including The American Scholar, The Georgia Review, the Guardian, One Story, Orion, and The Progressive. She is also the author of The Human-Powered Home: Choosing Muscles over Motors. She teaches writing independently in various locales.

“It may sound familiar, but Shelter and Storm is an engaging read largely because Dean is a very good writer.”—Big River Magazine

“Tamara Dean’s luminous essay collection paints a thoughtful portrait of the Driftless region of Wisconsin and the struggles it faces due to climate change.”—Shelf Awareness

“The essays collected in Shelter and Storm, grounded in Dean’s experience tending to and rewilding neglected farmland in the Driftless region, are a product of Dean’s lively, curious, meticulous mind, exploring topics as varied as the impacts of climate change, the challenges of sustainable living, brickmaking, prairie tending, and the history of abortion […] At their essence, these essays are informed by awe. They are about what happens when we make space in our lives for deep attention and wonder.”—Craft Magazine

Author website here.

Buy the book at Bookshop.org

 

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Annalee Newitz: Automatic Noodle

Automatic Noodle – Annalee Newitz – Tordotcom – 9781250357465 – Hardcover – 176 pages – August 5, 2025 – $24.99 – ebook versions available at lower prices

Annalee Newitz is one of the best and most original science fiction writers I have read in a long time. I read their last novel, The Future of Another Timeline (it’s brilliant!) and couldn’t wait to read their next book. Automatic Noodle is simultaneously hilariously funny, sneakily political, and highly original. It’s pretty hard to resist and aside from the fact that it is a short book that leaves you wanting much more, it is one of my favorite books I have read in a long time. Newitz takes us into a future that is recognizable, and while it is as scary as any future looking book must be in our dystopian present, while positing that our future includes a bloody and destructive civil war, the book is somehow optmimistic and hopeful.

Automatic Noodle takes place in Annalee’s favorite city, San Francisco, in the near enough future that it is a recognizable place. California has fought a bloody, destructive, technologically advanced civil war to free itself from the United States. In its newfound freedom, robots have limited rights and must struggle to find their way in a new society. If that sounds eerily reminiscent of the 1870s, it’s not accidental. Annalee weaves together a set of wonderfully humane characters, all of whom are seeking to build new identities in a strange new world. It’s a wonderful story that makes you think and also feel. Great fun carrying along some really important ideas about humanity and freedom.

I really enjoyed talking to Annalee and hope you will not only enjoy our conversation, but go out and buy the book at once – then let me know if you like it as much as I do.

Annalee Newitz writes science fiction and nonfiction. They are the nationally bestselling author of the books Four Lost Cities: A Secret History of the Urban Age and Stories Are Weapons: Psychological Warfare and the American Mind, as well as the novels The Terraformers, The Future of Another Timeline (winner of the Sidewise Award), and Autonomous (winner of a Lambda Literary Award). As a science journalist, they are a writer for the New York Times and have a monthly column in New Scientist. They have published in The Washington Post, Slate, Popular Science, Ars Technica, The New Yorker, and The Atlantic, among others. They are also the co-host of the three-time Hugo Award-winning podcast Our Opinions Are Correct.

“This is a story—about building community despite adversity, fighting for your rights and individuality, and creating art that you want to see in the world—that I didn’t know I needed right now. And it was so much fun to read!”—Martha Wells, author of The Murderbot Diaries and Witch King

Author website.

Buy the book.

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Jeff Kisseloff: Rewriting Hisstory: A Fifty-Year Journey to Uncover the Truth About Alger Hiss

Rewriting Hisstory: A Fifty-Year Journey to Uncover the Truth About Alger Hiss – Jeff Kisseloff – 9780700638338 – Hardcover – 392 pages – University of Kansas Press – April 19th, 2025 – $34.99 -ebook versions available at lower prices

I’ve known about the Alger Hiss case since I was a kid,  growing up in the early post-McCarthy era. And in my own family we had two close relatives, both writers, who were blacklisted, and many friends of my parents had been blacklisted at some point as well. So it was a milieu that made the Hiss story living history for me well into my adulthood. Hiss never gave up publicly claiming he was innocent of the spying he had been accused of by the infamous Whittaker Chambers, and well into the early seventies, his supporters included public intellectuals who both believed him and publicized the effort to clear his name.

Jeff Kisseloff’s Rewriting Hisstory is a firsthand account of his fifty years investigating the facts of Alger Hiss’s life and travails. He started out researching the story for a college paper, then worked for Hiss and finally was able to determine the truth about the entire Hiss saga. It is truly an amazing memoir, and is never boring. Jeff uncovered troves of original material, including 150,000 pages of mostly unredacted previously unreleased FBI files he sued the FBI to get. He collected many documents from government and library collections around the country. And amazingly, Jeff acquired the typewriter known as Woodstock 230099, that the government claimed was used to type copies of State Department documents that were used as the crucial documentary evidence against Hiss.

If you are not familiar with this part of American history – Alger Hiss was accused by Whittaker Chambers in 1948 of being a secret Communist spy in the 1930s and the subsequent perjury trial against Hiss was a major political event in the early fifties, a key part of the effort to “prove” that communists had infiltrated the federal government during the FDR administration – which was used by right wing figures to both discredit the “liberal” Democrats and to establish the groundwork for the Cold War and an ironically authoritarian approach to keeping democracy free. Hiss was convicted but always proclaimed his innocence until his death. Historians have taken sides and up to now, no one has proved Hiss to have told the truth. Kisseloff’s incredible tenacity brings real clarity to a complicated storyline. Almost in crime novel fashion, Jeff puts together the pieces that enable him name the only people who could have framed Alger Hiss.

As the publisher accurately says “Rewriting Hisstory is a thrilling political page-turner about an accused spy that is itself a work of scholarly espionage, built on decades of painstaking research. This is an iconoclastic work that should rewrite history books.”

Jeff and I had a terrific conversation about his work and I am certain that you will enjoy hearing what he has to say here.

Buy the book from Bookshop.org (and support local bookstores)
Kisseloff’s book website here

“Alger Hiss vs. Whittaker Chambers. It was the most politically explosive trial of the twentieth century. And while many historians believe the case is settled history, now comes Jeff Kisseloff with an indictment against the conventional wisdom. Kisseloff presents meticulous evidence to portray Chambers as a serial fabulist. Die-hard believers in Hiss’s guilt will be outraged. But clearly, they have not had the last word. This book is sure to stir a hornet’s nest of controversy.”–Kai Bird, coauthor of American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer

Jeff’s bio: Jeff Kisseloff is a former newspaper reporter and editor whose writing has appeared in the New York Times, The Nation, and elsewhere. He is also the author of five books, including Generation on Fire: Voices of Protest from the 1960s–An Oral History, The Box: An Oral History of Television, 1920 to 1961, and You Must Remember This: An Oral History of Manhattan from the 1890s to World War II.

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Mark van de Logt: Between the Floods: A History of the Arikaras

Between the Floods: A History of the Arikaras — Mark van de Logt — University of Oklahoma Press —Paperback — 9780806194905 — 384 pages — $29.95 – October 1, 2024 – ebook versions available at lower prices

During the past couple of years, I’ve read several really good books that recast the history of indigenous Americans both prior to, during, and after the invasion of North America by Europeans, first by explorers, fishermen and traders, and later by colonizers. Almost everything most of us learn about this part of the history of the Americas has been told and taught from the European perspective. Academic studies have similarly been mostly conducted by white Americans with indigenous people seen as subjects for interrogation and study by what is proposed to be a more “accurate” form of science, rather than treating indigenous people as equals, with practical knowledge, historical awareness, and actors with full credibility in the telling of their own histories and practices.

Mark van de Logt’s excellent book Between the Floods, purposely challenges the way the history of an indigenous people is studied and understood. Mark gives credence from the outset to the oral storytelling of the Arikara people, that sets forth their history in an oral tradition, which he then supplements with other forms of knowledge to expand them.

The Sahnis, or Arikara, as they are best known, were at one time a powerful independent nation, who likely migrated from the southwest hundreds of years ago, and settled in the Missouri River region in what is now mostly Nebraska (though today, the tribal lands are the Fort Berthold Reservation in North Dakota.)

The Arikaras, like their Hidatsa and Mandan neighbors on the northern plains, were both farmers and hunter-gatherers who thrived as corn growers and successful buffalo hunters. The arrival of Europeans, even hundreds of miles away from them brought pressure on their villages from other indigenous nations, notably the Lakhotas, whose larger population and more successful military forces caused displacements and relocations, and contact with Euro-Americans brought devastating diseases and other problems for the Arikara as well. Their important location on the Missouri River brought them into contact early on with French fur traders, the Spanish, and especially Americans after Lewis and Clark, often with damaging effects on their tribe.

Between the Floods creates a historical narrative of a resilient semi-sedentary people in their migration and settlement as they confront the colonialist era, endure many tribal conflicts, experience terrible diseases, and incorporate horses and metal tools into their culture. Arikara oral traditions and histories provide an entry into their past and current culture that at its core has survived intact despite so much suffering at the hands of their enemies and the conquering American society.

Mark uses information from archaeology, linguistics, and anthropology to enhance native storytelling, and the book is illustrated with Native maps and ledger art, along with historical photographs and drawings. There is no better way to understand this important tribal nation that likely is known to very few Americans today.

This is a terrific book. It’s well written, well-researched, and demonstrates throughout a deep appreciation for the Sahni people, their lifeways, history and traditions. This kind of history-telling is really important not only for the tribe but to all of us who know so little about their past and present lives. And Mark deep knowledge and broad field of study makes him a terrific interview subject.

Mark van de Logt is Associate Professor of History at Texas A&M University of Qatar, teaches in the Department of Modern Languages and Cultures at Radboud University, and is also the author of War Party in Blue: Pawnee Scouts in the U.S. Army (2010) and Monsters of Contact: Historical Trauma in Caddoan Oral Traditions (2018). Between the Floods was awarded the Erminie Wheeler-Voegelin Prize for best book in Ethnohistory from the American Society for Ethnohistory. His current research involves linking oral traditions to historical events. His articles appeared in the “Journal of Military History,” the “American Indian Quarterly,” the “American Indian Culture and Research Journal,” and “Wicazo Sa Review.” He is (co-)editor of the University of Nebraska Press’s “Studies in the Anthropology of North American Indian” series.

Buy the book here.

There is an interesting interview with Mark about the Arikara scouts for “The Friends of Little Bighorn” here.

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Nikkya Hargrove: Mama: A Queer Black Woman’s Story of a Family Lost and Found

Mama: A Queer Black Woman’s Story of a Family Lost and Found — Nikkya Hargrove — Algonquin Books — 9781643751580 — Hardcover – 240 pages — October 15, 2024 — $29.00, ebook versions available at lower prices

“The book is deeply moving and shows how one woman managed to differentiate herself from her mom, find queer love, and discover her voice. I loved it.”–Katie Couric Media, “14 Best New Books Out This Fall, According to a Bookfluencer”

I’m fortunate to live in the same mid-sized Connecticut town as Nikkya, where she has founded a much-needed independent bookstore called Obodo Serendipity. Along with her wife and kids, she is working hard to build a literary community for readers of all kinds, especially kids. Her store has  become a place where I like to hang out. Oddly, Connecticut has very few good bookstores, which seems strange for a state with a relatively well educated book reading population. But I suppose that is indicative of the state of books and also of retailing and our culture generally – people don’t seem to spend very much time in communal spaces anymore. That is one good reason to welcome and support a bookstore (and happily I note the success of a very busy tearoom and a locally owned coffee shop as well, suggesting that people really are in search of human connection in reaction to the overwhelming flattening engendered by the internet…but that is a subject for a different episode).

Nikkya is a thoroughly engaging and impressive person. Mama is a remarkably clear eyed and honest memoir about her life. It may be trite to call it uplifting, but it really is an inspiring story. Anytime I feel that things are difficult in my daily life, it is helpful to remind myself of the challenges Nikkya faced and overcame — it’s always a good restorative, and very humbling too.

Nikkya was born very prematurely to a mother whose life had been taken over by drugs, and the fact she even survived her infancy is remarkable. She was raised mostly by other family members, as her mother struggled with drug addiction and the resulting bad life choices. But Nikkya and her mom always maintained their bond. Her mother unexpectedly had another child much later in her life, and then passed away, leaving her infant son without a parent. Nikkya, by then a young adult, made the life-changing decision to take responsibility for raising her half-brother.

Mama is the story of Nikkya’s mother, but it is also the story of Nikkya becoming a mother, finding her soulmate partner, together creating a new and very personal family, with her son, and now her twin daughters. Besides being an incredibly strong, warm-hearted and loving person, Nikkya is also a strong writer who tells her story brilliantly in this book. It is impossible to read this memoir and not be deeply affected and indeed, changed by Nikkya’s life story.

As Sonya Huber says in her blurb about the book: “Hargrove offers a deep and stirring view of the impacts of addiction and the criminal justice system on Black women, offering an account of hope, heartbreak, faith, courage, joy, and the comfort and care of extended and chosen families.”

It is an honor for me to have her as a guest on this podcast, and also to be able to be her friend (and dedicated supporter of her bookstore). And if you buy her book, which I hope you will do from the link below, Bookshop.org will give Odobo Serendipity a part of the proceeds.

Nikkya graduated from Bard College and currently serves as a member of the school’s Board of Governors and chair of the alumni/ae Diversity Committee. She was a LAMBDA Literary Nonfiction Fellow, and has written about adoption, marriage, motherhood, and the prison system for The Washington Post, The Guardian, The New York Times, Scary Mommy, and Shondaland. Nikkya now operates the independent bookstore, Obodo Serendipity Books and lives with her wife and three children in Stratford, Connecticut.

Nikkya’s website.

Buy Mama: A Queer Black Woman’s Story of a Family Lost and Found

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Dennis James Sweeney: How to Submit: Getting Your Writing Published with Literary Magazines and Small Presses

How to Submit: Getting Your Writing Published with Literary Magazines and Small Presses – Dennis James Sweeney – New World Library – Paperback – 9781608689361 – 216 pages – $18.95 – February 25, 2025 – ebook versions available at lower prices

This book is described by its publisher as “A comprehensive guide to getting published and building a literary reputation through small presses and magazines — and taking ownership of your own publishing life.” While I am very familiar with publishing marketing lingo, I think this description, while literally accurate, actually undervalues Sweeney’s book. He does offer us much more than just a “guide to getting published.” By talking to writers as a colleague and exploring his own journey as a writer, he turns what could have been a mechanical self help guide into something much more interesting and engaging.

I’ve been on both sides of the process this book is about – as a writer submitting work for publication and more often as a publisher and editor, combing through submissions of all kinds and qualities. This book provides much more than simply guidance, tools and support for writers. In it, Sweeney personalizes what is so often a depersonalized process, and helps writers see themselves as active agents in a complex ecosystem with many levels and activities. And in many ways, he reveals the process of “submitting” one’s work as an almost spiritual practice, not just a means to an end.

All of the podcast interviews I do are unstructured and informal – I like to start without notes or an agenda and see where the conversation goes. Talking to Dennis was truly a pleasure, and I think we ended up having a wonderfully organic and interesting conversation about the independent literary world, contemporary writing, and the role of the writer in that community. Whether you  are already a published author, or a publisher or magazine that works with author submissions, this book has a great deal to offer you.

Dennis James Sweeney is a writer and teacher. His books have been published by small independent presses, including Autumn House Press, Essay Press, Ricochet Editions, and Stillhouse Press, and his writing has appeared in Ecotone, The Southern Review, Witness, and The New York Times. Sweeney lives, writes, and teaches in Amherst, Massachusetts. Author website here.

But the book here.

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