Christina Thompson’s Come on Shore and We Will Kill and Eat You All – A New Zealand Story gets one’s immediate attention for its outstanding title, of course.  How could one resist?  This tightly woven memoir was recommended to me by a writer friend who admires stylish writing and it certainly does offer some very fine writing.

But I was most drawn to it at the outset, because Ms. Thompson is an anthropologist, a field of study I have always loved.  Early in her career, she lived and worked in Australia, and traveled to nearby Pacific islands, including New Zealand, where she met and eventually married a Maori, the point where this book really starts to take off.

The title of the book comes from a statement made by Maoris at an early meeting with some European explorers.  It perfectly stands for the cultural gulf between the two peoples and the lack of understanding each had for the other’s entirely foreign culture.  This theme of misunderstanding, and of culturally determined viewpoints, runs throughout the entire book.  Because she is now directly connected to the Maori/Polynesian worldview by dint of marriage, and because she has an anthropologist’s ability to look beyond her own viewpoint, Thompson is able to navigate the intricacies of cross-cultural interaction better than most writers.

Thompson talks about her family, children, American and Maori relations as part of the effort to understand differences, and to explain behavior.  It’s inevitable that Maori and Polynesian cultures are poorly understood in either Europe or America, where the author and her family now lives.  In this memoir, author Thompson looks at the past and the present through the lens of contact and perception with a powerful incisiveness.  Sometimes we are lulled by the commonplace story of the present, and then are shaken awake by its connections to a violent past.  The historical Maoris were a violent and warlike people, and their collision with the equally violent (and self-centered) Europeans of the colonial imperial era created a long period of difficulty for the native people of New Zealand and surrounding regions of the Pacific.

This book is one I can recommend to anyone who wants to see beyond her or his own experience, to learn the limits of anyone’s personal perspective as it is part of a cultural construct, and to peek into the different ones that are around us in our now hyper-connected universe.  Another fine book I am pleased to recommend.  And I do think our conversation expands on the ideas that are present in the book.

Christina Thompson is the editor of Harvard Review. Her essays and articles have appeared in a number of magazines and journals, including Vogue, American Scholar, the Journal of Pacific History, Australian Literary Studies, and in the 1999, 2000, and 2006 editions of Best Australian Essays. She lives near Boston with her husband and three sons.You can read excerpts from this book, find some very interesting resources and learn more about the author and her work at www.comeonshore.com.

David Gessner is a sort of post-modernist environmentalist.  He’s written a number of books that celebrate the natural world and the wild, and he is a terrific writer capable of transcendent prose and has the keen observer’s eye that anyone writing about nature must have.  But he understands the difficulties and contradictions that suffuse contemporary civilization.  And he has a sense of humor and irony (which environmentalists are not always known for).

In My Green Manifesto, he addresses a major issue that affects so many of us who feel strongly about the arc of modern civilization, that its inertia is overwhelming, the problems so great, the solutions so elusive, and the efforts of individuals so ineffectual as to make us lose all hope of being able to make meaningful change.

The book takes us through Gessner’s journey from the headwaters of the Charles River to its end in Boston’s urban harbor.  His trip is made for the most part in company with a true environmental hero, Dan Driscoll, who almost single-handedly spurred the suburban and urban communities along the once highly polluted river to make significant changes to both restore and protect the river and riverside ecology.  They travel in a leaky canoe, drink beer, sleep in tents, and enjoy the pleasures of a “limited-wild” experience.

Gessner takes heart from the work Driscoll has done, and shows us how important his practical efforts have been.  “This new picture is that of a man or woman who knows how to get things done, who understands the value of momentum, of focus on a particular project. Not a shrill or dry or particularly flowery environmentalism … Someone willing to get in [a] fight and ‘Sue the bastards.’ Someone willing to stick their nose in there and feel what it’s like to get bruised. And someone willing to stay locked in that fight for years, even if it costs them emotional as well as actual capital.’’

Gessner writes with great humor and joy about the pleasures of being in nature, wherever one lives, and that is the core of his manifesto.  His ideas will resonate for many who are not willing, able or equipped to spend significant time in distant wildernesses. And as a “manifesto” this book will be easy for most readers to digest and accept.  Gessner’s message is positive and powerful because it is realistic and not preachy and because so many of us can relate to his experiences of the joy of being in nature and at the same time despair over the sheer extent of modern society’s environmental unconsciousness.

Gessner reminds us that it is possible to hold two seemingly contradictory ideas in our minds at the same time, that complexity and contradiction are almost facts of life, but cannot defeat us from taking action to make change.  “The first idea was acceptance, the acceptance, totally without rancor, of life as it is, and men as they are … But this did not mean that one could be complacent, for the second idea was of equal power: that one must never, in one’s own life, accept these injustices as commonplace but must fight them with all one’s strength.’’

Author website here (you can find a list of all his many fine books there)  Gessner’s latest book is one I am interested in reading as well.  The Tarball Chronicles: A Journey Beyond the Oiled Pelican and Into the Heart of the Gulf Oil Spill chronicles his visit to the Gulf after it had passed out of the news.  Not an uplifting story, I fear.

I read Karl Marlantes’ novel, the extraordinary Matterhorn last year (and interviewed him about it for Writerscast – you can listen to that interview here).  I don’t think I am alone in believing that Matterhorn is perhaps the finest and most important war novel of the Vietnam generation; for me at least, it belongs in the pantheon of great American war novels (going back to WWI, Thomas Boyd’s Through the Wheat is another great novel written by an former Marine).

It took Karl Marlantes more than 30 years to write and publish the novel we read as Matterhorn its final form.  His new book, What It Is like to Go to War, now follows as a deeply thoughtful and moving work of nonfiction about the nature and meaning of war, and what it means to the individual warriors who participate who fight, as well as to the society that gives them that responsibility.

There are many parallels between the two books.  I’d recommend you take on the novel first, spend some time thinking about its story and characters, and then move on to this new work of nonfiction, which is a combination of personal memoir, meditation and social, political and cultural analysis and polemic.

Insofar as fiction gives us our deepest emotional and spiritual truths, Matterhorn cannot fail to move you and allow you to feel the reality  of what it is like when our best and brightest go to war.  Then What It Is Like to Go to War gives us another carefully wrought perspective, what Marlantes has learned from his own experiences and from many years of studying and thinking about war and society.

And we should all be paying attention to what he says here.  America has had more people fighting wars for a longer period of time than at any other time in our history.  Indeed what does this say about contemporary American society?

In 1969, when he was just 23, Karl Marlantes was an inexperienced lieutenant in charge of a platoon of Marines whose lives were in his hands.  His experiences in the jungles of Vietnam , molded and shaped him throughout his life.  He has thought deeply about his wartime experiences, how they affected him and his comrades, as well as how other soldiers before and since have gone through similar experiences.  In What It Is Like to Go to War, Marlantes weaves accounts of his own combat experiences with analysis, self-examination, and powerful ideas drawn from his wide reading from Homer to the Mahabharata to Jung.

Unlike many of us who feel that war must be ended in modern society, Marlantes starts from the belief that war is an inevitable component of societal and political being.  What he is after is to make us think about preparing warriors not for fighting, which we already do quite well, but for living with the effects on those who go to war that derive from participating in the morally unnatural but societally sanctioned acts of killing other human beings.

Most societies that preceded us have used powerful rituals, myths and ceremonies to integrate acts of war into the fabric of their cultures, and to reintegrate their warriors thoroughly into their societies, while our secular, materialist society really offers no tools or methods to warriors (or for that matter to civilians) to create a holistic “story” of why and how war is meaningful and necessary.

One of the many points he made in this book really struck me is that those who send men and women to war are themselves warriors, that actual soldiers (as opposed to guns and bombs) are their weapons.  These individuals must fully comprehend what they do, and must find ways to integrate their own acts of war as much as the soldiers on the battlefield who wield the weapons and who witness so much death and destruction on both sides of battle.

I found that the author’s afterword to the book was very important to my understanding and acceptance of his work:

“We must be honest and open about both sides of war.  The more aware we are of war’s costs, not just in death and dollars, but also in shattered minds, souls, and families, the less likely we will be to waste our most precious asset and our best weapon: our young.”

“The substitutes for war…are spirituality, love, art, and creativity, all achievable through individual hard work.”

I can’t recommend this book to readers enough.  It’s book that, like the work of my friend, Paul Chappell, (Will War Ever End and The End of War) has the potential to shift our societal dialogue about war and what it can and should mean to a modern society.

There’s a fine review of What It Means to Go to War in the NY Times and a very worthwhile interview with Karl on Livewriters about Matterhorn.

Katharine Weber is best known as a novelist – I interviewed her last year about her wonderful novel True Confections and she has written many more fine books.  The Memory of All That, subtitled “George Gershwin, Kay Swift and My Family’s Legacy of Infidelities is both a memoir of her own family, as well as a history of a certain slice of twentieth century America, primarily focused on her grandmother, Kay Swift, whom she loved, and her quite unusual and difficult father, Sidney Kaufman, with whom her relationship was far more complicated to say the least.

Sidney Kaufman was a larger than life character, but mainly one of his own making, someone who spent years trying to “make it” in the movies and never succeeding.  He was also a narcissist, a husband who literally neglected his wife and family, and who had numerous long lasting affairs.  One most notable was an affair that lasted for years with Beatrice Buchman, wife of the famed (blacklisted) screenwriter, Sidney Buchman (who happens to be my father’s first cousin).

Sidney Kaufman also was a target of a decades long investigation by the FBI, initially because the agency confused him with another Sidney Kaufman, a longshoreman who joined the Abraham Lincoln Brigade to fight fascism in Spain.  And hilariously, Kaufman was such a fantasist, that the FBI itself could not tell the facts about his life from the fiction.  Not so hilariously was the effect of Kaufman’s absences and failures to relate to his family, which deeply affected the author of this book, as she recounts in some deeply moving passages in this book.

But in many ways, the focus of this book is really on Kay Swift, known even today for her wonderful music, as well as for her lengthy romance (and musical collaboration) with renowned composer George Gershwin.  Weber tells her grandmother’s fascinating life story with a great deal of love, and of course intimacy, and provides an insider’s view of many details of her life and relationships with her husbands and lovers.  Swift is in many ways an iconic, 20th century American woman, who made her way among men at a time when doing so was unusual and difficult, and required considerable verve and inner direction.  And while she had many material advantages, the challenges she faced and overcame, both personally and professionally, were significant and testament to her powerful inner being.

Weber’s grandfather was James Paul Warburg, and here introduces us to him and the rest of his famous banking family.  Interesting stories are here in abundance.  Grandfather Warburg advised and feuded with President Franklin D. Roosevelt, great-uncle Aby Warburg, while eccentric to say the least, was responsible for significant theories in art and myth, and the family was at times dominated by the unusual psychoanalyst Gregory Zilboorg (who slept with his patients on a regular basis, and turned George Gershwin against Kay Swift when she decided to stop allowing him to sleep with her!)

Overall, this is an engaging, beautifully written and emotionally powerful book.  Katharine Weber’s family has been complicated, brilliant, interesting, and influential in many areas of American life, and of course has made her the writer she is today.  She tells the story of her family with humor, love and a keen eye for emotional detail, and gives us a portrait of herself at the same time.

In my conversation with Katharine we talked about her father, and the complexities of his life, as well as her relationship with Kay Swift and how this book came to be written.  It’s a terrifically engaging story she has to tell and we had a great talk about her really great book.

Katharine Weber’s website is here.  The Memory of All That got a terrific review in the NY Times:

“…Ms. Weber’s account of her relationship with her manipulative fabulist of a father brings to mind classic autobiographies of unmoored childhoods, like Mary Karr’s “Liars’ Club” and those companion volumes from the brothers Wolff, “This Boy’s Life” (Tobias) and “The Duke of Deception” (Geoffrey)…It’s when Ms. Weber remembers Papa that her considerable skills as a writer are most seductively on display. And it’s not just because the exasperating Kaufman is such a good subject. It’s that Ms. Weber is able to arrange words musically, so that they capture the elusive, unfinished melodies that haunt our memories of childhood. As her grandmother’s lover might have put it, she’s got rhythm.” – Ben Brantley

Anna Lappe´ is the daughter of the well-known activist and writer Frances Moore Lappe´, author of the classic Diet for a Small Planet, a book that introduced Americans to the idea of thinking about food and its role in ecology and the world economy, and how food is so deeply intertwined with economics and politics.  Anna has therefore been involved in food issues since she was a child.  She and her mother collaborated on another interesting and challenging book, Hope’s Edge in 2002. So it’s not a surprise that she is so thoroughly cogent and coherent writing and talking about food issues in the context of climate change.

As Anna says on one of her many website, takeabite.cc, “the food system is responsible for as much as one-third of all greenhouse gas emissions. These emissions are particularly alarming because the food sector is the biggest driver behind methane and nitrous oxide emissions, which have global warming effects many times more powerful than carbon dioxide.”  In Diet for a Hot Planet, Lappe´ goes straight to the heart of the issue: if we are going to think about the global climate crisis, we have to think about our food system, and if we are going to make change to mitigate the effects of climate change, we must make changes (now) in the global industrialized food system that dominates most of the world today.

This book was extensively and deeply researched; Lappe´ talked to many scientists, went to UN, governmental, corporate, and grassroots agriculture conferences, worked her way through many lengthy and dense reports and studies, and also visited organic farms around the world.

In this book she has put together an impressive array of facts proving that global industrial agriculture—specifically the use of hazardous chemicals, concentrated animal feeding operations, biotech crops, and processed foods—is impoverishing the land, destroying rain forests, polluting waterways, and emitting nearly a third of the greenhouse gases that are heating the planet.

By contrast, intelligently designed and operated organic-farming methods reduce carbon emissions and toxic waste while at the same time nurture soil and biodiversity.  Lappe´is convinced (and will likely convince you) that eating according to ecologically appropriate principles can not only influence the marketplace and help combat world hunger and climate change, but will make us healthier and safer as well.  Lappé also decodes food labeling, exposes Big Ag’s “greenwashing” tactics, and offers “seven principles of a climate-friendly diet.”

With a terrific foreword by the brilliant Bill McKibben, Diet for a Hot Planet should be essential reading for anyone who is trying to grapple with making real change in the way we live on this fragile planet.  Anna is a terrific public speaker and our talk for WritersCast is lively, full of information, and optimistic and positive as Anna herself.

Anna Lappe´related organizations and websites should be on your bookmark list:

The Small Planet Institute

Take a Bite Out of Climate Change

Anna Lappe’s Blog

Small Planet Fund

This is truly a wonderful book by an exceptional writer.  Nina Sankovitch was living a full, active life as an environmental lawyer, happily married with four children, when her beloved sister became ill with cancer and died far too young.  As she recounts in Tolstoy and the Purple Chair: My Year of Magical Reading, her initial response to her sister’s death was to “live her life double,” doing everything she could to try to make up for her terrible and painful loss.  After three frantic years she realized what she was doing was unsustainable.

Ironically, her apparent retreat from doing to experiencing through reading was in some ways no less radical.  Nina committed to reading a book a day for an entire year, no small commitment in itself, but further, she committed herself to writing a review or think piece about every book she read.  That is a very high bar to set for any modern parent, even with a patient and understanding family (when I started Writerscast, I committed myself to read at least one book each week and to interview its author, a far lesser commitment, and after two years of doing it, I know how difficult, even impossible it would be for me to read a book a day, for a short period of time, much less a full year).

But Nina turned to reading because reading has always been central to her life and experience.  Her immigrant parents read and loved books, as did Nina, from an early age.  In Tolstoy and the Purple Chair, Nina tells the story of both her families, the vibrant one she grew up in, and the supportive and happy one she has raised.  Many of the books she read in her magical year of reading are discussed here, as the stories of these books are part of the weave of how she transformed her experience of death into a celebration of life.  And that is the crux of this memoir.  By leaving her own experience to enter the realms of literally hundreds of writers, and making a place for those other stories in her own life, Nina was able to recreate and restore her own psyche – that’s the magic, the alchemy, of her magical year.

I should mention that Nina lives near me and has become a valued friend, partly through books we’ve read and discussed, including a couple I gave her to read and which are included in her year of reading.  During that year she started an excellent blog called Read All Day where you can find all of her well written and exceptionally perceptive book reviews and essays.

Reading Big Sex Little Death was a big surprise for me.  I’ve known Susie Bright for a long time and have worked with her at various times over the years.  I’ve long admired her work as a sex-positive revolutionist and a terrifically intrepid personality.  I guess I was expecting a sexual travelogue as memoir and a pop culture tone of voice, and maybe some dishing on what it’s like to be a famous sexpert.

In fact Big Sex Little Death is mostly a really well written story that focuses more on Susie’s early years with her very difficult though intelligent mother (and later years when she was able to live with her anthropologist/linguist father), and her very active life as a political radical.  In Southern California in the 70′s, Susie worked on a high school magazine called Red Tide, and later was an activist in the socialist movement of that period.  Where, yes, there was a lot of sex (and sexism).  Her radical political history was all new to me, and is very interesting to read about.

That was all before she became part of the pro-sex feminist movement in the 80′s, worked at the now famous Good Vibrations feminist sex shop, and helped found the now-famous lesbian sex magazine, On Our Backs, which for its seven year lifespan was hugely important in helping women define and own their sexuality.  And in many ways that is what is most important about this memoir, that it connects politics and sexuality and helps us remember where so much of the culture we take for granted today came from.

Writing mostly about her earlier years, Susie leaves room, I suppose, for a sequel where she can talk about her later work as a nationally known sex expert, talented writer, and important editor of innumerable anthologies of writing about sex and sexuality.

As one might expect, we had a great time talking about her book and some of her many exploits as a public sex figure in a bizarrely prudish society.  Ultimately this book should be read by anyone interested in late 20th century American culture, regardless of one’s gender, sexuality, interest in sex, out there or puritanical, it’s well worth your time.   And I am a big fan of Susie’s blog too – and I recommend her latest on “sex positive parenting” to anyone who has ever thought about what they are teaching (or not) their children about their own values.

Steve Lehto’s portrait of the Chrysler Corporation’s amazing effort to engineer a turbine powered automobile is a terrific book, and alot of fun to read.  You don’t have to love cars to enjoy this book, though I am sure it helps.  But even if you don’t care about engines, and the dedicated engineers who spent years working on the turbine car program, you will learn a great deal about the industrial, social and cultural history of post World War II America.

Like so many kids who grew up in the 50s and 60s, I was enthralled with cars of all kinds, and when the Chrysler Turbine was first unveiled in 1964, along with millions of other Americans, I was fascinated and captivated by it – not only was it a beautifully designed car, futuristic and smooth, but it featured an engine like nothing else the world had ever seen up to that time.  It was the Jet Age in automotive design, and here was a car with an airplane inspired engine in it.

The Chrysler Turbine represents an incredible commitment on the part of a major American automobile manufacturer to develop and popularize a truly radical alternative powerplant to the American driving public.

Chrysler’s turbine could run on almost any fuel – diesel, peanut oil, perfume, even tequila.  Imagine what would have happened if the company had been able to devote hundreds of thousands more engineering and testing hours to the development of this engine over an additional 40 or 50 years.  It’s entirely possible that we would not be worrying about hybrids, diesels and electric cars today.  Reading Chrysler’s Turbine Car will give you a great understanding of the challenges any major new automotive development must face in order to become widely popular.

After a number of years of development and several generations of engine development, Chrysler hand built 50 examples of the the Turbine (that was its only name) and made them available to selected members of the general public for testing.  Drivers could keep the cars for three months and were required to keep detailed logs of their experiences.  Chrysler personnel maintained all the cars, flying all over America to repair and sometimes rescue cars that had problems, large or small.  In all, the fleet registered over a million miles of testing, and performed extraordinarily well.  Chrysler gained a huge amount of publicity and increased sales of their regular new cars, as well as learning a tremendous amount through the extensive practical use of their radically designed and built Turbine car by real drivers.

Unfortunately, for a variety of reasons, Chrysler ultimately abandoned the program completely, and destroyed most of the cars they had built.  Only a few were saved and sent to museums to be put on display – which is where most of them still are today.  Interestingly, Jay Leno was able to buy one of Chrysler’s own survivors and now drives it regularly. Author Lehto was able to drive Leno’s Turbine as part of his research for the book, and Leno contributed a foreword to this book.

Lehto interviewed every surviving member of the Chrysler team that built and maintained the cars during their short period of glory.  He also spoke to many of the people who were lucky enough to be participants in the public lending program; their stories help make the book a fun and enjoyable read.

In many ways it is understandable why the Turbine car program was killed by Chrysler, even after so much effort and money had been invested in it.  For a single car manufacturer to introduce a radical new powerplant completely outside the mainstream of engineering practice was ultimately economically unsustainable.  But it’s impossible for us not to regret that Chrysler gave up on the multi-fuel efficient turbine in 1967, especially today, as we are facing a future when do not have a viable alternative engine to replace our dependable and thirsty reciprocating gasoline dependent engines.

This is a fun and worthwhile book to read, whether you are interested in cars, American history, culture, business or general nonfiction.  Author Lehto, an adjunct professor at University of Detroit – Mercy, has written a very readable book, full of interesting characters and great stories you don’t have to be a car nut to enjoy.

Harry Hamlin’s autobiographical memoir is not what you might expect if you are looking for a traditional “famous actor” tells-all but really tells-very-little story.  Full Frontal Nudity is a completely honest, sometimes hilarious, sometimes sad, sometimes mind-boggling story about Hamlin’s growing up in suburban California and coming of age through two different college experiences and the beginning of his life as a professional actor.

This book is a thorough pleasure to read; Harry is a fine writer, and has a remarkable sense of the accidents and sometimes mysteries that go into making us who we are.   And it’s also true throughout, whether intentional or not, by telling his own story, he becomes part of the larger social fabric of the 50′s, 60′s and early 70′s, and thus helps us understand what it was like to be alive during that now famous era of history.  And for those many of us who were also there then, his story will remind us of some of the beauty and dangers we lived through.

The subtitle of this engaging memoir is important too: “The Making of an Accidental Actor.” Hamlin is clear that who he is today and how he got there represent the sum of a long series of accidents and choices with unintended consequences.  As the book opens, we discover that Harry has an arrest record from 40 years ago that has suddenly prevented him from traveling to Canada, where he actually now lives part of each year.

How this happened is a great story, but what I liked most about it was the way that Harry told it on himself, unafraid to bare the truth about his life.  I know that really good actors must learn how to do this, but they’re usually acting someone else’s drama, and thus are always protected on some level.  There’s no hiding here, and it’s a refreshing turn.  Hamlin is an actor, and a good one

Hamlin grew up in California, in a not quite normal household, and after high school headed for Berkeley at what some would say was just the right time – 1969.  On the way to college, he managed an accidental detour that got him, shall we say, distracted.  Intending to sign up for an architecture major, he found that there were no courses available, and the only ones available were drama, thus he embarked on what would eventually become his career.  His time at Berkeley was suitably exotic, and included the drug possession arrest that later caused him so much trouble with the Canadian immigration folks.  His time at Berkeley came to an untimely and early end because of a fire at the fraternity whose president he had become, and almost by magic, and again accidentally, he headed for Yale, where he flourished.  Then another more or less accidental turn – he gives up a safe job as a PBS production assistant and takes an offer from the American Conservatory Theater, where a role in the play Equus ultimately led him to an outstanding film and TV career (notably LA Law, many others).

Overall Full Frontal Nudity is a terrific and wonderfully enjoyable book, and unsurprisingly, we had a thoroughly interesting and revealing conversation about the book and many of the stories he wrote about.

Mickey Leigh grew up in Queens in the 1950s and 1960s as Mitchel Hyman.  His brother was Jeffrey Hyman, more famously known as Joey Ramone, lead singer of the great American punk rock band, The Ramones.  I Slept with Joey Ramone (subtitle: a punk rock family memoir) tells their story from the beginning to the end of Joey’s relatively short life and just a bit farther into the almost present day.  Mickey had some writing help from rock journalist Legs McNeil, and throughout the book, the story is told compellingly in Mickey’s voice and from his perspective.

We start in Queens where the boys grow up somewhat rockily.  Their family situation was never easy, and Mitchel and Jeff were bullied misfits.  Joey had both physical and psychological issues that manifested early in his life. Music became their savior very early, but at the beginning it was Mitchel (Mickey) who was the musician, and it took some time before the very complicated Jeff got together with the band that became the Ramones and found not only his voice, but his new identity.

The Ramones story as told by Mickey Leigh, is pretty incredible, even for fans who know something about the band and were there during the glory days.  The relationships between the various band members were legendarily terrible.  How this band stayed together and made such incredible music is still a mystery.  Mickey was there at the beginning; John Cummings, aka Johnny Ramone, was initially his best friend.  Mickey ended up being the band’s first roadie, while Joey, the quintessential misfit outsider, became the front man singer of what eventually became one of the greatest rock bands of all time. Later Mickey had his own career with a number of bands, as well as being a songwriter too.

The many stories and incidents recounted in this book are never boring, even when the sometime strange and complicated elements of Joey Ramone’s personality begin to repeat themselves over years.  There is a tremendous amount of love here, and some not so nice things as well.  Mickey’s own story is complicated and he has alot to say about alot of the people he worked with, for and sometimes against throughout the years.  Nothing here is ever boring.  It’s sometimes sad and frustrating to know how things were for Joey Ramone and his family, friends and associates, as it was often difficult, confusing and painful for all of them.  Even years later, when they were inducted into the Rock and Roll Hall of Fame, the Ramones created an emotionally complicated scene.

Ultimately, Mickey (and doubtless Legs too) has captured beautifully a unique and special part of modern musical history, that is also the story of redemption, which is after all, the real story of rock and roll.  And at the end Joey and Mickey always did make up.  As Mickey tells it, the last time really counted the most. “He pulled me down to him, and he just didn’t let go. I can still feel that hug.”  This is a book well worth reading for anyone interested in New York punk rock.  I had a great time talking to him about the book and his experiences in rock and roll.

with terrific original illustrations by Leland Purvis.

I think this book, Program or be Programmed: Ten Commands for a Digital Age by digital critic and thinker Douglas Rushkoff, should be required reading for anyone interested in modern culture, politics or economics.  It’s a short book, densely argued, that requires careful reading and attention to its ideas.  Which probably makes it daunting to many in this era of fragmented ideas and short subjects.  But it’s divided into ten clear sections (note “commands” as in programming inputs, rather than “commandments” as in biblical instructions) and is well worth the effort a reader must put into reading it.

I spent more time with this short book than with many much longer books I have read recently.  And I am very happy I did.  As Howard Rheingold says “Thinking twice about our use of digital media, what our practices are doing to us, and what we are doing to each other, is one of the most important priorities people have today.”  It’s impossible not to agree.  And Rushkoff understands the complexity of behavior and thinking that the always-on, always-connected internet has brought to modern culture.

It’s not about whether the internet is good or bad, or whether online culture somehow supplants a more preferable offline one.  As the publisher says about this book, “the real question is, do we direct technology, or do we let ourselves be directed by it and those who have mastered it? “Choose the former,” writes Rushkoff, “and you gain access to the control panel of civilization. Choose the latter, and it could be the last real choice you get to make.”

Having the opportunity to talk about these ideas with Rushkoff was tremendously exciting and invigorating.  He’s a really smart guy whose clarity of thought I admire alot.  I’ve spent alot of time participating in, reading about and analyzing new media and modern culture myself, and I know I have learned alot from Douglas Rushkoff’s books and ideas.  I think Program or be Programmed is one of the most important books I have read in a long time.

I well remember reading the work of sociologist Andrew Hacker many years ago (and was particularly impressed by his now out of print The End of the American Era).  When I learned that he and New York Times writer Claudia Dreifus had collaborated on a new book about the modern college and university system, I knew I would want to read it.  The complete title and subtitle of the book is important as it tells what the book is about pretty clearly: Higher Education?: How Colleges Are Wasting Our Money and Failing Our Kids—and What We Can Do About It. While this book takes a far different approach than Anya Kamenetz’s DIY U, the two books really should be read together by anyone interested in the future of higher education. (My interview with Anya can be found here in the Writerscast archives.)

Here is how Hacker and Dreifus describe this book on their excellent and highly recommended website:

“Higher Education? asks what students and families receive for the approximately quarter of a million dollars four years at a top-tier American university cost. With many prestigious universities hinting of continued tuition hikes, with the rate of student debt increasing to crisis levels, we ask, “How did a college degree become the second most expensive purchase families will make in their lifetimes?”

Plus: “Are young people getting good value for their enormous investments?”

We hope that our book can trigger a national discussion. With a system this large and complex, we certainly don’t have all the answers. But we hope to toss a few pertinent—and impertinent–questions into the public square.”

I think their questions, their many criticisms, and their suggestions for positive change mostly ring true.  As almost everyone knows, the cost of a four year college education has become astonishingly expensive, and there seems to be no way to slow down the out-of-control machine.  Hacker and Dreifus question some basic assumptions that so many parents, high school educators and kids themselves take for granted – that the more prestigious schools are “worth” their costs, that the expense of a four year college education is justified by the later benefits of coveted high income employment, etc.  But they also ask, what should a college education be for, and how do colleges measure up to what we expect from them.

If going to college is only about students later getting the best jobs, are colleges providing education or some sort of high end vocational system?  What is the justification for college sports?  Do highly paid tenured professors really contribute to the education of students in ways commesurate with their salaries, and how do we justify all the many layers of bureaucracy in colleges and universities throughout America that do not provide significant educational value to the students who bear the majority of the costs they incur?  And what about the low-paid, overworked adjunct professors who bear the brunt of the teaching burden in so many institutions of higher learning?

One could expect quite a bit of controversy about this book and certainly quite a bit of resentment by many of the established academic interests they attack.  Interestingly, Vartan Gregorian, the former president of Brown University and current president of the Carnegie Corporation of New York loves the book: “With facts, figures and probing analysis, authors Andrew Hacker and Claudia Dreifus clearly lay out why so many colleges and universities are helping to support a de facto American class system while failing their primary mission of preparing not only skilled labor but also producing educated, knowledgeable citizens who can play a role advancing our national life and strengthening our democracy.”

Reading this powerfully argued book can make one almost uncomfortable, as they question so many of the benefits of higher education we tend to take for granted.  But in the end, it is difficult not to agree that there is much that needs to change in the way our colleges and universities function in society.  The future of American higher education looks grim if we do not address these issues in the very immediate future.

I had originally hoped to interview both the authors together, but while that was not possible, my discussion with Claudia Dreifus was both lively and interesting.  Since Claudia’s background is in interviewing, she handles being the interviewee with aplomb and grace.  I’d recommend listening to this interview and then reading the book as soon as possible.  You will want to learn more, I think then, about how you can work toward making actual change in the American educational system.  Visiting the Hacker/Dreifus website might be a good start but I do think it will require organized, meaningful action especially by parents and their children as they are the ones most able to cause change to occur.  Is there anyone who can lead such a movement?  Or will the current system simply continue on its present arc until the cost of education is so high that consumers finally just say “no more?”

Well this is truly an amazing 20th century American story, and really well told by the author, who spent many years working on this book.  There are characters here as big as those in any historical novel. The full title of the book gets to what the story is about: The Deeds of My Fathers: How My Grandfather and Father Built New York and Created the Tabloid World of Today.

Paul David Pope’s grandfather, Generoso Pope Sr., came to this country alone and poor, at a very young age seeking a better life, as so many other immigrants did.  That part of the story is hardly unique.  But he was obviously a very special sort of person, and it did not take him very long, through hard work, intelligence and a certain amount of ruthlessness, to create a building trades empire in the greatest city in America, New York City.

His companies supplied the concrete that literally built the city in the boom years of New York.  But he also managed to buy and control this country’s primary Italian language newspaper, Il Progresso, and his wealth, power and connections (including political kingmakers, the mob, and even FDR as well as the Pope) made him one of this country’s leading and most influential Italian Americans. Because he was able to use his newspaper to influence elections, he essentially became a kingmaker in the old school of American politics, and was truly an iconic emblem of his times.

But author Pope does not shy away from telling us the ugly along with the good.  His grandfather was far too close to Mussolini in the 1930s, and was blatantly used by the Fascists to try to influence American public opinion in their favor during the lead up to World War II.  And he was far from being a good husband and father.  He always favored his youngest son, Gene (author Pope’s father), and selected him to run his businesses, over his older and more experienced brothers.

Early on, Gene Americanized his name to Pope. He was pushed out of the family business after his father’s death by his mother and his two older brothers.  At that point, Gene, with a loan secured from his “Uncle Frank” Costello, bought a newspaper in decline, the New York Enquirer.  With a combination of dedication and a brilliant natural understanding of what average readers would want to read, he created the pinnacle of all tabloids, the National Enquirer.  Of course, the support of his Uncle Frank did not come without strings, and Frank required that the paper stop attacking the mob in its stories, and in fact it was to publish only positive stories about projects the mob was backing, and even that the Enquirer would attack and discredit the enemies and opponents of organized crime – which it did without hesitation.

But the heart of Gene Pope’s story is his single minded dedication to the newspaper he loved.  He moved the company to Florida and made it almost the only thing he cared about.  As he grew older, he was clearly eccentric in his behavior (some might say nighly neurotic and disturbed).  But throughout, Gene Pope gives readers what they want, and as the National Enquirer covers the paranormal, medical cures, celebrities, always attentive to what the average American would read, and circulation soars, peaking with the 7 million copies sold of the Enquirer’s 1977 exposé on the death of Elvis Presley.

Paul David Pope gives us a fast paced, almost novelistic version of his family’s history.  His story is based on hundreds of interviews, and a huge amount of research, but of course much of what happened in the earlier part of the story is reconstructed from the documentary record.  It is a gripping narrative, and a compelling story for anyone who cares about the modern history of the United States as lived by some of its more colorful and successful citizens, and the author gets across the complexity of his real life family in their non-stop rush to make their marks.

Talking to the author gave me a chance to delve into the background of the story, what motivated Paul to do all this work and stay with it for so long, and for him to talk about how his family history has affected his own life.  There’s more about the book at the author’s website too.

Ilyon Woo’s The Great Divorce: A Nineteenth-Century Mother’s Extraordinary Fight Against Her Husband, the Shakers and Her Times is an absolutely terrific work of historical narrative.  The book tells the story of Eunice Chapman, whose husband left her, taking their children, to join the Shaker community near Albany, New York in 1814.

At that time, women had virtually no rights in society.  Upon being married, they literally lost their identities, which were subsumed completely into the legal identity of their husbands.  So when Eunice’s husband joined the Shakers, a radical Christian sect that espoused celibacy, communal living and the literal separation of the sexes (ironically giving women a much greater role in their communities than was common in the larger society), she had no legal way to gain custody or even visitation with her children.  Rather than give up her children to her husband and a religious community with whom she did not agree, she fought her husband and the Shakers for the return of her children.

Ilyon Woo tells the story of Eunice Chapman’s years of struggle to regain her children, which is amazing in itself, given the barriers she had to overcome, not to mention the difficulties of time and distance, which made everything slower and more complicated to resolve.  But of course this is also a social history of an era many of us know very little about.  It’s a period when women are only just beginning to exercise social power, 30 after the establishment of the United States as a country, 100 years before women win the right to vote.

Through the lens of Eunice Chapman and her heroic struggle, Woo is able to bring this period vividly forward.  We learn a great deal about the Shakers, their history, many of the individuals who made the Shaker sect at least temporarily a very successful, though highly controversial religious and social community, and the nature of their daily lives.  And her portrayal of the city of Albany and the New York state legislature is absolutely terrific.  Woo succeeds in highlighting individual human beings living their lives within the social and historical sweep of their times.  There’s a great deal of research here that has been transformed by imagination and her terrific sense of story into a vivid portrayal of an otherwise obscure piece of social history.

This is Ilyon’s first book.  I wanted to talk to her about what got her interested in this subject, and learn more about the kind of research she did to be able to tell this story.  And also to learn more about how she feels about this period and the people she wrote about.  It’s an amazing story that can and should help anyone faced with any challenge find it easier to rise to the occasion, especially since this is a story with a true happy ending.

Ilyon Woo’s website is here.  The site features a video about the book, links to more information about the Shakers, and a really interesting tab about the dramatic readings from the book that the author has organized.  Here is my favorite quote about the book: “By delving so deeply into the sources, Woo brings the past to life in all its wonderful strangeness, complexity, and verve.  This is what history is all about.” —Nathaniel Philbrick, winner of the National Book Award.

Bill Barich is a fine writer, comfortable with words, a natural storyteller who is self-aware and a careful observer of character as well as landscape.  He’s got a great narrative voice that makes his books very easy to read and deeply engrossing.

In the summer of 2008, Barich, who has lived in Dublin, Ireland for some time, decided to take a journey across America, essentially following in the footsteps of the great John Steinbeck, who made the cross-country journey (ostensibly to rediscover America, but more likely a stab at rediscovering his own literary voice, which resulted in Travels with Charley in 1962).

Of course Barich and Steinbeck differ in significant ways.  And the early 1960′s were a very different time than 2008 for America.  Barich’s trip came at the time of our massive economic collapse, and the rising presidential campaign of Barack Obama, both of which become thematic backdrops for his story.  Steinbeck traveled in pick up truck with a home made camper out back, and with his dog, Charley, whereas Barich drove a rented Ford Focus (almost 6000 miles!) and stayed in motels.  But Steinbeck is the ever present model for the later traveler, whose outlook is certainly as different as the country he explores.

In fact, Barich’s story is engrossing from beginning to end.  He starts the trip in Maryland, and stays on US 50 west to the Golden State, with stops and sidetrips along the way that are always interesting, even though often sad and sometimes even depressing.  He is, after all, reporting on America as he finds it, which includes features and political themes that are not always what we might have wished or hoped for.  It’s an honest portrait, and a story well told.  I’ve done my share of cross-country traveling, and very much enjoyed this book and my conversation with Barich about it.  There’s a good deal of back story and detail in this conversation we had some fun with and which I hope listeners will enjoy.

Bill Barich is the author of seven books, including Laughing in the Hills, which was named one of the hundred best sports books of all time. Other works include a novel, Carson Valley, and another work of nonfiction, A Fine Place to Daydream: Racehorses, Romance, and the Irish and recently, A Pint of Plain which describes the decline of the traditional Irish pub. A Guggenheim Fellow, and literary laureate of the San Francisco Public Library, Barich now lives and works in Dublin.

Nick Schou writes for the excellent OC Weekly (one of the several Village Voice papers) based in Orange County, California, home of Disneyland, Knott’s Berry Farm, UC Irvine, the Los Angeles Angels of Anaheim, Little Saigon, and of course seemingly endless tracts of California suburbia.  But Orange County in the 1960′s was also the birthplace of some of the most amazing scenes of hippiedom, and the little known “Brotherhood of Eternal Love.”

In this book, Schou tells their story from beginning to end, and it is a pretty incredible saga, including what was probably the largest LSD manufacturing and distribution operation of all time, a world wide hashish and marijuana smuggling cartel, incredible tales involving Timothy Leary, and much, much more.

Known as “Hippie Mafia,” the Brotherhood began in the mid-1960′s as a small band of surfers (and in many cases petty criminals) in Southern California. After they discovered LSD, they took to Timothy Leary’s mantra of “Turn on, tune in, and drop out” and resolved to make that vision a reality by becoming the biggest group of acid dealers and hashish smugglers in the nation, and literally providing the fuel for the psychedelic revolution in the process. In Orange Sunshine, Schou journeys deep inside the Brotherhood, combining exclusive interviews with many of the group’s surviving members, former hangers on and supporters, and interstingly, the law enforcement establishment who pursued them and by doing so helped to launch what has now become an institutionalized government war on drugs.

Schou tells a compelling story of sex, drugs, and rock ‘n’ roll (and more drugs) that runs from Laguna Beach to Maui to Afghanistan, and a time when America moved from the golden era of peace and free love into the much darker time that soon followed, marked by hard drugs, international crime and paranoia.

Talking to Nick Schou gave me a chance to explore with him some of the background to the book, and to talk about the large amount of research he did to put it together, and the challenges he faced in getting some of the participants to even tell him what they did in those days.  We also talked about some of the more startling elements of the story of the Brotherhood, their involvement with Timothy Leary and Ram Dass, Orange County then and now, and much more.

This is a fascinating story, one that helps us understand some of the complex issues that began in the sixties and are still with us today.  This kind of grassroots history is important to document as it can give us all a chance to better comprehend the always diverse and sometimes simply amazing culture in which we live.

Next Generation Democracy is an important book by a really smart and compelling young activist and writer, Jared Duval.  I like what Bill McKibben says about the book and by extension the author: “God knows previous generations have left those that are coming of age a world of trouble. Happily, they’re figuring out a world of ways to set them right. Jared Duval’s book offers a behind-the-scenes tour of the next wave of activism, organizing, inspiration, and change. It will give you cause to hope–and cause to go to work.”

But even more than a behind-the-scenes look at how activists are working and thinking together in new ways, Duval gives us a strong sense of hope for making change in the future.  I think it’s true enough that the past few generations have not succeeded in broadening democracy and making progressive change throughout the world, especially in environmental, social justice and peace, as broad stroke categories of change that is needed most.  But it’s heartening to know that the younger generation includes individuals like Duval who are finding new ways to make change, resist the impulse to blame and create divisions, and who see the tools of change around them everywhere, and simply make use of them so easily and comfortably.

Jared sees open source software as the exact model needed for a reinvention of democracy.  Our government can be as open and transparent as the development of Linux, a story he tells here almost as a parable for political thinkers and activists.  In Next Generation Democracy, Jared covers key recent events, such as Hurricane Katrina, during which de-centralized leadership emerged to supersede traditional models.  He documents the success stories of these new leaders, both inside the government and out, who are finding effective, directly democratic ways to address the critical public challenges of our time. As he tells the stories of participatory organizations such as the brilliant SeeClickFix (originated in New Haven, Connecticut and now spreading to other communities) and America Speaks (which shows us how to meaningful re-engage citizens in the processes of government) Duval describes a new approach to solving complex problems that draws on the contributions of a wide array of activated citizens everywhere.

I do wish this book had come out earlier in the year, actually in time for election season, as I am certain that the thinking here could benefit anyone involved in the political process.  But in the end, what really matters is that people read Next Generation Democracy, become inspired in some way, small or large, to get involved, work with their fellow citizens, make change, small or large, and address the future in a positive way.  Reading this book and then listening to Jared Duval talk about his ideas and experiences certainly inspired me, and I am happy to recommend him and his book to anyone listening to this talk.

Jared Duval is a busy guy.  He is a fellow at the well respected Demos policy organization and earlier served as the National Director of the Sierra Student Coalition (SSC), the national student chapter of the Sierra Club and the largest student environmental organization in America. During this time he helped build the Energy Action Coalition and the Campus Climate Challenge campaign, serving as the effort’s co-chair for two years.

Are there more books about the Kennedys than about the Lincolns?  I don’t know, but I am certain that there are many of them and my guess is that many who lived through the Kennedy era and many who did not, may feel they know everything they need to know about the Kennedys, JFK and Jackie, and the rest of the family.  Reading this book may well change their minds.

In fact it’s a wonderful window into the heart and soul of America and in fact the world in the period just after the assassination of JFK in Dallas in November, 1963.  Now almost a half century beyond that time, these letters, written by the famous and the ordinary, old and young, depict a period of extreme pain, emotional and social disruption, grief, sorrow, and disbelief that affected an incredible number of people all over the world.  It gives us an opportunity to understand a great deal about how human beings respond to a devastating public tragedy.  And some of the letters are simply beautiful, and transcendent in their expression of sympathy and emotion.

The story of the letters themselves is amazing – over 1 million condolence letters, notes and cards were sent to Jacqueline Kennedy in the months after the death of JFK.  They were filed away and saved for many years, and despite a controversial culling in the 1980′s, there are still almost 400,000 letters, now cataloged and available for historians and journalists and the public to read and  review.  Editors Jay Mulvaney (who sadly passed away while working on this book) and subsequently Paul De Angelis, have given us a wonderful narrative and selection of letters that uses the words of the original writers to bring this terrible period in our history to life in an unusual and compelling tapestry of voices.

Paul De Angelis is a freelance editor and writer who lives in rural Connecticut.  He’s been an editor, editorial director and editor-in-chief for a number of publishers.   In our conversation about Dear Mrs. Kennedy, he talks about the process of putting this book together and highlights a number of the most interesting stories and letters in the book.  For readers who lived through the 1960′s, this book will bring back many difficult emotions, and for readers for whom this is only history, these letters can bring the events of that period to life in a very powerful and compelling way, as the writers of these letters always speak from their hearts.  You can see more from the book at Paul’s own website.

Full disclosure: the co-editor of this book, Paul De Angelis is a friend and occasional colleague, which does not make this book any less worth reading, of course.

The subtitle of this book is long but tells you why almost any baseball fan (and some cultural anthropologists and sociologists) will be interested in this book: “Beanballs, Sign Stealing, & Bench Clearing Brawls: The Unwritten Rules of America’s Pastime.”

This is both an entertaining and fun read.  It will work for serious fans of course, but just as well for more desultory followers of baseball, and really even readers who only have a passing interest in baseball.  The basic notion is that baseball has had unwritten codes of conduct covering all sorts of on and off field behavior, probably for as long as the game as been played professionally.  In years past, it would have been unusual for anyone outside of the closed professional baseball fraternity and maybe the regular baseball writers and broadcasters to know the details of how “the code” works.

The code is really a set of home grown rules, in some instances expressing sportsmanship, in other instances expressing the underlying social (and economic) values between players and teams.  It is really fascinating to think about just how comprehensive human beings are in creating ad hoc systems of governance.  The formal rules of the game, enforced by team owners, leagues and ultimately the Commissioner of baseball are written down and codified, as are the contracts between players and teams.  The day to day rules of behavior among players, of course, are unwritten, passed on from one generation to the next, and highly subject to interpretation, ongoing disagreement and of course the change in social mores and behavior in the overall culture as well.

To write this book, Turbow and Duca spent a great deal of time talking with former and current players, coaches and managers.  They are able to report back about the code, past and present, but the richness of the book lies in their many anecdotal examples of its application.   And of course how the code has actually changed over the years as baseball and its players have changed is another theme of the book.

The Baseball Codes express and amplify not only the great Game of Baseball itself, but the richness of human culture and its history.  This book was alot of fun for me to read, I knew some of the stories, but there were many more that were new to me, or which, by hearing the players talk about them, enabled me to understand much better what I knew about some of the interesting events in baseball history.  Talking to co-author Jason Turbow was also great fun.  He’s a passionate observer of the sport of baseball, and knows how to tell great stories.  It’s the middle of the 2010 baseball season as this interview is posted, and a great time to listen to some baseball lore.  And the Jason maintains an active blog that will keep fans up to date on current code behavior, also fun and recommended.

Well admittedly I might have liked Unfinished Business because I am roughly the same age as the author, have been through similar experiences in the same era, and like Lee Kravitz, have to confess to being something of a workaholic.  Like him, when I look back on my past, I worry about some of the people I used to be friends with I no longer see, and doubtless, like him, have some “unfinished business” in my life that I’d be better off dealing with.

Today there must be literally thousands, hundreds of thousands of people who share many of Lee Kravitz’s experience of losing his job and having a crisis of identity, of being, and who like he did, feel a desperate need to reintegrate their lives, and their singular sense of self.  Not everyone will have the opportunity to take the journey that he did, a full year of exploration and reconnecting with family, friends, teachers, people who literally made him who he is today.

I don’t think you have to literally share Lee’s direct experience, or feel as fragmented as lost as he did then to gain deeply from reading his book and sharing his journey.  Lee spent many years as a journalist and editor, and writing seems to come easily to him.  Many of his experiences are brilliantly described, and his honesty and clarity go a long way to making this book work for readers.  This book can be transformative for many people who feel that modern life has separated them from those they once felt closest to, perhaps inspiring them to close their own circles and remake their own lives.  Enough people have responded that way for the author to create a website “My Unfinished Business” on just that subject.  I suspect that if you like this book, or even our conversation about it, his site is well worth a visit.

I very much enjoyed talked to Lee about his book and some of the stories about his family, friends and others whose stories he told in Unfinished Business. He’s as good a storyteller talking as he is writing.

I have never kept bees, but am in love with honey, and the idea of beekeeping has always fascinated me.  Gene Kritsky, who describes himself as “stung with the love of bees,” has written a wonderful book that will appeal to serious beekeepers, amateur bee lovers and even general readers with an interest in the history of humanity’s relationship with nature.  The book is beautifully illustrated with amazing photographs, drawings and woodcuts representing hundreds of years of beekeping history.

Humans discovered honey thousands of years ago and have been working with these amazing insects for a very long time.  What is interesting to the novice reader is how little beekeeping has changed.  There have been many innovations in beekeeping, especially so during the past couple hundred years, but traditional beekeeping methods still exist in many parts of the world.  And there is much that we can learn from past practices to help us understand how to stave off the epidemic of hive collapse that has become prevalent in so many places during the past few years.

Kritsky uggests that beekeeping’s long history may provide us with clues to help modern beekeepers fight the decline in honey bee numbers. Kritsky takes readers through the history of beekeeping, from early mud-based horizontal hives to the ascent of the simple straw skep (the inverted basket which has been in use for over 1,500 years), from the Golden Age of hive design in Victorian England up to and into the present day.  In concise terms, aided by illustrated exampes, he talks about what has worked, what has not worked, and sometimes the things we have forgotten about hives of the past that might help counter the threats to modern bees and beekeeping.  While scientists have now sequenced the honey bee genome and advanced our knowledge, we still keep bees in hives that have not changed very much during the past hundred years. Kritsky argues that we must start inventing again if we are going to save our bees.  Thus the search for the “perfect hive” continues.

Gene Kritsky is a master of his subject in both depth and breadth, and thus is an easy author to interview.  Doubtless he could talk in depth for hours about bees and maintain the listener’s interest.  It was a pleasure to talk to him about this interesting and unusual book, and I am confident that listeners will enjoy our conversation as well.

What a lovely book this is.  David Lehman is an acclaimed anthologist and a poet (his most recent book of poems is Yeshiva Boys), and David’s approach to the great American songbook of the 20th century is complex and personal, written from an interior place, while at the same time, erudite and celebratory of the full glory of the words and music he writes about.  Lehman brilliantly evokes the individual lyricists and composers who made this music, so many of whom were the first generation children of immigrants from eastern European countries and were somehow able to meld their art with the true soul of America.  They created music that both evoked their era, and simultaneously defined it.

Lehman explores the rich complexity of American music in the early to mid-Twentieth Century, as the musical soul of Jewish songwriters melded itself to the African-American jazz and blues tradition to make something new and unique.  All the greats are here, Berlin, both Gershwins, Rogers, Hart, Hammerstein, and many more.  He tells the stories behind the songs, and brings to life the composers and lyricists who wrote them.

For David Lehman, this music is touchstone to his being, and that deeply felt connection shines through his words. Reading this book allows one then to connect to the author, also in a deeply felt way.  Lehman is a fine writer, in full command of his subject.  I liked what John Ashbery said about David: “David Lehman’s A Fine Romance wittily explores the enormous contribution of Jewish writers and composers to the American musical scene. Lehman finds Jewish influence, or what he calls ‘a plaintive undertow,’ even in such unlikely upbeat anthems as Gershwin’s ‘Love Walked In.’ His love-struck history is itself a major entertainment.”

Talking to this author about the stories and music, and especially the songwriters themselves was for me a natural extension of reading the book, and inhabiting the author’s personal life through its pages.  We covered alot of ground, including much about the unusual, impressionistic style and structure of the book, and of course the music, the songwriters, his many anecdotes and stories, and David Lehman’s obvious love of his subject.  I hope you will enjoy listening to it as much as I enjoyed the conversation with the author.

In some ways the title of this book is a bit misleading, as there is no reference to a major part of the book – an extensive discussion at the beginning of DIY U that is a history and analysis of American higher education.  It’s an important discussion for millions of Americans who question how the system got to where it is, and how it could be made to change.  I think of myself as pretty knowledgeable about how things work but I was completely surprised at some of the things I learned about modern higher education in this part of the book.  I’m willing to say that it’s a must-read for anyone interested in public policy and the future of our society (hopefully that’s alot of people).  We need to question every aspect of how we educate our citizenry.

Which leads us to the next part of the book, which is really what the title refers to.  Whereas the entrenched systems appear to be immoveable, there is so much ferment and change afoot, so much that is enabled by the web and the networked, decentralized, open source nature of emerging, modern culture, that there really is hope for the meaningful and significant change we need.  As Chelsea Green says about DIY U on their website: “The future lies in personal learning networks and paths, learning that blends experiential and digital approaches, and free and open-source educational models. Increasingly, you will decide what, when, where, and with whom you want to learn, and you will learn by doing. The university is the cathedral of modernity and rationality, and with our whole civilization in crisis, we are poised on the brink of a new Reformation.”

I loved talking to Anya Kamenetz and wish we had more time to talk – not just about her book and the work she did to write it, but her incisive ideas and her many interests in modern, connected culture.  We had a great conversation talking about her book and so many of her ideas.  She’s incredibly intelligent, has complete command of her subject and is a terrific writer  – her extensive experience as a journalist serves her well both in conversation and in the longer form of a full length book.  She can work with big swatches of information and ideas and make them clear and understandable, and importantly, never bores her readers.  Hopefully I’m not alone in wanting see this book help us envision and then implement significant change in education, learning and social change.  This is a book that can make a real difference.

Anya Kamenetz is a staff writer for Fast Company magazine. The Village Voice nominated her for a Pulitzer Prize for contributions to the feature series Generation Debt, which became a book in 2006. She has written for the New York Times, appeared on CNN and National Public Radio, and been featured as a “Yahoo Finance Expert.” A frequent speaker nationwide, Anya blogs at Fastcompany.com, The Huffington Post, and anyakamenetz.blogspot.com. She lives in Brooklyn with her husband.

978-1-935212-05-8 – Hardcover – Easton Studio Press – $21.95

Biscuitville – the company – is a small family owned chain of breakfast restaurants based in North Carolina.  It’s a very successful company financially, but what makes it special is its commitment to real values and to its people above everything else.  This is a company that “walks the talk” in ways that are really striking and deserve attention.

Despite knowing about and even having lived in North Carolina at one point, I had not heard of the company before reading this book.  I was really impressed by what I learned here.  This is not your standard issue company, nor is this your standard issue business book.  Author Phil Johnston is a veteran in business himself, as his biography indicates: he’s a “serial CEO”, having founded 10 successful venture-backed companies, earning him the CED Entrepreneur of the Year award in 1997.  He has been a director of five public companies, including a NYSE-listed company. He holds degrees in economics from Duke University, The Stern Graduate School of Business at NYU, his J.D. from the University of North Carolina Law School and was a scholar at the JFK School of Government at Harvard.

This book tells the story of Biscuitville, the company, but the focus of the book is really about seeing this successful small business as a model for how all business should work.  Scale is no excuse for giving up the values that have marked the growth of the Biscuitville chain.  Anyone in business can learn from the lessons taught by the founders and subsequent generations that are now operating Biscuitville.  It’s really a great story, optimistic and uplifting for anyone who wonders whether American business can be saved.

In my interview with author Johnston, we talked about the Biscuitville company story, and how he came to write it, and we touched upon his wide experience in business, especially on the public side, and how the lessons of this small private company can be transferred to bigger businesses and organizations.   Phil is a great storyteller, with broad and deep knowledge, and an understanding of business issues I hope more people will get to experience through this talk.

Posted 3.22.10.  An excerpt of the book can be found at Chptr1.com.

Andrew Coe is a very fine writer indeed – his experience as a journalist shows.   Like Mark Kurlansky (Cod, still one of my favorite books among many others he has written), Andrew takes deeply researched historical information and presents them smoothly, telling stories that are packed with fascinating details to bring a subject we think we know into much clearer perspective.

In Chop Suey, Coe takes us on a long journey, beginning in 1784 with the earliest contacts between Americans and China.  Throughout, it is hard not to be surprised and sometimes embarrassed by the incredible self centered and disrespectful Americans.  At times they were better at understanding and working with the absolute foreignness of Chinese culture and experience than were the Europeans, but only marginally so.  At the time the first wave of Chinese immigrants came to America in the mid-19th century, only a few Americans knew anything meaningful or substantive about China and the Chinese, and much of what they did “know” was untrue or seriously exaggerated.  And later, American xenophobia reached astonishing heights, as Coe documents, with the now forgotten banning of citizenship to Chinese people who had as much right to be here as any other immigrants.

The gulf of understanding between Americans and Chinese had a great deal to do with the way Chinese food was received in this country, but Coe documents in compelling detail, the way that Chinese cuisine came to become the integral part of the American cuisine that it is today, with over 40,000 Chinese restaurants of many different kinds.  With the gradual Chinese migration to the East Coast, eventually New York “Bohemians” discovered Chinese restaurants, and made wildly popular, the seemingly new dish, chop suey.  In fact, according to Coe, it was a peasant cuisine from one part of China that came to dominate Chinese-American restaurants.

There are many great stories along the way to where we are today.  Coe talks about how American Jews fell in love with Chinese restaurants and in particular makes a great story of President Richard Nixon’s 1972 trip to China and how it opened minds and palates across America.  This was a particularly fun part of the book for me.  For anyone who loves food of any kind, and especially the intersection of food and culture, this book will be a pleasure to read.

Talking to Andrew was a pleasure.  He gives a terrific interview – fully in command of his subject, and really fun to talk with.  I think that hearing our discussion will encourage readers to seek out this wonderful book.  I am certainly looking forward to his next book.

David M. Carroll has been “following the water” for almost his entire life.  He grew up in Connecticut, then lived in Massachusetts, and moved to New Hampshire to find places less disturbed by humans, where he could study turtles and their woodland, waterine habitats.  Which he has done now for many years.  Following the Water is subtitled “A Hydromancer’s Notebook; a hydromancer would be one who divines by the motions or appearance of water, which is certainly descriptive of what David Carroll does in his life and in this book, a poetic journal of a year of divining the natural world by close observation of it.

Most of us spend far too little time in nature, and many of those who do “use” the natural world for entertainment or work in a way that would be difficult to distinguish from how they treat the non-natural world.  What is so beautiful about Carroll’s work and his writing about it, is the depth of his observation, and his literal being in place.  Reading his elegiac descriptions of the watery environments of New England transported me to an almost metaphysical trance-like state of mind where I could imagine myself inhabiting the outside space in which he spends so much of his time.

Of course there is a terrible sadness in this book, as Carroll experiences the changes in the places he has known so well and so long, always brought on by the effects of constantly encroaching human development.  He knows the turtles and their environments will soon be threatened and knows there is almost nothing that can be done to protect them.  This is a feeling that many who work in and strive to protect our remaining wild places share, an ever present sense of desperation, as we near the tipping point of urban and suburbanization.

Carroll writes beautifully, and his drawings are exquisite.  Reading this book made me wonder how I had managed to miss reading his earlier books, and has spurred me to go out and get them all.  Here’s a perfect example of the quiet power of his prose:

“As daylight diminishes, the peep-frog chorus intensifies in the backwaters of a fen a quarter mile away. With raucous clamor and a rushing wind of wings beats a flurry of grackles lifts off from the topmost canopy of the red maple swamp. In the quieting that follows, I hear again the drift of evensong from their red-winged cousins on the far side of the wetland mosaic. The season, like the water glimmering all around, extends before me.”

David Carroll is as enjoyable to hear talking as his writing is to read.  Interviewing him was a pleasure, tinged with a shared sense of dismay about what has happened to our shared New England natural environment.  Both this book and this talk are among my favorites, and I hope listeners will agree.

978-0451228192 – Hardcover – New American Library – $24.95

An entire book about one baseball game is probably unimaginable to many people.  Even diehard fans, even those who feel they have heard the story of Don Larsen’s unique feat more than enough times, will be surprised at how easy this book is to (avidly) consume.  Lew Paper manages to keep our attention, even though we know how the story comes out, even though we may know the game, the players, the era so well.  And there are plenty of surprises in these pages.

Paper is a very good writer, almost effortless, and a he is a natural storyteller who plainly loves the material he is writing about.  He uses the game as the structure for telling much more than the story of a single game, of course.  He portrays many of the players in this game, Dodger greats like Jackie Robinson, Carl Furillo, Roy Campanella, Junior Gilliam, and hard-luck pitcher Sal Maglie, the powerful Yankee team of the fifties, which sported Mickey Mantle, Yogi Berra, Billy Martin, Gil McDougal, Moose Skowron and Hank Bauer, all in the prime of their careers.  He brings to life the story of this great team rivalry between two boroughs of the greatest city on earth in the middle of the 1950s, an era that still can fascinate and enthrall us.  And of course baseball is the constant through time, whose essence does not change at all.

It does help to be a baseball fan to like this book, I am sure, and maybe having grown up in or near this great era of intra-New York City competition adds to one’s interest as well.  It was definitely a different time than today, when even star players held real jobs during the off season, and the amount of money won in a World Series could be just enough to give a player some modest luxuries and fleeting financial security.  And of course many of these players had grown up during the Depression, lived through or even fought in World War II or the Korean War.  That may account for some of the different attitudes and behaviors they exhibited on the field and among friends.

But there can be no doubt that Lew Paper has brought this game, these players, this era, vividly to life in a beautiful and brilliant manner.  Talking to him about this book, the research he did to write it, and some of his experiences in talking to surviving players, relatives and witnesses to Don Larsen’s spectacular (and still unique) feat , was a great pleasure for me.  I do love baseball, the game and its history have a terrific pull on me, as it does on many others, but baseball is also just a wonderful lens through which to see human beings, our culture, our foibles, our strengths and our desires.  Thanks to Lew Paper for this book and a terrific interview about it.

A bit more than year ago, longtime friends and former venture capitalist partners Tom Matlack and James Houghton began talking about exploring the meaning of manhood by getting men to share their stories. Today, the Good Men Project is a nonprofit foundation that benefits at-risk boys through the sales of its recently released book and a companion documentary, both titled “The Good Men Project: Real Stories from the Front Lines of Modern Manhood.” The book is a collection of 31 essays by men from all over the country, gay and straight, revealing experiences that are often harrowing but ultimately redemptive.  There’s also a DVD of the film available.

Not long ago, I read a story about this book and the fact that the editors could not find a publisher (“no one wants to read about men”).  Being entrepreneurs and successful business people, of course they went ahead and published the book themselves – and did a very nice job of it too.  The book is divided into sections – Fathers, Sons, Husbands, Workers – pretty much all the categories that men will identify themselves at one time or another.  The stories are powerful, emotional without being cloying or sentimental, transformative, in some cases, plain and simply the telling of personal truths that benefit others.

This is a new generation of men talking about their lives, and while some things are different for men certainly than they were in the era when talking about one’s emotional life was unimaginable and unaccepted, it’s still not easy for men to talk meaningfully about the real things that motivate them, or worry them, or even scare them deeply.  The book certainly resonated with me, as I am sure it will for many men.

The Good Men Project is not, however, about therapy and simply talking to each other.  There’s a real agenda here, to make a difference, to make change, to do good (The Good Men Foundation is a registered New York State 501(c)(3) charitable corporation dedicated to helping organizations that provide educational, social, financial or legal support to men and boys at risk. All proceeds from the sales of The Good Men Project: Real Stories from the Front Lines of Modern Manhood book and documentary film DVD will be distributed to the Foundation and will be used exclusively for the charitable mission of the Foundation).

The book features a wide range of writers, some professionals, many not.  The writing is very good throughout.  My interview with Tom Matlack covered alot of territory, including the story behind the whole project, and about this book, the other men who are involved with it, and how the Good Men Project works.  This is a valuable effort that I hope will be broadly successful.

978-1-59962-072-5 – Hardcover – Welcome Books – $50.00

If you love beautiful books, Slow: Life in a Tuscan Town by Douglas Gayeton will be irresistible.  Gayeton is a film maker who ended up living in a small town in Tuscany that his wife (at that time) was from.  When she left him, he stayed.  He learned to speak Italian, and fell in love with the people, the place, and the pace of a community that was completely foreign to him and his American way of being.  As he told me in this interview, as a film maker, he is used to telling stories.  When he began to take photographs, thousands of them, the only way he could make sense of them was to create a narrative from them.

Which he did, by writing notes on the actual photographs, and also by layering multiple shots of the same scene over time.  The effect of the images and words here is mesmerizing.  And of course the representation of these people, their way of living, and the places they inhabit embody the stories Gayeton tells here.

This is both a personal narrative and one that – as great art must do – transcends and transforms the specific experiences portrayed.  Gayeton takes us on his journey to help us understand ourselves through an experience of others, just as he did.  I view these photographs and read the writing on them (notes, anecdotes, recipes, and many facts about Tuscany and Tuscan life), and find myself transported – beyond the “real” places he pictures to an almost spiritual state of being that is based in the imagination and soul of place.  “Slow” living is something all of us who are seeking meaning need to experience, Slow: Life in a Tuscan Town is a doorway that will help us enter that experience.  Welcome Books deserves a lot of credit for making this spectacular book.

DOUGLAS GAYETON is a filmmaker, photographer, and writer. His images are held in a number of influential museum and private collections around the world, and have been featured in numerous print and online media, such as Time Magazine. Since the early 90s he has created award-winning work at the boundaries of traditional and converging media for AOL, MSN, MTV, Yahoo, Fox, Vivendi, Sony, Viacom, Sega, Intel, National Geographic, PBS, Warner Bros., Columbia, and Virgin Records. Recent projects include LOST IN ITALY, a 26 episode interstitial TV series Gayeton created, directed, and shot for Fine Living, and A SECOND LIFE ODYSSEY for HBO, the first documentary shot inside a virtual world.

Doug Gayeton is also a terrific interviewee, who tells his story particularly well.

What a great book!  This is one of those modern nonfiction books by a really smart and talented writer that communicates a great deal of information almost effortlessly.  Tony Horwitz takes us on a wonderful journey, his own individualistic, funny, sometimes painful, and always fascinating tour of North American history. It all started with a chance visit to Plymouth Rock that made him realize how little he knew about the early colonization and settlement of North America before the Pilgrims arrival in 1620.  It wasn’t long before he set out on a very long journey, as he puts it “in the footsteps of the many Europeans who preceded the Pilgrims to America.”

He traces many stories and visits many places on his own epic trek — from Florida’s Fountain of Youth to Plymouth’s sacred Rock, from desert pueblos to subarctic sweat lodges. Tony has a healthy regard for history and an equally healthy disregard for accepting the accepted wisdom and stories about the Europeans of all kinds who managed to get to America, muck about the place, sometimes with disastrous or horrific results, and he does not forget to talk about the people who were already here when the Europeans arrived.  Overall, he is funny, tells great stories, brilliantly illuminates the people, places and myths that dot our past, and while it is trite to say, he definitely brings a long run of history vividly to life.  For those of us who do know our American history, this book is fun and rewarding, and for those who missed it, I can think of no better way to learn about this early period of North American history up close and personal than to read A Voyage Long and Strange.

I heard Tony talk about this book and read from it at the Martha’s Vineyard Book Festival this summer and knew instantly that I wanted to read it myself.  He definitely has one of the most engaging approaches to history and story telling you will ever run across.  Probably reflecting his own engaging personality, as my interview with Tony will show you.  He has a great website with alot of information about this, his newest book, and his other four books at www.tonyhorwitz.com.

Galen Rowell was an incredible photographer, documenting and interpreting nature all over the world.  He was an accomplished mountain climber, so he was able to reach places that most other photographers could never go.  He died tragically and far too early in an airplane crash in 2002.  I’ve been familiar with his work through many books, calendars and exhibitions, but really did not know a great deal about him.  Peter Beren, who I have known through the book business, has authored and edited numerous books, including The Writer’s Companion, Vintage San Francisco, and Hidden Napa Valley. He was the publisher of Sierra Club Books and founding publisher of VIA Books, and now lives and works independently in San Francisco.

California the Beautiful is both a photography book and a literary meditation on California as a place of transcendent beauty.  The geography of California has engendered some of the great nature writing of our time, and much of that work is featured here.  Peter talked at length about the genesis of this project, his work with Galen Rowell, the way Rowell worked and Peter also read some of the wonderful selections of writings that are included in this book.

California the Beautiful is both a portrait of the state’s diverse natural beauty and, through the incredible voices of its writers, a testament to the ever-renewing spirit that it has come to embody. Aldous Huxley, British author turned Hollywood resident, described the California dream as “this great crystal of light, whose base is as large as Europe and whose height for all practical purposes, is infinite.”

Among the other authors offering praise are Maya Angelou, Mary Austin, Ray Bradbury, Joan Didion, Gretel Ehrlich, Lawrence Ferlinghetti, M.F.K Fisher, Robertson Jeffers, Jack Kerouac, Clarence King, Jack London, Henry Miller, John Muir, William Saroyan, April Smith, John Steinbeck, Robert Louis Stevenson, Mark Twain, Nathanael West, and Walt Whitman.

This is a beautiful book that inspires an almost altered state in the reader, as the saturated colors move from eye to brain.  But the photos and the writing made me want to get in my car and drive straight west to see some of the places there that absolutely must be experience first hand by every American.

An excerpt of California the Beautiful is available at www.chptr1.com.

I learned a great deal from reading this excellent book.  Not just information about trains – there’s alot here – but about the people who around the United States who are working to make train travel a viable alternative to driving, about the communities and states where rail is succeeding, about the history and scope of railroads in America and around the world, and specifically a great deal about Amtrak, its ongoing struggles, as well as the modern freight railroads that are thriving today.  Jim McCommons has alot to tell, but he never lectures us.  Because the book is built on the backbone of his year spent traveling around America by rail, and because McCommons is an experienced and talented journalist, Waiting on a Train beautifully combines travelogue, personal memoir and transportation analysis and history that gives us a great introduction to an important and large subject that might otherwise seem opaque and difficult to approach.

McCommons spent much of 2008 in trains.  He talked to travelers, workers on the railroads, policy makers, professional planners, politicians, including many of the people who have been most involved in passenger rail policy for the past 35 years.  Waiting on a Train is not a sentimentalist’s approach to rail travel.  McCommons tells us plainly what the challenges are for those of us who want to see mass transit developed into a meaningful alternative to automobile and air travel.  And he does not pull punches – developing passenger railroads is not going to be easy and it will not happen quickly.  It’s important to realize that only 2% of the American public has actually ever ridden a train – a stunning fact I learned from this book.  I’d recommend this book for anyone who loves trains, an easy call, but I’d also like to see people who have never even thought about riding on a train read this book so they will understand why rail must be an essential component of the American transportation system of the future.

In my interview with James McCommons, we talked in detail about what it was like for him to spend so much time in trains, writing this book, and many of the subjects he covered.  He talks about high speed rail, the differences between Europe and America, meeting railroad policy makers, and talking to regular travelers from many different backgrounds.  It’s a fascinating story I hope will be widely read and discussed.

Andi Silverman, author of Mama Knows Breast, interviewed by Writerscast host David Wilk

As a middle aged man, I am clearly not the audience for this book, but when I saw a copy of the book and read the first few chapters I knew right away this would be an author I wanted to interview.  Mama Knows Breast is a great title for a book (as well as for the author’s very well put together and consistently informative website). And her publisher, Quirk Books, has put together a beautifully produced paperback with very cool and comforting illustrations.

As the author, Andi Silverman tells me in our interview, she wanted to write the book she needed when she was looking around at books about breastfeeding – something not medical, or like a textbook, but a book for moms by a mom, with humor, a caring approach, and above all, not judgmental regardless of the decisions each mom makes about breastfeeding.

And of course, as she rightly points out, breastfeeding is not just a subject for women.  Having been father to two breastfed children, I can attest this is true.  Breastfeeding is not a choice that every woman or family can make of course.  But breast milk is healthy and natural, and better for the baby and child than any formula.  My interview with Andi Silverman reflects her spirit and approach as an author – she is full of good advice gently given, and is someone almost any woman would want to consult for advice.

While I was reading The Bridge at the Edge of the World, I often would exclaim out loud as so many of the ideas the author talks about are ones I believe in and feel are important to the dialog about the future of our planet.  This is an important book that should be widely read, discussed and used as the basis of action – and soon!

Co-founder of the NRDC, former Yale University dean, and former White House advisor James Gustave Speth has been a leader in the environmental movement for more than 30 years.

Now, faced with overwhelming evidence of galloping degradation of the planet, Speth has concluded that the environmental project—his project—has failed. No matter how hard environmentalists work, the current of destruction against which they are swimming is simply too swift. In order to preserve a livable planet for future generations, Speth argues in The Bridge at the Edge of the World that the current itself must be altered. And the current is that untouchable edifice, American-style consumer capitalism.

I found this book to be powerful and compelling and wanted to talk to “Gus” Speth about the implications of his thinking.  How should we go forward when we know that the way we live today is putting us on a collision course with the natural world?  How do we build new ways of living that are sustainable?  And how are we going to do this in the face of so many entrenched interests that will oppose the essential changes we feel are necessary for human survival and for the preservation natural systems in a viable planet earth?

While this interview is perhaps all too brief, Speth talks in depth about some of his ideas and answers my questions with his typical incisiveness and intelligence.

Viking – $24.95

Alice Eve Cohen’s memoir tells an incredible story – a writer and playwright, she was diagnosed as infertile in her thirties, she adopted a daughter with her then-husband (whom she later divorced).  At 44 she began to experience strange physical symptoms – after six months of suffering she was finally recognized as being pregnant.  In many ways that was only the beginning of her story – which is an incredible, honest, sometimes funny but as often a painful journey of discovery.

I generally am not that interested in the modern memoir – most people’s stories are just not that interesting.  But I was attracted to Alice’s story right away, partly because of my own experience with DES and its damages to the children whose mothers took that fertility drug.  Alice’s persona shines through her story.  She is vivid and clear about everything that happened to her and how she felt at the time, and later, and she pulls no punches, including her own foibles, fears, and weaknesses throughout.

Overall What I Thought I Knew is a wonderful book that holds our attention throughout.  It’s transformative for the author and for the reader.  In my interview with Alice Eve Cohen, we talked in detail about the book and her experiences then and now (the events took place several years ago).  She’s not only a wonderful writer but a great interview subject as well.

Chelsea Green Press – $27.95

This is one of the most important and challenging books I have read in a long time.  In this book Martin Melaver tells stories about his life, his business, his family, and his community, as a  framework for understanding how business can (and must) change, in order to become truly sustainable, to become additive rather than extractive, and to rethink the way business is done.  As the publisher says: “Living Above the Store is for readers who care about issues of community and sustainability as well as for those who want to learn more about how a socially responsible business can first redefine, and then find, success.”  In this interview, Martin and I talk in depth about the key ideas in the book, and talk in detail about some of the practical issues the book raises for so many who want to make a difference.  Martin demonstrates his clarity of thought and deep commitment to truly making change in business and community.  Highly recommended!

Martin Melaver has been CEO of Melaver, Inc., since 1992. Never content with the well-trod path, he has a PhD in literature from Harvard University and an MBA from Northwestern University’s Kellogg School of Management. He is actively involved with numerous community organizations in and around Savannah, Georgia. Melaver splits his time between Savannah and Tel Aviv, Israel. …

University of Wisconsin Press  $26.95

Lev Raphael grew up loathing everything German. A son of Holocaust survivors, haunted by his parents’ suffering and traumatic losses under Nazi rule, he was certain that Germany was one place in the world he would never visit. Those feelings shaped his Jewish and gay identity, his life, and his career.  In “My Germany.” Raphael explores many layers of his personal life, including his visits to Germany, his complex relationships with his parents and his inner self.  My interview with this interesting and engaging writer ranges across a variety of subjects, including the author’s writing methods, a discussion about this new book and his life as a writer, the nature of memoir, memory, and the discovery of self.

Writerscast host David Wilk interviews investigative journalist Russ Baker, author of the newly released FAMILY OF SECRETS: The Bush Dynasty, the Powerful Forces That Put It in the White House, and What Their Influence Means for America. Baker started his investigation into the Bush family during the most recent Bush administration, thinking that he would be able to understand how the “unlikely” George W actually became President of the most powerful nation on earth. This simple investigation turned into something far deeper – and ultimately Baker learned details about the Bush family going back three generations that connects them to some of the major political events of the last 75 years. In Part Two of Wilk’s two part interview with Baker, they discuss more details of the startling and controversial content of the book. Baker discusses the information he uncovered about the “real” George Bush and his role in the still unfolding story of the Bush family dynasty. He talks about the image and the reality of our ex-President and suggests what we as citizens can do to learn more about how our country really operates.

Writerscast host David Wilk interviews investigative journalist Russ Baker, author of the newly released FAMILY OF SECRETS: The Bush Dynasty, the Powerful Forces That Put It in the White House, and What Their Influence Means for America. Baker started his investigation into the Bush family during the most recent Bush administration, thinking that he would be able to understand how the “unlikely” George W actually became President of the most powerful nation on earth. This simple investigation turned into something far deeper – and ultimately Baker learned details about the Bush family going back three generations that connects them to some of the major political events of the last 75 years. In Wilk’s two part interview with Baker, they discuss much of the startling and controversial content of the book. Baker talks in detail about his background as a journalist and many of the intriguing Bush family stories. Warning: some of what you learn here will be frightening!

978-1935073-02-4
Ashoka Books, Hardcover $14.95

“There is cause to hope, and believe, that there can be an end to war.”
–Lt. Col. Dave Grossman, U.S. Army (ret.), author of On Killing

Writerscast host David Wilk interviews first time author US Army Captain Paul K. Chappell, whose new book, Will War Ever End? A Soldier’s Vision of Peace for the 21st Century will be published in February, 2009.  The author talks about his personal background, why an active duty soldier who has served in Iraq has written a “manifesto for waging peace,” and explores some of the powerful ideas he covers in his new book.  In a wide ranging interview Captain Chappell makes clear that achieving peace is not just a cliche, discusses the practical ways we can all work toward an active state of peace on earth, and gives compelling evidence for his reasoning that human beings are not naturally violent.   In this interview the author shows why his powerful and original ideas are receiving so much attention among thinkers and activists for peace.  The book website is located at www.paulkchappell.com.

This fun WritersCast podcast has host David Wilk interviewing Liz Dubelman, co-editor of the wonderfully entertaining collection of first person essays by women describing those special moments in relationships when they suddenly realized: it’s not going to work.  WHAT WAS I THINKING: 58 Bad Boyfriend Stories will be published February 3, 2009.  Dubelman, co-founder of www.vidlit.com, talks about the genesis of the book, how she and co-editor Barbara Davilman (co-author of YIDDISH WITH DICK AND JANE) collected the essays in the book, how women are responding to it, and why it seems men do not have the same sensibilities about relationships that women do.  Dubelman also talks about “Come to Your Senses Day” – February 15, and the book’s website www.c2ysd.com.