This is flat out a stunning book. Luis tells his life story pulling no punches, avoiding no pain, either that he has given to others or that others gave to him. Years ago, when I read his first memoir Always Running (some pieces of which are repeated or retold here), I knew that he was a great storyteller. His poetry is crystal-like, full of shards of emotion and insight.
Rodriguez is a powerful writer. His prose flows like a river and carries you along with Luis, as he makes terrible mistakes, strives to become better, to understand who he is in a terrible, painful and challenging world. He grew up in California, child of immigrants, always struggling, and early on in life, unlike anyone else in his family, was drawn into the gang life, engaged in all sorts of crime, did drugs, was violent, full of rage and sorrow. But he was always a reader, always smart enough, emotionally engaged enough, to want more, to be engaged, to struggle. In It Calls You Back, Rodriguez documents everything, how he became a writer, politically engaged, an activist working with gangs, a lover, husband and father, whose own son makes the dramatic and terrible mistake that changes his life forever, despite everything Luis thought he had done to help his son escape La Vida Loca (the crazy life) of the gangs.
It has taken years for Rodriguez to become who he is today, but his past life is always with him, always running inside his heart and soul. His life’s work is all about engagement, transformation, and social change. I admire what he has done to turn his experiences into such powerful action. Reading this book is as transformative for the reader as it was for the author. I hope my conversation with Luis will help illuminate and amplify the story he has to tell.
Francesca Lia Block has been one of my favorite writers for many years. I first discovered her through an early novel called Girl Goddess #9, and her outstanding series of novels under The Weetzie Bat rubric. She’s best known and identified as an author of YA or Young Adult books for girls and young women, but I’ve always thought that was a reductionist labeling that, as with other excellent writers, unfairly tends to limit her readership. Francesca is certainly not limited in her imaginative powers and writing ability, and her work can and should be read by adults who appreciate great storytelling and imaginative, edgy fiction. And if you love Los Angeles, as I do, there is no one better at capturing its modern day heart and soul.
The Elementals is a haunting and powerful novel about a young girl, Ariel Silverman, who is obsessed by the murder of her best friend, Jeni. She goes to Berkeley for college, the same place where Jeni was killed the summer before. While Ariel tries to live the life of a college freshman, she cannot set aside the mystery behind Jeni’s death, and spends much of her time trying to understand what really happened to her friend. She comes into contact with a number of strange and interesting characters. And meanwhile, her mother is wrestling with breast cancer, and Ariel feels like she no longer can rely on her for support. And maybe needs to find her own path anyway.
The book is both myth and mystery, rich in realistic detail and simultaneously an almost fairy tale like storytelling. This is one of my favorite novels of the year.
Francesca grew up and still lives in Los Angeles. She has written novels, short stories, screenplays, and teaches writing. She recently edited an anthology of her students’ fiction called Love Magick, which I am pleased to have published. Visit Francesca’s website for more about her many books.
Finding this book was a happy accident for me. Much of my own family is from Lithuania and I have long been interested in the history and culture of the Jewish community prior to World War II. I’ve read a number of books by Jews who survived the Holocaust in Lithuania – terrible stories of suffering and loss. But Ellen Cassedy’s story resonated even more deeply for me. She went to Lithuania to study Yiddish as part of her quest to connect to her Jewish roots on her mother’s side and to explore the country and culture of her family’s birth.
She also needed to learn some of the secrets of her Holocaust survivor Uncle’s past, and as she explored and connected to Jews and gentiles alike, her experiences in modern Lithuania changed her perspective and understanding of the complex connections between people, their history, and their present. Much of what she believed was true about Lithuania as well as her family’s experience in the terrible war years was upended by what she learned and the people she met and interacted with there.
Cassedy’s story should be meaningful not just for Jews seeking to understand their European roots. Through her eyes, we learn a lot about her hard work in trying to master the complexity of the beautiful and difficult Yiddish language. She spends time with old people, young people, survivors, witnesses, goes through old Lithuanian and Russian archives, interviews city and country folk, including an old man who wants to “speak to a Jew” before he dies and learns a great deal about the issues that confront a country that was taken over by both Nazi and Soviet dictatorships. In the end, her journey transforms her, and in this memoir she allows us to travel with her through a difficult and rewarding emotional and physical landscape. I truly enjoyed this book and talking to Ellen about it was a pleasure. And I learned some new Yiddish words and expressions too!
Her own website is well worth a visit – nice video of Lithuania and more about her other work.
Marilyn Monroe was one of the great icons of mid-century America. I grew up while she was in her prime in the late fifties and the early sixties, and the power of her image and beauty was available even to me as a pre-pubescent youth. Her cultural appeal was remarkable. But the complexity of her persona was equally powerful, and certainly enabled her incredible charisma and appeal.
Her marriages to the equally iconic Joe DiMaggio and the brilliant playwright Arthur Miller, and rumors of her romantic liaisons to many other well known public figures added to the mythological elements of her story. And her undeniable skill as a comic actress and amazing on screen sexuality were unmatched by any other actor of her time. That she died relatively young, and in mysterious and controversial circumstances only added to the ongoing fascination with her life that continues a half century later.
Marilyn biographies (and exploitive tell-alls) abound. But no biographer has done what feminist scholar Lois Banner has done in Marilyn: The Passion and the Paradox. This is a complex and in-depth examination of a complex and challenging subject. Through exhaustive research and access to previously unavailable sources, Banner tells the story of Marilyn’s life in incredible (and never boring) detail, begins=ning at the outset of Marilyn’s difficult life and through to her sad and tragic death at age 36. We learn a tremendous amount about Marilyn, as a person, an actress, a thoughtful and well read intellectual, a star with a created narrative, a lover of men and of women, and in many ways a proto-feminist figure.
Reading this book, I found myself thinking about the distinctions in human nature that enables some of us to use personal challenges to grow and to create ourselves into powerful beings, while others simply suffer. But most of all, the sheer loneliness and pain of being that beset Marilyn are overwhelming to contemplate. Reading Banner’s recounting of her final weeks and days is an incredibly painful experience. And it was eye-opening for me to understand that the circumstances of her death are likely not as most of us have believed, a suicide.
This is really a powerful story, and one that I recommend to readers who may not have felt themselves interested in the details of Marilyn Monroe’s life. This is a serious biography about a serious and important life, and one that is well deserving of the powerful telling Banner has given to Marilyn. You can learn more at the author’s website. I really enjoyed talking to Ms. Banner and wished we had more time available to talk together about this book.
What a great discovery! This is really about an entire series of novels, not just this first book, The Cold Dish (which is exceptional, by the way). As soon as I started reading this novel, I was hooked, and knew I would be reading and enjoying many more of Craig Johnson’s novels. Out of the seven he has published thus far, I’ve read four this summer, and I would have read more of them if I had not been distracted by a very busy period with lots of intense work. So I am actually looking forward to this fall and winter when I can sit by the proverbial fire and read three more really good books.
As Craig said when we talked, this series of books is driven by his characters, and it’s true enough, everyone in these books is vividly drawn and incredibly alive. That’s what got A&E Television to buy the books to turn into their latest successful television series, a story Craig definitely enjoys telling. Walt Longmire, the Sheriff of Absaroka County, Wyoming, is one of the great modern heroes, full of flaws and the kind of intrepid it’s impossible not to love. And unusually for me, at least, I don’t mind at all the way these books have been adapted for television. A&E wisely kept them character based, and while it is plainly impossible for any video medium to be as imaginatively rich as a great novel, they’ve done a terrific job with Longmire.
Author Johnson is plainly having a great time writing these novels, and well he may. He’s created a cast of characters it’s impossible not to be attracted to. The Cold Dish introduces us to Walt Longmire, a twenty-five year veteran sheriff in the least populated county in Wyoming, his best friend, Henry Standing Bear, and his favorite deputy, Philadelphia-born Victoria Moretti. Longmire is not an altogether happy man, having lost his beloved wife, and now lives alone in what might loosely be called an unfinished house. His daughter is away in law school and he is mostly alone. His peaceful unhappiness is interrupted by the death of Cody Pritchard, a young man who had previously been involved in an ugly incident of rape two years earlier with three other high school boys, all of whom had been given suspended sentences for raping a local Cheyenne girl. He’s shot at long distance by an unusual and historic 45-70 Sharps buffalo rifle. Thus starts an adventure that can only be called gripping and powerful. As one reviewer said: “Longmire faces one of the more volatile and challenging cases in his twenty-four years as sheriff and means to see that revenge, a dish that is best served cold, is never served at all.”
Johnson is a fine literary writer taking on a popular form and making it his own. The Longmire series is the kind of book series readers love, and it’s just as attractive to those who are seeking adventure between book covers. Talking to Craig about his books was a true pleasure for me. Craig lives in Ucross, Wyoming, population 25, where he truly lives the kind of life he writes about.
The book series:
The Cold Dish
Death Without Company
Kindness Goes Unpunished
Another Man’s Moccasins
Hell is Empty
As the Crow Flies
As I write this, it’s August, 2012, and sweet corn is beginning to be abundant here in Connecticut, where I live. This is my favorite season, and my favorite summer vegetable too. When I discovered this wonderful book, I picked it up immediately, and began to read it voraciously. I really like this book, and corn is, of course, an evocation of much more for the author and her readers. Atina Diffley has a great story to tell, and she tells it well in this lovely, powerful, evocative book.
Atina’s story is literally grounded by her connection to the earth and to living in community. As she tells us, she has always wanted to farm. As she has worked with the land to grow food, she has learned how farming is a synthesis of land and people. Wherever she is, along with her farmer husband, Martin, she is a sensitized and active member of her the ecosystem, paying close attention to the living world around her. It’s a great lesson for a world that seems alienated from the natural world. Atina tells us about how she came to being a local organic farmer, a story of farming within close range of the Minneapolis/St. Paul urb for more than thirty years. It’s been an incredible struggle, but also, an incredible success, as she shows how a conscious connection between farm and city, between farmer and the food system can create healthy systems that last. There are many practical lessons as well as inspiration, beauty, and sustenance here for anyone interested in building a new food system in America.
And in addition to a brilliant and beautiful story of land and living, Atina also tells the incredible story of the battle she and Martin led against the Koch brothers pipeline across Minnesota. It’s more or less mind boggling to imagine what they went through, and inspiring to see that it is possible for intelligent and organized opposition to powerful corporate forces can in fact be victorious – right over might.
This is a great book and one I am very happy to recommend to friends, family and colleagues. Talking to Atina about her book was a great pleasure for me, and I hope our conversation will be illustrative of how wonderful this book is. And thanks to the courageous and intelligent University of Minnesota Press for publishing this terrific memoir (a terrific publisher!). Having sold the farm to the food cooperatives that supported it for so many years, Atina is now an organic consultant and public speaker on farming and food issues. Her website is here. We had a great interview in which we covered a wide range of subjects related to her book and to the important issues she raises about our connection to the land, to food, to the reason why organic farming is so important, and to the meaning of food to our lives.
You really need to know the subtitle of this book to get the full impact – The Woman Who Wasn’t There: The True Story of an Incredible Deception. It is an incredible story, about a woman who became one of the leaders of the 9/11 survivors movement, who then turned out to be a complete fraud. How she managed to convince so many people of a story that was so much a part of our public experience (and so much a part of the terrible private experiences of other survivors and family members) is what makes this book compelling.
Journalist Robin Gaby Fisher wrote this book with Angelo J. Guglielmo, Jr., a documentary film-maker who was very close to the main character of the book and who was part of the story itself.
Tania Head told a dramatic and heart stopping story of survival from an upper floor of the World Trade Center, and quickly rose to a position as leader at an early stage in the development of the World Trade Center Survivors’ Network. She became a prominent public figure helping to establish the group, gave a public face to the survivors’ group, and was deeply emotionally involved in the lives of hundreds of people. Until her story unraveled and the truth became known.
It is a tricky thing for a writer to maintain the reader’s interest when the end of her story is already known – Fisher handles this problem successfully by painting an engrossing and detailed picture of Tania Head and all the people around her, and by keeping us waiting for the important details of how her story actually came apart. And while it is impossible for anyone to truly know and understand Tania, who will not speak publicly about anything at all, Fisher paints a deft portrait of a complex psychological being, who joins a long list of famous public frauds who have taken on personae that did not factually belong to them but whose beings were poured into their fantasies in service of deeply felt emotional needs.
It’s also hard not to wonder about the human need for heroes and leaders, which these sorts of confidence men and women prey on. This could happen to any of us, and perhaps especially when we are ourselves emotionally vulnerable and desperate for someone to show us the better side of the human spirit. In many ways, this story illuminates more about the nature of human suffering and stress than it could ever help us to understand the perpetrator of the fraud itself. It’s a very rewarding book to read and my discussion with Robin Gaby Fisher about the book will illuminate some of the important issues raised in her book.
Robin Gaby Fisher is a two-time finalist for the Pulitzer Prize in Feature Writing and a member of a Pulitzer Prize-winning team at the Newark Star-Ledger. She teaches Journalism at Rutgers University in Newark, New Jersey.
Bill Bradley is one of my favorite contemporary politicians. I felt badly for all of us when he left the national political scene and then went to work in investment banking. Much like another politician I admire, Mario Cuomo, he is smart, well versed in a wide range of subjects, able to communicate complicated ideas without dumbing them down, and above all, he is passionately a humanist, who clearly likes people, and loves what America could and should be, as a leader on the world stage.
While I certainly do not agree with all of his ideas, what he has to say is well worth paying attention to, especially since he is so intelligent, and his arguments are so well reasoned, grounded in ideas and carefully constructed (how novel!) Moreover, he represents what the current political discourse so desperately needs, namely leadership that does not trivialize, demonize or mock those with whom one disagrees.
Bradley believes deeply in the power of citizens to make change, and dispensing with so much of what goes for political discourse these days, in We Can All Do Better Bradley makes a strong case for why America cannot continue on its current deeply divided, politically gridlocked, and ineffectual political, social and foreign policy paths.
Bradley first reviews the current “state of the nation.” He makes clear that, contrary to right wing pronouncements, government is not the cause of our problems. He rightly points out the damaging and dangerous role of money and politics, talks cogently about why and how our existing foreign policy, electoral, and economic paths will lead to a dismal future for America, and sets forth clearly and coherently what needs to be done to for us to make changes for the better.
As the book title says, “we can all do better.” Rather than blaming and scapegoating (groups of other citizens, the other political party, or just government itself) or as so many do, simply ignoring what we don’t like, and disengaging from the political process, Bradley continually and powerfully makes his case we can all—elected officials and private citizens alike—do a better job together. Bradley is a great voice for uniting rather than dividing, for working together, and for allowing ourselves to see more clearly who we are – and can be – as citizens and participants in the modern world.
Bill Bradley, born and raised in Missouri, was a star basketball player at Princeton, a Rhodes scholar, and then had a Hall of Fame career in the NBA. He was a three term senator from New Jersey, and ran for president in 2000. We Can All Do Better is his sixth book. He’s been involved in investment banking and serves as a corporate director for a number of companies. He hosts a radio show called American Voices on Sirius/XM satellite radio.
(“For 40 years, I’ve traveled around America listening to the stories Americans tell about their lives. I was always moved, and so I wanted to create a show where you can hear some of them too.” – Sen. Bill Bradley)
It was a great pleasure for me to have the opportunity to speak to Senator Bradley about We Can All Do Better for Writerscast. You can learn more about the book at Sen Bradley’s website.
E. Ethelbert Miller is a writer and literary activist. He is currently the board chairperson of the Institute for Policy Studies (IPS). Since 1974, he has been the director of the African American Resource Center at Howard University. Ethelbert is also the former chair of the Humanities Council of Washington, D.C. and a former core faculty member of the Bennington Writing Seminars at Bennington College. He’s published more than ten books, in both poetry and prose, has edited a number of anthologies, and his writing is widely anthologized. He’s won all sorts of awards and recognition for his writing and for his longstanding work in support of writing as a community and cultural effort. In addition, for several years he hosted the popular weekly radio program Maiden Voyage on WDCU-FM, as well as Vertigo On The Air on WPFW.
Ethelbert has long been a favorite poet of mine, whom I got to know years ago when I lived in Washington, D.C., where Eth still resides. We’re of a similar age and share various passions, not the least of which is baseball.
So it is no wonder that I jumped at the chance to read his memoir, The Fifth Inning, and then to talk to him about it on Writerscast. This is a terrific book, unusual in its shape and structure, which is both poetically charged and carefully built. Ethelbert allows himself to write honestly and purely about his own life, his insecurities, pain and suffering, but without ever becoming self indulgent or overwrought. There is always hope, and the sense that something good, or even great, will come from all this “stuff” we go through in life.
Thinking of a baseball game, the fifth inning out of nine is, of course, the turning point. After the fifth inning, a game can end early but still be considered an official game – a life lived, though abbreviated. So here he is, in the fifth inning of his imagination, looking back at the beginning of the game, and at the present where it’s about to start the last stretch toward the end and the final score. It’s a good time to take stock and get ready to see what you can do to get past the hitters coming up to bat. When you’re pitching you need to pace yourself, remember what worked and didn’t work in the early innings, and use what you have learned to keep the hitters off stride and getting the outs you need to win the game.
Poets’ memoirs are sometimes brittle and too carefully built to sustain a personal story. Ethelbert is not that kind of poet. He’s active and alive in every moment, and brings his readers right into his head and heart. This is a beautifully constructed and written piece of personal writing that I hope will find a audience far beyond the literary community. What Ethelbert has to say about being human and growing older is important for all of us to hear.
Ethelbert’s website is here, well worth a visit. And I wanted to mention that this is a Busboys & Poets book published by PM Press, a publisher I hope readers will learn about and support. Buy the book direct from the publisher to support independent publishing and alternative culture.
This was an exciting and extraordinary book for me to take on. At the very moment I discovered Joel Primack and Nancy Abrams’ cool new book The New Universe and the Human Future, I was also discovering Big History and working on a book project that relates exactly to the ideas in this book. So it was a lucky coincidence for me to find this book and even better to have the chance to speak with the authors. My first two-author interview also, which was fun, not the least because Joel and Nancy work brilliantly together.
I suspect I learned more about the universe from this book than from anything else I have read in my entire life – and I thought I had been pretty good about keeping up with Big Science over the past thirty years or so.
In The New Universe, Nancy Abrams, a cultural philosopher and Joel Primack, an astrophysicist—combine their knowledge and experience to present the most accurate possible portrayal of our current understanding of the universe in which we live. It’s pretty stunning to realize that we are indeed time travelers, since we are able to see the history of the universe in light as it reaches us. And to understand the scale of time in which humans are so small.
But Abrams and Primack are after more than just telling what scientists know and what cosmologists understand about the universe and our place in it. By showing us the absolute miracle of human life on planet Earth, they infuse a scientifically grounded spirituality into the core of our understanding. While they quickly dispense with any notions of Biblical literalism that are disproven by the physical facts that science has uncovered about space and time, cosmology and biology, what they want to show us is that it is possible for the world now to finally share a scientifically grounded creation story. Whereas today we seem to have highly fragmented and differing worldviews that prevent us from living intelligently on our small planet, by understanding how unique our planet and we as a species are in the universe, and how we got here, we may yet be able to unite to save ourselves from extinction. Knowing that it is likely that this is the the only planet able to foster intelligent life does force us to acknowledge our responsibilities not only to ourselves but to the universe we inhabit.
The book is full of incredible information and insights, brilliantly illustrated, our creation story well told. I find myself going back to it frequently as the richness of information the authors share calls out to be re-read. And there’s a great website for the book that I recommend visiting as well.
Nancy Ellen Abrams is an attorney, cultural philosopher, and lecturer at the University of California, Santa Cruz. Joel R. Primack, Distinguished Professor of Physics at the UC Santa Cruz, is one of the principal creators of the modern theory of the universe on the grand scale. Together they have authored several books, including The View From the Center of the Universe. They live in Santa Cruz, California.