The Child Thief by well known illustrator and writer Brom is an absolutely stunning book. It is the Peter Pan story retold in a brilliantly imagined fashion that is completely captivating. So, yes, I did love reading this book. It is immersive, scary, and dark, but it is also wildly creative, and mashes up some of our most powerful mythological story lines to create its own narrative drive and a world inside, aside, and connected to our own that is fantastic (literally) and wonderfully psychological, and even political.
I really do not want to tell too much about the world that Brom has created, its characters or the story line as it is so much fun to discover it on one’s own. The genesis for the story was Brom’s discovery of a line in James Barrie’s original Peter Pan he found frightening but crucial, where Barrie mentions that Peter Pan would “thin out” the Lost Boys when the island population got too big. This single statement sheds a very dark light on the entire construct of the mythology of Neverland. And as he says about the character of Peter Pan himself, who kidnaps children and kills pirates (among others) – he is not really such a nice character as we imagine him now: “And more chilling is Peter’s ability to do all these things—the kidnapping, the murder—all without a trace of conscience: “I forget them after I kill them,” he (Peter) replied carelessly.”
In The Child Thief, Peter is indeed a boy who will never grow up, but his existence is oh so much more complicated than the movie and stage versions we know. Peter travels to modern day New York City to find new members for his tribe, who fight real battles in a Neverland that is now a part of Avalon and includes a great deal of real danger – even just to get there requires a frightening and challenging journey (a true rite of passage for the lost adolescents Peter has convinced to join him).
Brom’s Avalon is going through a very difficult time and there are many painful moments in this book. Death and suffering are everywhere here – this is not a book for the faint of heart or those looking for escapist fiction. By conjoining the world of Avalon to our own, and especially to the painful and bloody history of the conquering of the North American continent by European soldiers and settlers, the author has brought us face to face with the darkest elements of the modern industrial society to which we have evolved. Even at the end he avoids the easy and satisfying resolution of his story that many readers may be seeking. It’s not entirely a dark ending, but neither is it thoroughly uplifting. Personally, I loved the ambiguity throughout the book.
Brom is indeed a terrific artist – there is a section of his beautiful, evocative and sometimes chilling illustrations of all the characters in the middle of the book that is truly compelling. You can see more of his work at his website.
It was a pleasure to have a chance to speak with Brom about his work and specifically about this book. It’s so richly imagined and has so many layers, it’s easy to talk about. Brom is a wonderful story teller with a great deal to say. This is a compelling book for anyone who loves to get lost in a fully imagined alternate universe – and this one happens to be very familiar and therefore powerful, as it shatters all of our expectations so beautifully.
Luna Park is an outstanding first graphic novel by historian and novelist Kevin Baker. Baker is certainly well-known for his best selling New York City based trilogy of historical novels (Paradise Alley, Dreamland and Strivers Row). And recently he was the consultant for the History Channel’s extremely fine mini-series, America: The Story of Us, as well as being the author of its companion book.
Luna Park is centered on a former Russian soldier, Alik, who fought in Chechniya now living in Coney Island, working as the enforcer for a small time Russian mobster. He is addicted to heroin, and haunted by his memories of the horrors of the war and his own part in it. He desperately loves the prostitute Marina, whose daughter is held captive by the mob boss as a way to keep her under his control.
Alik comes up with a desperate plan he has convinced himself will save Marina, her daughter and himself. It’s at this point that the story takes a turn, as Alik discovers he is destined to repeat his past lives repeatedly, including a few pasts the present Alik does not know he had. There are flashes from present- day run down Coney Island to the Russia of 10 years ago during the Second Chechen War to an earlier time period in Coney Island, when the area was at its peak as an amusement park that really was amazing to behold.
Baker keeps us traveling with him throughout, even though the story is complex, the pain palpable and the suffering of the characters in their struggles seems to never let up. The work of the artist Danilej Zezelj is perfectly suited for this story. His art is dark, powerful and energetic, and adds tremendously to the strength of the story. DC Comics deserves praise putting Baker and Zezelj together, it’s a terrific collaboration.
Kevin Baker and I talked at length about this, his first graphic novel, both in the context of his work as a fiction writer and historian, and of course his deep interest in the City of New York, especially its seamier areas like Coney Island, as well as how writing a graphic novel in collaboration with an artist is different from other types of writing. we were able to range widely about a number of other subjects, making this conversation one I hope listeners will particularly enjoy.