George Gmelch: Playing With Tigers, A Minor League Chronicle of the Sixties

9780803276819 – University of Nebraska Press – 288 pages – Hardcover – $26.95 (ebook versions available at roughly similar prices)

Today, George Gmelch is a successful anthropologist, with a number of books to his credit. But when he was a young man, he was a very good baseball player, with the typical dreams so many shared of becoming a professional baseball player and making it to the Major Leagues. Growing up in an all-white suburb in California in the late fifties and early sixties, George led a fairly sheltered childhood, playing ball and having fun. In 1965 he signed a contract to play professional baseball with the Detroit Tigers organization and so began a four year period of coming of age, during which George experienced the challenges of life in baseball’s minor leagues.

While learning to be a professional athlete, he also became aware of the realities of race and class; minor league baseball in the nineteen sixties was often played in small towns in the south where segregation was still in effect, despite the advances of the civil rights movement. And as an adolescent on his own with other boys in the cocoon like world of pro sports, he also had his first experiences of sex and romance, living, traveling and playing ball. Somewhat unlike most of his teammates, George paid attention to the events of the era, including the Vietnam War, the rise of the counter culture, and civil rights protests.

Playing with Tigers is a memoir certainly unlike most others written by baseball players. The sixties was a time of turmoil involving young people of all backgrounds and professional baseball was not immune from its disruption. George was likely more socially aware than most of his compatriots, and his direct experience of racial issues ultimately led to the end of his professional baseball career.

To write this book, George relied on the journals he kept as a player, as well as letters from that time, and in addition he used his skills and experience as an anthropologist to interview thirty former teammates, coaches, club officials – and even some former girlfriends. This is a unique story, documenting a socially disrupted period in American history through the lives of many of the young people who lived through it. We get to experience first hand the naivete, frustrations and joys of a young man trying to find his way in a complex time. And clearly, some of the motivation for writing this book was unfinished business, events, relationships with people, his baseball experience, on which George wanted to gain some closure.

I read alot of baseball books, as many listeners know. Among the many I have read the past couple years, I found Playing With Tigers extremely compelling, and one I had fun reading. I very much enjoyed the opportunity to speak with George Gmelch for the second time – in 2013, George and I talked for Writerscast about another of his baseball books, Inside Pitch. In addition to being an intensely personal memoir, Playing With Tigers opens a door to a period in our history that deserves a lot more exploration than it seems to have been given. George has some great stories and a deep understanding and love for the people and places he’s experienced. This is a fine book and you do not need to know anything about baseball to like it.

George Gmelch is a professor of anthropology at the University of San Francisco and at Union College in Schenectady, New York. His books include In the Ballpark: The Working Lives of Baseball People, with J. J. Weiner (Bison Books, 2006), and Inside Pitch: Life in Professional Baseball (Bison Books, 2006). He is the editor of Baseball without Borders: The International Pastime (Nebraska, 2006). His writing has also appeared in the New York Times, the Washington Post, Psychology Today, Society, and Natural History.

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Chris Offutt: My Father, the Pornographer: A Memoir

9781501112461 – Atria Books – 272 pages – Hardcover – $26.00 – ebook versions available at lower prices

Chris Offutt’s father, Andrew Offutt, left behind an unusual legacy – a massive quantity of pornography he wrote over a long swatch of his life. Besides being at one time a respected insurance agent, and subsequently a successful but still minor science fiction writer, Andrew Offutt spent years writing pornography, and made himself the “king of twentieth-century smut.”

During the 1970s, after Grove Press and other publishers had helped break down the barriers to legal publishing of pornographic and erotic literature, the floodgates of erotic writing opened up to meet a formerly unreachable demand. Several specialized, but relatively small commercial publishers created a mini-industry to satisfy an emerging market for written pornography and erotica of all kinds. During the height of the popularity of these books, some writers were able to make reasonable livings by turning out massive quantities of what was essentially pornographic pulp fiction.

Andrew Offutt was one of these writers, but unlike so many other high volume writers,  he was singular in his commitment to good writing and real plot lines, among other features of traditional fiction. As one might imagine, Andrew Offutt was an unusual man, and a strange and awkward parent keeping secrets about his work and the toll it took on his psyche.

Chris Offutt therefore grew up in a highly unusual world. His mother was the typist for all his father’s books. The family lived in the Kentucky hills, where most kids grew up hunting and fishing, and learning the pleasures of traditional country woodcraft.

Andrew Offutt was more than a little eccentric, and was a fiery and unpredictable father. When he closed the door to his home office, he demanded silence and to be left alone to concentrate on his writing, terrifying and controlling his family. And Offutt took the entire family with him when he went off to science fiction conventions, where he was a sought after figure, playing the role of the exotic sci fi novelist. In the seventies, Chris’ parents were evidently active swingers at these conventions.

During this time, Andrew Offutt wrote an incredible number of books – in total, more than four hundred novels, including pirate porn, ghost porn, zombie porn, and secret agent porn.

In 2013, after his father died, Chris Offutt returned to help his mother move out of his childhood home. In order to make sense of his father and his own childhood, Chris took on the herculean task of reading and organizing his father’s manuscripts and the vast trove of memorabilia, journals, and letters that accompanied them. It was only through the lens of his father’s writing that he was finally able to bring some closure to his understanding of this difficult and sometimes brilliant man. And at the same time he was able to gain a better understanding of himself as a person, father and of course, his own life as a writer.

This book is a remarkable literary and personal effort of psychic and literary exploration, truly one of the best memoirs I have read. Perhaps because my own father was similarly a writer who made his living through his work with words, this book meant a lot to me.

It was a great pleasure to have the opportunity to speak with Chris Offutt about his courageous and beautifully written memoir, and his own creative work as a writer.

Chris Offutt was born in 1958 in Lexington, Kentucky and grew up in the small town of Haldeman in the same state. He went to Morehead State University, and then to the University of Iowa, where he earned an MFA from the famed Iowa Writers Workshop. His first short story collection was Kentucky Straight, published in 1992. Along with fiction and memoirs, Chris has also written comics and journalism for several magazines and newspapers. In recent years, he has written for television as well (Weeds and True Blood).

Chris has received awards from the Lannan Foundation, the Guggenheim Foundation, the American Academy of Arts and Letters, and the National Endowment for the Arts. He received a Whiting Award in Fiction and Nonfiction.

“Chris Offutt owns one of the finest, surest prose styles around, ready and able to convey the hardest truth without flinching. Now Offutt enters the darkest and most mysterious of places—the cave of a monstrous enigma named Andrew J. Offutt—armed with nothing but his own restless curiosity. Spoiler alert: He makes it out alive, walking into the daylight to bring us a deeper, funnier, more tender and more heartbroken truth—and his masterpiece.” —Michael Chabon

I’m as impressed as Michael Chabon is with this fine book.

And Offutt knows how to give a great interview too.

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Jowita Bydlowska: Drunk Mom: A Memoir

Drunk Mom – 978-0143126508 – Penguin – paperback – $16 (ebook editions available at lower prices)

What an incredible book. Tough, loving, uncompromising. So much power in this book, admittedly at times, very painful to read, and stunningly honest to the point of extremism. But Jowita is such a fine writer, it is impossible not to admire this book and despite all the terrible things she tells us about herself, that she is alive, and able to speak her truth is incredible.

You know that any book with a title like this is going to be amazing, but there is no way to get through this book without being thoroughly bowled over, and depending on one’s tolerance for witnessing someone else’s painful mistakes, perhaps more than in any other book you will ever read. And yes, Jowita is completely and terrifyingly honest about herself and her misadventures throughout.

It’s valuable to understand that when Jowita first wrote this story, she wrote it pretending it was a novel. She had to get through that ironically deep denial as part of her ability to understand herself, one assumes. And that is part of the power of this book, that the author is able to uncover layers of denial, fear and guilt to get to a place where she can be honest with herself, and by telling that story to the world, reach a kind of absolution, a place in herself where she can be able to reconstruct herself, not forgiving, but finding the parts of her persona that are who she is not drinking. This is very powerful reading and a book I recommend no matter what you feel about yourself or others who are drinkers, addicted, lost, or found.

Short summary: Three years after she gave up drinking, Jowita Bydlowska found herself drinking again – at the party celebrating the birth of her son. Thus begins the harrowing tale of her descent, once again, into full blown alcohol and substance abuse. You have to read this one for yourself. Go buy this book, prepare yourself for a powerful experience, and read it now. Another good interview with the author on NPR here. And Jowita’s website, worth a visit – “I was born in Warsaw, Poland. I moved to Canada as a teenager. I live in Toronto with my little family in a little house. I write, write, write (compulsively, happily, unhappily, obsessively)” here.

I very much enjoyed talking to Jowita, who does a great interview. This conversation runs a bit long at 36 minutes, but hopefully it’s an experience well worth your time to hear.

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Ladette Randolph: Leaving the Pink House – A Memoir

 

Leaving the Pink House: A Memoir – 978-1609382742 – University of Iowa Press – paperback – $18.00 (ebook editions available).

Ladette Randolph is both an editor and a writer; she is currently the editor of the fine literary magazine Ploughshares, whose founder, DeWitt Henry, I interviewed about that magazine’s history, and she’s written a total of four books and edited three more. She was previously an acquiring editor at University of Nebraska Press and earlier, the managing editor of Prairie Schooner. She has received four Nebraska Book Awards, a Rona Jaffe grant, a Pushcart Prize, a Virginia Faulkner award, and has been reprinted in Best New American Voices.

Ladette grew up and lived much of her life in Nebraska. In this really well written and beautifully composed memoir, Leaving the Pink House, she tells the story of her life through the houses she has lived in. At first, the book appears to be a relatively straightforward memoir of buying a dilapidated farmhouse to fulfill a dream of country living (the day after September 11, 2001), and the complication of leaving the pink house she and her husband had already turned into the house of their dreams.

But Randolph is writing to understand herself and where she comes from. Leaving one beloved house for another that is full of potential (for good and bad) spurs her into exploring her past life through the houses in which she lived. And she essentially tells herself – and her readers – where she came from, and how she became the person who is able to love and inhabit her own being in the present by exploring her life through the houses in which she lived from her early youth onward.

Randolph grew up in small towns in Nebraska; her father took his family with him as he worked to become an evangelical minister. Randolph tells us what it was like for her to experience the world through the lens of fundamentalism as she grew up and then into her early adult years. She experiences a series of awakenings, tragedies and struggles, all told without over dramatization and alternating with the mundane and always challenging work of remodeling the old house in the country and preparing to move from the pink house.

It’s an engaging and perceptive form of storytelling and much like a remodeling job itself, we learn with her as she goes through the work of tearing down and rebuilding the structure of her life.  I greatly enjoyed reading this book, vicariously experiencing her challenges and accomplishments, and learning about her life experiences. Then having the opportunity to talk with Ladette about it only amplified my interest in her writing.  Her active and informative website is here (and worth a visit).

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Paul Conroy: Under the Wire: Marie Colvin’s Final Assignment

978-1602862364 – Weinstein Books – hardcover – October 8, 2013 – $26.00 (ebook versions available, prices vary depending on retailer)

Marie Colvin was an award-winning journalist who wrote principally for the London Sunday Times for almost thirty years until she was killed covering the siege of Homs in Syria in February, 2012.  She was raised in Oyster Bay (Long Island), NY, graduated from Yale in 1978 who worked for the British newspaper The Sunday Times from 1985 until her death.

Marie was an activist journalist in the best sense of the word, committed to reporting the lives and conditions of the oppressed and especially civilians suffering in wars, armed conflicts and governmental actions.  Her writing was vivid and clear, gripping and very muscular.

Colvin specialized in the Middle East, but also worked in East Timor, Sri Lanka, Chechniya and the Balkans. She was recognized by the British Press awards for her reporting in Chechniya (and an amazing escape from that war zone, also grippingly reported). In East Timor in 1999, she helped save the lives of 1,500 refugees stranded in a United Nations compound that was surrounded by the Indonesian Army after the Timorese chose independence from Indonesia in a referendum.  Colvin and two other journalists refused to leave and forced the UN to stay as well, and eventually the refugees were extracted and taken in by Australia.

In 2001 she became the first Western journalist in years to enter Tamil Tiger rebel territory in northern Sri Lanka. When she returned to the government-controlled area, her group was fired on by Sri Lankan military, and she was wounded by shrapnel, losing the use of an eye.  She famously wrote a 3,500 word dispatch about her adventure while in the hospital in NY for surgery. From that time onward, her black pirate-style eye-patch became  the emblem that represented her irrepressible spirit to all.

John Burns, the veteran New York Times foreign correspondent, called her “one of the most respected and celebrated reporters on Fleet Street…She was, of course, absolutely fearless, though she knew the dangers well.”

Alan Philps, a former Telegraph foreign correspondent said: “What she brought to journalism was being a great eyewitness and being incredibly brave. It was a role she settled into and she never saw another form of journalism she wanted to do, but that meant she sacrificed everything for the job.”

In 2010 at a London newspaper industry service for fallen British journalists, she gave a moving speech about the work and risks of foreign correspondents: “We always have to ask ourselves whether the level of risk is worth the story. What is bravery, and what is bravado?

“Journalists covering combat shoulder great responsibilities and face difficult choices. Sometimes they pay the ultimate price.”

Marie Colvin reported from Libya in the middle of many battle zones during the revolution against Qadaffi, where she worked with photographer Paul Conroy, who became a close friend of Colvin’s.  In 2012, the two of them, working for the Sunday Times, made their way into Homs in Syria, where the government was bombarding the local population into submission.

Under the Wire is Conroy’s story about his friendship and work with Marie Colvin in Libya and Syria.  Most of the book is a blow by blow account of their time in Homs, where Marie was killed while trying to leave Homs after many days in terrible danger, along with French photographer Remi Ochlik and Conroy was grievously wounded as well.

The book is a vivid and powerful account, not only of the work of the foreign correspondents who went to Syria to document what was going on there, but of the people in the country on the rebel side, who wanted Marie, Paul and other western journalists there to report what was happening.  Acts of bravery, selflessness and heroism abound.

Paul Conroy’s story is a gripping and painful celebration of the human spirit, full of bravery and hope and a wonderful memorial to the work and life of Marie Colvin.  It’s also a reminder, as the civil war in Syria continues, of how much we need people like Marie to serve as a public conscience in the face of oppression and state sponsored violence.

Marie Colvin’s work has been published as On the Front Line: The Collected Journalism of Marie Colvin.   Visit her website to learn more about her life and work, and the Marie Colvin Memorial Fund.  The Colvin family has established a memorial fund in honor of Marie. The fund will direct donations to charitable and educational organizations that reflect Marie’s lifelong dedication to humanitarian aid, human rights, journalism and education.

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George Gmelch: Inside Pitch

978-0803271289 – University of Nebraska Press Bison Books – paperback – $16 (no ebook edition available!)

Given my longstanding interest in baseball and an early background in anthropology, it’s kind of surprising to me that I missed knowing about the work of George Gmelch until very recently.

I ran across George’s books in some random searching having to do with baseball, and happily was able to get an introduction to him through my anthropologist brother.  When he was young, George was a baseball player, and a pretty good one.  Like so many others, he played for several years in the lower minor leagues, but never made it to the Major Leagues.  It’s possible he quit too early, but it’s also likely that he made the right choice to quit baseball and go back to school (and got his Ph.D. at UC Santa Barbara) and then became an accomplished cultural anthropologist, studying tourism, sport cultures, and migration. He has worked among and written about Irish Travellers, English Gypsies, return migrants in Ireland and Newfoundland, commercial fishermen, Alaska natives, and Caribbean villagers and tourism workers, and has taught at several universities.

Given his training as an anthropologist and his unusual background as a minor league baseball player, it made sense that he could study baseball players, perhaps in ways that non-players could never manage.  So some 30 years after his playing days ended, George arranged with friends still in the game to spend time with major and minor league players as an observer.  Over the course of five years, he interviewed more than 100 players, coaches and managers, and got to experience and document the inner workings and social milieu of modern day baseball as it is lived by its participants.

Inside Pitch: Life in Professional Baseball is nothing like a typical anthropological ethnography.  There’s a great deal of George’s personal story throughout, and it’s neither dry nor academic.  But the observational techniques and abilities of the trained anthropologist are brought to bear, as George ruminates on the differences between modern players and those of his own era.

It’s unusual for us to get an insider’s view of the game that gets past the public relations walls that the institution and all its participants have build around it to protect the image of the game.  Minor league players, though rarely interested in George’s own experience as a player, were always willing to tell him about their experiences, and even normally wary major leaguers were willing to talk to him once he explained that he was a former player doing anthropology, not a reporter looking for an angle.

So if you love baseball, Inside Pitch is a terrific read, and will enrich your understanding of what it is really like to play professional baseball.  I was especially taken with the writing about and the interviews with players that illustrated the psychological struggles that players go through.  I recently read the excellent RA Dickey memoir, Wherever I Wind Up: My Quest for Truth, Authenticity, and the Perfect Knuckleball, which is a terrific complement to Inside Pitch, as so much of Dickey’s story is about how he managed to conquer his personal demons and harness his inner being to finally become a successful pitcher after years of struggle.  Gmelch both give us many quotes of players talking about their mental struggles and writes about these issues perceptively.

Baseball is generally considered a cerebral game because of its complexity and pace.  That, and the fact that there are so many games in a very long season, create a very challenging emotional and psychological environment for players.   We rarely, if ever, get to see close up what that can mean for them.  And because the vast majority of players who play in the minor leagues never make it to the majors or only get there for a brief time, reading about their struggles can change the way you think about the players who do get to the majors and stay there for any length of time.  They really do have to be special, lucky and to have developed a solid psyche in order to be able to survive and thrive in such a difficult and fraught environment.

George Gmelch has written eleven books and now teaches at the University of San Francisco, where he co-directs the anthropology program. I’ve now got an earlier book of his, In the Ballpark: The Working Lives of Baseball People on my reading list as well.  Talking to him about his experiences as a player, anthropologist and writer was a terrific pleasure for me.  Alert to listeners: we had such a good conversation that I lost track of time, and this is a longer than average podcast at 54 minutes.

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Michael Feinstein: The Gershwins and Me: A Personal History in Twelve Songs

978-1451645309 – Simon & Schuster – Hardcover –  $45 (ebook editions available at lower prices)

Michael Feinstein is doubtless the most active supporter and proponent of the Great American Songbook we have.  Aside from his own inspiring performances, he is an incredible impresario of the music he loves and that he loves to share.  His “Michael Feinstein’s American Songbook” show is on PBS (and past seasons are available on DVD).  He performs more than 200 times a year, and records regularly.

Michael has been nominated for five Grammys, most recently in 2009 for The Sinatra Project and his TV special, Michael Feinstein – The Sinatra Legacy, is currently airing on PBS.

He is also the founder of the Feinstein Initiative, that preserves and promotes the Great American Songbook, and serves as Artistic Director of the Palladium Center for the Performing Arts, a $170 million, three-theatre venue in Carmel, Indiana, which opened in January 2011. The theater is home to an annual international Great American Arts festival, diverse live programming and a museum for his rare memorabilia and manuscripts. Starting in 2010, he became the director of the Jazz and Popular Song Series at New York’s Jazz at Lincoln Center. In 2013, he will replace the late Marvin Hamlisch as the lead conductor of the Pasadena Pops.

His many other credits include scoring the original music for the film Get Bruce and performing on the hits television series “Better With You,” “Caroline in the City,” “Melrose Place,” “Coach,” “Cybill“ and “7th Heaven.”

Feinstein was born in Columbus, Ohio, where he started playing piano by ear as a 5-year-old. After graduating from high school, he worked in local piano bars for two years, and then moved to Los Angeles when he was 20. The widow of legendary concert pianist-actor Oscar Levant introduced him to Ira Gershwin in July 1977. Feinstein became Gershwin’s assistant for six years, deeply influencing his life and setting him on the path that has become his life as a singer, songwriter and promoter of music.

In The Gershwins and Me, Feinstein tells a personal story in which each of the twelve chapters highlights one of the Gershwin classic songs, using them to tell the story of the Gershwin brothers and their family, illuminating their music and incredible creativity, and telling memorable personal stories throughout. In this unusual narrative, Feinstein tells a moving chronicle of his own life with the Gershwins and his vision of how their music inculcates so much of modern American life.  It’s a wonderful, personal and special book that I very much enjoyed discussing with author Michael Feinstein, whose amazing website demonstrates the incredible breadth of his work in music.

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Melanie Hoffert: Prairie Silence: A Memoir

978-0807044735 – Beacon Press – hardcover –  $24.95
(ebook editions available at lower prices)

Melanie Hoffert’s Prairie Silence is about growing up on the prairie of North Dakota.  The silence she talks about is most often her own, though there are many other kinds of silences in the small town she grew up in.  Her story is about growing up gay in a place that seems alien to her, in a family she felt she could reveal her true self to (until much later in her life after she had moved away – her eventual coming out story is just emblematic of the awkwardness that she mostly recognizes now was projected rather than felt).

Now living in Minneapolis, Hoffert feels the need to return home to her family farm, to work with her farmer father and brother, reconnect to her mother, and to better understand the place she came from.  Interacting for a solid period of time with family, friends and neighbors gives the book its narrative, and places her in the complicated nexus of self, place and other.

Prairie Silence is a warm, sometimes surprising memoir that combines an internal voice with a clear eyed reflection of the northern plains we often call the “heartland,” whose residents often and perhaps ironically, have terrible challenges connecting with their own hearts and souls, and thus are unable to sympathize with the hearts of others, especially those who don’t share their own values.   But as she learns more about the people she left behind, Hoffert does find connections, and real ones, with many of those to whom she could not trust to reveal herself.

Hoffert’s prose is plainspoken and clear, just as she was in her interview with me about this strong debut work of nonfiction.  A warm and loving memoir I highly recommend and an excellent introduction to a fine new writer.

Melanie has an MFA in creative writing from Hamline University, and her work has appeared in several literary journals. She received the 2005 Creative Nonfiction Award from the Baltimore Review and the 2010 Creative Nonfiction Award from New Millennium Writings. Since 2008 she has worked for Teach For America as managing director of TFANet, the online social-networking hub for their corps members and alumni.

Author website here.

“Sometimes at dusk, when the world is purple, I go searching for elements of a small town in the city. I usually walk down alleys, where yellow light spills from the back of houses onto piles of dusty red bricks and onto old lumber; where forgotten white Christmas lights crawl like vines over many of the fences; where junk cars sit as if in a museum; and recycling bins display the ingredients of meals consumed weeks ago. In alleys people do not have a need to present a manicured life and I feel closer to the neighbors I will never know. In these alleys, where the roads are narrow and life is presented as it is lived—messy and whimsical—I see glimpses of what I left behind.”

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Luis J. Rodriguez: It Calls You Back: An Odyssey through Love, Addiction, Revolutions, and Healing

978-1-416584162 – Touchstone – Hardcover – $24.99 (978-1-416584179, paperback $15.99; ebook editions available at lower prices)

This is flat out a stunning book.  Luis tells his life story pulling no punches, avoiding no pain, either that he has given to others or that others gave to him.  Years ago, when I read his first memoir Always Running (some pieces of which are repeated or retold here), I knew that he was a great storyteller.  His poetry is crystal-like, full of shards of emotion and insight.

Rodriguez is a powerful writer.  His prose flows like a river and carries you along with Luis, as he makes terrible mistakes, strives to become better, to understand who he is in a terrible, painful and challenging world.  He grew up in California, child of immigrants, always struggling, and early on in life, unlike anyone else in his family, was drawn into the gang life, engaged in all sorts of crime, did drugs, was violent, full of rage and sorrow.  But he was always a reader, always smart enough, emotionally engaged enough, to want more, to be engaged, to struggle.  In It Calls You Back, Rodriguez documents everything, how he became a writer, politically engaged, an activist working with gangs, a lover, husband and father, whose own son makes the dramatic and terrible mistake that changes his life forever, despite everything Luis thought he had done to help his son escape La Vida Loca (the crazy life) of the gangs.

It has taken years for Rodriguez to become who he is today, but his past life is always with him, always running inside his heart and soul.  His life’s work is all about engagement, transformation, and social change.  I admire what he has done to turn his experiences into such powerful action. Reading this book is as transformative for the reader as it was for the author.  I hope my conversation with Luis will help illuminate and amplify the story he has to tell.

Visit the author’s website here and that of his independent Tia Chucha Press, learning and cultural center here.

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E. Ethelbert Miller: The Fifth Inning

978-1604865219 – PM Press – Paperback – $15.95 (ebook versions available at lower prices)

E. Ethelbert Miller  is a writer and literary activist.  He is currently the board chairperson of the Institute for Policy Studies (IPS).  Since 1974, he has been the director of the African American Resource Center at Howard University.  Ethelbert is also the former chair of the Humanities Council of Washington, D.C. and a former core faculty member of the Bennington Writing Seminars at Bennington College.  He’s published more than ten books, in both poetry and prose, has edited a number of anthologies, and his writing is widely anthologized.  He’s won all sorts of awards and recognition for his writing and for his longstanding work in support of writing as a community and cultural effort.   In addition, for several years he hosted the popular weekly radio program Maiden Voyage on WDCU-FM, as well as Vertigo On The Air on WPFW.

Ethelbert has long been a favorite poet of mine, whom I got to know years ago when I lived in Washington, D.C., where Eth still resides.  We’re of a similar age and share various passions, not the least of which is baseball.

So it is no wonder that I jumped at the chance to read his memoir, The Fifth Inning, and then to talk to him about it on Writerscast.  This is a terrific book, unusual in its shape and structure, which is both poetically charged and carefully built.  Ethelbert allows himself to write honestly and purely about his own life, his insecurities, pain and suffering, but without ever becoming self indulgent or overwrought.  There is always hope, and the sense that something good, or even great, will come from all this “stuff” we go through in life.

Thinking of a baseball game, the fifth inning out of nine is, of course, the turning point.  After the fifth inning, a game can end early but still be considered an official game – a life lived, though abbreviated.  So here he is, in the fifth inning of his imagination, looking back at the beginning of the game, and at the present where it’s about to start the last stretch toward the end and the final score.  It’s a good time to take stock and get ready to see what you can do to get past the hitters coming up to bat.  When you’re pitching you need to pace yourself, remember what worked and didn’t work in the early innings, and use what you have learned to keep the hitters off stride and getting the outs you need to win the game.

Poets’ memoirs are sometimes brittle and too carefully built to sustain a personal story.  Ethelbert is not that kind of poet.  He’s active and alive in every moment, and brings his readers right into his head and heart.  This is a beautifully constructed and written piece of personal writing that I hope will find a audience far beyond the literary community.  What Ethelbert has to say about being human and growing older is important for all of us to hear.

Ethelbert’s website is here, well worth a visit.  And I wanted to mention that this is a Busboys & Poets book published by PM Press, a publisher I hope readers will learn about and support.  Buy the book direct from the publisher to support independent publishing and alternative culture.

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