George Gmelch: Inside Pitch

March 28, 2013 by  
Filed under Non-Fiction, WritersCast

9780803271289_p0_v1_s260x420978-0803271289 – University of Nebraska Press Bison Books – paperback – $16 (no ebook edition available!)

Given my longstanding interest in baseball and an early background in anthropology, it’s kind of surprising to me that I missed knowing about the work of George Gmelch until very recently.

I ran across George’s books in some random searching having to do with baseball, and happily was able to get an introduction to him through my anthropologist brother.  When he was young, George was a baseball player, and a pretty good one.  Like so many others, he played for several years in the lower minor leagues, but never made it to the Major Leagues.  It’s possible he quit too early, but it’s also likely that he made the right choice to quit baseball and go back to school (and got his Ph.D. at UC Santa Barbara) and then became an accomplished cultural anthropologist, studying tourism, sport cultures, and migration. He has worked among and written about Irish Travellers, English Gypsies, return migrants in Ireland and Newfoundland, commercial fishermen, Alaska natives, and Caribbean villagers and tourism workers, and has taught at several universities.

Given his training as an anthropologist and his unusual background as a minor league baseball player, it made sense that he could study baseball players, perhaps in ways that non-players could never manage.  So some 30 years after his playing days ended, George arranged with friends still in the game to spend time with major and minor league players as an observer.  Over the course of five years, he interviewed more than 100 players, coaches and managers, and got to experience and document the inner workings and social milieu of modern day baseball as it is lived by its participants.

Inside Pitch: Life in Professional Baseball is nothing like a typical anthropological ethnography.  There’s a great deal of George’s personal story throughout, and it’s neither dry nor academic.  But the observational techniques and abilities of the trained anthropologist are brought to bear, as George ruminates on the differences between modern players and those of his own era.

It’s unusual for us to get an insider’s view of the game that gets past the public relations walls that the institution and all its participants have build around it to protect the image of the game.  Minor league players, though rarely interested in George’s own experience as a player, were always willing to tell him about their experiences, and even normally wary major leaguers were willing to talk to him once he explained that he was a former player doing anthropology, not a reporter looking for an angle.

So if you love baseball, Inside Pitch is a terrific read, and will enrich your understanding of what it is really like to play professional baseball.  I was especially taken with the writing about and the interviews with players that illustrated the psychological struggles that players go through.  I recently read the excellent RA Dickey memoir, Wherever I Wind Up: My Quest for Truth, Authenticity, and the Perfect Knuckleball, which is a terrific complement to Inside Pitch, as so much of Dickey’s story is about how he managed to conquer his personal demons and harness his inner being to finally become a successful pitcher after years of struggle.  Gmelch both give us many quotes of players talking about their mental struggles and writes about these issues perceptively.

Baseball is generally considered a cerebral game because of its complexity and pace.  That, and the fact that there are so many games in a very long season, create a very challenging emotional and psychological environment for players.   We rarely, if ever, get to see close up what that can mean for them.  And because the vast majority of players who play in the minor leagues never make it to the majors or only get there for a brief time, reading about their struggles can change the way you think about the players who do get to the majors and stay there for any length of time.  They really do have to be special, lucky and to have developed a solid psyche in order to be able to survive and thrive in such a difficult and fraught environment.

George Gmelch has written eleven books and now teaches at the University of San Francisco, where he co-directs the anthropology program. I’ve now got an earlier book of his, In the Ballpark: The Working Lives of Baseball People on my reading list as well.  Talking to him about his experiences as a player, anthropologist and writer was a terrific pleasure for me.2147483669_u_gmelch_georgedickey.book1  Alert to listeners: we had such a good conversation that I lost track of time, and this is a longer than average podcast at 54 minutes.

James Howard Kunstler Reading from an Unpublished Novel

March 20, 2013 by  
Filed under AuthorsVoices

225px-Jim_w_mustacheGenetically and biologically, we humans must still be heavily pre-literate, so the oral transmission of ideas, art and culture is powerful for us; we listen and concentrate on the words differently than we are used to doing when we consume written texts.  I have always enjoyed hearing writers read their work.  The author’s voice carries intonation and meaning that adds to the impact of the work and makes me feel closer to the writing.

So it’s a great pleasure to feature one of my favorite writers, James Howard Kunstler, in the AuthorsVoices series here at Writerscast.  Kunstler is the author of a long list of really interesting books.  He started out as a novelist, publishing novels on a variety of topics and settings through the nineties, when he switched to publishing nonfiction books about social and geographical issues, focusing on the suburbanization of America for the most part.  The in 2005, Grove Atlantic published his The Long Emergency, a brilliant and troubling book about climate change and the “converging catastrophes of the 21st Century.”

In February, 2011, I interviewed Jim about the post-apocalyptic World Made by Hand series of novels that are his imaginings of what life will be like in the world after the collapse he predicted in The Long Emergency.  At that time, he had written and published two books in the series, World Made by Hand and The Witch of Hebron.  That interview can be found here. The third book in the series is still in progress, and it is from that novel that Jim is reading in this recording.

Kunstler’s excellent and active website is here.  He blogs weekly and always has something interesting to say.  You can read about his newest book, Too Much Magic, here; this book tells us how and why the long emergency is already upon us.  The world in the novels he imagines may get here sooner than we think.TooMuchMagicJacket72dpi

Publishing Talks: David Wilk interviews Andy Doe

doe_headshotIn this series of interviews, called Publishing Talks, I have been talking to book industry professionals and other smart people about the future of publishing, books, and culture.  This is a period of disruption and change for all media businesses.  We must wonder now, how will publishing evolve as our culture is affected by technology, climate change, population density, and the ebb and flow of civilization and  economics?

I hope these Publishing Talks conversations can help us understand the outlines of what is happening in the publishing industry, and how we might ourselves interact with and influence the future of publishing as it unfolds.

These interviews give people in and around the book business a chance to talk openly about ideas and concerns that are often only talked about “around the water cooler,” at industry conventions and events, and in emails between friends and they give people inside and outside the book industry a chance to hear first hand some of the most interesting and challenging thoughts, ideas and concepts being discussed by people in the book business.

I discovered Andy Doe’s writing quite by accident, and a happy accident that was.  UK based, Andy comes from the music business. Most recently, he was the COO at classical music label Naxos from 2010-2012, and was head of classical music at iTunes from 2004-2010; now he freelances to help artists, labels and other organizations on recording and marketing activity, both on and offline.  He also blogs brilliantly and with a great sense of humor at Proper Discord.

A piece he posted in November, 2012 caught my attention and is one I highly recommend to anyone interested in physical and digital media; it’s called What is Going on with the Record Industry (at New Music Box, a very cool site about new music). It’s a list of ten observations with explications of each.  The first one is called  “Almost everything you read about the state of the record industry is, at best, totally useless,” which should give you a good idea of where Andy is coming from and where this piece might be headed.

Naturally, I thought it would be fun to talk to Andy about his thinking about the record business and to draw him out on how what has happened and is happening in that industry might apply (or not apply) to the book business. We do tend to think that all entertainment media businesses, including books, music, television, radio, film, video games and even newspapers have similar enough structures and relationships between physical and digital media, as well as similar disruptive innovations as to make the experiences in one useful to the those who work in other creative industries.  So we talked about that a bit, as well as how some of what Andy has observed and learned in the music business may not be relevant to book publishing.  Overall, because he is such a smart and witty guy, I think this conversation should be of particular interest.  As has happened recently, when discussions have been going well, we have gone a bit longer than podcasts usually go. This one is 47 minutes.

Another good reference point I should mention – here’s a written interview with Andy Doe by Tom Manoff you might enjoy as well.

And oh, by the way, this is the 200th interview I have posted on Writerscast since its inception just a few years ago.  I’d like to thank all the wonderful writers, technologists and thinkers who have been willing to give me some of their valuable time to pepper them with questions and engage them in my enthusiasms and interests.  And I’d also like to thank the individuals who have helped make this project work, my daughter, Emma Wilk, for editing my often poor efforts at recording, website builder and podcast expert Rob Simon of Burst Marketing, and his web guru, Jeremy Brieske.

And in particular I owe thanks to all of you who have listened and responded to this humble effort to contribute to the cultural and intellectual good of all. andy_doe_2-540x359