Given my longstanding interest in baseball and an early background in anthropology, it’s kind of surprising to me that I missed knowing about the work of George Gmelch until very recently.
I ran across George’s books in some random searching having to do with baseball, and happily was able to get an introduction to him through my anthropologist brother. When he was young, George was a baseball player, and a pretty good one. Like so many others, he played for several years in the lower minor leagues, but never made it to the Major Leagues. It’s possible he quit too early, but it’s also likely that he made the right choice to quit baseball and go back to school (and got his Ph.D. at UC Santa Barbara) and then became an accomplished cultural anthropologist, studying tourism, sport cultures, and migration. He has worked among and written about Irish Travellers, English Gypsies, return migrants in Ireland and Newfoundland, commercial fishermen, Alaska natives, and Caribbean villagers and tourism workers, and has taught at several universities.
Given his training as an anthropologist and his unusual background as a minor league baseball player, it made sense that he could study baseball players, perhaps in ways that non-players could never manage. So some 30 years after his playing days ended, George arranged with friends still in the game to spend time with major and minor league players as an observer. Over the course of five years, he interviewed more than 100 players, coaches and managers, and got to experience and document the inner workings and social milieu of modern day baseball as it is lived by its participants.
Inside Pitch: Life in Professional Baseball is nothing like a typical anthropological ethnography. There’s a great deal of George’s personal story throughout, and it’s neither dry nor academic. But the observational techniques and abilities of the trained anthropologist are brought to bear, as George ruminates on the differences between modern players and those of his own era.
It’s unusual for us to get an insider’s view of the game that gets past the public relations walls that the institution and all its participants have build around it to protect the image of the game. Minor league players, though rarely interested in George’s own experience as a player, were always willing to tell him about their experiences, and even normally wary major leaguers were willing to talk to him once he explained that he was a former player doing anthropology, not a reporter looking for an angle.
So if you love baseball, Inside Pitch is a terrific read, and will enrich your understanding of what it is really like to play professional baseball. I was especially taken with the writing about and the interviews with players that illustrated the psychological struggles that players go through. I recently read the excellent RA Dickey memoir, Wherever I Wind Up: My Quest for Truth, Authenticity, and the Perfect Knuckleball, which is a terrific complement to Inside Pitch, as so much of Dickey’s story is about how he managed to conquer his personal demons and harness his inner being to finally become a successful pitcher after years of struggle. Gmelch both give us many quotes of players talking about their mental struggles and writes about these issues perceptively.
Baseball is generally considered a cerebral game because of its complexity and pace. That, and the fact that there are so many games in a very long season, create a very challenging emotional and psychological environment for players. We rarely, if ever, get to see close up what that can mean for them. And because the vast majority of players who play in the minor leagues never make it to the majors or only get there for a brief time, reading about their struggles can change the way you think about the players who do get to the majors and stay there for any length of time. They really do have to be special, lucky and to have developed a solid psyche in order to be able to survive and thrive in such a difficult and fraught environment.
George Gmelch has written eleven books and now teaches at the University of San Francisco, where he co-directs the anthropology program. I’ve now got an earlier book of his, In the Ballpark: The Working Lives of Baseball People on my reading list as well. Talking to him about his experiences as a player, anthropologist and writer was a terrific pleasure for me. Alert to listeners: we had such a good conversation that I lost track of time, and this is a longer than average podcast at 54 minutes.
Most of us are not very good at seeing the details in the world that surrounds us. We’re in a hurry, we’re overloaded with information, and we don’t really have the patience for the kind of looking that it takes to absorb and think about that kind of information.
The brilliant geographer, Carl Ortwin Sauer observed this about naturalists:
“Much of what [they] identify and compare lies outside of quantitative analysis. Species are not recognized by measurements but by the judgment of those well experienced in their significant differences. An innate aptitude to register on differences and similarities is joined to a ready curiosity and reflection on the meaning of likeness and unlikeness. There is, I am confident, such a thing as the “morphologic eye,” a spontaneous and critical attention to form and pattern. Every good naturalist has it…”
This is a fairly apt description of the work that naturalist David George Haskell undertook before writing The Forest Unseen: A Year’s Watch in Nature. And what a beautiful book it is!
Haskell is a biologist at the University of the South in Sewanee, Tennessee. He located a small piece of old growth forest nearby (old growth forest typically still exists in relatively tiny pockets in places where the terrain was too difficult for loggers to get into). With a certain nod to Buddhism, Haskell found a one meter by one meter square piece of forest he termed his mandala, and committed to spending a full year in close observation of this tiny sampling of an original and relatively undisturbed ecosystem.
Over the course of that year, he intrepidly sat and watched, and sometimes closely examined with a magnifying glass, what happened in his square meter of land. Each time he visited what ultimately became his meditation place, he recorded what he saw, and then researched and wrote about what had happened during that day. Of course this sounds mundane and almost plodding. And in lesser hands, this would just be a perhaps valiant exercise in close observation,. But it’s in the writing and the meditative exploration that Haskell was able to transform his seen experience into magical prose explorations of nature and what it means to us.
Finding a tick on him leads to a discourse on the life cycle of the tick that is worth re-reading several times. Hearing a chickadee in winter leads him to write about the amazing ways that these little birds survive the winter. Finding a golf ball in his sacred space (this may be a piece of wilderness but it’s boundaries by a nearby golf course) provides Haskell with the opportunity to explore the meaning of what is the definition of “natural” and the relationship of humans to nature.
David Haskell writes beautifully about nature, but as well, writes brilliantly about the ideas that closely examining the natural world inspire in an intelligent and perceptive human being. You can read this beautiful book simply to learn a great deal about a wide range of creatures and plants that we often take for granted, how an ecosystem works across time and changing seasons, and how in fact any of us could learn more by close observation. You can also read this book simply for the sheer beauty of the writing, and the brilliance of its descriptive passages. Haskell has extended beyond scientific or nature writing with a poetic and spiritual grace and the power of contemplative thought to create something very special and uniquely his own.
This is a book I have been buying frequently to give to friends and family (I am related to two active biologists), and recommend to everyone as one of my favorites. It was a great pleasure to talk to David Haskell about his work. I’ve been enjoying reading his blog, called Ramble, now on a regular basis, it’s a wonderful journey for anyone interested in the natural world and how to see it clearly.
Haskell holds degrees from the University of Oxford (B.A. in Zoology) and from Cornell University (Ph.D. in Ecology and Evolutionary Biology). He is Professor of Biology at the University of the South, where he has served both as Chair of Biology and as an Environmental Fellow with the Associated Colleges of the South. He is a Fellow of the American Council of Learned Societies and was granted Elective Membership in the American Ornithologists’ Union in recognition of “significant contributions to ornithology.” He served on the board of the South Cumberland Regional Land Trust, where he initiated and led the campaign to purchase and protect a portion of Shakerag Hollow, where the The Forest Unseen is set, a forest that E. O. Wilson has called a “cathedral of nature.” David Haskell lives in Sewanee, Tennessee, where he and his wife, Sarah Vance, run a micro-farm (with goat milk soaps available for purchase at Cudzoo Farm’s pretty cool website).
Note to listeners – I read this book in its lovely Viking hardcover edition, this interview is being posted in February, 2012; as of the end of March 2012, the paperback edition will be available. The cover here is of the hardcover edition.
Michael Feinstein is doubtless the most active supporter and proponent of the Great American Songbook we have. Aside from his own inspiring performances, he is an incredible impresario of the music he loves and that he loves to share. His “Michael Feinstein’s American Songbook” show is on PBS (and past seasons are available on DVD). He performs more than 200 times a year, and records regularly.
Michael has been nominated for five Grammys, most recently in 2009 for The Sinatra Project and his TV special, Michael Feinstein – The Sinatra Legacy, is currently airing on PBS.
He is also the founder of the Feinstein Initiative, that preserves and promotes the Great American Songbook, and serves as Artistic Director of the Palladium Center for the Performing Arts, a $170 million, three-theatre venue in Carmel, Indiana, which opened in January 2011. The theater is home to an annual international Great American Arts festival, diverse live programming and a museum for his rare memorabilia and manuscripts. Starting in 2010, he became the director of the Jazz and Popular Song Series at New York’s Jazz at Lincoln Center. In 2013, he will replace the late Marvin Hamlisch as the lead conductor of the Pasadena Pops.
His many other credits include scoring the original music for the film Get Bruce and performing on the hits television series “Better With You,” “Caroline in the City,” “Melrose Place,” “Coach,” “Cybill“ and “7th Heaven.”
Feinstein was born in Columbus, Ohio, where he started playing piano by ear as a 5-year-old. After graduating from high school, he worked in local piano bars for two years, and then moved to Los Angeles when he was 20. The widow of legendary concert pianist-actor Oscar Levant introduced him to Ira Gershwin in July 1977. Feinstein became Gershwin’s assistant for six years, deeply influencing his life and setting him on the path that has become his life as a singer, songwriter and promoter of music.
In The Gershwins and Me, Feinstein tells a personal story in which each of the twelve chapters highlights one of the Gershwin classic songs, using them to tell the story of the Gershwin brothers and their family, illuminating their music and incredible creativity, and telling memorable personal stories throughout. In this unusual narrative, Feinstein tells a moving chronicle of his own life with the Gershwins and his vision of how their music inculcates so much of modern American life. It’s a wonderful, personal and special book that I very much enjoyed discussing with author Michael Feinstein, whose amazing website demonstrates the incredible breadth of his work in music.
Melanie Hoffert’s Prairie Silence is about growing up on the prairie of North Dakota. The silence she talks about is most often her own, though there are many other kinds of silences in the small town she grew up in. Her story is about growing up gay in a place that seems alien to her, in a family she felt she could reveal her true self to (until much later in her life after she had moved away – her eventual coming out story is just emblematic of the awkwardness that she mostly recognizes now was projected rather than felt).
Now living in Minneapolis, Hoffert feels the need to return home to her family farm, to work with her farmer father and brother, reconnect to her mother, and to better understand the place she came from. Interacting for a solid period of time with family, friends and neighbors gives the book its narrative, and places her in the complicated nexus of self, place and other.
Prairie Silence is a warm, sometimes surprising memoir that combines an internal voice with a clear eyed reflection of the northern plains we often call the “heartland,” whose residents often and perhaps ironically, have terrible challenges connecting with their own hearts and souls, and thus are unable to sympathize with the hearts of others, especially those who don’t share their own values. But as she learns more about the people she left behind, Hoffert does find connections, and real ones, with many of those to whom she could not trust to reveal herself.
Hoffert’s prose is plainspoken and clear, just as she was in her interview with me about this strong debut work of nonfiction. A warm and loving memoir I highly recommend and an excellent introduction to a fine new writer.
Melanie has an MFA in creative writing from Hamline University, and her work has appeared in several literary journals. She received the 2005 Creative Nonfiction Award from the Baltimore Review and the 2010 Creative Nonfiction Award from New Millennium Writings. Since 2008 she has worked for Teach For America as managing director of TFANet, the online social-networking hub for their corps members and alumni.
Author website here.
“Sometimes at dusk, when the world is purple, I go searching for elements of a small town in the city. I usually walk down alleys, where yellow light spills from the back of houses onto piles of dusty red bricks and onto old lumber; where forgotten white Christmas lights crawl like vines over many of the fences; where junk cars sit as if in a museum; and recycling bins display the ingredients of meals consumed weeks ago. In alleys people do not have a need to present a manicured life and I feel closer to the neighbors I will never know. In these alleys, where the roads are narrow and life is presented as it is lived—messy and whimsical—I see glimpses of what I left behind.”
This is flat out a stunning book. Luis tells his life story pulling no punches, avoiding no pain, either that he has given to others or that others gave to him. Years ago, when I read his first memoir Always Running (some pieces of which are repeated or retold here), I knew that he was a great storyteller. His poetry is crystal-like, full of shards of emotion and insight.
Rodriguez is a powerful writer. His prose flows like a river and carries you along with Luis, as he makes terrible mistakes, strives to become better, to understand who he is in a terrible, painful and challenging world. He grew up in California, child of immigrants, always struggling, and early on in life, unlike anyone else in his family, was drawn into the gang life, engaged in all sorts of crime, did drugs, was violent, full of rage and sorrow. But he was always a reader, always smart enough, emotionally engaged enough, to want more, to be engaged, to struggle. In It Calls You Back, Rodriguez documents everything, how he became a writer, politically engaged, an activist working with gangs, a lover, husband and father, whose own son makes the dramatic and terrible mistake that changes his life forever, despite everything Luis thought he had done to help his son escape La Vida Loca (the crazy life) of the gangs.
It has taken years for Rodriguez to become who he is today, but his past life is always with him, always running inside his heart and soul. His life’s work is all about engagement, transformation, and social change. I admire what he has done to turn his experiences into such powerful action. Reading this book is as transformative for the reader as it was for the author. I hope my conversation with Luis will help illuminate and amplify the story he has to tell.
Finding this book was a happy accident for me. Much of my own family is from Lithuania and I have long been interested in the history and culture of the Jewish community prior to World War II. I’ve read a number of books by Jews who survived the Holocaust in Lithuania – terrible stories of suffering and loss. But Ellen Cassedy’s story resonated even more deeply for me. She went to Lithuania to study Yiddish as part of her quest to connect to her Jewish roots on her mother’s side and to explore the country and culture of her family’s birth.
She also needed to learn some of the secrets of her Holocaust survivor Uncle’s past, and as she explored and connected to Jews and gentiles alike, her experiences in modern Lithuania changed her perspective and understanding of the complex connections between people, their history, and their present. Much of what she believed was true about Lithuania as well as her family’s experience in the terrible war years was upended by what she learned and the people she met and interacted with there.
Cassedy’s story should be meaningful not just for Jews seeking to understand their European roots. Through her eyes, we learn a lot about her hard work in trying to master the complexity of the beautiful and difficult Yiddish language. She spends time with old people, young people, survivors, witnesses, goes through old Lithuanian and Russian archives, interviews city and country folk, including an old man who wants to “speak to a Jew” before he dies and learns a great deal about the issues that confront a country that was taken over by both Nazi and Soviet dictatorships. In the end, her journey transforms her, and in this memoir she allows us to travel with her through a difficult and rewarding emotional and physical landscape. I truly enjoyed this book and talking to Ellen about it was a pleasure. And I learned some new Yiddish words and expressions too!
Her own website is well worth a visit – nice video of Lithuania and more about her other work.
Marilyn Monroe was one of the great icons of mid-century America. I grew up while she was in her prime in the late fifties and the early sixties, and the power of her image and beauty was available even to me as a pre-pubescent youth. Her cultural appeal was remarkable. But the complexity of her persona was equally powerful, and certainly enabled her incredible charisma and appeal.
Her marriages to the equally iconic Joe DiMaggio and the brilliant playwright Arthur Miller, and rumors of her romantic liaisons to many other well known public figures added to the mythological elements of her story. And her undeniable skill as a comic actress and amazing on screen sexuality were unmatched by any other actor of her time. That she died relatively young, and in mysterious and controversial circumstances only added to the ongoing fascination with her life that continues a half century later.
Marilyn biographies (and exploitive tell-alls) abound. But no biographer has done what feminist scholar Lois Banner has done in Marilyn: The Passion and the Paradox. This is a complex and in-depth examination of a complex and challenging subject. Through exhaustive research and access to previously unavailable sources, Banner tells the story of Marilyn’s life in incredible (and never boring) detail, begins=ning at the outset of Marilyn’s difficult life and through to her sad and tragic death at age 36. We learn a tremendous amount about Marilyn, as a person, an actress, a thoughtful and well read intellectual, a star with a created narrative, a lover of men and of women, and in many ways a proto-feminist figure.
Reading this book, I found myself thinking about the distinctions in human nature that enables some of us to use personal challenges to grow and to create ourselves into powerful beings, while others simply suffer. But most of all, the sheer loneliness and pain of being that beset Marilyn are overwhelming to contemplate. Reading Banner’s recounting of her final weeks and days is an incredibly painful experience. And it was eye-opening for me to understand that the circumstances of her death are likely not as most of us have believed, a suicide.
This is really a powerful story, and one that I recommend to readers who may not have felt themselves interested in the details of Marilyn Monroe’s life. This is a serious biography about a serious and important life, and one that is well deserving of the powerful telling Banner has given to Marilyn. You can learn more at the author’s website. I really enjoyed talking to Ms. Banner and wished we had more time available to talk together about this book.
As I write this, it’s August, 2012, and sweet corn is beginning to be abundant here in Connecticut, where I live. This is my favorite season, and my favorite summer vegetable too. When I discovered this wonderful book, I picked it up immediately, and began to read it voraciously. I really like this book, and corn is, of course, an evocation of much more for the author and her readers. Atina Diffley has a great story to tell, and she tells it well in this lovely, powerful, evocative book.
Atina’s story is literally grounded by her connection to the earth and to living in community. As she tells us, she has always wanted to farm. As she has worked with the land to grow food, she has learned how farming is a synthesis of land and people. Wherever she is, along with her farmer husband, Martin, she is a sensitized and active member of her the ecosystem, paying close attention to the living world around her. It’s a great lesson for a world that seems alienated from the natural world. Atina tells us about how she came to being a local organic farmer, a story of farming within close range of the Minneapolis/St. Paul urb for more than thirty years. It’s been an incredible struggle, but also, an incredible success, as she shows how a conscious connection between farm and city, between farmer and the food system can create healthy systems that last. There are many practical lessons as well as inspiration, beauty, and sustenance here for anyone interested in building a new food system in America.
And in addition to a brilliant and beautiful story of land and living, Atina also tells the incredible story of the battle she and Martin led against the Koch brothers pipeline across Minnesota. It’s more or less mind boggling to imagine what they went through, and inspiring to see that it is possible for intelligent and organized opposition to powerful corporate forces can in fact be victorious – right over might.
This is a great book and one I am very happy to recommend to friends, family and colleagues. Talking to Atina about her book was a great pleasure for me, and I hope our conversation will be illustrative of how wonderful this book is. And thanks to the courageous and intelligent University of Minnesota Press for publishing this terrific memoir (a terrific publisher!). Having sold the farm to the food cooperatives that supported it for so many years, Atina is now an organic consultant and public speaker on farming and food issues. Her website is here. We had a great interview in which we covered a wide range of subjects related to her book and to the important issues she raises about our connection to the land, to food, to the reason why organic farming is so important, and to the meaning of food to our lives.
You really need to know the subtitle of this book to get the full impact – The Woman Who Wasn’t There: The True Story of an Incredible Deception. It is an incredible story, about a woman who became one of the leaders of the 9/11 survivors movement, who then turned out to be a complete fraud. How she managed to convince so many people of a story that was so much a part of our public experience (and so much a part of the terrible private experiences of other survivors and family members) is what makes this book compelling.
Journalist Robin Gaby Fisher wrote this book with Angelo J. Guglielmo, Jr., a documentary film-maker who was very close to the main character of the book and who was part of the story itself.
Tania Head told a dramatic and heart stopping story of survival from an upper floor of the World Trade Center, and quickly rose to a position as leader at an early stage in the development of the World Trade Center Survivors’ Network. She became a prominent public figure helping to establish the group, gave a public face to the survivors’ group, and was deeply emotionally involved in the lives of hundreds of people. Until her story unraveled and the truth became known.
It is a tricky thing for a writer to maintain the reader’s interest when the end of her story is already known – Fisher handles this problem successfully by painting an engrossing and detailed picture of Tania Head and all the people around her, and by keeping us waiting for the important details of how her story actually came apart. And while it is impossible for anyone to truly know and understand Tania, who will not speak publicly about anything at all, Fisher paints a deft portrait of a complex psychological being, who joins a long list of famous public frauds who have taken on personae that did not factually belong to them but whose beings were poured into their fantasies in service of deeply felt emotional needs.
It’s also hard not to wonder about the human need for heroes and leaders, which these sorts of confidence men and women prey on. This could happen to any of us, and perhaps especially when we are ourselves emotionally vulnerable and desperate for someone to show us the better side of the human spirit. In many ways, this story illuminates more about the nature of human suffering and stress than it could ever help us to understand the perpetrator of the fraud itself. It’s a very rewarding book to read and my discussion with Robin Gaby Fisher about the book will illuminate some of the important issues raised in her book.
Robin Gaby Fisher is a two-time finalist for the Pulitzer Prize in Feature Writing and a member of a Pulitzer Prize-winning team at the Newark Star-Ledger. She teaches Journalism at Rutgers University in Newark, New Jersey.
Bill Bradley is one of my favorite contemporary politicians. I felt badly for all of us when he left the national political scene and then went to work in investment banking. Much like another politician I admire, Mario Cuomo, he is smart, well versed in a wide range of subjects, able to communicate complicated ideas without dumbing them down, and above all, he is passionately a humanist, who clearly likes people, and loves what America could and should be, as a leader on the world stage.
While I certainly do not agree with all of his ideas, what he has to say is well worth paying attention to, especially since he is so intelligent, and his arguments are so well reasoned, grounded in ideas and carefully constructed (how novel!) Moreover, he represents what the current political discourse so desperately needs, namely leadership that does not trivialize, demonize or mock those with whom one disagrees.
Bradley believes deeply in the power of citizens to make change, and dispensing with so much of what goes for political discourse these days, in We Can All Do Better Bradley makes a strong case for why America cannot continue on its current deeply divided, politically gridlocked, and ineffectual political, social and foreign policy paths.
Bradley first reviews the current “state of the nation.” He makes clear that, contrary to right wing pronouncements, government is not the cause of our problems. He rightly points out the damaging and dangerous role of money and politics, talks cogently about why and how our existing foreign policy, electoral, and economic paths will lead to a dismal future for America, and sets forth clearly and coherently what needs to be done to for us to make changes for the better.
As the book title says, “we can all do better.” Rather than blaming and scapegoating (groups of other citizens, the other political party, or just government itself) or as so many do, simply ignoring what we don’t like, and disengaging from the political process, Bradley continually and powerfully makes his case we can all—elected officials and private citizens alike—do a better job together. Bradley is a great voice for uniting rather than dividing, for working together, and for allowing ourselves to see more clearly who we are – and can be – as citizens and participants in the modern world.
Bill Bradley, born and raised in Missouri, was a star basketball player at Princeton, a Rhodes scholar, and then had a Hall of Fame career in the NBA. He was a three term senator from New Jersey, and ran for president in 2000. We Can All Do Better is his sixth book. He’s been involved in investment banking and serves as a corporate director for a number of companies. He hosts a radio show called American Voices on Sirius/XM satellite radio.
(“For 40 years, I’ve traveled around America listening to the stories Americans tell about their lives. I was always moved, and so I wanted to create a show where you can hear some of them too.” – Sen. Bill Bradley)
It was a great pleasure for me to have the opportunity to speak to Senator Bradley about We Can All Do Better for Writerscast. You can learn more about the book at Sen Bradley’s website.