Publishing Talks: David Wilk interviews Morgan Entrekin

February 26, 2010 by  
Filed under PublishingTalks

entrekinIn this series of interviews, called Publishing Talks, I am talking to book industry professionals who have varying perspectives and thoughts about the future of publishing, books, and culture.  This is a period of disruption and change for all media businesses.
Publishing has been a crucial part of human culture for as long as people have been writing and reading.
How will publishing evolve as our culture is affected by technology, climate change, population density, and the ebb and flow of civilization and its economics? Publishing Talks interviews help us understand the outlines of what is happening, and how we might ourselves interact with and influence the future of publishing as it unfolds. Publishing Talks interviews give people in the book business a chance to talk about ideas and concerns in a public forum that are often only talked about “around the water cooler,” at industry conventions and events, and in emails between friends.

I hope that Publishing Talks interviews will give people inside and outside the book industry a chance to hear about some of the thoughts, ideas and concepts that are currently being discussed by engaged individuals within the industry.

Morgan Entrekin is the iconic publisher of Grove Atlantic, one of the most prominent and successful midsized literary publishers of the past couple of decades.  He has all the chops of a “traditional” book publisher: a great commitment to authors and their texts, a belief in the enduring power of a great backlist. But he is also an astute marketer who understands readers and the necessity for publishers to pay attention to what readers want and need.

Entrekin grew up in Nashville, graduated from Stanford in 1977,  started in the business at Delacorte Press, working under the late, great Seymour Lawrence and editing the likes of Jayne Anne Phillips, Richard Brautigan, and Kurt Vonnegut. In 1982 he moved over to Simon & Schuster, where he made his name by championing, acquiring and editing Bret Easton Ellis’s breakout novel Less Than Zero.  In 1984 he created his own imprint within Atlantic Monthly Press, Morgan Entrekin Books and a few years later he bought Atlantic outright; two years after that, he purchased Grove Press, which featured one of the great backlists that included D.H. Lawrence, Henry Miller, and Samuel Beckett.

Entrekin’s gained well deserved fame and credit for publishing Charles Frazier’s Cold Mountain in 1995. In the course of promoting the novel, Entrekin is credited with more or less creating the pre-publication tour, sending Frazier to meet book buyers in various cities before the book landed in stores. It paid off: Cold Mountain was a huge success, sold over 1.5 million copies, won the National Book Award, and was made into a big-budget Hollywood movie. Other notable Grove/Atlantic titles include Mark Bowden’s Black Hawk Down, Candace Bushnell’s Sex and the City, as well as the works of Sherman Alexie and P.J. O’Rourke.

We had a terrific talk, covering a wide range of interesting topics, from the current state of the book business, to the kinds of things that Entrekin is doing at Grove/Atlantic to stay current.  Morgan is thoughtful, intelligent and incisive on every topic he discusses; he cares deeply about the books he publishes, backlist and frontlist titles alike, and is clearly still motivated and excited by the same beliefs and ideas that brought him into the book business in the first place.   Anyone interested in understanding how a publisher can navigate the changing landscape of the business will benefit from listening to what he has to say in this interview.

Kelli Stanley: City of Dragons

February 21, 2010 by  
Filed under Fiction

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978-0312603601 – Hardcover – Thomas Dunne/Minotaur Books – $24.99

Reading Kelli Stanley’s City of Dragons was a pleasure from beginning to end.  I liked her incredible attention to details in the San Francisco of the 1940s setting.  I really liked her main character, the wounded private eye, Miranda Corbie.  Kelli’s love of noir fiction, and love for a great story really show.  Good fiction should be able to take you into another place and time coupling the author’s skills with your own imagination.  This book certainly succeeds in grabbing you early, and keeping your attention.  Anyone who has read and loved the great classic detective novels will feel at home with Kelli Stanley’s writing.  And she has that political edge that so many writers of the 30s and 40s brought to their work.

There’s a lot going on here.  You can feel San Francisco in the dark of pre-World War II, taste the cigarettes and booze, and feel the very real danger her characters experience, the otherness of Chinatown, and the deaths and broken lives that dot this sometimes harsh and painful cityscape.  And you can feel throughout how much heart and soul the author has put into this book.  It’s a pleasure to read, and has a story that won’t let go.  Lots of fun overall, and City of Dragons works on many levels, so it will satisfy readers looking for entertainment or something with a bit more depth as well.

Kelli loves her work and loves to talk about it too, so we had a great conversation.  This is a writer with a great future and I am very much looking forward to her next book.  I’m also hoping to get her to contribute a reading from this novel to Writerscast in the near future.  Kelli’s own website is worth a visit as well.  City of Dragons is available as an e-book in various formats, and in digital audio as well.

Kermit Moyer: The Chester Chronicles

February 16, 2010 by  
Filed under Fiction

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978-1579621940 – Hardcover – Permanent Press – $28.00

What a pleasure it was to discover this writer.  The Chester Chronicles is a collection of interlocking stories that serve to create what is essentially a coming-of-age novel.  We are introduced to Chet Patterson as a pre-adolescent and stay with him as he grows unto early manhood.  He is the son of a military man, so at the heart of the book is the peripatetic journey of a budding intellectual, who often does not fit in with the crowd and is always in search of both his internal and his social identity. There are lots of adventures along the way, many having to do with girls and sex, boys and drinking.

There are certainly elements here that will be most familiar to people of a certain age, who lived through the ’50s and ’60s, especially the defining moments of those times.  But as with any good book, the character and his story transcend the specifics of the place and time in which the book is set.   The point is, after all, for us to see him as a person on a journey, and to understand where he has been, and perhaps also, therefore, to understand who he will become.  As the author says of himself and of his character, he is “plagued with Oedipal anxieties and existential doubt, yet nonetheless convinced of his heroic destiny.”  There are several moment in the book that can make the reader laugh out loud, and there are others where it is equally impossible not to deeply feel his pain.  I’d say that’s a pretty good accomplishment for any writer.

In my interview with Kermit Moyer, we talked about some of the autobiographical elements of the book, some of the stories which stood out for me as a reader, as well as some of the characters in the book that affected me the most.  We talked quite a bit about autobiographical fiction and how this book fits into the tradition of fictionalized autobiography and works transformationally both for the author and the reader.  Moyer provides an interesting explanation of his writing which I hope will help introduce new readers to his fine writing.

Publishing Talks: David Wilk interviews Richard Curtis

February 11, 2010 by  
Filed under PublishingTalks

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In this series of interviews, called Publishing Talks, I am talking to book industry professionals who have varying perspectives and thoughts about the future of publishing, books, and culture.  This is a period of disruption and change for all media businesses.
Publishing has been a crucial part of human culture for as long as people have been writing and reading.
How will publishing evolve as our culture is affected by technology, climate change, population density, and the ebb and flow of civilization and its economics? Publishing Talks interviews help us understand the outlines of what is happening, and how we might ourselves interact with and influence the future of publishing as it unfolds. Publishing Talks interviews give people in the book business a chance to talk about ideas and concerns in a public forum that are often only talked about “around the water cooler,” at industry conventions and events, and in emails between friends.

I hope that Publishing Talks interviews will give people inside and outside the book industry a chance to hear about some of the thoughts, ideas and concepts that are currently being discussed by engaged individuals within the industry.

Richard Curtis, president of Richard Curtis Associates, Inc., is a leading New York literary agent and a well-known author advocate.  He is also the author of numerous works of fiction and nonfiction including several books about the publishing industry. His interest in emerging media and technology has enabled him to help authors anticipate trends in publishing and multimedia.  He has lectured extensively and conducted panels and seminars devoted to raising consciousness in the author and agent community about the future of communications.  He was the first president of the Independent Literary Agents Association and subsequently president of ILAA’s successor organization, the Association of Authors’ Representatives (AAR)  He blogs regularly on www.ereads.com.  He is also, uniquely among literary agents, a publisher himself, having founded the innovative digital publishing imprint, E-Reads almost ten years ago.

I have known Richard for a very long time, have done business with him, and collaborated with him on an experimental publishing project a few years ago,  But mostly, over the years, Richard and I have talked about the book business, the future of publishing and of authors, and particularly, the future of digital publishing.  So it made a lot of sense for me to talk to Richard as part of the Publishing Talks series, as I knew he would have a great deal of interesting and compelling ideas to share about these subjects, which he almost always does.

David M. Carroll: Following the Water

February 7, 2010 by  
Filed under Non-Fiction

followingthewater1978-0547069647 – Hardcover – Harcourt Houghton Mifflin – $24.00

David M. Carroll has been “following the water” for almost his entire life.  He grew up in Connecticut, then lived in Massachusetts, and moved to New Hampshire to find places less disturbed by humans, where he could study turtles and their woodland, waterine habitats.  Which he has done now for many years.  Following the Water is subtitled “A Hydromancer’s Notebook; a hydromancer would be one who divines by the motions or appearance of water, which is certainly descriptive of what David Carroll does in his life and in this book, a poetic journal of a year of divining the natural world by close observation of it.

Most of us spend far too little time in nature, and many of those who do “use” the natural world for entertainment or work in a way that would be difficult to distinguish from how they treat the non-natural world.  What is so beautiful about Carroll’s work and his writing about it, is the depth of his observation, and his literal being in place.  Reading his elegiac descriptions of the watery environments of New England transported me to an almost metaphysical trance-like state of mind where I could imagine myself inhabiting the outside space in which he spends so much of his time.

Of course there is a terrible sadness in this book, as Carroll experiences the changes in the places he has known so well and so long, always brought on by the effects of constantly encroaching human development.  He knows the turtles and their environments will soon be threatened and knows there is almost nothing that can be done to protect them.  This is a feeling that many who work in and strive to protect our remaining wild places share, an ever present sense of desperation, as we near the tipping point of urban and suburbanization.

Carroll writes beautifully, and his drawings are exquisite.  Reading this book made me wonder how I had managed to miss reading his earlier books, and has spurred me to go out and get them all.  Here’s a perfect example of the quiet power of his prose:

“As daylight diminishes, the peep-frog chorus intensifies in the backwaters of a fen a quarter mile away. With raucous clamor and a rushing wind of wings beats a flurry of grackles lifts off from the topmost canopy of the red maple swamp. In the quieting that follows, I hear again the drift of evensong from their red-winged cousins on the far side of the wetland mosaic. The season, like the water glimmering all around, extends before me.”

David Carroll is as enjoyable to hear talking as his writing is to read.  Interviewing him was a pleasure, tinged with a shared sense of dismay about what has happened to our shared New England natural environment.  Both this book and this talk are among my favorites, and I hope listeners will agree.

Matthew Aaron Goodman reading from Hold Love Strong

February 2, 2010 by  
Filed under AuthorsVoices, Fiction

goodman978-141-656203-0 – Hardcover  – Simon & Schuster Touchstone – $24.99

Writerscast is proud to inaugurate a new series of authors reading from their work we are calling AuthorsVoices.   I hope you will agree that hearing these works read aloud, especially by the original authors, will add greatly to one’s experience of the writing and the authors’ distinct sense of their own words. With writers touring for books less frequently now, these podcasts should provide readers with an opportunity to hear some of our best contemporary authors reading  from, and sometimes performing their own works.

Matthew Aaron Goodman’s first novel is called Hold Love Strong; in my opinion, it is a particularly powerful work of fiction (my interview with him is below).  This is a terrific book, with powerful language and vivid imagery.  Matthew gives his words their full due with this excellent reading from his book.141656203601_sx140_sy225_sclzzzzzzz_