Francesca Lia Block: The Elementals

November 12, 2012 by  
Filed under Fiction, WritersCast

978-1250005496 – St. Martin’s Press – Hardcover – $24.99 (ebook versions available at $11.99)

Francesca Lia Block has been one of my favorite writers for many years.  I first discovered her through an early novel called Girl Goddess #9, and her outstanding series of novels under The Weetzie Bat rubric.  She’s best known and identified as an author of YA or Young Adult books for girls and young women, but I’ve always thought that was a reductionist labeling that, as with other excellent writers, unfairly tends to limit her readership.  Francesca is certainly not limited in her imaginative powers and writing ability, and her work can and should be read by adults who appreciate great storytelling and imaginative, edgy fiction.  And if you love Los Angeles, as I do, there is no one better at capturing its modern day heart and soul.

The Elementals is a haunting and powerful novel about a young girl, Ariel Silverman, who is obsessed by the murder of her best friend, Jeni.  She goes to Berkeley for college, the same place where Jeni was killed the summer before.  While Ariel tries to live the life of a college freshman, she cannot set aside the mystery behind Jeni’s death, and spends much of her time trying to understand what really happened to her friend.  She comes into contact with a number of strange and interesting characters.  And meanwhile, her mother is wrestling with breast cancer, and Ariel feels like she no longer can rely on her for support.  And maybe needs to find her own path anyway.

The book is both myth and mystery, rich in realistic detail and simultaneously an almost fairy tale like storytelling.  This is one of my favorite novels of the year.

Francesca grew up and still lives in Los Angeles.  She has written novels, short stories, screenplays, and teaches writing.  She recently edited an anthology of her students’ fiction called Love Magick, which I am pleased to have published.  Visit Francesca’s website for more about her many books.

In our lively and interesting conversation about The Elementals, we were very careful not to give away any of the critical story line of the novel that would spoil it for readers.  Enjoy….

Craig Johnson: The Cold Dish (The Walt Longmire Series)

August 28, 2012 by  
Filed under Fiction, WritersCast

978-0143123170 – Penguin Books – Paperback – $15.00 – ebook editions available

What a great discovery!  This is really about an entire series of novels, not just this first book, The Cold Dish (which is exceptional, by the way).  As soon as I started reading this novel, I was hooked, and knew I would be reading and enjoying many more of Craig Johnson’s novels.  Out of the seven he has published thus far, I’ve read four this summer, and I would have read more of them if I had not been distracted by a very busy period with lots of intense work.  So I am actually looking forward to this fall and winter when I can sit by the proverbial fire and read three more really good books.

As Craig said when we talked, this series of books is driven by his characters, and it’s true enough, everyone in these books is vividly drawn and incredibly alive.  That’s what got A&E Television to buy the books to turn into their latest successful television series, a story Craig definitely enjoys telling.  Walt Longmire, the Sheriff of Absaroka County, Wyoming, is one of the great modern heroes, full of flaws and the kind of intrepid it’s impossible not to love.   And unusually for me, at least, I don’t mind at all the way these books have been adapted for television.  A&E wisely kept them character based, and while it is plainly impossible for any video medium to be as imaginatively rich as a great novel, they’ve done a terrific job with Longmire.

Author Johnson is plainly having a great time writing these novels, and well he may.  He’s created a cast of characters it’s impossible not to be attracted to.  The Cold Dish introduces us to Walt Longmire, a twenty-five year veteran sheriff in the least populated county in Wyoming, his best friend, Henry Standing Bear, and his favorite deputy, Philadelphia-born Victoria Moretti.   Longmire is not an altogether happy man, having lost his beloved wife, and now lives alone in what might loosely be called an unfinished house.  His daughter is away in law school and he is mostly alone.  His peaceful unhappiness is interrupted by the death of Cody Pritchard, a young man who had previously been involved in an ugly incident of rape two years earlier with three other high school boys, all of whom had been given suspended sentences for raping a local Cheyenne girl.  He’s shot at long distance by an unusual and historic 45-70 Sharps buffalo rifle.  Thus starts an adventure that can only be called gripping and powerful.  As one reviewer said: “Longmire faces one of the more volatile and challenging cases in his twenty-four years as sheriff and means to see that revenge, a dish that is best served cold, is never served at all.”

Johnson is a fine literary writer taking on a popular form and making it his own.  The Longmire series is the kind of book series readers love, and it’s just as attractive to those who are seeking adventure between book covers.  Talking to Craig about his books was a true pleasure for me.  Craig lives in Ucross, Wyoming, population 25, where he truly lives the kind of life he writes about.

Author website here.  A&E Longmire site here.

The book series:

The Cold Dish

Death Without Company

Kindness Goes Unpunished

Another Man’s Moccasins

The Dark Horse

Junkyard Dogs

Hell is Empty

As the Crow Flies

Jessica Maria Tuccelli: Glow (a novel)

May 22, 2012 by  
Filed under Fiction, WritersCast

978-0670023318 – Viking – Hardcover – $25.95 (ebook versions available)

Jessica Maria Tuccelli’s outstanding first novel, Glow, opens in the fall of 1941, in Washington, D.C., and traverses back and forth through time and place to Hopewell County, Georgia in 1836, and then across the century following.  We start with Amelia J. McGee, a young woman of Cherokee and Scotch-Irish descent, an outspoken pamphleteer for the NAACP, whose husband has been hauled off to jail as a draft protester, sending her daughter Ella, alone with her only her dog as company, on a bus home to Georgia.  This desperate act, meant to protect her daughter, turns out to be disastrous, as the girl, almost at her destination, is snatched by two drifters and then left for dead.

Ella is rescued and cared for by Willie Mae Cotton, an ancient root doctor and former slave, and her partner, Mary-Mary Freeborn, who live deep in the Takatoka Forest near Ella’s ancestral home. While Ella heals, in a fluid and beautifully told story, we learn the history of her people and those who are caring for her.

Tuccelli is a lovely writer, and her almost magical ability to capture the voices and stories of the diverse characters in this novel is striking.  She does not shy away from pain and suffering, but manages to find transcendance and hope for her characters against tremendous odds.  The people in this novel are powerfully real, committed to family, to the land, and to the personal histories that make them who they are.

Tuccelli is a fine writer and also a terrific writer to interview.   It’s of course impressive and a natural issue to discuss, that she is not from Georgia nor does she share any personal history with the people and place she has made her own in this novel.  There are some truly compelling characters in this book that I will never forget.  I had a great time talking to her and hope you enjoy our conversation as well.   Her excellent website is well worth a visit.

Alex Gilvarry: From the Memoirs of a Non-Enemy Combatant

March 27, 2012 by  
Filed under Fiction, WritersCast

978-0670023196 – Viking – Hardcover – $26.95 (ebook and audio book versions available)

Brilliantly composed as a satire on a broad swatch of contemporary American life, Alex Gilvarry’s From the Memoirs of a Non-Enemy Combatant will sneak up on you and whack you straight across the face.  Even if you see it coming.  I loved the writing, which is smart and slick, beautifully evocative, from a writer clearly in love with language and its many powers.  For a first novelist, Gilvarry displays considerable writing chops, on top of his comedic skills and ability to skewer so many elements of the popular culture we have so taken for granted.

This book is structured as the unreliable narration of its main character, Boyet (Boy) Hernandez, who is a Filipino fashion designer come to New York to make his way in the world.  The first two thirds of the book is his almost hapless story of the road to success (many wild and crazy people and events along the way), where we come to know and care about, but not necessarily love Boy, who is sometimes so self-involved and full of shit, even as he is talented and appealingly immature (I want to say “jejune” but he’s not quite that bad).

But things turn dark, when Boy is arrested and sent to Guantanamo and both privately and publicly humiliated as a suspected terrorist.  This is where the author can turn his powerful satiric eye onto the political and cultural state of America at perhaps its worst.  There is nothing more frightening than to see a true innocent (naif is the right word here) caught in the web of the modern anti-terror police state.  While Boy is eventually freed, and as readers we are relieved, his life can never be the same – his glorious desire-fueled run into the heart of American pop culture has been destroyed, and he must become a new and immensely different person, and this is not necessarily for the better, in his case.

Ultimately, for this author, it feels as if there are two Americas, co-existing, but on different planes of existence.  Both are heightened realities, in which most of us seem to live without really understanding what they mean.  In many ways, this novel, with its humor, pathos, narrative power, and its ability to pinpoint cultural weaknesses and failures, can do more to help us understand the necessities of political and culture action than any of even the best nonfiction treatises that address the manifold issues of the early 21st century.

But don’t worry about the politics, just read this book for the wonderful novel it is, and draw your own conclusions about what you want to do after you read it.  You might just want to listen to this interview then to hear more from Mr. Gilvarry about his book and how work as a writer (and editor – Alex is now the editor of the book review collaborative Tottenville Review, which I recommend you visit).  I had a wonderful time talking to this author and hope you will also enjoy the conversation.

Also, visit Alex Gilvarry’s website for more information and news about this book and his work.

Publishing Talks: David Wilk interviews Lou Aronica of Fiction Studio Books

In this series of interviews, called Publishing Talks, I talk to book industry professionals and other smart people about the future of publishing, books, and culture.  This is a period of disruption and change for all media businesses.  How will publishing evolve as our culture is affected by technology, climate change, population density, and the ebb and flow of civilization and  economics?

I hope these Publishing Talks conversations will help us better understand the outlines of what is happening in publishing, books and reading culture, and how we can ourselves both understand and influence the future of books and reading.

Lou Aronica is a long-time editor and publisher who left commercial publishing some years ago and then built a new career as a writer.  In fact, I interviewed him in 2011 about his excellent fantasy sci-fi novel, Blue.  Lou has been very successful as a writer and freelance editor.  But over the past couple of years, Lou has continued exploring his publishing interests, most recently by founding a digital-first publishing imprint called Fiction Studio Books.

(I do recommend visiting his site and reading what he has to say about publishing in general and what Fiction Studio is all about).

Fiction Studio offers a different and in many ways unique model for writers.  Lou is bringing to bear the most important traditional values of publishing – editorial and author development – that so many publishers today are no longer able or willing to provide in commercial publishing.  By concentrating on quality and eliminating the overhead costs of print publishing, he has been able to begin to sketch out a workable structure for digital publishing of mainstream fiction that may be a useful model for the future, where the publisher provides real value and services that make sense for authors and readers.  Lou calls this a “publishing culture” that benefits the books and the writers he publishes.

Importantly, Fiction Studio is selling a significant number of books, enough to make it a profitable business and not just an experiment in digital publishing.  In its first year of existence, the imprint issued 14 titles.

Lou and I have often talked informally about the book business and the future.  Typically I have learned alot from him and his experiences, past and present and always enjoy our talks.  I think what he is doing now with this publishing program is tremendously important and should be inspirational to both publishers and authors.

Our conversation here covers a wide range of ideas and concepts drawn from his experience and reflecting his expansive vision of what a born-digital publishing company can and should look like.  We talked about trends in digital publishing, how the role of the publisher is changing, the importance of editing and developing writers in the new digital marketplace, what makes a publisher meaningful and valuable to authors and to writers, ebook pricing models, and  much, much more in this very wide-ranging conversation.  To learn more, go to the website and read his essay about why he is publishing and the very active and interesting blog written by Fiction Studio authors as well.

Georgia Lowe: The Bonus (a novel)

January 26, 2012 by  
Filed under Fiction, WritersCast

978-0615371450 – Lucky Dime Press – $18.95 – paperback (ebook editions available)

I confess to be particularly fond of Depression era novels and nonfiction.  The 1920s and 1930s were incredible periods in American history, so much like the present time it is sometimes strange and even eery.  I’m not sure how many readers coming to this novel will know its historical background.  In 1932, at the height of the Great Depression, while Hoover was still President, thousands of World War I veterans mobilized to lobby Congress to pass a bill to give them their war service bonuses immediately, to save them from utter poverty and starvation.  2o,000 of them ended up camped in and around Washington, D.C. at the end of their Bonus March.

The political elements of this story sound pretty familiar to anyone who is paying attention to modern political speech.  It’s impossible to not think about the Occupy movement as you read this novel, which of course was conceived and written long before that movement’s inception.

Georgia Lowe’s parents were bonus marchers.  She grew up hearing their stories about the hot summer of 1932 in Washington, D.C., when General MacArthur, himself also a World War I veteran, brutally dispersed the homeless and destitute marchers, including the families of the vets.  Those stories inspired her, but she did not even begin to write fiction until she was much older.  She started the novel more than 10 years ago, using elements of her own family’s stories to create the framework of her novel.

I found The Bonus to be a remarkably well written novel that flows beautifully and naturally.  I’d characterize it as a “naturalistic” novel, and it feels to me as if it could have been written in the 1930s, with a truly authentic sense of the period, the places and the people of that time.  The story focuses on Bonnie and Will, she a struggling actress and he a journalist (and veteran in denial of the pain of his wartime experience), both of them living reasonably well in Hollywood.  They each become connected to the Bonus March in different ways, and end up together in Washington, where their personal lives become entwined with the real events surrounding the marchers and their treatment in the capitol.  You’re not reading a novel to learn the history, but you will learn it and I think you will feel, as I did, that history is remarkably circular.

I think history has birthed a wonderful novelist.  The Lucky Dime website tells us that Georgia is hard at work on two new novels, a prequel to The Bonus entitled An Ordinary Kid and a sequel, The Old Ladies.  These are books I will want to read.  I can’t resist making a plug for another novel, one that was actually written in the 1930s by a now almost forgotten writer, Thomas Boyd, In Time of Peace, a book I think should be read together with The Bonus to create a really powerful understanding of our own period through the lens of another.

Talking with Georgia was alot of fun for me since I liked her book so much.  I hope you will enjoy it as well.  And I am not alone in liking this book alot – The Bonus won first place in the highly competitive Mainstream/Literary Fiction category of the Writer’s Digest Self Published Book Awards.

Publishing Talks: David Wilk Interviews John Sundman

In this series of interviews, called Publishing Talks, I talk to book industry professionals and other smart people about the future of publishing, books, and culture.  This is a period of disruption and change for all media businesses.  How will publishing evolve as our culture is affected by technology, climate change, population density, and the ebb and flow of civilization and  economics?

I hope these Publishing Talks conversations will help us better understand the outlines of what is happening in publishing, books and reading culture, and how we can ourselves both understand and influence the future of books and reading.

I’ve had the pleasure of knowing John Sundman for only a brief period of time, but value my emerging friendship with him greatly.  He’s been a writer in a variety of forms, and a visionary thinker about many things I am interested in.  He’s been a self publisher for quite some time, and I thought his experience doing his own publishing would be a good starting point for a conversation about where publishing appears to be going.  Here’s his bio (from his Smashwords page):

John Sundman is a freelance technical writer, essayist, novelist, self-publisher, volunteer firefighter, food pantry co-director, former Peace Corps Volunteer, husband, father, and advocate for people with disabilities who resides on the island of Martha’s Vineyard, very near to Massachusetts, USA. He has spent more than 20 of the last 30 years somehow connected to the Silicon Valley/Boston high-tech/computer industry. He also has experience as a farmer, student of agricultural economics, and worker in rural African agricultural development. His books are more subtle than they appear.

John blogs with a number of other free thinking visionaries at Wetmachine (“we write about, mostly, the nexus of technology, science and social policy in the USA. We also write about software praxis, technoparanoia, the craft of writing, self-publishing, politics, and random bullshit. Sundman and Gray, in particular, are leaders in the “random bullshit” category.”)

John’s books are quite good and well worth reading (here’s a review of his first book, Acts of the Apostles, that more or less set him on a successful path of self-publishing, an early web story, which serves as precursor for so many other stories of discovery).  I could have interviewed him about one of his books, but I thought talking to him about publishing would give us a chance to talk more broadly.  Do take a look at his books (widely available in online retail stores).  And he’s finally doing a book with a publisher other than himself, an overhauled and rewritten Acts of the Apostles with the esteemed Underland Press.

John and I had a great talk.  I’ll be interested to hear from listeners what you think of some of his ideas.

.

Lisa Tucker: The Winters in Bloom

November 19, 2011 by  
Filed under Fiction, WritersCast

978-1416575405 – Atria – Hardcover – $24.00 (ebook editions available)

From the author’s website describing The Winters in Bloom:
Together for over a decade, Kyra and David Winter are happier than they ever thought they could be.  They have a comfortable home, stable careers, and a young son, Michael, whom they adore.  Yet because of their complicated histories, Kyra and David have always feared that this domestic bliss couldn’t last – that the life they created was destined to be disrupted.  And on one perfectly ordinary summer day, it is: Michael disappears from his own backyard.  The only question is whose past has finally caught up with them. David feels sure that Michael was taken by his troubled ex-wife, while Kyra believes the kidnapper must be someone from her estranged family, someone she betrayed years ago.

As the Winters embark on a journey of time and memory to find Michael, they will be forced to admit these suspicions, revealing secrets about themselves they’ve always kept hidden.  But they will also have a chance to discover that it’s not too late to have the family they’ve dreamed of; that even if the world is full of risks, as long as they have hope, the future can bloom.

The Winters in Bloom is the first book I have read by Lisa Tucker, whose books are about families and relationships.  I wasn’t sure when I started it whether I was going to finish, I was worried that it was going to be formulaic and predictable, and especially at the outset of the novel, where the two parent characters are introduced, I was very nervous about where this book might go and whether I could stay with it.

It turned out that I could not put it down.  It is full of surprises, deeply felt, complicated in ways that are better left for the reader to discover for her or himself.  I ended up of course, loving the book, and looking forward to talking with Lisa about her characters and her writing.  And did I say, she is a terrific writer?

As with the title itself, which has a subtle ambiguity, this novel will offer readers depth and a kind of thoughtfulness about what a family can and should be, that runs counter to our initial expectations for it.  I really liked being surprised by this book.  Lisa also gives a great interview and I think you will enjoy hearing our conversation about her book.

I really liked this quote about the book too:

“Brilliant, tender, and  riveting. . . Reading The Winters in Bloom is like falling into some beguiling dream,  one you don’t want to wake from. There is a fascinating strangeness at work here, an off-kilter logic that keeps you enrapt and breathless. This is what can happen to people like us when the past comes calling. Lisa Tucker has not  described a world; she has created one unlike any you’ve never seen. She has breathed life into her characters, and they will breathe life into you.”
— John Dufresne, author of Requiem, Mass

Lisa Tucker’s website is worth a visit also.

Amor Towles: Rules of Civility

November 4, 2011 by  
Filed under Fiction, WritersCast

978-0670022694 – Viking – Hardcover – $26.95 (ebook and audiobook versions also available)

Amor Towles’ Rules of Civility has become my favorite books.  This WritersCast interview series has allowed me to read some incredibly good books this year; Amor Towles’ story of New York City in 1938 has risen to the top of my list of novels I fell in love with.

Rules of Civility opens with the book’s heroine, older, successful, married, with her husband viewing the famous mid-sixties Museum of Modern Art showing of Walker Evans’ 1938 New York City subway photographs. She and her husband see and talk about two particular photographs – a man she knew in 1938 and who mattered hugely to her life and helped shape the arc of her entire life.  Then the real story begins, as flashback to that high intensity period of her life, when by accident, she began the process of becoming the person we meet at the opening of the book.

It’s a great way to start a book.  Reminding us of just how much a role chance and happenstance – and what we make of it – means to our lives.  Author Towles loves the way opportunity winds around us, especially it seems at the fraught time in our lives when we are setting out in the world to define ourselves, when we make the choices that define our lives, sometimes purely accidental, sometimes with just an inkling that these choices will have monumental effects.

There is a wonderful story here.  Our heroine, Katey (who grew up as Katya, an immigrant’s daughter), is living in Manhattan.  It’s 1938, still Depression era America, but just on the cusp of its ending.  New York is both gritty and glitzy at the same time.  Katey is working as a legal assistant, going out at night with her limited funds and her few friends.

One night, she and her best friend meet a man who will thrust Katey into a new life, where she meets the smart set of society, and gains the confidence to become a modern, successful woman, in many ways mirroring the American story arc of the same period.

Towles is a terrific writer, and I found myself reading some passages aloud to revel in the beauty of his sentences.  He brings New York in 1938 to life, reminding us how close we actually are to what is now almost a forgotten period of our history.  The book made me want to see again some of the great movies of this era, all of which shared the ironic understanding of modern culture this book displays.  I’m quite certain Towles has seen them all and internalized their values.

You need to read this story for yourself – it’s complicated and has an utterly rewarding denouement.  Suffice to say, Katey learns a great deal about the people she meets, loves some, despises others, and absorbs what she learns on the way to becoming herself.  This one year is the pivot point for her entire life, and the sense we get from the story is that New York has engendered the same for millions who came there for a very long time, though probably for many less self-aware than Katey and her author, Amor Towles.    Here’s one of the great lines from the book that in some ways encapsulates the story it tells: “from this vantage point Manhattan was simply so improbable, so wonderful, so obviously full of promise — that you wanted to approach it for the rest of your life without ever quite arriving.”  Perfect.

This is Amor Towles’ first published novel.  In our discussion, we talked about how he was able to write it, despite having a full time job and a family.  And we talked about the story of the novel, and its characters, and about New York in the 1930s, a great and somewhat neglected period for fiction.  It’s a great book and I hope an equally rewarding conversation for listeners.

Amor Towles website is worth a visit.  And you also might enjoy George Washington’s Rules of Civility (& Decent Behaviour In Company and Conversation) which plays a critical role in this novel. And a nonfiction piece he wrote called What I learned from Cole Porter on Oprah.com.

Publishing Talks: David Wilk interviews Mark Teppo about The Mongoliad

In this ongoing series of interviews, called Publishing Talks, I have been talking to book industry professionals and other smart people about the future of publishing, books, and culture.  This is a period of disruption and change for all media businesses.  We must wonder now, how will publishing evolve as our culture is affected by technology, climate change, population density, and the ebb and flow of civilization and  economics?

I believe that these Publishing Talks conversations can help us understand the outlines of what is happening in the publishing industry, and how we might ourselves interact with and influence the future of publishing as it unfolds.

These interviews give people in and around the book business a chance to talk openly and broadly about ideas and concerns that are often only talked about “around the water cooler,” at industry conventions and events, and in emails between friends.  These conversations give people inside and outside the book industry a chance to hear first hand some of the most interesting and challenging thoughts, ideas and concepts being discussed by active participants in the book business.

It’s likely that most listeners of this podcast series are aware of the innovative storytelling project called The Mongoliad.  This project, a “transmedia” collaboration of several science fiction and fantasy writers, along with their readers, and others, is one of the more far-reaching experiments in digitally enabled fiction.  There are many interesting practical elements to this project, including quality control, story and character continuity, and other issues of control.  And there are economic questions as well.

There are all sorts of bigger issues in play here as well, including the notion of author, ownership of ideas and control issues in a collaborative crowdsourcing environment, and the nature of writer and reader in a community setting.  Hopefully these issues will continue to be explored and discussed in many other venues.

Mark Teppo is the Chief Creative Officer for Subatai Corporation, which is the operator of The Mongoliad project.  Mark plots and fabricates alternate versions of historical eras for this project and others.   He is also the author of the urban fantasy series The Codex of Souls (Night Shade Books) and lives in Seattle.  His other projects include: Darkline: An on-going research and commentary site dealing with esoterica and the occult and Psychobabel, a pair of non-linear texts—The Potemkin Mosaic and The Psychobabel Folio—the Psychobabel project explores the landscape of dream, the labyrinth of linguistics, and the deconstruction of mythology.

Just after I interviewed Mark for Writerscast, Amazon and Subatai announced that Amazon will be publishing the books related to The Mongoliad.  I asked Mark to comment here to provide some additional context for our discussion.    Here is what he said:

Regarding the deal with Amazon’s new SF/F imprint, we’re thrilled that they want to bring The Mongoliad to a larger audience.  One of the
things that we’ve always said is that, for many of us, a book doesn’t really exist until you can crack it open and bury your nose in its pages.  I grew up with books, and still have a house full of them. Rooms seem strangely naked if they don’t have books in them.  Digital technology is coming to books, and e-readers are definitely going to change the market, but they don’t make physical books any less a critical part of our being.  To that end, partnering with 47North (Amazon’s new S/F imprint) to be able to produce The Mongoliad as a physical book is simply part of what we always wanted to accomplish.

On a more practical side, the e-reading market is still in its infancy.  Those of us who spend all day on the Internet easily forget that a significant part of the reading audience prefers physical texts.  We’d be remiss in our efforts to entertain everyone if we didn’t make every effort possible to let them enjoy our stories as well. Amazon’s entry into the SF/F publishing space will allow us to put the entirety of the Mongoliad on the shelves in bookstores by the end of 2012, which–in publishing terms–is almost overnight.

I think you will find this discussion about The Mongoliad well worthwhile.  It is a really interesting project being done by a very smart and accomplished group of people.  I’ve enjoyed reading it as the series has evolved, and recommend it to anyone interested in historical fiction and visionary writing or who might be looking for inspiration to develop other innovative models for digital storytelling.

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