Dori Ostermiller: Outside the Ordinary World

November 28, 2010 by  
Filed under Fiction, WritersCast

978-0778328896 – paperback original – Mira Books – $14.95 (ebook edition available at a lower price)

Dori Ostermiller’s Outside the Ordinary World is a very strong and compelling novel, hardly recognizable as a first novel.   The novel’s main character, Sylvia, is an artist and teacher who is grappling with the messiness and unhappiness of her life.  She’s distanced from and frustrated with her husband enough to risk an affair with the somewhat exotic father of one of her students.  Since this is in many ways a reflection of Sylvia’s own experience as a child, when her mother spent years in her own affair, it triggers Sylvia’s memories and ambivalence about much of her own life and thus her unfolding story.

The story unfolds as Sylvia remembers her past and of course must reconnect with her family while she is trying to reconcile her own situation.  We learn about her unusual upbringing as a Seventh Day Adventist, her father, the mercurial and unhappy doctor, who abused his wife and children, and her mother, so unhappy and conflicted that she allowed (or forced) her daughters to participate in her complex “other” relationship, a lack of boundary drawing that has long term ramifications for Sylvia in her own life.  We also meet her grandparents and her sister in the present, for further complications to her situation.

It’s risky turf for any writer to take on love, marriage, trust, infidelity and family history with a story line and characters so close to her own.  But I think imagination and creativity using the “stuff” of one’s own apparent life is precisely where the most powerful art comes from.  Ostermiller writes beautifully about complex human relationships and tells a difficult story well.  In many ways this novel defines how fiction really works and works best – taking the difficult journey of the soul to resolve difficult emotional and psychic issues (for both the author and the reader).  I really enjoyed this book, as different from my own life experiences and situations as it was.  And it was great fun to talk to Dori about her work, the issues of fiction and the mysteries of human love.

Dori Ostermiller teaches writing and literature in Western Massachusetts.  She is the founder and director of Writers in Progress, a literary arts center housed in the Arts & Industry building (a refurbished old brush factory) in Florence.   Many of her students have published books of their own, including Alison Smith, Kris Holloway, Ellen Meeropol, Kyra Anderson and David Lovelace.

Dori is currently working on her second novel in Northampton, where she lives.  Her website is worth a visit.  And I for one am looking forward to reading her next novel.

Publishing Talks: David Wilk interviews Rich Freese

In this series of interviews, called Publishing Talks, I have been talking to book industry professionals and other smart people about the future of publishing, books, and culture.  This is a period of disruption and change for all media businesses.  We must wonder now, how will publishing evolve as our culture is affected by technology, climate change, population density, and the ebb and flow of civilization and  economics?

I hope these Publishing Talks conversations will help us understand the outlines of what is happening, and how we might ourselves interact with and influence the future of publishing as it unfolds.

These interviews give people in and around the book business a chance to talk openly about ideas and concerns that are often only talked about “around the water cooler,” at industry conventions and events, and in emails between friends and they give people inside and outside the book industry a chance to hear first hand some of the most interesting and challenging thoughts, ideas and concepts being discussed by people in the book business.

Rich Freese is well known in the book business as a successful member of a very small “fraternity” of distribution experts who work in and understand the intricacies of sales, marketing, warehousing, logistics, and balancing customer and client relationships.  He has worked in publishing for his entire adult life.  He’s a smart, dedicated and forward looking professional.  Rich worked for independent publisher distributor National Book Network for a number of years, moved on to run Motorbooks International, a specialist publisher and distributor, then became President of west coast based Publishers Group West, and after a brief stop establishing a distribution division for the printer, Bookmasters, and has now returned to be the President of NBN, which is based in Lanham, Maryland.

Because book distributors stand in the middle of the supply chain, their worldview is often broader than other entities within the book business.   Rich’s breadth and depth of experience in publishing and distribution gives him a unique vantage point from which to view and understand the publishing industry.  I thought it would be interesting to talk to him broadly about his current perspective on the ongoing changes in the industry, with some special reference to developing e-book distribution models, the particular issues for independent publishers, and the evolution of publishing models.  This talk ought to be particularly useful for independent publishers and anyone interested in their future in a chaotic, challenging marketplace for books.

Ilyon Woo: The Great Divorce

November 18, 2010 by  
Filed under Non-Fiction, WritersCast

978-0802119469 – Hardcover – Atlantic Monthly Press (ebook versions available $9.99)

Ilyon Woo’s The Great Divorce: A Nineteenth-Century Mother’s Extraordinary Fight Against Her Husband, the Shakers and Her Times is an absolutely terrific work of historical narrative.  The book tells the story of Eunice Chapman, whose husband left her, taking their children, to join the Shaker community near Albany, New York in 1814.

At that time, women had virtually no rights in society.  Upon being married, they literally lost their identities, which were subsumed completely into the legal identity of their husbands.  So when Eunice’s husband joined the Shakers, a radical Christian sect that espoused celibacy, communal living and the literal separation of the sexes (ironically giving women a much greater role in their communities than was common in the larger society), she had no legal way to gain custody or even visitation with her children.  Rather than give up her children to her husband and a religious community with whom she did not agree, she fought her husband and the Shakers for the return of her children.

Ilyon Woo tells the story of Eunice Chapman’s years of struggle to regain her children, which is amazing in itself, given the barriers she had to overcome, not to mention the difficulties of time and distance, which made everything slower and more complicated to resolve.  But of course this is also a social history of an era many of us know very little about.  It’s a period when women are only just beginning to exercise social power, 30 after the establishment of the United States as a country, 100 years before women win the right to vote.

Through the lens of Eunice Chapman and her heroic struggle, Woo is able to bring this period vividly forward.  We learn a great deal about the Shakers, their history, many of the individuals who made the Shaker sect at least temporarily a very successful, though highly controversial religious and social community, and the nature of their daily lives.  And her portrayal of the city of Albany and the New York state legislature is absolutely terrific.  Woo succeeds in highlighting individual human beings living their lives within the social and historical sweep of their times.  There’s a great deal of research here that has been transformed by imagination and her terrific sense of story into a vivid portrayal of an otherwise obscure piece of social history.

This is Ilyon’s first book.  I wanted to talk to her about what got her interested in this subject, and learn more about the kind of research she did to be able to tell this story.  And also to learn more about how she feels about this period and the people she wrote about.  It’s an amazing story that can and should help anyone faced with any challenge find it easier to rise to the occasion, especially since this is a story with a true happy ending.

Ilyon Woo’s website is here.  The site features a video about the book, links to more information about the Shakers, and a really interesting tab about the dramatic readings from the book that the author has organized.  Here is my favorite quote about the book: “By delving so deeply into the sources, Woo brings the past to life in all its wonderful strangeness, complexity, and verve.  This is what history is all about.” —Nathaniel Philbrick, winner of the National Book Award.

Publishing Talks: David Wilk interviews Andrew Steeves

November 11, 2010 by  
Filed under PublishingTalks, Technology, The Future

In this series of interviews, called Publishing Talks, I have been talking to book industry professionals and other smart people about the future of publishing, books, and culture.  This is a period of disruption and change for all media businesses.  We must wonder now, how will publishing evolve as our culture is affected by technology, climate change, population density, and the ebb and flow of civilization and  economics?

I hope these Publishing Talks conversations will help us understand the outlines of what is happening, and how we might ourselves interact with and influence the future of publishing as it unfolds.

These interviews give people in and around the book business a chance to talk openly about ideas and concerns that are often only talked about “around the water cooler,” at industry conventions and events, and in emails between friends and they give people inside and outside the book industry a chance to hear first hand some of the most interesting and challenging thoughts, ideas and concepts being discussed by people in the book business.

Andrew Steeves and his partner Gary Dunfield, founded Gaspereau Press in Nova Scotia in 1997, starting out, as many have done, with a literary quarterly and moving into publishing books, three in their first year, eight by 2000 when they moved to the small town of Kentfield.  In Canada, there is a long tradition of government funding of the arts, including literature, through support grants to publishers of all sizes and kinds.  Bordering the giant culture machine to the south, this is an important mechanism to keep in place a vibrant and local Canadian literary scene.  Gaspereau publishes in the tradition of the long running Coach House Press (founded by Stan Bevington in 1965 and still going strong) and the wonderful Montreal based Vehicule Press, among other highly successful independent Canadian literary presses.

But there’s much more going on here than a well run independent literary press putting out a small number of excellent books each year.  Gaspereau is also, significantly, a printer, not only of their own books, but for commercial and private customers as well.  The operation maintains a great deal of equipment too, from hand set metal type printed on hand cranked proof presses, to semi-modern offset presses that have alot of miles on them.

I’ve been deeply interested in and have admired Canadian publishing and writing for a long time.  But I only heard about Gaspereau fairly recently, when reports started circulating about one of their new books, Johanna Skibsrud’s The Sentimentalists. was nominated for the major Canadian literary prize, the ScotiaBank Giller award.  I looked up the Gaspereau site, and was immediately taken with their approach to publishing and book design, and contacted Andrew Steeves to talk about the work of the Gaspereau and its fierce commitment to publishing books by hand.  We had a great talk, and that is the interview presented here.

If course a couple of days later, the big news hit – The Sentimentalists, perhaps a dark horse previously, won the Giller for its 30 year old author and her publisher.  Now in the midst of a great deal of celebrating and joy, Gaspereau is trying to keep up with the almost unbelievable demand for the book that the award has spurred.  Canada’s National Post headlined “Literary community weighs in on Gaspereau’s Giller dilemma.”  There’s a huge uproar in Canada and alot of ire directed at Gaspereau for not being able to instantly print the thousands of books needed by stores to meet demand.  Author Skibsrud is on vacation in Istanbul happily celebrating her good fortune (a $50,000 CN prize comes with the recognition) so we don’t know what she thinks about any of this.

Andrew and Gary do not want to sell the book to a bigger publisher to meet demand.  They want to maintain it as a Gaspereau book.  Personally I am on their side, but I understand the difficulty for everyone involved, including the author, and of course the many readers out there who want to read the book now.  On the one hand, selling the book off solves lots of problems, makes readers happy, puts many thousands of dollars in the hands of the author and Gaspereau, but loses them an author they have discovered and takes them out of the publishing equation, just because they are small and committed to high quality, hands on publishing.

I’d love to hear from listeners on this question: should Gaspereau stay its course, remain committed to its mission, and refuse to sell off The Sentimentalists to another publisher?  Or should they accept that the demand of mass culture is too great for an artisanal press, and maybe keep their own edition in print as the original, and license a lesser trade edition to a larger house that is built for this sort of publishing?

In any case, please listen to Andrew Steeves talking about Gaspereau, its mission, history and vision for the future.  And keep in mind that when we talked, he had no idea what was about to happen to his life. And by the way, The Sentimentalists sounds like a truly wonderful novel, and like thousands of readers north of our border, I want to read it as soon as possible!  I’m guessing I might be waiting awhile…

Corinne Demas: The Writing Circle

November 8, 2010 by  
Filed under Fiction, WritersCast

978-1401341145 – Hardcover – $23.99 (e-book edition available $11.99)

In choosing books for Writerscast, I have been trying to read as many books as possible from different styles, genres and viewpoints, to make an eclectic and interesting selection both for myself and for an audience of listeners.  I suspect that if it had not been for that effort, I simply would never have discovered Corinne Demas and her new novel The Writing Circle.

It’s not so much that this novel is outside the scope of my literary tastes, as in fact, I really like well written novels that explore character and whose narrative is subtle and skillfully enough handled that I can’t feel ahead what is going to happen.  I suppose in one way that just means I like to lose myself in a novel and not feel like I can feel the wheels and levers turning as I follow on.  But I just may not have picked this book off of a book display in a bookstore to read, maybe because it’s a book about writers and that might normally seem sort of self reflexive to me.  Thus the lesson, if there is one, is to remain open to surprises and to not make judgments about a book just from it’s title.  A funny idea indeed.

I definitely enjoyed reading this novel quite a bit.  Corinne Demas is a very fine writer.  I think the word that comes to mind for me is “deft.”  There are a number of characters here, all of whom are important, and the way the story is told reminded me of an ever tightening spiral, as we start from the seeming mundane outside and move ever closer into the lives of these people around a series of events that provides the structure of the book.  This is a very well put together novel.  After reading it, I wanted to rush out and talk to Corinne Demas about the book and how she imagined it, and all the characters (guessing of course that she had been in writing circles herself).

I always feel that when I am talking to a novelist it’s critical to balance between talking engagingly about a book I just read and that I feel excited about, and not giving away too much to anyone who might be listening and themselves eventually read the same book.  That certainly applied in this talk, as we danced around the story outline while talking in depth about the book’s structure and her involvement with these very compelling characters.  That was fun too and I hope listeners will enjoy that balancing act.

Corinne Demas is a talented and accomplished writer – she’s written adult novels, short stories, children’s picture books and chapter books, a play and she writes poetry as well.  In addition, she teaches full time at Mt. Holyoke, which we also talked about a bit in this conversation. 

Publishing Talks: David Wilk interviews Liza Daly

In this series of interviews, called Publishing Talks, I have been talking to book industry professionals and other smart people about the future of publishing, books, and culture.  This is a period of disruption and change for all media businesses.  We must wonder now, how will publishing evolve as our culture is affected by technology, climate change, population density, and the ebb and flow of civilization and  economics?

I hope these Publishing Talks conversations will help us understand the outlines of what is happening, and how we might ourselves interact with and influence the future of publishing as it unfolds.

These interviews give people in and around the book business a chance to talk openly about ideas and concerns that are often only talked about “around the water cooler,” at industry conventions and events, and in emails between friends and they give people inside and outside the book industry a chance to hear first hand some of the most interesting and challenging thoughts, ideas and concepts being discussed by people in the book business.

Liza Daly and her partner Keith Fahlgren work together as ThreePress Consulting, providing “expert consulting services and software engineering in digital publishing.”  Liza’s name comes up constantly in discussions about ebooks and the emerging technology of publishing.  Recently I’ve become interested in how HTML5 operates, as this new standard appears to have a great deal of potential use for handling online display and consumption of digital publishing in a web browser environment and elsewhere.  Liza created Bookworm as a free platform for reading ePub format ebooks online and now with Keith, she has developed Ibis Reader, which enables reading ebooks on computers and devices without having to download ebook files or even understand how ebook files and devices work (and Ibis is written in HTML5).

In addition Liza and Keith are active in the open source technology community and are strong advocates for experimentation, agile development, and innovation in publishing. In April of 2010, Liza was elected to the IDPF Board of Directors. Both Keith and Liza are members of various IDPF EPUB Working Groups, including the EPUB 3.0 Working Group. Liza was a member of the advisory board for the Web 2.0 Expo NYC conference in 2008 and 2009, and was also on the board for O’Reilly’s digital publishing conference, Tools of Change 2009-2011.

I wanted to talk to Liza to better understand the emerging landscape of ebooks and e-reading as she sees it from her perspective.  She is so deeply involved in new technologies and also has a terrific understanding of use and useability, which of course are critical for the future of digital publishing.  I’ve used Ibis Reader now and it works really well.  What comes next will be very interesting to see and hopefully this talk with Liza will be useful to listeners who are interested, as I am, in how new technologies will create opportunities for publishers, writers and readers in the near future.  It’s critical that we understand how we interact with new software, how its use affects our comprehension of information and ideas, and how we can in turn influence the emerging future we are about to inhabit.  Since Liza is one of the proverbial “smartest people in the room” I can’t think of anyone better from which to learn.